"Sats (musik)"@sv . . "Mouvement (musique)"@fr . . "Movimiento (m\u00FAsica)"@es . . . . "Dans la musique, le mot mouvement peut rev\u00EAtir plusieurs sens."@fr . . . "\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3044\u3066\u3001\u697D\u7AE0\uFF08\u304C\u304F\u3057\u3087\u3046\uFF09\u3068\u306F\u66F2\u3092\u3044\u304F\u3064\u304B\u306B\u5206\u3051\u305F\u305D\u308C\u305E\u308C\u306E\u90E8\u5206\u3092\u6307\u3059\u3002\u4F1D\u7D71\u7684\u306A\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3044\u3066\u3001\u3072\u3068\u3064\u306E\u697D\u66F2\u306E\u4E2D\u304C\u3055\u3089\u306B\u3044\u304F\u3064\u304B\u306B\u5206\u304B\u308C\u3066\u3044\u3066\u3001\u305D\u308C\u3089\u304C\u3042\u305F\u304B\u3082\u5225\u306E\u697D\u66F2\u3067\u3042\u308B\u304B\u306E\u3088\u3046\u306B\u3042\u308B\u7A0B\u5EA6\u306E\u72EC\u7ACB\u6027\u3092\u6301\u3063\u3066\u3044\u308B\u3068\u304D\u3001\u305D\u308C\u3089\u3092\u697D\u7AE0\u3068\u547C\u3076\u3002\u6700\u521D\u306E\u697D\u7AE0\u304B\u3089\u300C\u7B2C1\u697D\u7AE0\u300D\u2212\u300C\u7B2C2\u697D\u7AE0\u300D\u2212...\u306E\u3088\u3046\u306B\u547C\u3076\u3002\u307E\u305F\u6700\u5F8C\u306E\u697D\u7AE0\u3092\u7279\u306B\u300C\u7D42\u697D\u7AE0\u300D\u300C\u30D5\u30A3\u30CA\u30FC\u30EC\u300D\u3068\u547C\u3076\u3053\u3068\u304C\u3042\u308B\u3002 \u901A\u5E38\u3001\u697D\u7AE0\u306E\u9593\u306F\u77ED\u3044\u6642\u9593\u304C\u7A7A\u3051\u3089\u308C\u3066\u6F14\u594F\u3055\u308C\u308B\u3002\u697D\u7AE0\u9593\u306B\u5C0F\u4F11\u6B62\u3092\u8A2D\u3051\u305A\u3001\u7D9A\u3051\u3066\u6B21\u306E\u697D\u7AE0\u306B\u5165\u308B\u3053\u3068\u3092\u30A2\u30BF\u30C3\u30AB\u3068\u3044\u3046\u3002\u304D\u308F\u3081\u3066\u7570\u4F8B\u306E\u3053\u3068\u3067\u306F\u3042\u308B\u304C\u3001\u697D\u7AE0\u9593\u306B\u304B\u306A\u308A\u9577\u3044\u6642\u9593\u3092\u3068\u308B\u3088\u3046\u306B\u6307\u5B9A\u3057\u3066\u3044\u308B\u3053\u3068\u3082\u3042\u308B\u3002\uFF08\u30DE\u30FC\u30E9\u30FC\u306E\u4EA4\u97FF\u66F2\u7B2C2\u756A\u306A\u3069\uFF09 \u901A\u4F8B\u3068\u3057\u3066\u697D\u7AE0\u3092\u6301\u3064\u697D\u66F2\u306F\u3001\u4EA4\u97FF\u66F2\u3001\u5354\u594F\u66F2\u3001\u30BD\u30CA\u30BF\u3001\u5F26\u697D\u56DB\u91CD\u594F\u66F2\u306A\u3069\u3067\u3042\u308B\u3002 \u306A\u304A\u3001\u7D44\u66F2\u3084\u3001\u30AA\u30DA\u30E9\u3001\u30D0\u30EC\u30A8\u307B\u304B\u5287\u4ED8\u968F\u97F3\u697D\u306E\u5834\u5408\u306B\u306F\u3001\u697D\u7AE0\u3068\u547C\u3070\u306A\u3044\u3002"@ja . "Gluaiseacht (ceol)"@ga . "Movimento estas en la klasika muziko ferma parto de plurparta muziko verko kiel ekz. suito a\u016D simfonio. Plejofte \u0109iu movimento havas t.n. movimentonomon, kiu indikas tempon kaj karakteron (ekz. \u201Eandante\u201C, \u201Eallegro con brio\u201C) a\u016D la tipon de la movimento (ekz. menueto, skerco). La vi\u0109i\u011Do