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<http://dbpedia.org/resource/Music_hall>	<http://dbpedia.org/ontology/abstract>	"Music-hall (wym. mj\u1EE5:z\u0131k ho:l) \u2013 widowisko \u0142\u0105cz\u0105ce muzyk\u0119, taniec, teatr, piosenki, wyst\u0119py mim\u00F3w, \u017Congler\u00F3w, akrobat\u00F3w, prestidigitator\u00F3w, iluzjonist\u00F3w, wolty\u017Cer\u00F3w, treser\u00F3w, , klown\u00F3w, \u015Bpiewak\u00F3w, aktor\u00F3w, monologist\u00F3w i parodyst\u00F3w. Cech\u0105 charakterystyczn\u0105 gatunku jest lu\u017Any, sk\u0142adankowy, epizodyczny charakter. Poszczeg\u00F3lnych wyst\u0119p\u00F3w nie \u0142\u0105czy wsp\u00F3lny w\u0105tek przewijaj\u0105cy si\u0119 przez ca\u0142y spektakl. Nazwa \u201Emusic-hall\u201D jest tak\u017Ce u\u017Cywana dla okre\u015Blenia teatru lub sali, w kt\u00F3rej wystawiane s\u0105 takie przedstawienia, albo komedie lub wodewile. Protoplastami music-hallu jako przedstawienia, by\u0142y tawerny i , w kt\u00F3rych od \u015Bredniowiecza serwowano go\u015Bciom rozrywk\u0119 opart\u0105 na wyst\u0119pach w\u0119drownych \u017Congler\u00F3w i kuglarzy. Na kontynencie europejskim nast\u0119pcami tych lokali by\u0142y kawiarnie, a w Anglii puby. We Francji wyewoluowa\u0142y z nich , a p\u00F3\u017Aniej w (kawiarnie koncertowe), za\u015B w Anglii music-hall. Angielskie puby by\u0142y miejscem wyst\u0119p\u00F3w pantomim\u00F3w i akrobat\u00F3w, za\u015B francuskie kawiarnie dodatkowo tak\u017Ce ulicznych \u015Bpiewak\u00F3w. Wyst\u0119py odbywa\u0142y si\u0119 w sali muzycznej mi\u0119dzy widzami-konsumentami. Z czasem performance zosta\u0142y zamkni\u0119te na scenie, a publiczno\u015B\u0107 siedzia\u0142a za sto\u0142ami na widowni. Koszty wyst\u0119p\u00F3w pokrywa\u0142a sprzeda\u017C napoj\u00F3w alkoholowych. W\u0142adze brytyjskie stara\u0142y si\u0119 zniech\u0119ci\u0107 do tej formy rozrywki. W 1751 wprowadzono akt prawny wprowadzaj\u0105cy wym\u00F3g uzyskiwania przez organizator\u00F3w licencji. Przepis spowodowa\u0142 efekt przeciwny do zamierzonego przez w\u0142adze. Mniejsze puby zacz\u0119\u0142y szuka\u0107 sposob\u00F3w na unikni\u0119cie obowi\u0105zku licencyjnego i zamienia\u0142y si\u0119 w kluby muzyczne, kt\u00F3re nie podlega\u0142y pod wspomniany akt prawny. Z kolei wi\u0119ksze tawerny, korzystaj\u0105c z reklamy jako licencjonowany organizator rozrywki, zacz\u0119\u0142y dba\u0107 o scenografi\u0119 i zatrudnienie muzyk\u00F3w, by ostatecznie przenie\u015B\u0107 dzia\u0142alno\u015B\u0107 do bogato zdobionych wn\u0119trz, kt\u00F3re umo\u017Cliwia\u0142y osi\u0105ganie bardziej efektownych aran\u017Cacji widowisk. Miejsce dowolnej popularnej rozrywki okre\u015Blane by\u0142o jako \u201Esaloon\u201D, miejsca przeznaczone na wieczory z mieszanymi zabawami nazywane by\u0142y \u201Evariety\u201D (r\u00F3\u017Cnorodno\u015B\u0107, rozmaito\u015Bci), za\u015B \u201Emusic-hall\u201D sta\u0142 si\u0119 okre\u015Bleniem dla sali koncertowej przeznaczonej na