<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageExternalLink>	<http://www.lucytune.com> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageExternalLink>	<https://web.archive.org/web/20120407071626/http:/www.gesualdo.co.uk/2011/12/12/quater-comma-meantone-temperament/> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"Middentoonstemming is een verzamelnaam voor stemmingen waarin gestreefd wordt de grote tertsen rein (5:4) te maken of althans de reine terts goed te benaderen zonder al te veel aan zuiverheid van de kwint te verliezen. Dat maakt een harmonie en cadensen mogelijk, waarin de verschillende toonsoorten verschillen van klankkleur. Een middentoonstemming is opgebouwd volgens hetzelfde principe als de stemming van Pythagoras door opeenvolging van kwinten, maar tempereert (verkleint) de kwinten om de zuiverheid van de tertsen te verbeteren. Middentoonstemmingen zijn compromissen en verschillen naargelang het belang dat aan de respectieve zuiverheid van tertsen en kwinten wordt gegeven. De term 'middentoon' duidt erop dat alle hele toonafstanden aan elkaar gelijk zijn en een soort gemiddelde vormen."@nl .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://ro.dbpedia.org/resource/Temperament_mezotonic> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Interval_(music)> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Easley_Blackwood_Jr.> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageExternalLink>	<http://www.hpschd.nu/tech/tmp/mean.html> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/C_minor> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Schisma> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<https://global.dbpedia.org/id/51Dki> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Archicembalo> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Gioseffo_Zarlino> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Syntonic_comma> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"Temperamento mesot\u00F4nico"@pt .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://als.dbpedia.org/resource/Mittelt\u00F6nige_Stimmung> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"El temperamento mesot\u00F3nico es un sistema de afinaci\u00F3n que busca solventar la imposibilidad pr\u00E1ctica de la justa entonaci\u00F3n. Consiste en la afinaci\u00F3n por terceras mayores puras (en contraposici\u00F3n del temperamento pitag\u00F3rico, que va por quintas puras), por lo que las quintas son algo m\u00E1s peque\u00F1as. Posee quinta del lobo en el intervalo Sol#-Mi\u266D. El nombre del t\u00E9rmino mesot\u00F3nico (de tonos medios) procede de temperamentos en los que se part\u00EDa de dobles notas, necesarias para la coexistencia de terceras y quintas justas, por lo que algunos teclados de instrumentos con este temperamento pueden tener notas dobles para Re#/Mi\u266D y Sol#/La\u266D. Las propuestas que fueron surgiendo a partir del Renacimiento, se basaban en la repartici\u00F3n de la coma diat\u00F3nica entre un ciclo de quintas justas. Se obtiene as\u00ED una afinaci\u00F3n en la que: \n* Us\u00E1ndolo adecuadamente, es el temperamento m\u00E1s puro en cuanto a proporciones simples. \n* Es el temperamento pensado para tener intervalos m\u00E1s justos (La tercera pura, la quinta relativamente desafinada pero m\u00E1s que aceptable). \n* Las terceras en tonalidades principales son puras (Do-Mi, Re-Fa#, Mi-Sol#, Fa-La, Sol-Si, Mi\u266D-Sol, Si\u266D-Re, La-Do#). \n* Algunos acordes son impracticables (Acordes que no tengan terceras puras mayores, tanto en mayores como en menores. \n* No 'existen' las notas Re\u266D, Re#, Sol\u266D, La\u266D, La#, Mi#, Si# o cualquier doble sostenido o doble bemol (por l\u00F3gica, excepto si el acorde enarm\u00F3nico funciona...). Por lo que cualquier acorde que contenga una de estas notas no sonar\u00E1 'bien' (no tendr\u00E1 buenas proporciones). La utilidad del temperamento no es irse a estas tonalidades, no se basa en este principio. El temperamento mesot\u00F3nico m\u00E1s conocido es el de . Este temperamento parte del hecho de que una coma sint\u00F3nica aparece cada cuatro quintas consecutivas, que forman una tercera mayor. Por tanto reparte dicha coma acortando un cuarto de coma cada quinta justa y obtiene terceras mayores de dos tonos iguales y cuatro quintas iguales. A ese cuarto de coma se le conoce con el nombre de schisma."@es .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/43_equal_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"\u4E2D\u5168\u97F3\u5F8B\uFF08\u3061\u3085\u3046\u305C\u3093\u304A\u3093\u308A\u3064\uFF09\uFF08\u82F1: meantone temperament\uFF09\u306F\u3001\u4E09\u5EA6\u97F3\u7A0B\u306E\u7D14\u6B63\u5EA6\u3092\u78BA\u4FDD\u3059\u308B\u305F\u3081\u306B\u3001\u5B8C\u5168\u4E94\u5EA6\u3092\u7D14\u6B63\u97F3\u7A0B\u3088\u308A\u3082\u50C5\u304B\u306B\u72ED\u3081\u305F\u97F3\u5F8B\u3067\u3042\u308B\u3002\u5168\u97F3\u306E\u97F3\u7A0B\u304C\u5927\u5168\u97F3\uFF089/8\uFF09\u3068\u5C0F\u5168\u97F3\uFF0810/9\uFF09\u306E\u9593\u306E\u5927\u304D\u3055\u3068\u306A\u308B\u305F\u3081\u306B\u4E2D\u5168\u97F3\u5F8B\u3068\u547C\u3070\u308C\u308B\u3002\u30DF\u30FC\u30F3\u30C8\u30FC\u30F3\u3068\u547C\u3070\u308C\u308B\u3053\u3068\u3082\u591A\u3044\u300215\uFF5E19\u4E16\u7D00\u306B\u4E3B\u306B\u9375\u76E4\u697D\u5668\u306E\u8ABF\u5F8B\u3067\u4F7F\u7528\u3055\u308C\u305F\u3002\u72ED\u7FA9\u306B\u306F\u7D14\u6B63\u306A\u9577\u4E09\u5EA6\u304C\u5F97\u3089\u308C\u308B1/4\u30B3\u30F3\u30DE\u4E2D\u5168\u97F3\u5F8B\u3092\u6307\u3059\u3002"@ja .