de la diferencaj movimentoj, la movimento-sinsekvo ofte celas kontrastori\u0109econ. Tipaj movimento-sinsekvoj: \n* baroka suito: uverturo \u2013 kuranto \u2013 alemando \u2013 sarabando \u2013 menueto 1/2 \u2013 \u011Digo \n* klasika simfonio: alegro \u2013 ada\u011Do a\u016D andanto \u2013 menueto a\u016D skerco \u2013 alegro a\u016D presto"@eo . . "Sats (av tyska Satz, av setzen, s\u00E4tta) betyder inom konstmusik en frist\u00E5ende, sammanh\u00E5llen del av ett st\u00F6rre musikaliskt verk i flera delar, exempelvis en sonat, konsert eller en symfoni. Varje enskild sats brukar ha en f\u00F6redragsbeteckning som betecknar tempo och/eller karakt\u00E4r. I uttryck som polyfon sats, homofon sats etc., betyder ordet ungef\u00E4r detsamma som kompositionsart. Ordet kan ocks\u00E5 syfta p\u00E5 hur st\u00E4mf\u00F6ringen \u00E4r konstruerad i ett flerst\u00E4mmigt stycke, eller sj\u00E4lva stycket sett ur den aspekten."@sv . . . "Un moviment (o tempo) \u00E9s cadascuna de les parts en qu\u00E8 es divideixen un bon nombre de formes i g\u00E8neres de la m\u00FAsica instrumental des del segle xvii."@ca . . . "Um movimento \u00E9 uma parte independente de uma composi\u00E7\u00E3o ou forma musical. Enquanto movimentos individuais ou selecionados de uma composi\u00E7\u00E3o s\u00E3o realizados \u00E0s vezes separadamente, uma execu\u00E7\u00E3o do trabalho completo exige que todos os movimentos sejam executados em sucess\u00E3o. Um movimento \u00E9 uma se\u00E7\u00E3o, \"uma grande unidade estrutural percebida como resultado da coincid\u00EAncia de um n\u00FAmero relativamente grande de fen\u00F4menos estruturais\"."@pt . "Satz (Musikst\u00FCck)"@de . "V\u011Bta (hudba)"@cs . . "A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, \"a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena\". \u2014\u2009Benward & Saker (2009), Music in Theory and Practice: Volume II"@en . "Un moviment (o tempo) \u00E9s cadascuna de les parts en qu\u00E8 es divideixen un bon nombre de formes i g\u00E8neres de la m\u00FAsica instrumental des del segle xvii."@ca . . . "Dans la musique, le mot mouvement peut rev\u00EAtir plusieurs sens."@fr . "462250"^^ . . . "\u4E50\u7AE0\u662F\u4E00\u4E2A\u7531\u591A\u4E2A\u5185\u90E8\u5B8C\u6574\u7684\u90E8\u5206\u7EC4\u6210\u7684\u5927\u7684\u7ECF\u5178\u97F3\u4E50\u4F5C\u54C1\uFF08\u5982\u4EA4\u54CD\u4E50\u3001\u534F\u594F\u66F2\u7B49\uFF09\u4E2D\u7684\u4E00\u4E2A\u5B8C\u6574\u7684\u90E8\u5206\u3002\u5728\u4E00\u90E8\u97F3\u4E50\u4F5C\u54C1\u4E2D\uFF0C\u5404\u4E2A\u4E50\u7AE0\u4E00\u822C\u6309\u5206\u660E\u4E0D\u540C\u7684\u901F\u5EA6\u3001\u98CE\u683C\u548C\u8282\u62CD\u800C\u6392\u5217\u3002\u4E50\u7AE0\u7684\u9898\u76EE\u4E00\u822C\u8BF4\u660E\u5176\u901F\u5EA6\uFF08\u5982\u5FEB\u677F\u3001\u6162\u677F\u7B49\uFF09\u3001\u98CE\u683C\uFF08\u5982\u201C\u70ED\u60C5\u7684\u5FEB\u677F\u201D\u7B49\uFF09\u6216\u5F62\u5F0F\uFF08\u5982\u201C\u5C0F\u6B65\u821E\u66F2\u201D\u7B49\uFF09\u3002 \u7ECF\u5178\u4EA4\u54CD\u4E50\u7684\u4E50\u7AE0\u6392\u5217\u662F\uFF1A \n* \u7B2C\u4E00\u4E50\u7AE0\uFF1A\u5FEB\u677F \n* \u7B2C\u4E8C\u4E50\u7AE0\uFF1A\u6162\u677F \n* \u7B2C\u4E09\u4E50\u7AE0\uFF1A\u5C0F\u6B65\u821E\u66F2 \n* \u7B2C\u56DB\u4E50\u7AE0\uFF1A\u5FEB\u677F"@zh . . . "Movimento (muziko)"@eo . "Um movimento \u00E9 uma parte independente de uma composi\u00E7\u00E3o ou forma musical. Enquanto movimentos individuais ou selecionados de uma composi\u00E7\u00E3o s\u00E3o realizados \u00E0s vezes separadamente, uma execu\u00E7\u00E3o do trabalho completo exige que todos os movimentos sejam executados em sucess\u00E3o. Um movimento \u00E9 uma se\u00E7\u00E3o, \"uma grande unidade estrutural percebida como resultado da coincid\u00EAncia de um n\u00FAmero relativamente grande de fen\u00F4menos estruturais\"."@pt . "Als Satz bezeichnet man in der klassischen Musik einen in sich geschlossenen Teil eines mehrteiligen musikalischen Werkes wie z. B. einer Suite oder einer Sinfonie. Meistens ist jedem Satz eine so genannte Satzbezeichnung gegeben, die Tempo und Charakter (z. B. \u201EAndante\u201C, \u201EAllegro con brio\u201C), den Typ des Satzes (z. B. Menuett, Scherzo) oder seine Stellung im Ablauf des Werkes (zum Beispiel Entr\u00E9e und Finale) angeben."@de . "Moviment (m\u00FAsica)"@ca . "Mugimendua musikan eta, batez ere musika klasikoan, lan edo musika forma zabalago baten zati bat da, beste batzuekin batera joa izateko aurreikusia, berez hasiera eta amaiera bat dituen arren."@eu . "Mugimendua musikan eta, batez ere musika klasikoan, lan edo musika forma zabalago baten zati bat da, beste batzuekin batera joa izateko aurreikusia, berez hasiera eta amaiera bat dituen arren."@eu . "V\u011Bta v hudb\u011B p\u0159edstavuje \u010D\u00E1st \u010Di odd\u00EDl rozs\u00E1hlej\u0161\u00ED kompozice, u\u017E\u00EDvan\u00FD v\u011Bt\u0161inou pro instrument\u00E1ln\u00ED skladby typu symfonie. Slovo \u201Ev\u011Bta\u201C bylo pro tento \u00FA\u010Del zvoleno pravd\u011Bpodobn\u011B vzhledem k pot\u0159eb\u011B vyj\u00E1d\u0159it skute\u010Dnost, \u017Ee v podobn\u00FDch typech skladeb je zpracovan\u00E9 t\u00E9ma sou\u010D\u00E1st\u00ED v\u011Bt\u0161\u00EDho celku a v hudebn\u00EDm jazyce klasick\u00E9 stavby takov\u00E9 kompozice je vyj\u00E1d\u0159en\u00ED hudebn\u00ED my\u0161lenky coby narativn\u00EDho melodicko-harmonick\u00E9ho celku podobn\u00E9 jako v \u0159e\u010Di. V hudebn\u00ED literatu\u0159e m\u00EDv\u00E1 \u201Ev\u011Bta\u201C jednotliv\u00E9 v\u00FDznamy t\u00E9\u017E posunuty \u010Di ch\u00E1p\u00E1ny odd\u011Blen\u011B, a to nap\u0159. jako:"@cs . "Movimento (m\u00FAsica)"@pt . . "Sats (av