wyst\u0119py \u0142\u0105cz\u0105ce rozrywk\u0119 muzyczn\u0105 i komiczn\u0105. W XIX-wieczny wzrost populacji miejskiej przyczyni\u0142 si\u0119 do wzrostu zapotrzebowania na popularne formy rozrywki. Brytyjska ustawa teatralna (Theatre Regulations Act of 1843) znios\u0142a wy\u0142\u0105czne prawa licencjonowanych teatr\u00F3w do organizowania przedstawie\u0144. Da\u0142a tak\u017Ce przyzwolenie na podawanie alkoholu i palenie tytoniu w lokalach music-hallowych, cho\u0107 zabrania\u0142a tego w licencjonowanych teatrach. W konsekwencji w\u0142a\u015Bciciele pub\u00F3w i tawern poszerzali dzia\u0142alno\u015B\u0107, by przyci\u0105gn\u0105\u0107 widz\u00F3w klasy \u015Bredniej i robotnik\u00F3w. Publiczno\u015B\u0107 przedstawie\u0144 music-hallowych nie by\u0142a jednorodna. We Francji widowni\u0119 cz\u0119\u015Bciej zape\u0142niali wykwintni i bogaci klienci, podczas gdy w Anglii czy w Niemczech publiczno\u015B\u0107 by\u0142a bardziej zr\u00F3\u017Cnicowana. Widowisko zawsze mia\u0142o jednak trywialny charakter. Tawerny i puby by\u0142y miejscami niezbyt przyjaznymi dla wykonawc\u00F3w. Publiczno\u015B\u0107 g\u0142o\u015Bno rozmawia\u0142a, pali\u0142a tyto\u0144 i pi\u0142a alkohol. Na poszczeg\u00F3lne \u201Eatrakcje\u201D reagowa\u0142a \u017Cywio\u0142owo i bez opor\u00F3w wyra\u017Ca\u0142a swoj\u0105 opini\u0119 na ich temat \u2013 ciskaj\u0105c butelk\u0105, starym butem, albo nawet martwym kotem. W miastach przemys\u0142owych zdarza\u0142o si\u0119, \u017Ce do wyst\u0119puj\u0105cych rzucano metalowymi nitami. W niekt\u00F3rych salach orkiestra by\u0142a chroniona metalowymi kratkami, a butelki roznoszone przez kelner\u00F3w by\u0142y przymocowane do tac. Pierwszym wzorcem music-hallu by\u0142 otworzony w Londynie w 1840 roku \u201EWinchester Music-Hall\u201D, p\u00F3\u017Aniej \u201ESurrey Music-Hall\u201D. Du\u017Ca przestrze\u0144 sceniczna by\u0142a miejscem sk\u0142adankowego, rewiowego spektaklu, podczas kt\u00F3rego prezentowano popisy \u015Bpiewak\u00F3w, tancerzy, \u017Congler\u00F3w, parodyst\u00F3w, akrobat\u00F3w, prestidigitator\u00F3w, iluzjonist\u00F3w, wolty\u017Cer\u00F3w, treser\u00F3w, kontorsjonist\u00F3w, klaun\u00F3w, aktor\u00F3w i monologist\u00F3w. Stanowili oni tzw. \u201Eatrakcje\u201D programu, za\u015B g\u0142\u00F3wnym punktem by\u0142y wyst\u0119py \u201Etour de chant\u201D, przys\u0142uguj\u0105cego \u201Evedetcie\u201D, zwanej te\u017C \u201Ediseuse\u201D. Jedn\u0105 ze s\u0142ynnych XIX-wiecznych gwiazd-vedettes by\u0142a , kt\u00F3ra wyst\u0119puj\u0105c pod pseudonimem Ther\u00E8se utrzymywa\u0142a si\u0119 na szczycie przez lat 40, a\u017C do 1893 roku. Centralne miejsce rewii zajmowa\u0142 taniec i \u015Bpiew. Podczas wyst\u0119p\u00F3w \u0142\u0105czone by\u0142y cechy sztuki wy\u017Cszej, jak\u0105 by\u0142 w epoce wiktoria\u0144skiej teatr, z pubem i teatrem rozumianym jako miejsce ni\u017Cszej formy rozrywki, po\u0142\u0105czonej z konsumpcj\u0105, piciem, paleniem