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Il temperamento del tono medio, altrimenti noto come temperamento mesotonico, \u00E8 un sistema di intonazione delle note utilizzato durante la fine del Rinascimento e nel periodo del Barocco. Questo temperamento, la cui ideazione \u00E8 attribuita al veneziano Pietro Aaron nel 1523, si basa su un principio simile a quello pitagorico, cio\u00E8 ottenere i vari gradi della scala attraverso cicli di quinte; tuttavia, nei temperamenti del tono medio gli intervalli di quinta vengono \"corretti\", dimodoch\u00E9 altri intervalli, come le terze maggiori, si trovino alla loro intonazione naturale."@it .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://ja.dbpedia.org/resource/\u4E2D\u5168\u97F3\u5F8B> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Open-source_hardware> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Fundamental_theorem_of_arithmetic> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://dbpedia.org/class/yago/Nature104623113> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://www.w3.org/2002/07/owl#Thing> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Reflist> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://pt.dbpedia.org/resource/Temperamento_mesot\u00F4nico> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/List_of_meantone_intervals> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Francisco_de_Salinas> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Dynamic_tonality> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://cs.dbpedia.org/resource/St\u0159edot\u00F3nov\u00E9_lad\u011Bn\u00ED> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"St\u0159edot\u00F3nov\u00E9 lad\u011Bn\u00ED"@cs .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://yago-knowledge.org/resource/Meantone_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Linear_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/26_equal_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/ns/prov#wasDerivedFrom>	<http://en.wikipedia.org/wiki/Meantone_temperament?oldid=1121871748&ns=0> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/50_equal_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Diminished_fourth> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"El temperamento mesot\u00F3nico es un sistema de afinaci\u00F3n que busca solventar la imposibilidad pr\u00E1ctica de la justa entonaci\u00F3n. Consiste en la afinaci\u00F3n por terceras mayores puras (en contraposici\u00F3n del temperamento pitag\u00F3rico, que va por quintas puras), por lo que las quintas son algo m\u00E1s peque\u00F1as. Posee quinta del lobo en el intervalo Sol#-Mi\u266D. Las propuestas que fueron surgiendo a partir del Renacimiento, se basaban en la repartici\u00F3n de la coma diat\u00F3nica entre un ciclo de quintas justas. Se obtiene as\u00ED una afinaci\u00F3n en la que:"@es .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Webarchive> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"Sub meztonaj agordoj a\u016D meztonaj temperadoj oni komprenas serion da agordoj, kiuj estis kutimaj en la renesanco, en la baroko, kaj multfoje anka\u016D en pli malfrua tempo (\u011Dis en la 19-a jarcento) \u0109efe por klavarinstrumentoj. Se ne plua estas indikata, ni parolas pri la 1/4-koma-meztona temperado, anka\u016D nomata purtercia meztona temperado."@eo .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"Meantone temperament is a musical temperament, that is a tuning system, obtained by narrowing the fifths so that their ratio is slightly less than 3:2 (making them narrower than a perfect fifth), in order to push the thirds closer to pure. Meantone temperaments are constructed the same way as Pythagorean tuning, as a stack of equal fifths, but it is a temperament in that the fifths are not pure."@en .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Musical_tuning> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://d-nb.info/gnd/7644153-2> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"Temperamento mesot\u00F3nico"@es .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Power_chord> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Authority_control> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Generator_(music)> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Semitone> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"\u0421\u0435\u0440\u0435\u0434\u043D\u044C\u043E\u0442\u043E\u043D\u043E\u0432\u0438\u0439 \u0441\u0442\u0440\u0456\u0439"@uk .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"Il temperamento del tono medio, altrimenti noto come temperamento mesotonico, \u00E8 un sistema di intonazione delle note utilizzato durante la fine del Rinascimento e nel periodo del Barocco. Questo temperamento, la cui ideazione \u00E8 attribuita al veneziano Pietro Aaron nel 1523, si basa su un principio simile a quello pitagorico, cio\u00E8 ottenere i vari gradi della scala attraverso cicli di quinte; tuttavia, nei temperamenti del tono medio gli intervalli di quinta vengono \"corretti\", dimodoch\u00E9 altri intervalli, come le terze maggiori, si trovino alla loro intonazione naturale."@it .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/C-sharp_minor> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/19_equal_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:1/3> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:1/4> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"Mittelt\u00F6nige Stimmung"@de .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Unter mittelt\u00F6niger Stimmung versteht man eine temperierte Stimmung, die in der Renaissance, im Barock und vielfach auch in sp\u00E4terer Zeit (bis in das 19. Jahrhundert) haupts\u00E4chlich f\u00FCr Tasteninstrumente gebr\u00E4uchlich war. Der Ganzton entspricht bei dieser Temperatur dem Mittel von gro\u00DFem und kleinem Ganzton, was zu dieser Bezeichnung f\u00FChrte. Die mittelt\u00F6nige Temperatur verf\u00FCgt \u00FCber acht reine Gro\u00DFterzen. Bei Dreikl\u00E4ngen differieren die entsprechenden Kleinterzen und Quinten jeweils um des syntonischen Kommas von den reinen Intervallen, erm\u00F6glichen jedoch die Bildung von acht wohlklingenden Dur- und ebenso vielen Molldreikl\u00E4ngen. Alle \u00FCbrigen Dreikl\u00E4nge wirken als Misskl\u00E4nge. Diese Beschr\u00E4nkung beeinflusst die musikalische Nutzung der mittelt\u00F6nigen Temperatur bei der Wahl der Tonarten, bei "@de .