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Grimace (fl. mid-to-late 14th century; French: [ɡʁi.mas]; also Grymace, Grimache or Magister Grimache) was a French composer-poet in the ars nova style of late medieval music. Virtually nothing is known about Grimace's life other than speculative information based on the circumstances and content of his five surviving compositions of formes fixes; three ballades, a virelai and rondeau. He is though to have been a younger contemporary of Guillaume de Machaut and based in southern France. Three of his works were included in the Chantilly Codex, which is an important source of ars subtilior music. However, along with P. des Molins, Jehan Vaillant and F. Andrieu, Grimace was one of the post-Machaut generation whose music shows few distinctly ars subtilior features, leading scholars to recogniz

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  • Grimace (compositeur) (fr)
  • Grimace (composer) (en)
  • Grimace (compositore) (it)
  • グリマス (作曲家) (ja)
rdfs:comment
  • Grimace, anche Grymace o Grimache, (... – ...; fl. XIV secolo), è stato un compositore francese, attivo nel tardo XIV secolo. (it)
  • グリマス(Grimace, aka Grymace, Grimache, 活動:1350年 - 1375年)は14世紀のフランスの作曲家。 グリマスはギヨーム・ド・マショーの同時代人で、音楽史でアルス・ノーヴァとして知られる時代に活動した。グリマスの生没年月日は不明で、わかっているのは、中世西洋音楽の写本に曲を残していることくらいである。うち、5曲はグリマスの作品と考えて間違いないが、残りの2曲は様式の点でいささか疑わしい。グリマスの曲の中では、ヴィルレー『A l'arme, A l'arme(我が胸に、胸に)』が有名で、現代でもしばしば演奏されている。 グリマスの曲と考えて間違いない5曲は以下の曲である。 * Dedens mon cuer(バラード) * Des que buisson(バラード) * Se Zephirus/Se Jupiter(バラード) * Je voy ennui(ロンドー) * A l’arme/A l’arme/Tru tru(ヴィルレー) 疑わしい2曲とは以下の曲である。 * C’estoit ma douce(ヴィルレー) * Rescoés: Horrible feu d’ardent desir/Rescoés: Le feu de mon loyal servant(ヴィルレー) (ja)
  • Grimace (fl. mid-to-late 14th century; French: [ɡʁi.mas]; also Grymace, Grimache or Magister Grimache) was a French composer-poet in the ars nova style of late medieval music. Virtually nothing is known about Grimace's life other than speculative information based on the circumstances and content of his five surviving compositions of formes fixes; three ballades, a virelai and rondeau. He is though to have been a younger contemporary of Guillaume de Machaut and based in southern France. Three of his works were included in the Chantilly Codex, which is an important source of ars subtilior music. However, along with P. des Molins, Jehan Vaillant and F. Andrieu, Grimace was one of the post-Machaut generation whose music shows few distinctly ars subtilior features, leading scholars to recogniz (en)
  • Grimace (également Grymace ou Grimache) est un compositeur français actif du milieu à la fin du XIVe siècle. Grimace est actif dans la période de l'histoire de la musique connue sous le nom d'ars nova et probablement un contemporain de Guillaume de Machaut, puisque ses compositions ne comportent pas les rythmes complexes de l'ars subtilior. Les dates de naissance et de décès de Grimace ne sont pas connues ; on en sait peu sur lui en dehors des attributions des manuscrits de musique médiévale. Cinq œuvres lui sont attribuées de manière certaine ; deux attributions douteuses ont été proposées sur la base de similitudes stylistiques. Son virelai, À l'arme, A l'arme, est son œuvre la plus souvent exécutée dans les temps modernes. (fr)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Grimace_-_Se_Zephirus.png
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