tyska Satz, av setzen, s\u00E4tta) betyder inom konstmusik en frist\u00E5ende, sammanh\u00E5llen del av ett st\u00F6rre musikaliskt verk i flera delar, exempelvis en sonat, konsert eller en symfoni. Varje enskild sats brukar ha en f\u00F6redragsbeteckning som betecknar tempo och/eller karakt\u00E4r. I uttryck som polyfon sats, homofon sats etc., betyder ordet ungef\u00E4r detsamma som kompositionsart. Ordet kan ocks\u00E5 syfta p\u00E5 hur st\u00E4mf\u00F6ringen \u00E4r konstruerad i ett flerst\u00E4mmigt stycke, eller sj\u00E4lva stycket sett ur den aspekten."@sv . "1124273536"^^ . . "Als Satz bezeichnet man in der klassischen Musik einen in sich geschlossenen Teil eines mehrteiligen musikalischen Werkes wie z. B. einer Suite oder einer Sinfonie. Meistens ist jedem Satz eine so genannte Satzbezeichnung gegeben, die Tempo und Charakter (z. B. \u201EAndante\u201C, \u201EAllegro con brio\u201C), den Typ des Satzes (z. B. Menuett, Scherzo) oder seine Stellung im Ablauf des Werkes (zum Beispiel Entr\u00E9e und Finale) angeben."@de . . . . "Sa cheol, tugtar gluaiseacht ar chuid ghlanscartha de shaothar m\u00F3r cos\u00FAil le coins\u00E9art\u00F3 n\u00F3 siansa. Is f\u00E9idir go mbeidh s\u00ED bainteach leis an gcuid roimpi n\u00F3 ina diaidh, go minic i gcontr\u00E1rthacht \u00F3 thaobh gl\u00E9is n\u00F3 luais n\u00F3 an d\u00E1 rud."@ga . "Movement (music)"@en . "Nella musica, la parola movimento pu\u00F2 assumere diversi significati."@it . "\uC545\uC7A5 (\uC545\uACE1\uC758 \uBD80\uBD84)"@ko . . "V\u011Bta v hudb\u011B p\u0159edstavuje \u010D\u00E1st \u010Di odd\u00EDl rozs\u00E1hlej\u0161\u00ED kompozice, u\u017E\u00EDvan\u00FD v\u011Bt\u0161inou pro instrument\u00E1ln\u00ED skladby typu symfonie. Slovo \u201Ev\u011Bta\u201C bylo pro tento \u00FA\u010Del zvoleno pravd\u011Bpodobn\u011B vzhledem k pot\u0159eb\u011B vyj\u00E1d\u0159it skute\u010Dnost, \u017Ee v podobn\u00FDch typech skladeb je zpracovan\u00E9 t\u00E9ma sou\u010D\u00E1st\u00ED v\u011Bt\u0161\u00EDho celku a v hudebn\u00EDm jazyce klasick\u00E9 stavby takov\u00E9 kompozice je vyj\u00E1d\u0159en\u00ED hudebn\u00ED my\u0161lenky coby narativn\u00EDho melodicko-harmonick\u00E9ho celku podobn\u00E9 jako v \u0159e\u010Di. V hudebn\u00ED literatu\u0159e m\u00EDv\u00E1 \u201Ev\u011Bta\u201C jednotliv\u00E9 v\u00FDznamy t\u00E9\u017E posunuty \u010Di ch\u00E1p\u00E1ny odd\u011Blen\u011B, a to nap\u0159. jako: \n* \u201Ezp\u016Fsob skladby \u010Di psan\u00ED skladby\u201C \n* \u201Emelodick\u00FD celek uzav\u0159en\u00FD z\u00E1v\u011Brem, kadenc\u00ED\u201C \n* \u201Ehudebn\u00ED my\u0161lenka, t\u00E9ma, idea\u201C \n* \u201Esamostatn\u00FD odd\u00EDl\u201C \n* \u201Efr\u00E1ze\u201C \u010Di \u201Eperioda\u201C \n* \u201Emouvement\u201C z francouz\u0161tiny coby \u201Ehnut\u00ED\u201C ve smyslu pohybu \n* \u201Ekus\u201C V sou\u010Dasn\u00E9 dob\u011B se pro hudebn\u00ED v\u011Btu vol\u00ED p\u0159ev\u00E1\u017En\u011B ozna\u010Den\u00ED \u010D\u00E1st (part) nebo fr\u00E1ze.