tytoniu i korzystaniem z towarzystwa prostytutek. Music-hall by\u0142 rozrywk\u0105 adresowan\u0105 do ludu i drobnego mieszcza\u0144stwa. Jednym z ojc\u00F3w ewoluuj\u0105cego music-hallu by\u0142 szynkarz z tawerny Canterbury w Lambeth , kt\u00F3ry w 1852 zbudowa\u0142 w Londynie \u201EMorton's Canterbury Hall\u201D (lub \u201ECanterbury Hall\u201D). Wzniesiony obiekt m\u00F3g\u0142 pomie\u015Bci\u0107 700 os\u00F3b. Publiczno\u015B\u0107 zosta\u0142a zebrana za sto\u0142ami, a wyst\u0119p odbywa\u0142 si\u0119 na platformie usytuowanej na ko\u0144cu sali. Morton stworzy\u0142 program muzyczny, \u0142\u0105cz\u0105cy klasyk\u0119 i muzyk\u0119 popularn\u0105. Do grona wybitnych wykonawc\u00F3w zaliczani byli: , Gracie Fields, , , i . \u201ECanterbury Hall\u201D odnios\u0142a tak wielki sukces, \u017Ce Morton zdecydowa\u0142 si\u0119 na wybudowanie kolejnej, wi\u0119kszej sali. Bogato zdobiona, wyposa\u017Cona w \u017Cyrandole i balkon sala mie\u015Bci\u0142a 1500 os\u00F3b. Zosta\u0142a otwarta w 1856 roku. Sukces Mortona spowodowa\u0142 lawinowy wzrost ilo\u015Bci music-halli. W 1875 roku w Wielkim Londynie by\u0142o ju\u017C 375 takich obiekt\u00F3w. G\u0142\u00F3wne music-halle West Endu, takie jak \u201EPalace\u201D i \u201EColiseum\u201D, zacz\u0119\u0142y przyci\u0105ga\u0107 wy\u017Csze klasy spo\u0142eczne, cz\u0119sto w wieczorowych strojach. Przedstawienia stawa\u0142y si\u0119 coraz bardzie wyszukane i ozdobne. Pod koniec XIX wieku przedstawienie mog\u0142o zawiera\u0107 a\u017C 20 atrakcji-akt\u00F3w, a wyst\u0119py trwa\u0142y do czterech godzin. We Francji powsta\u0142y mi\u0119dzy innymi music-halle: , (zamieniony na Bobino), Folies Berg\u00E8re i Le Moulin Rouge. Form\u0105 spektaklu music-hallowego by\u0142a tak\u017Ce rewia revue \u00E0 grand spectacle, kt\u00F3ra sk\u0142ada\u0142a si\u0119 z trzech cz\u0119\u015Bci o zr\u00F3\u017Cnicowanym charakterze. Na pocz\u0105tku by\u0142 wyst\u0119p tours de chant, pantomim\u00F3w, baletu i innych \u201Eatrakcji\u201D. P\u00F3\u017Aniej nast\u0119powa\u0142 wyst\u0119p zespo\u0142u girls, a na ko\u0144cu przedstawiano lasy tropikalne, wizj\u0119 antyczn\u0105 lub wysp\u0119 na Pacyfiku. W rewii liczy\u0142 si\u0119 g\u0142\u00F3wnie efekt sceniczny. Do zmierzchu popularno\u015Bci music-halli przyczyni\u0142 si\u0119 rozw\u00F3j sztuki filmowej. Pod koniec lat 20. XX wieku brytyjskie teatry rozmaito\u015Bci przekszta\u0142ca\u0142y si\u0119 w sale kinowe. W okresie przej\u015Bciowym w\u0142a\u015Bciciele lokali wprowadzali \u201Ecine-variety\u201D \u2013 spektakle b\u0119d\u0105ce mieszanin\u0105 film\u00F3w i piosenek. Starali si\u0119 tak\u017Ce z\u0142agodzi\u0107 spadek poprzez wyd\u0142u\u017Canie czasu dost\u0119pu rozrywki i utrzymywanie lokali otwartych ju\u017C od po\u0142udnia do p\u00F3\u0142nocy. Jednym z niewielu ocala\u0142ych po II wojnie \u015Bwiatowej brytyjskich music-halli by\u0142 teatr Windmill w pobli\u017Cu Piccadilly Circus w Londynie."@pl .
