. . . "Gaspar Sanz"@en . . . . . . . . "Gaspar Sanz, de nombre real Francisco Bartolom\u00E9 Sanz Celma (Calanda, Teruel, 4 de abril de 1640 - Madrid, 1710), fue un compositor, guitarrista y organista del Barroco espa\u00F1ol. Estudi\u00F3 m\u00FAsica, teolog\u00EDa y filosof\u00EDa en la Universidad de Salamanca, donde m\u00E1s tarde fue nombrado profesor de m\u00FAsica. Escribi\u00F3 tres libros de pedagog\u00EDa y obras para guitarra barroca que forman una parte importante del actual repertorio de guitarra cl\u00E1sica seg\u00FAn los mejores m\u00FAsicos sobre las t\u00E9cnicas de la guitarra."@es . . . "Gaspar Sanz"@nl . "Gaspar Sanz"@en . . . . . . . "Gaspar Sanz. A detail from the dedication page of Instrucci\u00F3n de m\u00FAsica may be an image of Sanz"@en . . "\u0641\u0631\u0627\u0646\u0633\u064A\u0633\u0643\u0648 \u0628\u0627\u0631\u062A\u0648\u0644\u0648\u0645\u064A \u0633\u0627\u0646\u0632 \u0633\u064A\u0644\u0645\u0627 (4 \u0623\u0628\u0631\u064A\u0644 1640 ( \u0627\u0644\u0645\u0639\u0645\u062F ) - 1710) \u060C \u0627\u0644\u0645\u0639\u0631\u0648\u0641 \u0628\u0627\u0633\u0645 \u063A\u0627\u0633\u0628\u0627\u0631 \u0633\u0627\u0646\u0632 \u060C \u0643\u0627\u0646 \u0645\u0644\u062D\u0646\u064B\u0627 \u0625\u0633\u0628\u0627\u0646\u064A\u064B\u0627 \u060C \u0648\u0639\u0627\u0632\u0641 \u0627\u0644\u062C\u064A\u062A\u0627\u0631 \u060C \u0648\u0639\u0627\u0632\u0641\u0627\u0644\u0623\u0631\u063A\u0646 \u060C \u0648\u0643\u0627\u0647\u0646\u064B\u0627 \u0648\u0644\u062F \u0644\u0639\u0627\u0626\u0644\u0629 \u062B\u0631\u064A\u0629 \u0641\u064A \u0643\u0627\u0644\u0627\u0646\u062F\u0627 \u0641\u064A \u0643\u0648\u0645\u0627\u0631\u0648 \u0628\u0627\u062C\u0648 \u0623\u0631\u0627\u063A\u0648\u0646 \u060C \u0625\u0633\u0628\u0627\u0646\u064A\u0627 . \u062F\u0631\u0633 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0648\u0627\u0644\u0644\u0627\u0647\u0648\u062A \u0648\u0627\u0644\u0641\u0644\u0633\u0641\u0629 \u0641\u064A \u062C\u0627\u0645\u0639\u0629 \u0633\u0627\u0644\u0627\u0645\u0627\u0646\u0643\u0627 \u060C \u062D\u064A\u062B \u062A\u0645 \u062A\u0639\u064A\u064A\u0646\u0647 \u0644\u0627\u062D\u0642\u064B\u0627 \u0623\u0633\u062A\u0627\u0630\u0627\u064B \u0644\u0644\u0645\u0648\u0633\u064A\u0642\u0649. \u0648\u0642\u062F \u0643\u062A\u0628 \u062B\u0644\u0627\u062B\u0629 \u0645\u062C\u0644\u062F\u0627\u062A \u0645\u0646 \u0627\u0644\u0623\u0639\u0645\u0627\u0644 \u0627\u0644\u062A\u0631\u0628\u0648\u064A\u0629 \u0644\u062C\u064A\u062A\u0627\u0631 \u0627\u0644\u0628\u0627\u0631\u0648\u0643 \u0648\u0627\u0644\u062A\u064A \u062A\u0634\u0643\u0644 \u062C\u0632\u0621\u064B\u0627 \u0645\u0647\u0645\u064B\u0627 \u0645\u0646 \u0645\u0631\u062C\u0639 \u0627\u0644\u062C\u064A\u062A\u0627\u0631 \u0627\u0644\u0643\u0644\u0627\u0633\u064A\u0643\u064A \u0627\u0644\u064A\u0648\u0645. \u062D\u064A\u062B \u064A\u0637\u0644\u0639 \u0627\u0644\u0639\u0644\u0645\u0627\u0621 \u0627\u0644\u062D\u062F\u064A\u062B\u064A\u0646 \u0639\u0644\u0649 \u0623\u0633\u0627\u0644\u064A\u0628 \u0627\u0644\u0639\u0632\u0641 \u0639\u0644\u0649 \u0627\u0644\u062C\u064A\u062A\u0627\u0631 \u0627\u0644\u0628\u0627\u0631\u0648\u0643\u064A \u0645\u0646 \u062E\u0644\u0627\u0644 \u0623\u0639\u0645\u0627\u0644 \u0633\u0627\u0646\u0632."@ar . . . . . . . . . . . . . "Gaspar Sanz (1640, Calanda \u2013 1710, Madrid) byl skladatel, kytarista, varhan\u00EDk a kn\u011Bz. Studoval na univerzit\u011B v Salamance teologii, filozofii a sou\u010Dasn\u011B i hudbu u hudebn\u00EDka , pozd\u011Bji u , vedouc\u00EDho kapely sv. Petra v \u0158\u00EDm\u011B a u , varhan\u00EDka Ben\u00E1tsk\u00E9 republiky. P\u016Fsobil jako varhan\u00EDk a skladatel ve slu\u017Eb\u00E1ch kr\u00E1lovsk\u00E9ho dvora v Neapoli, pozd\u011Bji v Madridu. Vydal u\u010Debnici kytarov\u00E9 hry ."@cs . . . "Gaspar Sanz (Calanda, Terol, 4 d'abril de 1640 - (probablement) Madrid 1710), sacerdot, va ser considerat el te\u00F2ric espanyol de la guitarra m\u00E9s important del segle xvii. Alguns especialistes defensen que tamb\u00E9 va ser el m\u00E9s complet de tots els del seu temps. El mateix Sanz en la seva obra explica que va estudiar amb els millors mestres de capella d'Espanya. M\u00E9s tard va viatjar a It\u00E0lia on va seguir els seus estudis d'orgue a la Capella Reial de N\u00E0pols on estudi\u00E0 teoria de la m\u00FAsica amb Cristoforo Caresana i, despr\u00E9s a Roma, on tamb\u00E9 va perfeccionar els seus estudis de guitarra amb Lelio Colista."@ca . . . . . "Gaspar Sanz"@ca . . . . . . . . . "\u0641\u0631\u0627\u0646\u0633\u064A\u0633\u0643\u0648 \u0628\u0627\u0631\u062A\u0648\u0644\u0648\u0645\u064A \u0633\u0627\u0646\u0632 \u0633\u064A\u0644\u0645\u0627 (4 \u0623\u0628\u0631\u064A\u0644 1640 ( \u0627\u0644\u0645\u0639\u0645\u062F ) - 1710) \u060C \u0627\u0644\u0645\u0639\u0631\u0648\u0641 \u0628\u0627\u0633\u0645 \u063A\u0627\u0633\u0628\u0627\u0631 \u0633\u0627\u0646\u0632 \u060C \u0643\u0627\u0646 \u0645\u0644\u062D\u0646\u064B\u0627 \u0625\u0633\u0628\u0627\u0646\u064A\u064B\u0627 \u060C \u0648\u0639\u0627\u0632\u0641 \u0627\u0644\u062C\u064A\u062A\u0627\u0631 \u060C \u0648\u0639\u0627\u0632\u0641\u0627\u0644\u0623\u0631\u063A\u0646 \u060C \u0648\u0643\u0627\u0647\u0646\u064B\u0627 \u0648\u0644\u062F \u0644\u0639\u0627\u0626\u0644\u0629 \u062B\u0631\u064A\u0629 \u0641\u064A \u0643\u0627\u0644\u0627\u0646\u062F\u0627 \u0641\u064A \u0643\u0648\u0645\u0627\u0631\u0648 \u0628\u0627\u062C\u0648 \u0623\u0631\u0627\u063A\u0648\u0646 \u060C \u0625\u0633\u0628\u0627\u0646\u064A\u0627 . \u062F\u0631\u0633 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0648\u0627\u0644\u0644\u0627\u0647\u0648\u062A \u0648\u0627\u0644\u0641\u0644\u0633\u0641\u0629 \u0641\u064A \u062C\u0627\u0645\u0639\u0629 \u0633\u0627\u0644\u0627\u0645\u0627\u0646\u0643\u0627 \u060C \u062D\u064A\u062B \u062A\u0645 \u062A\u0639\u064A\u064A\u0646\u0647 \u0644\u0627\u062D\u0642\u064B\u0627 \u0623\u0633\u062A\u0627\u0630\u0627\u064B \u0644\u0644\u0645\u0648\u0633\u064A\u0642\u0649. \u0648\u0642\u062F \u0643\u062A\u0628 \u062B\u0644\u0627\u062B\u0629 \u0645\u062C\u0644\u062F\u0627\u062A \u0645\u0646 \u0627\u0644\u0623\u0639\u0645\u0627\u0644 \u0627\u0644\u062A\u0631\u0628\u0648\u064A\u0629 \u0644\u062C\u064A\u062A\u0627\u0631 \u0627\u0644\u0628\u0627\u0631\u0648\u0643 \u0648\u0627\u0644\u062A\u064A \u062A\u0634\u0643\u0644 \u062C\u0632\u0621\u064B\u0627 \u0645\u0647\u0645\u064B\u0627 \u0645\u0646 \u0645\u0631\u062C\u0639 \u0627\u0644\u062C\u064A\u062A\u0627\u0631 \u0627\u0644\u0643\u0644\u0627\u0633\u064A\u0643\u064A \u0627\u0644\u064A\u0648\u0645. \u062D\u064A\u062B \u064A\u0637\u0644\u0639 \u0627\u0644\u0639\u0644\u0645\u0627\u0621 \u0627\u0644\u062D\u062F\u064A\u062B\u064A\u0646 \u0639\u0644\u0649 \u0623\u0633\u0627\u0644\u064A\u0628 \u0627\u0644\u0639\u0632\u0641 \u0639\u0644\u0649 \u0627\u0644\u062C\u064A\u062A\u0627\u0631 \u0627\u0644\u0628\u0627\u0631\u0648\u0643\u064A \u0645\u0646 \u062E\u0644\u0627\u0644 \u0623\u0639\u0645\u0627\u0644 \u0633\u0627\u0646\u0632."@ar . . . "Gaspar Sanz (Calanda, Terol, 4 d'abril de 1640 - (probablement) Madrid 1710), sacerdot, va ser considerat el te\u00F2ric espanyol de la guitarra m\u00E9s important del segle xvii. Alguns especialistes defensen que tamb\u00E9 va ser el m\u00E9s complet de tots els del seu temps. El mateix Sanz en la seva obra explica que va estudiar amb els millors mestres de capella d'Espanya. M\u00E9s tard va viatjar a It\u00E0lia on va seguir els seus estudis d'orgue a la Capella Reial de N\u00E0pols on estudi\u00E0 teoria de la m\u00FAsica amb Cristoforo Caresana i, despr\u00E9s a Roma, on tamb\u00E9 va perfeccionar els seus estudis de guitarra amb Lelio Colista. Posteriorment va tornar a Espanya, portant a sobre una gran influ\u00E8ncia de la seva estada a It\u00E0lia, i va passar a ser instructor de guitarra de Joan Josep d'\u00C0ustria, al qual va dedicar el llibre \"Instrucci\u00F3n de m\u00FAsica sobre la guitarra espa\u00F1ola\"."