. . . . . . . . . . . ""@en . . "Americano"@en . . "DJ White Shadow"@en . . "2011-05-23"^^ . . . "Streamline"@en . . . . . . . "Lady Gaga"@en . "Studio Bus"@en . . . "Americano (\u043F\u0435\u0441\u043D\u044F \u041B\u0435\u0434\u0438 \u0413\u0430\u0433\u0438)"@ru . "\"Americano\" \u00E9 uma can\u00E7\u00E3o gravada pela cantora e compositora norte-americana Lady Gaga para o seu segundo \u00E1lbum de est\u00FAdio, Born This Way (2011). Embora o disco tenha sido lan\u00E7ado mundialmente apenas a 23 de Maio de 2011, a can\u00E7\u00E3o j\u00E1 havia sido disponibilizada no jogo virtual online FarmVille tr\u00EAs dias antes. O seu conceito foi desenvolvido pela cantora enquanto ainda se apresentava nos concertos da The Monster Ball Tour em 2010 na Europa, ap\u00F3s ter sido informada sobre a implanta\u00E7\u00E3o da Proposi\u00E7\u00E3o 8 no estado da Calif\u00F3rnia, que baniu o matrim\u00F3nio entre indiv\u00EDduos do mesmo g\u00E9nero sexual. O tema foi prontamente concebido com o aux\u00EDlio do colaborador Fernando Garibay e gravado em um est\u00FAdio implantado no autocarro da digress\u00E3o. Brian Lee, Paul Blair e Cheche Alara acrescentaram versos \u00E0 m\u00FAsica,"@pt . . . . . . . . . . . . . . . . . . . . ""@en . . "4.1"^^ . . . . . . . . . . . . . . . . . . . . . "Americano (canci\u00F3n)"@es . . . . . . ""@en . . . . . "Fernando Garibay"@en . . . . . . . . . . . . . . . . . "\"Americano\" \u00E9 uma can\u00E7\u00E3o gravada pela cantora e compositora norte-americana Lady Gaga para o seu segundo \u00E1lbum de est\u00FAdio, Born This Way (2011). Embora o disco tenha sido lan\u00E7ado mundialmente apenas a 23 de Maio de 2011, a can\u00E7\u00E3o j\u00E1 havia sido disponibilizada no jogo virtual online FarmVille tr\u00EAs dias antes. O seu conceito foi desenvolvido pela cantora enquanto ainda se apresentava nos concertos da The Monster Ball Tour em 2010 na Europa, ap\u00F3s ter sido informada sobre a implanta\u00E7\u00E3o da Proposi\u00E7\u00E3o 8 no estado da Calif\u00F3rnia, que baniu o matrim\u00F3nio entre indiv\u00EDduos do mesmo g\u00E9nero sexual. O tema foi prontamente concebido com o aux\u00EDlio do colaborador Fernando Garibay e gravado em um est\u00FAdio implantado no autocarro da digress\u00E3o. Brian Lee, Paul Blair e Cheche Alara acrescentaram versos \u00E0 m\u00FAsica, que foi finalizada no est\u00FAdio The Mix Room em Burbank, Calif\u00F3rnia. Musicalmente, \"Americano\" \u00E9 uma obra essencialmente pop que incorpora fortemente o g\u00E9nero musical mariachi e \u00E9 influenciada por house, techno e disco-pop cujas letras abordam o \"Sonho Americano\" e cont\u00EAm v\u00E1rios assuntos religiosos, culturais e pol\u00EDticos, inclusive a Lei de Imigra\u00E7\u00E3o do Arizona, a Arizona SB 1070, que \u00E9 uma medida extremamente r\u00EDgida implantada contra a imigra\u00E7\u00E3o ilegal para aquele estado. Este marca o primeiro lan\u00E7amento bilingue de Gaga desde \"Alejandro\" (2009), can\u00E7\u00E3o com a qual \"Americano\" foi bastante comparada pela cr\u00EDtica especialista em m\u00FAsica contempor\u00E2nea, que ainda fez elogios \u00E0 mensagem transmitida na sua composi\u00E7\u00E3o, todavia, criticou a sua produ\u00E7\u00E3o e ainda fez compara\u00E7\u00F5es com o single \"La Isla Bonita\" (1987), de Madonna. Aquando do lan\u00E7amento inicial de Born This Way, a faixa estreou na posi\u00E7\u00E3o 98 da tabela musical internacional