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"\u0421\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u0301\u043D\u043E\u0432\u044B\u0439 \u0441\u0442\u0440\u043E\u0439 (\u043D\u0435\u043C. mittelt\u00F6nige Stimmung, \u0430\u043D\u0433\u043B. meantone tuning) \u0438\u043B\u0438 \u0441\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u0301\u043D\u043E\u0432\u0430\u044F \u0442\u0435\u043C\u043F\u0435\u0440\u0430\u0301\u0446\u0438\u044F \u2014 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u0441\u0442\u0440\u043E\u0439, \u043E\u0441\u043D\u043E\u0432\u0430\u043D\u043D\u044B\u0439 \u043D\u0430 \u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0439 \u0446\u0435\u043F\u0438 \u043A\u0432\u0438\u043D\u0442, \u043A\u0430\u0436\u0434\u0430\u044F \u0438\u0437 \u043A\u043E\u0442\u043E\u0440\u044B\u0445 \u0442\u0435\u043C\u043F\u0435\u0440\u0438\u0440\u043E\u0432\u0430\u043D\u0430 (\u0443\u043C\u0435\u043D\u044C\u0448\u0435\u043D\u0430 \u043F\u043E \u0441\u0440\u0430\u0432\u043D\u0435\u043D\u0438\u044E \u0441 \u0430\u043A\u0443\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0438 \u0447\u0438\u0441\u0442\u043E\u0439 \u043D\u0430 \u043E\u0434\u043D\u0443 \u0438 \u0442\u0443 \u0436\u0435 \u0432\u0435\u043B\u0438\u0447\u0438\u043D\u0443). \u0422\u0430\u043A\u0438\u043C \u043E\u0431\u0440\u0430\u0437\u043E\u043C, \u0432 \u0441\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u043D\u043E\u0432\u043E\u043C \u0441\u0442\u0440\u043E\u0435 \u0432\u0441\u0435 \u043A\u0432\u0438\u043D\u0442\u044B \u0438\u043C\u0435\u044E\u0442 \u043E\u0434\u043D\u043E \u0438 \u0442\u043E \u0436\u0435 \u043E\u0442\u043D\u043E\u0448\u0435\u043D\u0438\u0435 \u0447\u0430\u0441\u0442\u043E\u0442 \u0437\u0432\u0443\u043A\u043E\u0432 (\u0442\u0430\u043A\u043E\u0435 \u0441\u0432\u043E\u0439\u0441\u0442\u0432\u043E \u0441\u0442\u0440\u043E\u044F \u0447\u0430\u0441\u0442\u043E \u0442\u0430\u043A\u0436\u0435 \u043D\u0430\u0437\u044B\u0432\u0430\u044E\u0442 \u0440\u0435\u0433\u0443\u043B\u044F\u0440\u043D\u043E\u0441\u0442\u044C\u044E). \u0425\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u043D\u043E\u0439 \u043E\u0441\u043E\u0431\u0435\u043D\u043D\u043E\u0441\u0442\u044C\u044E \u0441\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u043D\u043E\u0432\u044B\u0445 \u0441\u0442\u0440\u043E\u0451\u0432 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043D\u0430\u043B\u0438\u0447\u0438\u0435 \u0432 \u043D\u0438\u0445 \u00AB\u0441\u0440\u0435\u0434\u043D\u0438\u0445 \u0446\u0435\u043B\u044B\u0445 \u0442\u043E\u043D\u043E\u0432\u00BB (\u043E\u0442\u0441\u044E\u0434\u0430 \u0438 \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u0435): \u0432 \u0442\u0430\u043A\u0438\u0445 \u0441\u0442\u0440\u043E\u044F\u0445 \u0431\u043E\u043B\u044C\u0448\u0430\u044F \u0441\u0435\u043A\u0443\u043D\u0434\u0430 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0442\u043E\u0447\u043D\u043E\u0439 \u043F\u043E\u043B\u043E\u0432\u0438\u043D\u043E\u0439 \u0431\u043E\u043B\u044C\u0448\u043E\u0439 \u0442\u0435\u0440\u0446\u0438\u0438. \u041E\u0441\u043E\u0431\u043E\u0435 \u043C\u0435\u0441\u0442\u043E \u0441\u0440\u0435\u0434\u0438 \u0441\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u043D\u043E\u0432\u044B\u0445 \u0441\u0442\u0440\u043E\u0451\u0432 \u0437\u0430\u043D\u0438\u043C\u0430\u0435\u0442 \u0441\u0442\u0440\u043E\u0439, \u0432 \u043A\u043E\u0442\u043E\u0440\u043E\u043C \u0432\u0441\u0435 \u043A\u0432\u0438\u043D\u0442\u044B \u0442\u0435\u043C\u043F\u0435\u0440\u0438\u0440\u043E\u0432\u0430\u043D\u044B \u043D\u0430 1/4 \u0434\u0438\u0434\u0438\u043C\u043E\u0432\u043E\u0439 \u043A\u043E\u043C\u043C\u044B: \u0432 \u043D\u0451\u043C \u0431\u043E\u043B\u044C\u0448\u0438\u0435 \u0442\u0435\u0440\u0446\u0438\u0438, \u043F\u043E\u043B\u0443\u0447\u0430\u0435\u043C\u044B\u0435 \u0432 \u0440\u0435\u0437\u0443\u043B\u044C\u0442\u0430\u0442\u0435 \u043E\u0442\u043A\u043B\u0430\u0434\u044B\u0432\u0430\u043D\u0438\u044F \u0447\u0435\u0442\u044B\u0440\u0451\u0445 \u0442\u0435\u043C\u043F\u0435\u0440\u0438\u0440\u043E\u0432\u0430\u043D\u043D\u044B\u0445 \u0442\u0430\u043A\u0438\u043C \u043E\u0431\u0440\u0430\u0437\u043E\u043C \u043A\u0432\u0438\u043D\u0442, \u043E\u043A\u0430\u0437\u044B\u0432\u0430\u044E\u0442\u0441\u044F \u0430\u043A\u0443\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0438 \u0447\u0438\u0441\u0442\u044B\u043C\u0438. \u0427\u0430\u0441\u0442\u043E \u0442\u0435\u0440\u043C\u0438\u043D \u00AB\u0441\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u043D\u043E\u0432\u044B\u0439\u00BB \u043E\u0442\u043D\u043E\u0441\u044F\u0442 \u0438\u043C\u0435\u043D\u043D\u043E \u043A \u044D\u0442\u043E\u043C\u0443 \u0441\u0442\u0440\u043E\u044E."@ru .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Perfect_fifth> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Sub meztonaj agordoj a\u016D meztonaj temperadoj oni komprenas serion da agordoj, kiuj estis kutimaj en la renesanco, en la baroko, kaj multfoje anka\u016D en pli malfrua tempo (\u011Dis en la 19-a jarcento) \u0109efe por klavarinstrumentoj. Se ne plua estas indikata, ni parolas pri la 1/4-koma-meztona temperado, anka\u016D nomata purtercia meztona temperado."@eo .