• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Johannes Ghiselin     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatRenaissanceComposers, within Data Space : dbpedia.org associated with source document(s)

Type: Thingpersonyago:Artist109812338yago:CausalAgent100007347yago:Composer109947232yago:Creator109614315yago:LivingThing100004258yago:Musician110339966yago:Object100002684yago:Organism100004475yago:Person100007846yago:PhysicalEntity100001930yago:WikicatItalianComposersyago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553yago:Wikicat16th-centuryDutchPeopleyago:WikicatFranco-FlemishComposersyago:WikicatFrenchComposersyago:WikicatRenaissanceComposers New Facet based on Instances of this Class

Johannes Ghiselin (Verbonnet) (fl. 1455–1511) was a Flemish composer of the Renaissance, active in France, Italy and in the Low Countries. He was a contemporary of Josquin des Prez, and a significant composer of masses, motets, and secular music. His reputation was considerable, as shown by music printer Ottaviano Petrucci's decision to print a complete book of his masses immediately after his similar publication of masses by Josquin – only the second such publication in music history.