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About: Sara Mingardo     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatPerformersOfEarlyMusic, within Data Space : dbpedia.org associated with source document(s)

Type: Thingpersonyago:WikicatContraltosyago:WikicatLivingPeopleyago:WikicatWomenyago:WikicatOperaSingersyago:WikicatOperaticContraltosyago:Adult109605289yago:Artist109812338yago:CausalAgent100007347yago:Contralto109961198yago:Creator109614315yago:Entertainer109616922yago:Female109619168yago:LivingThing100004258yago:Musician110339966yago:Musician110340312yago:Object100002684yago:Organism100004475yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:WikicatItalianContraltosyago:WikicatItalianMusiciansyago:WikicatItalianOperaSingersyago:WikicatItalianPeopleyago:Woman110787470yago:YagoLegalActoryago:YagoLegalActorGeoyago:Singer110599806yago:Whole100003553yago:Wikicat20th-centuryItalianPeopleyago:Wikicat21st-centuryItalianPeopleyago:WikicatPerformersOfEarlyMusic New Facet based on Instances of this Class

Sara Mingardo (born 2 March 1961) is an Italian classical contralto who has had an active international career in concerts and operas since the 1980s. Her complete recording of Anna in Hector Berlioz's Les Troyens won a Gramophone Award and both the Grammy Award for Best Opera Recording and the Grammy Award for Best Classical Album in 2002. Some of the other roles she has performed on stage or on disc include Andronico in Tamerlano, Mistress Quickly in Falstaff, Rosina in The Barber of Seville, and the title roles in Carmen, Giulio Cesare, Riccardo Primo, and Rinaldo. She has also recorded several Vivaldi cantatas, Bach cantatas, and such concert works as Mozart's Requiem, Rossini's Stabat Mater, and Vivaldi's Gloria among others.