@ca . "--04-04"^^ . . "Gaspar Sanz"@es . . . . . . . . . "Francisco Bartolom\u00E9 Sanz Celma, beter bekend als Gaspar Sanz (Calanda, ca. 1640 \u2013 Madrid, 1710) was een Arag\u00F3nese priester, musicus en componist."@nl . "Gaspar Sanz (eigentlich Francisco Bartolom\u00E9 Sanz y Celma; getauft am 4. April 1640 in Calanda, K\u00F6nigreich Arag\u00F3n; \u2020 um 1710 in Madrid) war ein spanischer Komponist und Gitarrist des Barock."@de . "Gaspar Sanz"@pt . "Francisco Bartolom\u00E9 Sanz Celma"@en . . . . . . "1640"^^ . . . "Gaspar Sanz"@fr . . . . . . . "Francisco Bartolom\u00E9 Sanz Celma (April 4, 1640 (baptized) \u2013 1710), better known as Gaspar Sanz, was a Spanish composer, guitarist, and priest born to a wealthy family in Calanda in the comarca of Bajo Arag\u00F3n, Spain. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music. He wrote three volumes of pedagogical works for the baroque guitar that form an important part of today's classical guitar repertory and have informed modern scholars in the techniques of baroque guitar playing."@en . . . . . "yes"@en . . . "\u063A\u0627\u0633\u0628\u0631 \u0633\u0627\u0646\u0632"@ar . . . "Gaspar Sanz (n\u00E9 \u00E0 Calanda (Teruel) le 4 avril 1640 et d\u00E9c\u00E9d\u00E9 \u00E0 Madrid en 1710) est un pr\u00EAtre, compositeur, guitariste et organiste espagnol de la p\u00E9riode baroque."@fr . . "Gaspar Sanz, de nombre real Francisco Bartolom\u00E9 Sanz Celma (Calanda, Teruel, 4 de abril de 1640 - Madrid, 1710), fue un compositor, guitarrista y organista del Barroco espa\u00F1ol. Estudi\u00F3 m\u00FAsica, teolog\u00EDa y filosof\u00EDa en la Universidad de Salamanca, donde m\u00E1s tarde fue nombrado profesor de m\u00FAsica. Escribi\u00F3 tres libros de pedagog\u00EDa y obras para guitarra barroca que forman una parte importante del actual repertorio de guitarra cl\u00E1sica seg\u00FAn los mejores m\u00FAsicos sobre las t\u00E9cnicas de la guitarra."@es . . . . . "Gaspar Sanz, pseudonimo di Francisco Bartolom\u00E9 Sanz Celma (Calanda, 4 aprile 1640 \u2013 Madrid, 1710), \u00E8 stato un presbitero, compositore e chitarrista spagnolo."@it . . "Francisco Bartolom\u00E9 Sanz Celma"@en . . . . . "InternetArchiveBot"@en . . . "2385951"^^ . . . . . "Gaspar Sanz"@de . "composer and priest"@en . "Gaspar Sanz"@en . . . . . . . "Gaspar Sanz"@cs . . . . "Gaspar Sanz, pseudonimo di Francisco Bartolom\u00E9 Sanz Celma (Calanda, 4 aprile 1640 \u2013 Madrid, 1710), \u00E8 stato un presbitero, compositore e chitarrista spagnolo."