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/E-flat_major> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Wolf_fifth> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Short_description> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageRevisionID>	"1121871748"^^<http://www.w3.org/2001/XMLSchema#integer> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://uk.dbpedia.org/resource/\u0421\u0435\u0440\u0435\u0434\u043D\u044C\u043E\u0442\u043E\u043D\u043E\u0432\u0438\u0439_\u0441\u0442\u0440\u0456\u0439> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://dbpedia.org/class/yago/Attribute100024264> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/File:Meantone.jpg> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Regular_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"Temperamento mesotonico"@it .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageExternalLink>	<http://www.kylegann.com/histune.html> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://de.dbpedia.org/resource/Mittelt\u00F6nige_Stimmung> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"Tenperamentu mesotoniko"@eu .
<http://dbpedia.org/resource/Meantone_temperament>	<http://purl.org/linguistics/gold/hypernym>	<http://dbpedia.org/resource/Temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Major_third> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://ru.dbpedia.org/resource/\u0421\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u043D\u043E\u0432\u044B\u0439_\u0441\u0442\u0440\u043E\u0439> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"\u0421\u0435\u0440\u0435\u0434\u043D\u044C\u043E\u0442\u043E\u043D\u043E\u0432\u0438\u0439 \u0441\u0442\u0440\u0456\u0439 \u2014 (\u0442\u0430\u043A\u043E\u0436 \u00AB\u0442\u0435\u0440\u0446\u043E\u0432\u0438\u0439 \u0441\u0442\u0440\u0456\u0439\u00BB) \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0441\u0442\u0440\u0456\u0439 \u0449\u043E \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u043E\u0432\u0443\u0432\u0430\u0432\u0441\u044F \u0443 \u0440\u0430\u043D\u043D\u044C\u043E\u043C\u0443 \u0431\u0430\u0440\u043E\u043A\u043E. \u0417 \u043F\u0440\u0438\u0445\u043E\u0434\u043E\u043C \u0420\u0435\u043D\u0435\u0441\u0430\u043D\u0441\u0443 \u0437\u043C\u0456\u043D\u0438\u043B\u043E\u0441\u044C \u0441\u0442\u0430\u0432\u043B\u0435\u043D\u043D\u044F \u0434\u043E \u0432\u0435\u043B\u0438\u043A\u043E\u0457 \u0442\u0435\u0440\u0446\u0456\u0457. \u0414\u043E \u0446\u044C\u043E\u0433\u043E, \u0443\u043F\u0440\u043E\u0434\u043E\u0432\u0436 \u043C\u0430\u0439\u0436\u0435 \u0432\u0441\u044C\u043E\u0433\u043E \u0441\u0435\u0440\u0435\u0434\u043D\u044C\u043E\u0432\u0456\u0447\u0447\u044F \u0442\u0435\u0440\u0446\u0456\u044F \u0432\u0432\u0430\u0436\u0430\u043B\u0430\u0441\u044F \u0434\u0438\u0441\u043E\u043D\u0430\u043D\u0441\u043E\u043C, \u043E\u0434\u043D\u0430\u043A \u043F\u0456\u0437\u043D\u0456\u0448\u0435 \u043F\u043E\u0447\u0438\u043D\u0430\u0454 \u0440\u043E\u0437\u0433\u043B\u044F\u0434\u0430\u0442\u0438\u0441\u044F \u044F\u043A \u043E\u0434\u0438\u043D \u0437 \u043E\u0441\u043D\u043E\u0432\u043D\u0438\u0445 \u043A\u043E\u043D\u0441\u043E\u043D\u0430\u043D\u0442\u043D\u0438\u0445 \u0456\u043D\u0442\u0435\u0440\u0432\u0430\u043B\u0456\u0432. \u0423\u043F\u0435\u0440\u0448\u0435 \u0446\u0435\u0439 \u0441\u0442\u0440\u0456\u0439 \u043E\u043F\u0438\u0441\u0430\u0432 1523 \u0440\u043E\u043A\u0443 \u0443 \u043F\u0440\u0430\u0446\u0456 \u00ABToscanello de la Musica\u00BB. \u0412\u0456\u043D \u043F\u0438\u0441\u0430\u0432, \u0449\u043E \u0432\u0435\u043B\u0438\u043A\u0456 \u0442\u0435\u0440\u0446\u0456\u0457 \u0442\u0440\u0435\u0431\u0430 \u043D\u0430\u0441\u0442\u0440\u043E\u044E\u0432\u0430\u0442\u0438 \u0441\u043F\u0456\u0432\u0437\u0432\u0443\u0447\u043D\u043E \u0439 \u0447\u0438\u0441\u0442\u043E, \u043D\u0430\u0441\u043A\u0456\u043B\u044C\u043A\u0438 \u0446\u0435 \u043C\u043E\u0436\u043B\u0438\u0432\u043E. \u041F\u0456\u0437\u043D\u0456\u0448\u0456 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A\u0438 \u043E\u043F\u0438\u0441\u0430\u043B\u0438 \u0446\u0435\u0439 \u0441\u043F\u043E\u0441\u0456\u0431 \u043D\u0430\u0441\u0442\u0440\u043E\u044E\u0432\u0430\u043D\u043D\u044F \u0437\u0430 \u0434\u043E\u043F\u043E\u043C\u043E\u0433\u043E\u044E \u043C\u0430\u0442\u0435\u043C\u0430\u0442\u0438\u0447\u043D\u0438\u0445 \u0432\u0456\u0434\u043D\u043E\u0448\u0435\u0448\u044C."@uk .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"St\u0159edot\u00F3nov\u00E9 lad\u011Bn\u00ED je nerovnom\u011Brn\u011B temperovan\u00E9 hudebn\u00ED lad\u011Bn\u00ED vynalezen\u00E9 v pr\u016Fb\u011Bhu 16. stolet\u00ED a pou\u017E\u00EDvan\u00E9 p\u0159edev\u0161\u00EDm v dob\u00E1ch ran\u00E9ho baroka. Nej\u010Dast\u011Bji je t\u00EDmto term\u00EDnem ozna\u010Dov\u00E1no 1/4-koma st\u0159edot\u00F3nov\u00E9 lad\u011Bn\u00ED, o kter\u00E9m se v roce 1511 poprv\u00E9 zm\u00EDnil Arnold Schlick a kter\u00E9 podrobn\u011B popsal Pietro Aron v roce 1523."@cs .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://es.dbpedia.org/resource/Temperamento_mesot\u00F3nico> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://dbpedia.org/class/yago/WikicatLinearTemperaments> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Syntonic_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Sfrac> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Tenperamentu mesotonikoa helburutzat ahalik eta hirudun doi gehien lortzea duen tenperamentu-mota da. Tenperamentu mesotoniko zabalduenean, hamaika bostun sistema pitagorikoan baino txikiagoak dira (koma sintonikoaren laurden bat), eta azkena, berriz, nabarmen handiagoa, eta entzuteko aski gogorra (otsoaren bostuna). Egokia da oinarrizko tonalitate batzuetatik (do, fa, sol) ondokoetara bakarrik modulatu behar denean. XVI. mendean sortu zen eta XVIII. mendearen amaierara arte erabili zen mendebaldeko Europan (Ingalaterran, XIX. mendearen erdialdera arte)."