Gaon Chart na Coreia do Sul, e devido a um acumulado de vendas digitais intenso do seu remix oficial, produzido por Gregori Klosman, a m\u00FAsica estreou na d\u00E9cima s\u00E9tima coloca\u00E7\u00E3o da Hot Dance Electronic/Digital Songs. A fim de promover e divulgar a obra, \"Americano\" foi interpretada pela cantora em v\u00E1rios eventos precedentes ao lan\u00E7amento de Born This Way, incluindo o Big Weekend da BBC Radio One em Carlisle, Cumbria e em um concerto na cidade de Guadalajara, M\u00E9xico, ambos como parte da The Monster Ball Tour. Al\u00E9m disso, foi inclusa no alinhamento de faixas da digress\u00E3o The Born This Way Ball (2012-13) e recebeu uma vers\u00E3o cover cantada por Kate Hudson na s\u00E9rie de televis\u00E3o Glee."@pt . . . . "\u00ABAmericano\u00BB es una canci\u00F3n interpretada por la cantante estadounidense Lady Gaga, incluida en el segundo \u00E1lbum de estudio de la cantante, Born This Way, de 2011. Fue escrita y producida por ella, DJ White Shadow y Fernando Garibay. Siendo una canci\u00F3n mariachi-techno-pop, habla sobre lo que el sue\u00F1o americano significa para Gaga, sobre las leyes de inmigraci\u00F3n, el matrimonio igualitario, y otras leyes injustas para la cantante.\u200B\u200B\u200B La canci\u00F3n fue estrenada en las fechas mexicanas del Monster Ball, siendo est\u00E1 tocada de manera ac\u00FAstico junto a Garibay.\u200B"@es . "246.0"^^ . "2011-05-23"^^ . . . . . . . . "The Mix Room"@en . . . . "Americano"@en . . . . "1123426244"^^ . . . . . . . . . . . . . . . . . . . . . "August 2010"@en . . . . "\"Americano\" is a song recorded by American singer Lady Gaga, taken from her second studio album, Born This Way (2011). The song was written and produced by Gaga with DJ White Shadow, Fernando Garibay, and Brian Lee. \"Americano\" was influenced by the events surrounding the repeal of the controversial California Proposition 8\u2014a ballot proposition that defined marriage as a union between opposite-sex couples, thereby prohibiting and invalidating same-sex marriage throughout the state\u2014as well as the growing struggles of Mexican immigrants. It combines mariachi, house, and techno genres with elements from Latin music. Lyrically, the song talks about Lady Gaga's infatuation with a woman."@en . . . . . . . ""@en . . . . . . "31434063"^^ . . . "Americano (song)"@en . . . . . . . . . . "\u00ABAmericano\u00BB es una canci\u00F3n interpretada por la cantante estadounidense Lady Gaga, incluida en el segundo \u00E1lbum de estudio de la cantante, Born This Way, de 2011. Fue escrita y producida por ella, DJ White Shadow y Fernando Garibay. Siendo una canci\u00F3n mariachi-techno-pop, habla sobre lo que el sue\u00F1o americano significa para Gaga, sobre las leyes de inmigraci\u00F3n, el matrimonio igualitario, y otras leyes injustas para la cantante.\u200B\u200B\u200B La canci\u00F3n fue estrenada en las fechas mexicanas del Monster Ball, siendo est\u00E1 tocada de manera ac\u00FAstico junto a Garibay.\u200B \u00ABAmericano\u00BB recibi\u00F3 comentarios mixtos por parte de los cr\u00EDticos de m\u00FAsica contempor\u00E1nea, comentando que \u00ABera mucho mejor cuando era \"Alejandro\"\u00BB y otros describiendo el acento espa\u00F1ol de Gaga como \u00ABmiserable\u00BB.\u200B\u200B Por otro lado, logr\u00F3 llegar a la posici\u00F3n n\u00FAmero 12, en la lista Gaon Chart.