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A Partimento (from the Italian: partimento, plural partimenti) is a sketch (often a bass line), written out on a single staff, whose main purpose is to be a guide for the improvisation ("realization") of a composition at the keyboard. A Partimento differs from a basso continuo accompaniment in that it is a basis for a complete composition. Partimenti were central to the training of European musicians from the late 1600s until the early 1800s. They were developed in the Italian conservatories, especially at the music conservatories of Naples, and later at the Paris Conservatory, which emulated the Neapolitan conservatories.

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  • Partimento (de)
  • Partimento (it)
  • Partimento (en)
  • Партимент (ru)
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  • Als Partimento (ital.) bezeichnet man eine didaktisch ausgerichtete bezifferte oder unbezifferte Generalbass-Stimme. (de)
  • A Partimento (from the Italian: partimento, plural partimenti) is a sketch (often a bass line), written out on a single staff, whose main purpose is to be a guide for the improvisation ("realization") of a composition at the keyboard. A Partimento differs from a basso continuo accompaniment in that it is a basis for a complete composition. Partimenti were central to the training of European musicians from the late 1600s until the early 1800s. They were developed in the Italian conservatories, especially at the music conservatories of Naples, and later at the Paris Conservatory, which emulated the Neapolitan conservatories. (en)
  • Il partimento è uno strumento di pedagogia musicale utilizzato tra il 1700 e il 1800 per insegnare armonia, contrappunto e improvvisazione. Di aspetto si presenta molto simile alla pratica del basso continuo e può essere cifrato o non cifrato. (it)
  • Партиме́нт (итал. partimento, от итал. parte часть, голос [многоголосной фактуры]) — упражнение по гармонизации баса (= басового голоса многоголосной фактуры), распространённое в Италии во второй половине XVIII и в начале XIX веков. Партименты, обобщавшие типичные в мажорно-минорной тональности басовые ходы (автентические и плагальные каденции, кварто-квинтовые секвенции, нисходящий хроматический ход, восходящий и нисходящий октавные диатонические звукоряды и т.п.), использовались для развития гармонического слуха и навыка импровизированной полифонии в обучении преимущественно клавишников (клавесинистов, органистов, пианистов) и композиторов. (ru)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Fedele_Fenaroli.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Fenaroli_Partimento_Fugue_8,_Book_5,_Gj1418.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Fenaroli_Partimento_No_1_Book_1_Gj1301.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Francesco_Durante.png
  • http://commons.wikimedia.org/wiki/Special:FilePath/L.Leo.png
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