"\uD638\uB978"@ko . . . . "\u0627\u0644\u0628\u0648\u0642 \u0627\u0644\u0641\u0631\u0646\u0633\u064A (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629 French horn \u0648\u0628\u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A\u0629 corno) \u0647\u064A \u0622\u0644\u0629 \u0646\u0641\u062E \u0646\u062D\u0627\u0633\u064A\u0629 \u0644\u0647\u0627 \u0628\u062F\u0627\u064A\u0629 \u0645\u062E\u0631\u0648\u0637\u064A\u0629 \u0648\u0634\u0643\u0644 \u064A\u0634\u0628\u0647 \u0627\u0644\u062F\u0627\u0626\u0631\u064A \u0645\u062C\u0627\u0644\u0647\u0627 \u0627\u0644\u0635\u0648\u062A\u064A \u062B\u0644\u0627\u062B\u0629 \u0623\u0648\u0643\u062A\u0627\u0641\u0627\u062A \u0648\u0646\u0635\u0641 \u0648\u0642\u062F \u0646\u0634\u0623 \u0627\u0644\u0647\u0648\u0631\u0646 \u0627\u0644\u0641\u0631\u0646\u0633\u064A \u0641\u064A \u0641\u0631\u0646\u0633\u0627 \u0639\u0627\u0645 1650 \u0648\u062A\u0637\u0648\u0631 \u0628\u0639\u062F \u0630\u0644\u0643 \u0639\u0646 \u0637\u0631\u064A\u0642 \u0625\u0636\u0627\u0641\u0629 \u0628\u0639\u0636 \u0627\u0644\u0635\u0645\u0627\u0645\u0627\u062A \u062B\u0645 \u0628\u0639\u062F \u0630\u0644\u0643 \u062A\u0645\u062A \u0625\u0636\u0627\u0641\u0629 \u0627\u0644\u0645\u0641\u0627\u062A\u064A\u062D \u0625\u0644\u064A\u0647 \u0648\u0630\u0644\u0643 \u0644\u0644\u062A\u062D\u0643\u0645 \u0641\u064A \u0627\u0644\u0645\u062C\u0627\u0644 \u0627\u0644\u0635\u0648\u062A\u064A \u0648\u0628\u0627\u0644\u062A\u0627\u0644\u064A \u0627\u0644\u062A\u062D\u0643\u0645 \u0641\u064A \u0627\u0644\u0639\u0644\u0627\u0645\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629\u060C \u062D\u062A\u0649 \u0627\u0633\u062A\u0642\u0631 \u0639\u0644\u0649 \u0648\u0636\u0639\u0647 \u0627\u0644\u062D\u0627\u0644\u064A \u0641\u064A \u0639\u0627\u0645 1900 \u0648\u0628\u0627\u0633\u062A\u0637\u0627\u0639\u062A\u0647 \u0639\u0632\u0641 \u0633\u0644\u0645 \u0643\u0631\u0648\u0645\u0627\u062A\u064A\u0643 \u0636\u0645\u0646 \u0645\u062C\u0627\u0644 \u062B\u0644\u0627\u062B\u0629 \u0623\u0648\u0643\u062A\u0627\u0641\u0627\u062A \u0648\u064A\u0633\u062A\u062E\u062F\u0645 \u0627\u0644\u0647\u0648\u0631\u0646 \u0636\u0645\u0646 \u0641\u0631\u0642 \u0627\u0644\u0623\u0648\u0631\u0643\u0633\u062A\u0631\u0627 \u0648\u0639\u0627\u062F\u0629 \u062A\u0648\u062C\u062F \u0641\u064A \u0627\u0644\u0641\u0631\u0642\u0629 \u0623\u0631\u0628\u0639 \u0622\u0644\u0627\u062A \u0647\u0648\u0631\u0646."@ar . "fr: cor"@en . "Tronpa edo frantziar kornoa izaera oso moldagarri bat duen eta pistoi gutxirekin (metalezko haize instrumentu guztiek duten ezaugarria) tesitura oso zabal bat hartzen duen metalezko haize instrumentu bat da. Tronparen soinua oso aberats eta adierazgarria da. Gainera, musika tresna honek soinu leun eta gozoak zein latz eta gogorrak sor ditzake. Tronpari soinu efektu bereziak lortzea ahalbidetzen dioten zenbait baliabide tekniko daude, sordina, itzaltzailea eta cuivr\u00E9 delakoa esaterako. Bere aurrekaria animali adar bat edo krustazeo baten karakola bat da. Tronpa hodi estu eta luze batez osatua dago. Metalezko kono formako hodi hau biribilkatu eta kanpai formako pabilioi ireki batean amaitzen da, eta tudel deritzonean hasten da (musika tresnaren gorputzaren hasiera), non jartzen den. Soinua ahokoaren barnean ezpainen bibrazioagatik sortzen da, airearen presioaren eraginaren bidez: hau garbitzen doa pabilioira iritsi arte, nondik kanpoaldera igortzen den. Gaur egun, tronpa Fan eta Si \u266D goikoan erabiltzen da. Tronpa bikoitza ere hedatua dago, zilindro berezi bat aplikatuz Fan edo Si bemol goikoan afina daitekeena musikariaren beharren arabera."