@eu .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageExternalLink>	<https://web.archive.org/web/*/http:/www.xs4all.nl/~huygensf/english/temperament.html> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://eo.dbpedia.org/resource/Meztona_agordo> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Medelton \u00E4r inom musikteorin en temperering som l\u00F6ser problemet med Pythagoras komma, genom att g\u00F6ra alla kvinter n\u00E5got mindre. Denna musikteorirelaterade artikel saknar v\u00E4sentlig information. Du kan hj\u00E4lpa till genom att l\u00E4gga till den."@sv .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Lodovico_Fogliano> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Sharp> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/thumbnail>	<http://commons.wikimedia.org/wiki/Special:FilePath/Meantone.jpg?width=300> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Diminished_sixth> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Rank_of_an_abelian_group> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://commons.dbpedia.org/resource/Meantone_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Rational_number> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/53_equal_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"Dans la th\u00E9orie de la musique occidentale, un temp\u00E9rament m\u00E9sotonique est un temp\u00E9rament musical construit sur le m\u00EAme principe que la gamme pythagoricienne, mais en diminuant les quintes, afin d'am\u00E9liorer la justesse de ses tierces. Les temp\u00E9raments m\u00E9sotoniques sont des compromis et diff\u00E8rent selon l'importance donn\u00E9e \u00E0 la puret\u00E9 respective des tierces et des quintes. L'adjectif \u00AB m\u00E9sotonique \u00BB indique que tous les tons sont \u00E9gaux \u00E0 une valeur m\u00E9diane (le pr\u00E9fixe m\u00E9so vient du grec et signifie \u00AB au milieu \u00BB). A contrario, les gammes naturelles \u00E0 tierces pures (comme celle de Zarlino) se divisent en tons majeurs (de rapport 9/8) et tons mineurs (de rapport 10/9), qui diff\u00E8rent entre eux d'un comma syntonique. On baisse les quintes d'une fraction du comma syntonique (aussi appel\u00E9 comma zarlinien). En effet, la tierce pythagoricienne, ou diton (elle \u00E9gale deux tons et son rapport de fr\u00E9quences est 81/64), diff\u00E8re de la tierce pure (de rapport 5/4 ou 80/64) d'un intervalle, le comma syntonique."@fr .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Temperamento mesot\u00F3nico (no Brasil: mesot\u00F4nico) \u00E9 um temperamento musical, ou seja, um sistema de afina\u00E7\u00E3o. De modo geral, \u00E9 constru\u00EDdo da mesma forma que o , como uma sucess\u00E3o de quintas justas. A diferen\u00E7a \u00E9 que no temperamento mesot\u00F4nico, o intervalo de quinta justa \u00E9 estreitado pelo mesmo valor (ou, equivalentemente, o intervalo de quarta justa alargado) em rela\u00E7\u00E3o \u00E0 sua entona\u00E7\u00E3o justa. O temperamento mesot\u00F4nico: \n* gera todos os intervalos diferentes da oitava por meio de quintas justas temperadas; \n* perfaz o temperamento da coma sint\u00F4nica em dire\u00E7\u00E3o ao un\u00EDssono."@pt .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageID>	"42903"^^<http://www.w3.org/2001/XMLSchema#integer> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Marin_Mersenne> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Fabio_Colonna> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Isaac_Newton> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/url>	<https://web.archive.org/web/*/http:/www.xs4all.nl/~huygensf/english/temperament.html> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Pythagorean_comma> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Cent_(music)> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"\u0421\u0435\u0440\u0435\u0434\u043D\u044C\u043E\u0442\u043E\u043D\u043E\u0432\u0438\u0439 \u0441\u0442\u0440\u0456\u0439 \u2014 (\u0442\u0430\u043A\u043E\u0436 \u00AB\u0442\u0435\u0440\u0446\u043E\u0432\u0438\u0439 \u0441\u0442\u0440\u0456\u0439\u00BB) \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0441\u0442\u0440\u0456\u0439 \u0449\u043E \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u043E\u0432\u0443\u0432\u0430\u0432\u0441\u044F \u0443 \u0440\u0430\u043D\u043D\u044C\u043E\u043C\u0443 \u0431\u0430\u0440\u043E\u043A\u043E. \u0417 \u043F\u0440\u0438\u0445\u043E\u0434\u043E\u043C \u0420\u0435\u043D\u0435\u0441\u0430\u043D\u0441\u0443 \u0437\u043C\u0456\u043D\u0438\u043B\u043E\u0441\u044C \u0441\u0442\u0430\u0432\u043B\u0435\u043D\u043D\u044F \u0434\u043E \u0432\u0435\u043B\u0438\u043A\u043E\u0457 \u0442\u0435\u0440\u0446\u0456\u0457. \u0414\u043E \u0446\u044C\u043E\u0433\u043E, \u0443\u043F\u0440\u043E\u0434\u043E\u0432\u0436 \u043C\u0430\u0439\u0436\u0435 \u0432\u0441\u044C\u043E\u0433\u043E \u0441\u0435\u0440\u0435\u0434\u043D\u044C\u043E\u0432\u0456\u0447\u0447\u044F \u0442\u0435\u0440\u0446\u0456\u044F \u0432\u0432\u0430\u0436\u0430\u043B\u0430\u0441\u044F \u0434\u0438\u0441\u043E\u043D\u0430\u043D\u0441\u043E\u043C, \u043E\u0434\u043D\u0430\u043A \u043F\u0456\u0437\u043D\u0456\u0448\u0435 \u043F\u043E\u0447\u0438\u043D\u0430\u0454 \u0440\u043E\u0437\u0433\u043B\u044F\u0434\u0430\u0442\u0438\u0441\u044F \u044F\u043A \u043E\u0434\u0438\u043D \u0437 \u043E\u0441\u043D\u043E\u0432\u043D\u0438\u0445 \u043A\u043E\u043D\u0441\u043E\u043D\u0430\u043D\u0442\u043D\u0438\u0445 \u0456\u043D\u0442\u0435\u0440\u0432\u0430\u043B\u0456\u0432. \u0423\u043F\u0435\u0440\u0448\u0435 \u0446\u0435\u0439 \u0441\u0442\u0440\u0456\u0439 \u043E\u043F\u0438\u0441\u0430\u0432 1523 \u0440\u043E\u043A\u0443 \u0443 \u043F\u0440\u0430\u0446\u0456 \u00ABToscanello de la Musica\u00BB. \u0412\u0456\u043D \u043F\u0438\u0441\u0430\u0432, \u0449\u043E \u0432\u0435\u043B\u0438\u043A\u0456 \u0442\u0435\u0440\u0446\u0456\u0457 \u0442\u0440\u0435\u0431\u0430 \u043D\u0430\u0441\u0442\u0440\u043E\u044E\u0432\u0430\u0442\u0438 \u0441\u043F\u0456\u0432\u0437\u0432\u0443\u0447\u043D\u043E \u0439 \u0447\u0438\u0441\u0442\u043E, \u043D\u0430\u0441\u043A\u0456\u043B\u044C\u043A\u0438 \u0446\u0435 \u043C\u043E\u0436\u043B\u0438\u0432\u043E. \u041F\u0456\u0437\u043D\u0456\u0448\u0456 \u0442\u0435\u043E\u0440\u0435\u0442\u0438\u043A\u0438 \u043E\u043F\u0438\u0441\u0430\u043B\u0438 \u0446\u0435\u0439 \u0441\u043F\u043E\u0441\u0456\u0431 \u043D\u0430\u0441\u0442\u0440\u043E\u044E\u0432\u0430\u043D\u043D\u044F \u0437\u0430 \u0434\u043E\u043F\u043E\u043C\u043E\u0433\u043E\u044E \u043C\u0430\u0442\u0435\u043C\u0430\u0442\u0438\u0447\u043D\u0438\u0445 \u0432\u0456\u0434\u043D\u043E\u0448\u0435\u0448\u044C."@uk .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"Middentoonstemming"@nl .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://www.wikidata.org/entity/Q846648> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"Meztona agordo"@eo .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Citation_needed> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Flat> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://purl.org/dc/terms/subject>	<http://dbpedia.org/resource/Category:Linear_temperaments> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://sv.dbpedia.org/resource/Medelton> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"Medelton \u00E4r inom musikteorin en temperering som l\u00F6ser problemet med Pythagoras komma, genom att g\u00F6ra alla kvinter n\u00E5got mindre. Denna musikteorirelaterade artikel saknar v\u00E4sentlig information. Du kan hj\u00E4lpa till genom att l\u00E4gga till den."@sv .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Mathematics_of_musical_scales> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Generated_collection> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Category:Linear_temperaments> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://fa.dbpedia.org/resource/\u0627\u0639\u062A\u062F\u0627\u0644_\u0645\u06CC\u0627\u0646\u06AF\u06CC\u0646> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/Meantone.jpg> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://xmlns.com/foaf/0.1/depiction>	<http://commons.wikimedia.org/wiki/Special:FilePath/Isomorphic_Note_Layout.jpg> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Well_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"\u0421\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u0301\u043D\u043E\u0432\u044B\u0439 \u0441\u0442\u0440\u043E\u0439 (\u043D\u0435\u043C. mittelt\u00F6nige Stimmung, \u0430\u043D\u0433\u043B. meantone tuning) \u0438\u043B\u0438 \u0441\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u0301\u043D\u043E\u0432\u0430\u044F \u0442\u0435\u043C\u043F\u0435\u0440\u0430\u0301\u0446\u0438\u044F \u2014 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u0441\u0442\u0440\u043E\u0439, \u043E\u0441\u043D\u043E\u0432\u0430\u043D\u043D\u044B\u0439 \u043D\u0430 \u043F\u043E\u0441\u043B\u0435\u0434\u043E\u0432\u0430\u0442\u0435\u043B\u044C\u043D\u043E\u0439 \u0446\u0435\u043F\u0438 \u043A\u0432\u0438\u043D\u0442, \u043A\u0430\u0436\u0434\u0430\u044F \u0438\u0437 \u043A\u043E\u0442\u043E\u0440\u044B\u0445 \u0442\u0435\u043C\u043F\u0435\u0440\u0438\u0440\u043E\u0432\u0430\u043D\u0430 (\u0443\u043C\u0435\u043D\u044C\u0448\u0435\u043D\u0430 \u043F\u043E \u0441\u0440\u0430\u0432\u043D\u0435\u043D\u0438\u044E \u0441 \u0430\u043A\u0443\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0438 \u0447\u0438\u0441\u0442\u043E\u0439 \u043D\u0430 \u043E\u0434\u043D\u0443 \u0438 \u0442\u0443 \u0436\u0435 \u0432\u0435\u043B\u0438\u0447\u0438\u043D\u0443). \u0422\u0430\u043A\u0438\u043C \u043E\u0431\u0440\u0430\u0437\u043E\u043C, \u0432 \u0441\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u043D\u043E\u0432\u043E\u043C \u0441\u0442\u0440\u043E\u0435 \u0432\u0441\u0435 \u043A\u0432\u0438\u043D\u0442\u044B \u0438\u043C\u0435\u044E\u0442 \u043E\u0434\u043D\u043E \u0438 \u0442\u043E \u0436\u0435 \u043E\u0442\u043D\u043E\u0448\u0435\u043D\u0438\u0435 \u0447\u0430\u0441\u0442\u043E\u0442 \u0437\u0432\u0443\u043A\u043E\u0432 (\u0442\u0430\u043A\u043E\u0435 \u0441\u0432\u043E\u0439\u0441\u0442\u0432\u043E \u0441\u0442\u0440\u043E\u044F \u0447\u0430\u0441\u0442\u043E \u0442\u0430\u043A\u0436\u0435 \u043D\u0430\u0437\u044B\u0432\u0430\u044E\u0442 \u0440\u0435\u0433\u0443\u043B\u044F\u0440\u043D\u043E\u0441\u0442\u044C\u044E). \u0425\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u043D\u043E\u0439 \u043E\u0441\u043E\u0431\u0435\u043D\u043D\u043E\u0441\u0442\u044C\u044E \u0441\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u043D\u043E\u0432\u044B\u0445 \u0441\u0442\u0440\u043E\u0451\u0432 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043D\u0430\u043B\u0438\u0447\u0438\u0435 \u0432 \u043D\u0438\u0445 \u00AB\u0441\u0440\u0435\u0434\u043D\u0438\u0445 \u0446\u0435\u043B\u044B\u0445 \u0442\u043E\u043D\u043E\u0432\u00BB (\u043E\u0442\u0441\u044E\u0434\u0430 \u0438 \u043D\u0430\u0437\u0432\u0430\u043D\u0438\u0435): \u0432 \u0442\u0430\u043A\u0438\u0445 \u0441\u0442\u0440\u043E\u044F\u0445 \u0431\u043E\u043B\u044C\u0448\u0430\u044F \u0441\u0435\u043A\u0443\u043D\u0434\u0430 \u044F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u0442\u043E\u0447\u043D\u043E\u0439 \u043F\u043E\u043B\u043E\u0432\u0438\u043D\u043E\u0439 \u0431\u043E\u043B\u044C\u0448\u043E\u0439 \u0442\u0435\u0440\u0446\u0438\u0438."@ru .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Pythagorean_tuning> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://dbpedia.org/class/yago/Trait104616059> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/reason>	"R hardly could be a rational number; see talk page"@en .