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<http://dbpedia.org/resource/Music_hall>	<http://dbpedia.org/ontology/abstract>	"Music hall \u00E9 uma forma de entretenimento teatral de origem brit\u00E2nica, muito popular entre 1850 e 1960, e definido como uma mescla de m\u00FAsica popular, com\u00E9dia e participa\u00E7\u00F5es especiais. O termo tamb\u00E9m est\u00E1 associado aos teatros onde ocorriam as apresenta\u00E7\u00F5es, assim como \u00E0 m\u00FAsica comum nesses espet\u00E1culos. O music hall brit\u00E2nico \u00E9 similar ao teatro de revista do Brasil e de Portugal, ou ao vaudeville dos Estados Unidos, embora o termo \"vaudeville\", no Reino Unido, compreenda outras variedades de entretenimento, do g\u00EAnero mais conhecido como burlesco. O primeiro estabelecimento destinado a apresenta\u00E7\u00F5es do g\u00EAnero music hall foi o Canterbury Hall, na cidade de Lambeth, inaugurado em 17 de maio de 1852, no que ficou conhecida como \"a data mais importante de toda a hist\u00F3ria do music hall\"."@pt .
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<http://dbpedia.org/resource/Music_hall>	<http://dbpedia.org/ontology/abstract>	"\u30DF\u30E5\u30FC\u30B8\u30C3\u30AF\u30DB\u30FC\u30EB\uFF08\u82F1\u8A9E: Music hall\uFF09\u3068\u306F\u3001\u5BA2\u306B\u5BFE\u3057\u97F3\u697D\u3092\u63D0\u4F9B\u3059\u308B\u5A2F\u697D\u65BD\u8A2D\u3067\u3042\u308B\u3002 \u672C\u6765\u3001\u685F\u6577\u5E2D\u304C\u3042\u308B\u30AA\u30DA\u30E9\u5287\u5834\u306A\u3069\u3092\u793A\u3057\u305F\u304C\u3001\u6B27\u7C73\u306B\u304A\u3044\u3066\u306F\u30AB\u30D5\u30A7\u306A\u3069\u3082\u542B\u307E\u308C\u3001\u73FE\u5728\u306B\u304A\u3044\u3066\u306F\u3001\u30E9\u30A4\u30D6\u30CF\u30A6\u30B9\u306A\u3069\u306E\u5927\u8846\u7684\u306A\u591A\u76EE\u7684\u30DB\u30FC\u30EB\u3092\u793A\u3059\u3053\u3068\u304C\u3042\u308B\u3002 \u97F3\u697D\u3070\u304B\u308A\u3067\u306F\u306A\u304F\u3001\u5BF8\u5287\u3001\u624B\u54C1\u3001\u6F2B\u8AC7\u306A\u3069\u304C\u63D0\u4F9B\u3055\u308C\u308B\u3053\u3068\u304C\u3042\u308B\u3002"@ja .
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<http://dbpedia.org/resource/Music_hall>	<http://dbpedia.org/ontology/abstract>	"Music Halls im weiteren Sinn waren Unterhaltungsst\u00E4tten in London (etwa seit 1850) und Paris (seit der Liberalisierung der Theatergesetze 1867) bis in die 1930er-Jahre, die ihrem Publikum ein B\u00FChnenspektakel kombiniert mit Restaurant oder Bar anboten, manchmal auch mit der Gelegenheit, zu tanzen. Im engeren Sinn bezeichnet Music Hall das Unterhaltungsprogramm, das dort stattfand (eine Art Variet\u00E9 oder Revue mit musikalischen und akrobatischen Einlagen), und bedeutet dann etwa dasselbe wie Vaudeville im Amerikanischen. Music Hall kann mehr einer Zirkusveranstaltung oder mehr einem Konzert gleichen."@de .
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<http://dbpedia.org/resource/Music_hall>	<http://dbpedia.org/ontology/abstract>	"Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous Victorian Music Hall and subsequent, more respectable Variety differ. Music hall involved a mixture of popular songs, comedy, , and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts. Originating in saloon bars within public houses during the 1830s, music hall entertainment became increasingly popular with audiences. So much so, that during the 1850s some public houses were demolished, and specialised music hall theatres developed in their place. These theatres were designed chiefly so that people could consume food and alcohol and smoke tobacco in the auditorium while the entertainment took place, with the cheapest seats located in the gallery. This differed from the conventional type of theatre, which seats the audience in stalls with a separate bar-room. Major music halls were based around London. Early examples included: the Canterbury Music Hall in Lambeth, Wilton's Music Hall in Tower Hamlets, and The Middlesex in Drury Lane, otherwise known as the Old Mo. By the mid-19th century, the halls cried out for many new and catchy songs. As a result, professional songwriters were enlisted to provide the music for a plethora of star performers, such as Marie Lloyd, Dan Leno, Little Tich, and George Leybourne. All manner of other entertainment was performed: male and female impersonators, lions comiques, mime artists and impressionists, trampoline acts, and comic pianists (such as John Orlando Parry and George Grossmith) were just a few of the many types of entertainments the audiences could expect to find over the next forty years. The Music Hall Strike of 1907 was an important industrial conflict. It was a dispute between artists and stage hands on one hand, and theatre managers on the other. The halls had recovered by the start of the First World War and were used to stage charity events in aid of the war effort. Music hall entertainment continued after the war, but became less popular due to upcoming jazz, swing, and big-band dance music acts. Licensing restrictions had also changed, and drinking was banned from the auditorium. A new type of music hall entertainment had arrived, in the form of variety, and many music hall performers failed to make the transition. They were deemed old-fashioned, and with the closure of many halls, music hall entertainment ceased and modern-day variety began."@en .