@it . . . . "Gaspar Sanz (Calanda, 4 de abril de 1640 \u2014 Madri, 1710) mais conhecido como Gaspar Sanz, foi um compositor, violonista e sacerdote espanhol."@pt . . "1640-04-04"^^ . . "Gaspar Sanz"@it . . . . . . . . . . . . . . . . . . . "\u30AC\u30B9\u30D1\u30EB\u30FB\u30B5\u30F3\u30B9"@ja . . "Gaspar Sanz (Calanda, 4 de abril de 1640 \u2014 Madri, 1710) mais conhecido como Gaspar Sanz, foi um compositor, violonista e sacerdote espanhol."@pt . . . . . . "1710"^^ . . . . . . . . . . . . "Gaspar Sanz (n\u00E9 \u00E0 Calanda (Teruel) le 4 avril 1640 et d\u00E9c\u00E9d\u00E9 \u00E0 Madrid en 1710) est un pr\u00EAtre, compositeur, guitariste et organiste espagnol de la p\u00E9riode baroque."@fr . . . . "Gaspar Sanz (eigentlich Francisco Bartolom\u00E9 Sanz y Celma; getauft am 4. April 1640 in Calanda, K\u00F6nigreich Arag\u00F3n; \u2020 um 1710 in Madrid) war ein spanischer Komponist und Gitarrist des Barock."@de . "Gaspar Sanz"@sv . . . "\u5F17\u6717\u897F\u65AF\u79D1\u00B7\u5DF4\u585E\u6D1B\u7F2A\u00B7\u6851\u5179\u00B7\u585E\u5C14\u9A6C \uFF08\u897F\u73ED\u7259\u8A9E\uFF1AFrancisco Bartolom\u00E9 Sanz Celma\uFF0C1640\u5E744\u67084\u65E5(\u53D7\u6D17)\uFF0D1710\u5E74\uFF0C\u901A\u5E38\u88AB\u79F0\u4E3A\u52A0\u65AF\u5E15\u00B7\u6851\u5179\uFF08Gaspar Sanz\uFF09\uFF0C\u897F\u73ED\u7259\u963F\u62C9\u8D21\u4F5C\u66F2\u5BB6\uFF0C\u5409\u4ED6\u6F14\u594F\u5BB6\uFF0C\u7BA1\u98CE\u7434\u6F14\u594F\u5BB6\u540C\u65F6\u8FD8\u662F\u4E00\u4E2A\u7267\u5E08\u3002\u6851\u5179\u6210\u957F\u4E8E\u4E00\u4E2A\u5BCC\u6709\u7684\u5BB6\u5EAD\uFF0C\u4ED6\u66FE\u5728\u8428\u62C9\u66FC\u5361\u5927\u5B66\u5B66\u4E60\u97F3\u4E50\uFF0C\u795E\u5B66\u548C\u54F2\u5B66\u5176\u540E\u53C8\u5728\u90A3\u91CC\u62C5\u4EFB\u97F3\u4E50\u6559\u6388\u3002\u4ED6\u5199\u7684\u4E09\u5377\u6F14\u594F\u6559\u7A0B\u5DF2\u7ECF\u6210\u4E3A\u4E86\u5982\u4ECA\u91CD\u8981\u7684\u53E4\u5178\u5409\u4ED6\u4FDD\u7559\u66F2\u76EE\uFF0C\u540C\u65F6\u4E5F\u662F\u73B0\u4EE3\u5B66\u8005\u7814\u7A76\u5DF4\u6D1B\u514B\u5409\u4ED6\u6F14\u594F\u6280\u5DE7\u7684\u91CD\u8981\u4F9D\u636E\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . . "\u52A0\u65AF\u5E15\u00B7\u6851\u5179"@zh . "\u30AC\u30B9\u30D1\u30EB\u30FB\u30B5\u30F3\u30B9\uFF08\u30AC\u30B9\u30D1\u30FC\u30EB\u30FB\u30B5\u30F3\u30B9\u3001Gaspar Sanz, 1640\u5E744\u67084\u65E5 \u30A2\u30E9\u30B4\u30F3\u5DDE\u30C6\u30EB\u30A8\u30EB\u770C - 