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"\u4E2D\u5EB8\u5168\u97F3\u5F8B\uFF0C\u662F\u53E4\u5178\u97F3\u5F8B\u7684\u4E00\u79CD\uFF0C\u5E94\u7528\u4E8E\u6587\u827A\u590D\u5174\u540E\u671F\u81F3\u5DF4\u6D1B\u514B\u65F6\u671F\u5DE6\u53F3\u3002"@zh .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://eu.dbpedia.org/resource/Tenperamentu_mesotoniko> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/12_equal_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Quarter-comma_meantone> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://zh.dbpedia.org/resource/\u4E2D\u5EB8\u5168\u97F3\u5F8B> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"Unter mittelt\u00F6niger Stimmung versteht man eine temperierte Stimmung, die in der Renaissance, im Barock und vielfach auch in sp\u00E4terer Zeit (bis in das 19. Jahrhundert) haupts\u00E4chlich f\u00FCr Tasteninstrumente gebr\u00E4uchlich war. Der Ganzton entspricht bei dieser Temperatur dem Mittel von gro\u00DFem und kleinem Ganzton, was zu dieser Bezeichnung f\u00FChrte. Die mittelt\u00F6nige Temperatur verf\u00FCgt \u00FCber acht reine Gro\u00DFterzen. Bei Dreikl\u00E4ngen differieren die entsprechenden Kleinterzen und Quinten jeweils um des syntonischen Kommas von den reinen Intervallen, erm\u00F6glichen jedoch die Bildung von acht wohlklingenden Dur- und ebenso vielen Molldreikl\u00E4ngen. Alle \u00FCbrigen Dreikl\u00E4nge wirken als Misskl\u00E4nge. Diese Beschr\u00E4nkung beeinflusst die musikalische Nutzung der mittelt\u00F6nigen Temperatur bei der Wahl der Tonarten, bei der Harmonik und bei m\u00F6glichen Transpositionen. Um die Wolfsquinte zu vermindern oder zu vermeiden, wurde die strenge Mittelt\u00F6nigkeit in vielen Versuchen modifiziert, wobei aber gleichzeitig die reinen Terzen erh\u00F6ht (gesch\u00E4rft) werden. Dies f\u00FChrte in letzter Konsequenz zur Entwicklung der wohltemperierten Stimmungen und der gleichstufigen Stimmung."@de .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"\u4E2D\u5168\u97F3\u5F8B"@ja .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Nicola_Vicentino> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"\u4E2D\u5EB8\u5168\u97F3\u5F8B"@zh .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://nl.dbpedia.org/resource/Middentoonstemming> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Douglas_Leedy> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageExternalLink>	<https://www.academia.edu/9189419/Blankenburg_Equal_or_unequal_temperament_during_J.S._Bach_s_life> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/John_Adams_(composer)> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/31_equal_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"\u0421\u0440\u0435\u0434\u043D\u0435\u0442\u043E\u043D\u043E\u0432\u044B\u0439 \u0441\u0442\u0440\u043E\u0439"@ru .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"St\u0159edot\u00F3nov\u00E9 lad\u011Bn\u00ED je nerovnom\u011Brn\u011B temperovan\u00E9 hudebn\u00ED lad\u011Bn\u00ED vynalezen\u00E9 v pr\u016Fb\u011Bhu 16. stolet\u00ED a pou\u017E\u00EDvan\u00E9 p\u0159edev\u0161\u00EDm v dob\u00E1ch ran\u00E9ho baroka. Nej\u010Dast\u011Bji je t\u00EDmto term\u00EDnem ozna\u010Dov\u00E1no 1/4-koma st\u0159edot\u00F3nov\u00E9 lad\u011Bn\u00ED, o kter\u00E9m se v roce 1511 poprv\u00E9 zm\u00EDnil Arnold Schlick a kter\u00E9 podrobn\u011B popsal Pietro Aron v roce 1523."@cs .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Radic> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"Temp\u00E9rament m\u00E9sotonique"@fr .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Logarithm> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Clarify> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Just_intonation> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://xmlns.com/foaf/0.1/isPrimaryTopicOf>	<http://en.wikipedia.org/wiki/Meantone_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Middentoonstemming is een verzamelnaam voor stemmingen waarin gestreefd wordt de grote tertsen rein (5:4) te maken of althans de reine terts goed te benaderen zonder al te veel aan zuiverheid van de kwint te verliezen. Dat maakt een harmonie en cadensen mogelijk, waarin de verschillende toonsoorten verschillen van klankkleur. Een middentoonstemming is opgebouwd volgens hetzelfde principe als de stemming van Pythagoras door opeenvolging van kwinten, maar tempereert (verkleint) de kwinten om de zuiverheid van de tertsen te verbeteren. Middentoonstemmingen zijn compromissen en verschillen naargelang het belang dat aan de respectieve zuiverheid van tertsen en kwinten wordt gegeven. De term 'middentoon' duidt erop dat alle hele toonafstanden aan elkaar gelijk zijn en een soort gemiddelde vormen"@nl .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Equal_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://no.dbpedia.org/resource/Middeltone> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://rdf.freebase.com/ns/m.0bsks> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"Temperamento mesot\u00F3nico (no Brasil: mesot\u00F4nico) \u00E9 um temperamento musical, ou seja, um sistema de afina\u00E7\u00E3o. De modo geral, \u00E9 constru\u00EDdo da mesma forma que o , como uma sucess\u00E3o de quintas justas. A diferen\u00E7a \u00E9 que no temperamento mesot\u00F4nico, o intervalo de quinta justa \u00E9 estreitado pelo mesmo valor (ou, equivalentemente, o intervalo de quarta justa alargado) em rela\u00E7\u00E3o \u00E0 sua entona\u00E7\u00E3o justa. O temperamento mesot\u00F4nico: \n* gera todos os intervalos diferentes da oitava por meio de quintas justas temperadas; \n* perfaz o temperamento da coma sint\u00F4nica em dire\u00E7\u00E3o ao un\u00EDssono. A forma mais conhecida e utilizada deste temperamento \u00E9 o temperamento mesot\u00F4nico de quarto de coma, e a express\u00E3o mais simples temperamento mesot\u00F4nico \u00E9 frequentemente utilizada neste sentido."