\u200B Adem\u00E1s la canci\u00F3n fue utilizada en un avance de la pel\u00EDcula El Gato con Botas, protagonizada por Antonio Banderas\u200B y fue interpretada en la serie Glee por Kate Hudson en el primer cap\u00EDtulo de su cuarta temporada, combinada con la canci\u00F3n \u00ABDance Again\u00BB de Jennifer L\u00F3pez.\u200B"@es . "\"Americano\" is a song recorded by American singer Lady Gaga, taken from her second studio album, Born This Way (2011). The song was written and produced by Gaga with DJ White Shadow, Fernando Garibay, and Brian Lee. \"Americano\" was influenced by the events surrounding the repeal of the controversial California Proposition 8\u2014a ballot proposition that defined marriage as a union between opposite-sex couples, thereby prohibiting and invalidating same-sex marriage throughout the state\u2014as well as the growing struggles of Mexican immigrants. It combines mariachi, house, and techno genres with elements from Latin music. Lyrically, the song talks about Lady Gaga's infatuation with a woman. Critical response to \"Americano\" was mixed, and the song charted at number 17 on the US Dance/Electronic Digital Songs and number 98 on the South Korean Gaon International Download Chart. Gaga debuted the song in Guadalajara, Mexico on May 3, 2011, during her Monster Ball Tour performance. She later sang it on her Born This Way Ball tour (2012\u20132013), wearing an artificial replica of her infamous meat dress."@en . . . "\u00ABAmericano\u00BB (\u0440\u0443\u0441. \u00AB\u0410\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u043E\u00BB) \u2014 \u043F\u0435\u0441\u043D\u044F \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u043E\u0439 \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u0435\u043B\u044C\u043D\u0438\u0446\u044B \u041B\u0435\u0434\u0438 \u0413\u0430\u0433\u0438 \u0438\u0437 \u0435\u0451 \u0432\u0442\u043E\u0440\u043E\u0433\u043E \u0441\u0442\u0443\u0434\u0438\u0439\u043D\u043E\u0433\u043E \u0430\u043B\u044C\u0431\u043E\u043C\u0430 Born This Way. \u0410\u0432\u0442\u043E\u0440\u0430\u043C\u0438 \u043F\u0435\u0441\u043D\u0438 \u044F\u0432\u043B\u044F\u044E\u0442\u0441\u044F \u041B\u0435\u0434\u0438 \u0413\u0430\u0433\u0430, DJ White Shadow, \u0424\u0435\u0440\u043D\u0430\u043D\u0434\u043E \u0413\u044D\u0440\u0438\u0431\u0435\u0439, \u0438 \u0427\u0435\u0447\u0435 \u0410\u043B\u0430\u0440\u0430."@ru . . . . . "22527"^^ . . . . . . "Americano (can\u00E7\u00E3o)"@pt . . . . . . "\u00ABAmericano\u00BB (\u0440\u0443\u0441. \u00AB\u0410\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u043E\u00BB) \u2014 \u043F\u0435\u0441\u043D\u044F \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u043E\u0439 \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u0435\u043B\u044C\u043D\u0438\u0446\u044B \u041B\u0435\u0434\u0438 \u0413\u0430\u0433\u0438 \u0438\u0437 \u0435\u0451 \u0432\u0442\u043E\u0440\u043E\u0433\u043E \u0441\u0442\u0443\u0434\u0438\u0439\u043D\u043E\u0433\u043E \u0430\u043B\u044C\u0431\u043E\u043C\u0430 Born This Way. \u0410\u0432\u0442\u043E\u0440\u0430\u043C\u0438 \u043F\u0435\u0441\u043D\u0438 \u044F\u0432\u043B\u044F\u044E\u0442\u0441\u044F \u041B\u0435\u0434\u0438 \u0413\u0430\u0433\u0430, DJ White Shadow, \u0424\u0435\u0440\u043D\u0430\u043D\u0434\u043E \u0413\u044D\u0440\u0438\u0431\u0435\u0439, \u0438 \u0427\u0435\u0447\u0435 \u0410\u043B\u0430\u0440\u0430."@ru . . . . . . . . . . . . . . . . . . "246.0"^^ . . . . . . . . . . . . . . . .