[zdroj?] Fr\u00E1zov\u00E1n\u00ED je \u010Dlen\u011Bn\u00ED melodie skladby v men\u0161\u00ED samostatn\u00E9 celky \u2013 ."@cs . "\u4E50\u7AE0\u662F\u4E00\u4E2A\u7531\u591A\u4E2A\u5185\u90E8\u5B8C\u6574\u7684\u90E8\u5206\u7EC4\u6210\u7684\u5927\u7684\u7ECF\u5178\u97F3\u4E50\u4F5C\u54C1\uFF08\u5982\u4EA4\u54CD\u4E50\u3001\u534F\u594F\u66F2\u7B49\uFF09\u4E2D\u7684\u4E00\u4E2A\u5B8C\u6574\u7684\u90E8\u5206\u3002\u5728\u4E00\u90E8\u97F3\u4E50\u4F5C\u54C1\u4E2D\uFF0C\u5404\u4E2A\u4E50\u7AE0\u4E00\u822C\u6309\u5206\u660E\u4E0D\u540C\u7684\u901F\u5EA6\u3001\u98CE\u683C\u548C\u8282\u62CD\u800C\u6392\u5217\u3002\u4E50\u7AE0\u7684\u9898\u76EE\u4E00\u822C\u8BF4\u660E\u5176\u901F\u5EA6\uFF08\u5982\u5FEB\u677F\u3001\u6162\u677F\u7B49\uFF09\u3001\u98CE\u683C\uFF08\u5982\u201C\u70ED\u60C5\u7684\u5FEB\u677F\u201D\u7B49\uFF09\u6216\u5F62\u5F0F\uFF08\u5982\u201C\u5C0F\u6B65\u821E\u66F2\u201D\u7B49\uFF09\u3002 \u7ECF\u5178\u4EA4\u54CD\u4E50\u7684\u4E50\u7AE0\u6392\u5217\u662F\uFF1A \n* \u7B2C\u4E00\u4E50\u7AE0\uFF1A\u5FEB\u677F \n* \u7B2C\u4E8C\u4E50\u7AE0\uFF1A\u6162\u677F \n* \u7B2C\u4E09\u4E50\u7AE0\uFF1A\u5C0F\u6B65\u821E\u66F2 \n* \u7B2C\u56DB\u4E50\u7AE0\uFF1A\u5FEB\u677F"@zh . . . . . "Nella musica, la parola movimento pu\u00F2 assumere diversi significati."@it . . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uC545\uC7A5 \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \uC545\uC7A5(\u6A02\u7AE0)\uC740 \uC18C\uB098\uD0C0 \u00B7 \uAD50\uD5A5\uACE1 \u00B7 \uD611\uC8FC\uACE1 \uB4F1\uC5D0\uC11C \uD558\uB098\uC758 \uC545\uACE1 \uC804\uCCB4\uB97C \uAD6C\uC131\uD558\uB294 \uC77C\uBD80\uBD84\uC774\uC790 \uC81C\uAC01\uAE30 \uB2E4\uB978 \uC8FC\uC81C\uB85C \uC644\uACB0\uC131\uACFC \uB3C5\uB9BD\uC131\uC744 \uB760\uB294 \uD558\uB098\uD558\uB098\uC758 \uC18C\uACE1\uC774\uB2E4. \uC608\uB97C \uB4E4\uC5B4 \uC18C\uB098\uD0C0, \uD611\uC8FC\uACE1, \uAD50\uD5A5\uACE1\uC740 \uB300\uAC1C 1, 2, 3\uC545\uC7A5\uC744 \uAC00\uC9C0\uACE0 \uC788\uC73C\uBA70 \uAC01\uC790 \uB2E4\uB978 \uC8FC\uC81C\uB97C \uAC00\uC9C0\uACE0 \uC5F0\uC8FC\uD55C\uB2E4. \uADF8\uB7EC\uB098 \uC804\uCCB4\uC801\uC778 \uBD84\uC704\uAE30\uB294 \uBE44\uC2B7\uD558\uACE0 \uAC00\uB054 1\uC545\uC7A5\uC5D0\uC11C \uB098\uC628 \uC8FC\uC81C\uAC00 3\uC545\uC7A5\uC774\uB098 4\uC545\uC7A5\uC5D0 \uB098\uC628\uB2E4. \uD504\uB780\uCE20 \uB9AC\uC2A4\uD2B8\uB294 \uB2E8\uC545\uC7A5 \uC18C\uB098\uD0C0\uB97C \uC791\uACE1\uD588\uB2E4."