@pt .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Musical_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"Medelton"@sv .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Cleanup_reorganize> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Meantone temperament is a musical temperament, that is a tuning system, obtained by narrowing the fifths so that their ratio is slightly less than 3:2 (making them narrower than a perfect fifth), in order to push the thirds closer to pure. Meantone temperaments are constructed the same way as Pythagorean tuning, as a stack of equal fifths, but it is a temperament in that the fifths are not pure."@en .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Frac> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/abstract>	"Tenperamentu mesotonikoa helburutzat ahalik eta hirudun doi gehien lortzea duen tenperamentu-mota da. Tenperamentu mesotoniko zabalduenean, hamaika bostun sistema pitagorikoan baino txikiagoak dira (koma sintonikoaren laurden bat), eta azkena, berriz, nabarmen handiagoa, eta entzuteko aski gogorra (otsoaren bostuna). Egokia da oinarrizko tonalitate batzuetatik (do, fa, sol) ondokoetara bakarrik modulatu behar denean. XVI. mendean sortu zen eta XVIII. mendearen amaierara arte erabili zen mendebaldeko Europan (Ingalaterran, XIX. mendearen erdialdera arte). Tenperamentu mesotoniko ezagunena koma laurdenekoa da. Izaera horren abiapuntua da koma sintoniko bat ondoz ondoko lau bostedunetik behin agertzen dela, hirudun handiago bat osatzen dutenak. Beraz, koma hori bosten justuko koma laurden bat laburtuz banatzen du, eta bi tonu berdineko eta lau bosten berdineko hirugarrenak lortzen ditu. Koma gela horri esaten zaio."@eu .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/55_equal_temperament> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageLength>	"27565"^^<http://www.w3.org/2001/XMLSchema#nonNegativeInteger> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"\u4E2D\u5EB8\u5168\u97F3\u5F8B\uFF0C\u662F\u53E4\u5178\u97F3\u5F8B\u7684\u4E00\u79CD\uFF0C\u5E94\u7528\u4E8E\u6587\u827A\u590D\u5174\u540E\u671F\u81F3\u5DF4\u6D1B\u514B\u65F6\u671F\u5DE6\u53F3\u3002"@zh .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/date>	"January 2022"@en .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Enharmonic> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"\u4E2D\u5168\u97F3\u5F8B\uFF08\u3061\u3085\u3046\u305C\u3093\u304A\u3093\u308A\u3064\uFF09\uFF08\u82F1: meantone temperament\uFF09\u306F\u3001\u4E09\u5EA6\u97F3\u7A0B\u306E\u7D14\u6B63\u5EA6\u3092\u78BA\u4FDD\u3059\u308B\u305F\u3081\u306B\u3001\u5B8C\u5168\u4E94\u5EA6\u3092\u7D14\u6B63\u97F3\u7A0B\u3088\u308A\u3082\u50C5\u304B\u306B\u72ED\u3081\u305F\u97F3\u5F8B\u3067\u3042\u308B\u3002\u5168\u97F3\u306E\u97F3\u7A0B\u304C\u5927\u5168\u97F3\uFF089/8\uFF09\u3068\u5C0F\u5168\u97F3\uFF0810/9\uFF09\u306E\u9593\u306E\u5927\u304D\u3055\u3068\u306A\u308B\u305F\u3081\u306B\u4E2D\u5168\u97F3\u5F8B\u3068\u547C\u3070\u308C\u308B\u3002\u30DF\u30FC\u30F3\u30C8\u30FC\u30F3\u3068\u547C\u3070\u308C\u308B\u3053\u3068\u3082\u591A\u3044\u300215\uFF5E19\u4E16\u7D00\u306B\u4E3B\u306B\u9375\u76E4\u697D\u5668\u306E\u8ABF\u5F8B\u3067\u4F7F\u7528\u3055\u308C\u305F\u3002\u72ED\u7FA9\u306B\u306F\u7D14\u6B63\u306A\u9577\u4E09\u5EA6\u304C\u5F97\u3089\u308C\u308B1/4\u30B3\u30F3\u30DE\u4E2D\u5168\u97F3\u5F8B\u3092\u6307\u3059\u3002"@ja .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/E_major> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Gy\u00F6rgy_Ligeti> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Isomorphic_keyboard> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://dbpedia.org/class/yago/Abstraction100002137> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://hu.dbpedia.org/resource/K\u00F6z\u00E9phang\u00FA_temper\u00E1l\u00E1s> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://da.dbpedia.org/resource/Middeltone> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://fr.dbpedia.org/resource/Temp\u00E9rament_m\u00E9sotonique> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Augmented_second> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/date>	"*"@en .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Augmented_seventh> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Christiaan_Huygens> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#label>	"Meantone temperament"@en .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/1999/02/22-rdf-syntax-ns#type>	<http://dbpedia.org/class/yago/Disposition104623612> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/property/wikiPageUsesTemplate>	<http://dbpedia.org/resource/Template:Music> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/File:Isomorphic_Note_Layout.jpg> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Dans la th\u00E9orie de la musique occidentale, un temp\u00E9rament m\u00E9sotonique est un temp\u00E9rament musical construit sur le m\u00EAme principe que la gamme pythagoricienne, mais en diminuant les quintes, afin d'am\u00E9liorer la justesse de ses tierces. Les temp\u00E9raments m\u00E9sotoniques sont des compromis et diff\u00E8rent selon l'importance donn\u00E9e \u00E0 la puret\u00E9 respective des tierces et des quintes."@fr .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Musical_tuning> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Major_second> .
<http://dbpedia.org/resource/Meantone_temperament>	<http://www.w3.org/2002/07/owl#sameAs>	<http://it.dbpedia.org/resource/Temperamento_mesotonico> .