1710\u5E74\u30DE\u30C9\u30EA\u30C3\u30C9) \u306F\u3001\u30B9\u30DA\u30A4\u30F3\u306E\u5B66\u50E7\u30FB\u4F5C\u66F2\u5BB6\u30FB\u30AA\u30EB\u30AC\u30CB\u30B9\u30C8\u30FB\u30AE\u30BF\u30EA\u30B9\u30C8\u3002\u30B9\u30DA\u30A4\u30F3\u76DB\u671F\u30D0\u30ED\u30C3\u30AF\u97F3\u697D\u306B\u304A\u3051\u308B\u4E3B\u8981\u4EBA\u7269\u306E\u4E00\u4EBA\u3002 \u30B5\u30E9\u30DE\u30F3\u30AB\u5927\u5B66\u306B\u3066\u795E\u5B66\u30FB\u54F2\u5B66\u30FB\u97F3\u697D\u3092\u4FEE\u3081\u308B\u3002\u30CA\u30DD\u30EA\u738B\u56FD\u306E\u5BAE\u5EF7\u30AA\u30EB\u30AC\u30CB\u30B9\u30C8\u3092\u52D9\u3081\u308B\u304B\u305F\u308F\u3089\u3001\u30CA\u30DD\u30EA\u3067\u30AE\u30BF\u30FC\u3092\u5B66\u3076\u30021674\u5E74\u306B\u6700\u521D\u306E\u6709\u540D\u306A\u6559\u5247\u672C\u300E\u30B9\u30DA\u30A4\u30F3\u30FB\u30AE\u30BF\u30FC\u6307\u5357\uFF5E\u4E0A\u9054\u307E\u3067\u306E\u6839\u672C\u7684\u539F\u7406 Instrucci\u00F3n de m\u00FAsica sobre la guitarra espa\u00F1ola y m\u00E9todos de sus primeros rudimentos hasta ta\u00F1er con destreza\u300F\u3092\u4E0A\u6893\u3057\u3001\u305D\u306E\u5F8C2\u4E16\u7D00\u306B\u308F\u305F\u3063\u3066\u30AE\u30BF\u30FC\u6559\u80B2\u306B\u5F71\u97FF\u3092\u4E0E\u3048\u305F\u3002\u540C\u66F8\u3067\u306F\u3001\u97F3\u697D\u7406\u8AD6\u3084\u30AE\u30BF\u30FC\u594F\u6CD5\u8AD6\u306B\u52A0\u3048\u3066\u3001\u30B9\u30DA\u30A4\u30F3\u821E\u66F2\u3084\u30A4\u30BF\u30EA\u30A2\u6B4C\u66F2\u306E\u7DE8\u66F2\u304C\u7D0490\u66F2\u3068\u308A\u6271\u308F\u308C\u3066\u3044\u308B\u3002\u30B9\u30DA\u30A4\u30F3\u5E30\u56FD\u5F8C\u306F\u30D5\u30A7\u30EA\u30DA4\u4E16\u306E\u5EB6\u5B50\u30D5\u30A2\u30F3\u30FB\u30DB\u30BB\u30FB\u30C7\u30FB\u30A2\u30A6\u30B9\u30C8\u30EA\u30A2\u306B\u4ED5\u3048\u305F\u3002 1954\u5E74\u306B\u30B9\u30DA\u30A4\u30F3\u306E\u4F5C\u66F2\u5BB6\u30DB\u30A2\u30AD\u30F3\u30FB\u30ED\u30C9\u30EA\u30FC\u30B4\u306F\u30A2\u30F3\u30C9\u30EC\u30B9\u30FB\u30BB\u30B4\u30D3\u30A2\u306E\u305F\u3081\u306B\u30B5\u30F3\u30B9\u306EInstrucci\u00F3n de m\u00FAsica sobre la Guitarra Espa\u00F1ola \u306B\u57FA\u3065\u3044\u305F\u4F5C\u54C1\u300A\u3042\u308B\u8CB4\u7D33\u306E\u305F\u3081\u306E\u5E7B\u60F3\u66F2 Fantasia para un Gentilhombre \u300B\u3092\u4F5C\u66F2\u3057\u3066\u6210\u529F\u3092\u53CE\u3081\u305F\u3002"@ja . . . . . . . . . . . . . . "1710"^^ . . "December 2017"@en . . . "Gaspar Sanz, f\u00F6dd 1640 d\u00F6d 1710, var en spansk komposit\u00F6r som skrev musik f\u00F6r barockgitarren. Gaspar Sanz kom att bli en inflytelserik person inom spansk barockmusik. Hans verk hittas ofta i den klassiska gitarrens repertoaromr\u00E5de."