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<http://dbpedia.org/resource/Music_hall>	<http://dbpedia.org/ontology/abstract>	"Balai musik adalah sebuah jenis dari hiburan teatrikal Inggris yang populer dari awal era Victoria pada sekitar tahun 1850 dan berlangsung sampai 1960. Balai tersebut menampilkan pencampuran lagu populer, komedi, bakat khusus, dan hiburan varietas. Istilah tersebut datang dari sebuah jenis teater atau tempat dimana hiburan semacam itu diadakan. Balai musik Inggris mirip dengan vaudeville Amerika, yang menampilkan lagu-lagu dan lawakan-kawakan, sementara di Britania Raya, istilah \"vaudeville\"' lebih merujuk kepada jenis hiburan kelas buruh yang dijuluki \"\" di Amerika."@in .
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<http://dbpedia.org/resource/Music_hall>	<http://www.w3.org/2000/01/rdf-schema#comment>	"El music hall fue una forma de espect\u00E1culo muy popular en el Reino Unido desde la \u00E9poca victoriana, que empez\u00F3 alrededor de 1850. El music hall desapareci\u00F3 despu\u00E9s de 1918, cuando los halls renombraron este tipo de entretenimiento como variety o espect\u00E1culo de variedades. Las percepciones de la distinci\u00F3n entre el atrevido y escandaloso music hall victoriano y el posterior variety en Gran Breta\u00F1a difieren. Conforma una mezcla de canciones populares, comedia, actos y entretenimientos variados; el t\u00E9rmino deriva de un tipo de teatro en el que se realizaba este tipo de entretenimiento. El t\u00E9rmino puede referirse a:"@es .
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<http://dbpedia.org/resource/Music_hall>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Music hall \u00E9 uma forma de entretenimento teatral de origem brit\u00E2nica, muito popular entre 1850 e 1960, e definido como uma mescla de m\u00FAsica popular, com\u00E9dia e participa\u00E7\u00F5es especiais. O termo tamb\u00E9m est\u00E1 associado aos teatros onde ocorriam as apresenta\u00E7\u00F5es, assim como \u00E0 m\u00FAsica comum nesses espet\u00E1culos. O music hall brit\u00E2nico \u00E9 similar ao teatro de revista do Brasil e de Portugal, ou ao vaudeville dos Estados Unidos, embora o termo \"vaudeville\", no Reino Unido, compreenda outras variedades de entretenimento, do g\u00EAnero mais conhecido como burlesco."@pt .
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<http://dbpedia.org/resource/Music_hall>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Music Halls im weiteren Sinn waren Unterhaltungsst\u00E4tten in London (etwa seit 1850) und Paris (seit der Liberalisierung der Theatergesetze 1867) bis in die 1930er-Jahre, die ihrem Publikum ein B\u00FChnenspektakel kombiniert mit Restaurant oder Bar anboten, manchmal auch mit der Gelegenheit, zu tanzen."@de .
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<http://dbpedia.org/resource/Music_hall>	<http://dbpedia.org/ontology/abstract>	"Le music-hall d\u00E9signe un genre de spectacle et un type d'\u00E9difice. Il est l'h\u00E9ritier du caf\u00E9 chantant n\u00E9 dans les ann\u00E9es 1770 et du plus r\u00E9cent caf\u00E9 concert, toutefois il s'en distingue par son agencement comprenant un \u00AB promenoir \u00BB. Terme d'origine anglaise, il serait apparu dans la langue fran\u00E7aise vers 1862."@fr .
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