@ko . . . . . . "\u0627\u0644\u062D\u0631\u0643\u0629 \u0641\u064A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0647\u064A \u062C\u0632\u0621 \u0645\u062A\u0643\u0627\u0645\u0644 \u0627\u0644\u0623\u0648\u0635\u0627\u0641 \u0641\u064A \u0627\u0644\u062A\u0623\u0644\u064A\u0641 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0623\u0648 \u0636\u0645\u0646 \u0627\u0644\u0635\u064A\u063A\u0629 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629. \u064A\u062A\u0637\u0644\u0628 \u0623\u062F\u0627\u0621 \u0627\u0644\u0639\u0645\u0644 \u0627\u0644\u0641\u0646\u064A \u0627\u0644\u0645\u062A\u0643\u0627\u0645\u0644 \u0639\u0632\u0641 \u0627\u0644\u062D\u0631\u0643\u0627\u062A \u0643\u0644\u0647\u0627 \u0628\u0634\u0643\u0644 \u0645\u062A\u062A\u0627\u0644\u064A. \u0639\u0644\u0649 \u0627\u0644\u0631\u063A\u0645 \u0645\u0646 \u0630\u0644\u0643 \u064A\u0645\u0643\u0646 \u0639\u0632\u0641 \u062D\u0631\u0643\u0629 \u0628\u0645\u0641\u0631\u062F\u0647\u0627. \u062A\u0634\u0628\u0647 \u0627\u0644\u062D\u0631\u0643\u0627\u062A \u0641\u064A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0633\u0643\u064A\u062A\u0634\u0627\u062A \u0641\u064A \u0627\u0644\u062A\u0645\u062B\u064A\u0644 \u0623\u0648 \u0627\u0644\u0641\u0635\u0648\u0644 \u0641\u064A \u0627\u0644\u0639\u0645\u0644 \u0627\u0644\u0645\u0633\u0631\u062D\u064A."@ar . . . . . . "Movimento estas en la klasika muziko ferma parto de plurparta muziko verko kiel ekz. suito a\u016D simfonio. Plejofte \u0109iu movimento havas t.n. movimentonomon, kiu indikas tempon kaj karakteron (ekz. \u201Eandante\u201C, \u201Eallegro con brio\u201C) a\u016D la tipon de la movimento (ekz. menueto, skerco). La vi\u0109i\u011Do de la diferencaj movimentoj, la movimento-sinsekvo ofte celas kontrastori\u0109econ. Tipaj movimento-sinsekvoj: \n* baroka suito: uverturo \u2013 kuranto \u2013 alemando \u2013 sarabando \u2013 menueto 1/2 \u2013 \u011Digo \n* klasika simfonio: alegro \u2013 ada\u011Do a\u016D andanto \u2013 menueto a\u016D skerco \u2013 alegro a\u016D presto"@eo . "\u4E50\u7AE0"@zh . "\u697D\u7AE0"@ja . . . "En m\u00FAsica y, sobre todo, en la m\u00FAsica cl\u00E1sica, un movimiento es una parte de una composici\u00F3n o forma musical m\u00E1s amplia previsto para ser ejecutado en sucesi\u00F3n con otros de ella, aunque propiamente posea un inicio y un final. El ejemplo cl\u00E1sico es el de la sonata que, en su forma cl\u00E1sica, suele contener tres movimientos."@es . "2162"^^ . . . . . . "En m\u00FAsica y, sobre todo, en la m\u00FAsica cl\u00E1sica, un movimiento es una parte de una composici\u00F3n o forma musical m\u00E1s amplia previsto para ser ejecutado en sucesi\u00F3n con otros de ella, aunque propiamente posea un inicio y un final. El ejemplo cl\u00E1sico es el de la sonata que, en su forma cl\u00E1sica, suele contener tres movimientos."