@sv . . . . . "Gaspar Sanz (1640, Calanda \u2013 1710, Madrid) byl skladatel, kytarista, varhan\u00EDk a kn\u011Bz. Studoval na univerzit\u011B v Salamance teologii, filozofii a sou\u010Dasn\u011B i hudbu u hudebn\u00EDka , pozd\u011Bji u , vedouc\u00EDho kapely sv. Petra v \u0158\u00EDm\u011B a u , varhan\u00EDka Ben\u00E1tsk\u00E9 republiky. P\u016Fsobil jako varhan\u00EDk a skladatel ve slu\u017Eb\u00E1ch kr\u00E1lovsk\u00E9ho dvora v Neapoli, pozd\u011Bji v Madridu. Vydal u\u010Debnici kytarov\u00E9 hry ."@cs . . "\u30AC\u30B9\u30D1\u30EB\u30FB\u30B5\u30F3\u30B9\uFF08\u30AC\u30B9\u30D1\u30FC\u30EB\u30FB\u30B5\u30F3\u30B9\u3001Gaspar Sanz, 1640\u5E744\u67084\u65E5 \u30A2\u30E9\u30B4\u30F3\u5DDE\u30C6\u30EB\u30A8\u30EB\u770C - 1710\u5E74\u30DE\u30C9\u30EA\u30C3\u30C9) \u306F\u3001\u30B9\u30DA\u30A4\u30F3\u306E\u5B66\u50E7\u30FB\u4F5C\u66F2\u5BB6\u30FB\u30AA\u30EB\u30AC\u30CB\u30B9\u30C8\u30FB\u30AE\u30BF\u30EA\u30B9\u30C8\u3002\u30B9\u30DA\u30A4\u30F3\u76DB\u671F\u30D0\u30ED\u30C3\u30AF\u97F3\u697D\u306B\u304A\u3051\u308B\u4E3B\u8981\u4EBA\u7269\u306E\u4E00\u4EBA\u3002 \u30B5\u30E9\u30DE\u30F3\u30AB\u5927\u5B66\u306B\u3066\u795E\u5B66\u30FB\u54F2\u5B66\u30FB\u97F3\u697D\u3092\u4FEE\u3081\u308B\u3002\u30CA\u30DD\u30EA\u738B\u56FD\u306E\u5BAE\u5EF7\u30AA\u30EB\u30AC\u30CB\u30B9\u30C8\u3092\u52D9\u3081\u308B\u304B\u305F\u308F\u3089\u3001\u30CA\u30DD\u30EA\u3067\u30AE\u30BF\u30FC\u3092\u5B66\u3076\u30021674\u5E74\u306B\u6700\u521D\u306E\u6709\u540D\u306A\u6559\u5247\u672C\u300E\u30B9\u30DA\u30A4\u30F3\u30FB\u30AE\u30BF\u30FC\u6307\u5357\uFF5E\u4E0A\u9054\u307E\u3067\u306E\u6839\u672C\u7684\u539F\u7406 Instrucci\u00F3n de m\u00FAsica sobre la guitarra espa\u00F1ola y m\u00E9todos de sus primeros rudimentos hasta ta\u00F1er con destreza\u300F\u3092\u4E0A\u6893\u3057\u3001\u305D\u306E\u5F8C2\u4E16\u7D00\u306B\u308F\u305F\u3063\u3066\u30AE\u30BF\u30FC\u6559\u80B2\u306B\u5F71\u97FF\u3092\u4E0E\u3048\u305F\u3002\u540C\u66F8\u3067\u306F\u3001\u97F3\u697D\u7406\u8AD6\u3084\u30AE\u30BF\u30FC\u594F\u6CD5\u8AD6\u306B\u52A0\u3048\u3066\u3001\u30B9\u30DA\u30A4\u30F3\u821E\u66F2\u3084\u30A4\u30BF\u30EA\u30A2\u6B4C\u66F2\u306E\u7DE8\u66F2\u304C\u7D0490\u66F2\u3068\u308A\u6271\u308F\u308C\u3066\u3044\u308B\u3002\u30B9\u30DA\u30A4\u30F3\u5E30\u56FD\u5F8C\u306F\u30D5\u30A7\u30EA\u30DA4\u4E16\u306E\u5EB6\u5B50\u30D5\u30A2\u30F3\u30FB\u30DB\u30BB\u30FB\u30C7\u30FB\u30A2\u30A6\u30B9\u30C8\u30EA\u30A2\u306B\u4ED5\u3048\u305F\u3002 1954\u5E74\u306B\u30B9\u30DA\u30A4\u30F3\u306E\u4F5C\u66F2\u5BB6\u30DB\u30A2\u30AD\u30F3\u30FB\u30ED\u30C9\u30EA\u30FC\u30B4\u306F\u30A2\u30F3\u30C9\u30EC\u30B9\u30FB\u30BB\u30B4\u30D3\u30A2\u306E\u305F\u3081\u306B\u30B5\u30F3\u30B9\u306EInstrucci\u00F3n de m\u00FAsica sobre la Guitarra Espa\u00F1ola \u306B\u57FA\u3065\u3044\u305F\u4F5C\u54C1\u300A\u3042\u308B\u8CB4\u7D33\u306E\u305F\u3081\u306E\u5E7B\u60F3\u66F2 Fantasia para un Gentilhombre \u300B\u3092\u4F5C\u66F2\u3057\u3066\u6210\u529F\u3092\u53CE\u3081\u305F\u3002"@ja . . "14766"^^ . . . . . . . . . . . "\u5F17\u6717\u897F\u65AF\u79D1\u00B7\u5DF4\u585E\u6D1B\u7F2A\u00B7\u6851\u5179\u00B7\u585E\u5C14\u9A6C \uFF08\u897F\u73ED\u7259\u8A9E\uFF1AFrancisco Bartolom\u00E9 Sanz Celma\uFF0C1640\u5E744\u67084\u65E5(\u53D7\u6D17)\uFF0D1710\u5E74\uFF0C\u901A\u5E38\u88AB\u79F0\u4E3A\u52A0\u65AF\u5E15\u00B7\u6851\u5179\uFF08Gaspar Sanz\uFF09\uFF0C\u897F\u73ED\u7259\u963F\u62C9\u8D21\u4F5C\u66F2\u5BB6\uFF0C\u5409\u4ED6\u6F14\u594F\u5BB6\uFF0C\u7BA1\u98CE\u7434\u6F14\u594F\u5BB6\u540C\u65F6\u8FD8\u662F\u4E00\u4E2A\u7267\u5E08\u3002\u6851\u5179\u6210\u957F\u4E8E\u4E00\u4E2A\u5BCC\u6709\u7684\u5BB6\u5EAD\uFF0C\u4ED6\u66FE\u5728\u8428\u62C9\u66FC\u5361\u5927\u5B66\u5B66\u4E60\u97F3\u4E50\uFF0C\u795E\u5B66\u548C\u54F2\u5B66\u5176\u540E\u53C8\u5728\u90A3\u91CC\u62C5\u4EFB\u97F3\u4E50\u6559\u6388\u3002\u4ED6\u5199\u7684\u4E09\u5377\u6F14\u594F\u6559\u7A0B\u5DF2\u7ECF\u6210\u4E3A\u4E86\u5982\u4ECA\u91CD\u8981\u7684\u53E4\u5178\u5409\u4ED6\u4FDD\u7559\u66F2\u76EE\uFF0C\u540C\u65F6\u4E5F\u662F\u73B0\u4EE3\u5B66\u8005\u7814\u7A76\u5DF4\u6D1B\u514B\u5409\u4ED6\u6F14\u594F\u6280\u5DE7\u7684\u91CD\u8981\u4F9D\u636E\u3002"@zh . . . . . "Francisco Bartolom\u00E9 Sanz Celma, beter bekend als Gaspar Sanz (Calanda, ca. 1640 \u2013 Madrid, 1710) was een Arag\u00F3nese priester, musicus en componist."@nl . . . . . . . . . . . . . . . . . . . . . "Gaspar Sanz, f\u00F6dd 1640 d\u00F6d 1710, var en spansk komposit\u00F6r som skrev musik f\u00F6r barockgitarren. Gaspar Sanz kom att bli en inflytelserik person inom spansk barockmusik. Hans verk hittas ofta i den klassiska gitarrens repertoaromr\u00E5de."@sv . "1114729689"^^ . . "Francisco Bartolom\u00E9 Sanz Celma (April 4, 1640 (baptized) \u2013 1710), better known as Gaspar Sanz, was a Spanish composer, guitarist, and priest born to a wealthy family in Calanda in the comarca of Bajo Arag\u00F3n, Spain. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music. He wrote three volumes of pedagogical works for the baroque guitar that form an important part of today's classical guitar repertory and have informed modern scholars in the techniques of baroque guitar playing."@en . .