@es . "\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3044\u3066\u3001\u697D\u7AE0\uFF08\u304C\u304F\u3057\u3087\u3046\uFF09\u3068\u306F\u66F2\u3092\u3044\u304F\u3064\u304B\u306B\u5206\u3051\u305F\u305D\u308C\u305E\u308C\u306E\u90E8\u5206\u3092\u6307\u3059\u3002\u4F1D\u7D71\u7684\u306A\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3044\u3066\u3001\u3072\u3068\u3064\u306E\u697D\u66F2\u306E\u4E2D\u304C\u3055\u3089\u306B\u3044\u304F\u3064\u304B\u306B\u5206\u304B\u308C\u3066\u3044\u3066\u3001\u305D\u308C\u3089\u304C\u3042\u305F\u304B\u3082\u5225\u306E\u697D\u66F2\u3067\u3042\u308B\u304B\u306E\u3088\u3046\u306B\u3042\u308B\u7A0B\u5EA6\u306E\u72EC\u7ACB\u6027\u3092\u6301\u3063\u3066\u3044\u308B\u3068\u304D\u3001\u305D\u308C\u3089\u3092\u697D\u7AE0\u3068\u547C\u3076\u3002\u6700\u521D\u306E\u697D\u7AE0\u304B\u3089\u300C\u7B2C1\u697D\u7AE0\u300D\u2212\u300C\u7B2C2\u697D\u7AE0\u300D\u2212...\u306E\u3088\u3046\u306B\u547C\u3076\u3002\u307E\u305F\u6700\u5F8C\u306E\u697D\u7AE0\u3092\u7279\u306B\u300C\u7D42\u697D\u7AE0\u300D\u300C\u30D5\u30A3\u30CA\u30FC\u30EC\u300D\u3068\u547C\u3076\u3053\u3068\u304C\u3042\u308B\u3002 \u901A\u5E38\u3001\u697D\u7AE0\u306E\u9593\u306F\u77ED\u3044\u6642\u9593\u304C\u7A7A\u3051\u3089\u308C\u3066\u6F14\u594F\u3055\u308C\u308B\u3002\u697D\u7AE0\u9593\u306B\u5C0F\u4F11\u6B62\u3092\u8A2D\u3051\u305A\u3001\u7D9A\u3051\u3066\u6B21\u306E\u697D\u7AE0\u306B\u5165\u308B\u3053\u3068\u3092\u30A2\u30BF\u30C3\u30AB\u3068\u3044\u3046\u3002\u304D\u308F\u3081\u3066\u7570\u4F8B\u306E\u3053\u3068\u3067\u306F\u3042\u308B\u304C\u3001\u697D\u7AE0\u9593\u306B\u304B\u306A\u308A\u9577\u3044\u6642\u9593\u3092\u3068\u308B\u3088\u3046\u306B\u6307\u5B9A\u3057\u3066\u3044\u308B\u3053\u3068\u3082\u3042\u308B\u3002\uFF08\u30DE\u30FC\u30E9\u30FC\u306E\u4EA4\u97FF\u66F2\u7B2C2\u756A\u306A\u3069\uFF09 \u901A\u4F8B\u3068\u3057\u3066\u697D\u7AE0\u3092\u6301\u3064\u697D\u66F2\u306F\u3001\u4EA4\u97FF\u66F2\u3001\u5354\u594F\u66F2\u3001\u30BD\u30CA\u30BF\u3001\u5F26\u697D\u56DB\u91CD\u594F\u66F2\u306A\u3069\u3067\u3042\u308B\u3002 \u306A\u304A\u3001\u7D44\u66F2\u3084\u3001\u30AA\u30DA\u30E9\u3001\u30D0\u30EC\u30A8\u307B\u304B\u5287\u4ED8\u968F\u97F3\u697D\u306E\u5834\u5408\u306B\u306F\u3001\u697D\u7AE0\u3068\u547C\u3070\u306A\u3044\u3002"@ja . . . . . . . . . . . . . "Movimento (musica)"@it . . "Sa cheol, tugtar gluaiseacht ar chuid ghlanscartha de shaothar m\u00F3r cos\u00FAil le coins\u00E9art\u00F3 n\u00F3 siansa. Is f\u00E9idir go mbeidh s\u00ED bainteach leis an gcuid roimpi n\u00F3 ina diaidh, go minic i gcontr\u00E1rthacht \u00F3 thaobh gl\u00E9is n\u00F3 luais n\u00F3 an d\u00E1 rud."@ga . . . . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uC545\uC7A5 \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \uC545\uC7A5(\u6A02\u7AE0)\uC740 \uC18C\uB098\uD0C0 \u00B7 \uAD50\uD5A5\uACE1 \u00B7 \uD611\uC8FC\uACE1 \uB4F1\uC5D0\uC11C \uD558\uB098\uC758 \uC545\uACE1 \uC804\uCCB4\uB97C \uAD6C\uC131\uD558\uB294 \uC77C\uBD80\uBD84\uC774\uC790 \uC81C\uAC01\uAE30 \uB2E4\uB978 \uC8FC\uC81C\uB85C \uC644\uACB0\uC131\uACFC \uB3C5\uB9BD\uC131\uC744 \uB760\uB294 \uD558\uB098\uD558\uB098\uC758 \uC18C\uACE1\uC774\uB2E4. \uC608\uB97C \uB4E4\uC5B4 \uC18C\uB098\uD0C0, \uD611\uC8FC\uACE1, \uAD50\uD5A5\uACE1\uC740 \uB300\uAC1C 1, 2, 3\uC545\uC7A5\uC744 \uAC00\uC9C0\uACE0 \uC788\uC73C\uBA70 \uAC01\uC790 \uB2E4\uB978 \uC8FC\uC81C\uB97C \uAC00\uC9C0\uACE0 \uC5F0\uC8FC\uD55C\uB2E4. \uADF8\uB7EC\uB098 \uC804\uCCB4\uC801\uC778 \uBD84\uC704\uAE30\uB294 \uBE44\uC2B7\uD558\uACE0 \uAC00\uB054 1\uC545\uC7A5\uC5D0\uC11C \uB098\uC628 \uC8FC\uC81C\uAC00 3\uC545\uC7A5\uC774\uB098 4\uC545\uC7A5\uC5D0 \uB098\uC628\uB2E4. \uD504\uB780\uCE20 \uB9AC\uC2A4\uD2B8\uB294 \uB2E8\uC545\uC7A5 \uC18C\uB098\uD0C0\uB97C \uC791\uACE1\uD588\uB2E4."@ko . "\u062D\u0631\u0643\u0629 (\u0645\u0648\u0633\u064A\u0642\u0649)"@ar . "A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, \"a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena\". A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast. \u2014\u2009Benward & Saker (2009), Music in Theory and Practice: Volume II While the ultimate harmonic goal of a tonal composition is the final tonic triad, there will also be many interior harmonic goals found within the piece, some of them tonic triads and some of them not. ...We use the term cadence to mean a harmonic goal, specifically the chords used at the goal."@en . . "\u0627\u0644\u062D\u0631\u0643\u0629 \u0641\u064A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0647\u064A \u062C\u0632\u0621 \u0645\u062A\u0643\u0627\u0645\u0644 \u0627\u0644\u0623\u0648\u0635\u0627\u0641 \u0641\u064A \u0627\u0644\u062A\u0623\u0644\u064A\u0641 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0623\u0648 \u0636\u0645\u0646 \u0627\u0644\u0635\u064A\u063A\u0629 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629. \u064A\u062A\u0637\u0644\u0628 \u0623\u062F\u0627\u0621 \u0627\u0644\u0639\u0645\u0644 \u0627\u0644\u0641\u0646\u064A \u0627\u0644\u0645\u062A\u0643\u0627\u0645\u0644 \u0639\u0632\u0641 \u0627\u0644\u062D\u0631\u0643\u0627\u062A \u0643\u0644\u0647\u0627 \u0628\u0634\u0643\u0644 \u0645\u062A\u062A\u0627\u0644\u064A. \u0639\u0644\u0649 \u0627\u0644\u0631\u063A\u0645 \u0645\u0646 \u0630\u0644\u0643 \u064A\u0645\u0643\u0646 \u0639\u0632\u0641 \u062D\u0631\u0643\u0629 \u0628\u0645\u0641\u0631\u062F\u0647\u0627. \u062A\u0634\u0628\u0647 \u0627\u0644\u062D\u0631\u0643\u0627\u062A \u0641\u064A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0633\u0643\u064A\u062A\u0634\u0627\u062A \u0641\u064A \u0627\u0644\u062A\u0645\u062B\u064A\u0644 \u0623\u0648 \u0627\u0644\u0641\u0635\u0648\u0644 \u0641\u064A \u0627\u0644\u0639\u0645\u0644 \u0627\u0644\u0645\u0633\u0631\u062D\u064A."@ar . . . "Mugimendu (musika)"@eu .