@eu . . . . "A trompa \u00E9 um instrumento de sopro, ou seja, um aerofone, da fam\u00EDlia dos metais (ou instrumentos de bocal), met\u00E1lico e curvo, maior que a trombeta, considerado essencial na orquestra sinf\u00F4nica moderna. Consiste num tubo met\u00E1lico de 3,7 metros de comprimento, ligeiramente c\u00F4nico, com um bocal numa das extremidades e uma campana, (ou pavilh\u00E3o) na outra, enrolado v\u00E1rias vezes sobre si mesmo, e munido de tr\u00EAs, quatro ou at\u00E9 cinco v\u00E1lvulas, de acordo com o modelo e marca. O trompista prime as chaves com a m\u00E3o esquerda e, com a m\u00E3o direita dentro da campana, consegue controlar a afina\u00E7\u00E3o, timbre e mesmo ajudar \u00E0 pega do pr\u00F3prio instrumento."@pt . . . . "Korno (muzikinstrumento)"@eo . . . . . . . . . . "it: corno"@en . . . . . . . . . . . . . . . . . . "Corno (strumento musicale)"@it . . . . . . . . "French horn"@in . "La korno estas latuna blovinstrumento. Oni \u011Din foje nomas \"franca korno\", en iuj lingvoj anka\u016D \"arbara korno\" pro tio ke e\u016Dropaj \u0109astistoj tradicie emas signali per \u011Di (ekzemple germane Waldhorn a\u016D latve Me\u017Erags, en aliaj lingvoj kiel en la litova vorto Valtorna la\u016Dsone transpreni\u011Dis la germana esprimo de \"arbara korno\"). Depost la 18-a jarcento la \"franca korno\" havas fiksan rolon en orkestroj. La origino de la termino korno estas pro tio, ke la prakornoj estis faritaj el naturaj konusaj tuboj, kiel plej ofte bestaj kornoj sed anka\u016D konkoj."@eo . "\u0412\u0430\u043B\u0442\u043E\u0301\u0440\u043D\u0430 (\u043D\u0435\u043C. Waldhorn \u2014 \u043B\u0435\u0441\u043D\u043E\u0439 \u0440\u043E\u0433, \u0438\u0442\u0430\u043B. corno, \u0444\u0440. cor, \u0430\u043D\u0433\u043B. French horn) \u2014 \u043C\u0435\u0434\u043D\u044B\u0439 \u0434\u0443\u0445\u043E\u0432\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442 \u0442\u0435\u043D\u043E\u0440\u043E\u0432\u043E\u0433\u043E \u0440\u0435\u0433\u0438\u0441\u0442\u0440\u0430. \u041F\u0440\u043E\u0438\u0437\u043E\u0448\u043B\u0430 \u043E\u0442 \u043E\u0445\u043E\u0442\u043D\u0438\u0447\u044C\u0435\u0433\u043E \u0441\u0438\u0433\u043D\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0440\u043E\u0433\u0430, \u0432 \u043E\u0440\u043A\u0435\u0441\u0442\u0440 \u0432\u043E\u0448\u043B\u0430 \u0432 \u0441\u0435\u0440\u0435\u0434\u0438\u043D\u0435 XVII \u0432\u0435\u043A\u0430. \u0414\u043E 1830-\u0445 \u0433\u043E\u0434\u043E\u0432, \u043F\u043E\u0434\u043E\u0431\u043D\u043E \u0434\u0440\u0443\u0433\u0438\u043C \u043C\u0435\u0434\u043D\u044B\u043C \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u0430\u043C, \u043D\u0435 \u0438\u043C\u0435\u043B\u0430 \u0432\u0435\u043D\u0442\u0438\u043B\u0435\u0439 \u0438 \u0431\u044B\u043B\u0430 \u043D\u0430\u0442\u0443\u0440\u0430\u043B\u044C\u043D\u044B\u043C \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u043E\u043C \u0441 \u043E\u0433\u0440\u0430\u043D\u0438\u0447\u0435\u043D\u043D\u044B\u043C \u0437\u0432\u0443\u043A\u043E\u0440\u044F\u0434\u043E\u043C (\u0442\u0430\u043A \u043D\u0430\u0437\u044B\u0432\u0430\u0435\u043C\u0430\u044F \u00AB\u043D\u0430\u0442\u0443\u0440\u0430\u043B\u044C\u043D\u0430\u044F \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0430\u00BB, \u043A\u043E\u0442\u043E\u0440\u0443\u044E \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u043E\u0432\u0430\u043B\u0438 \u0435\u0449\u0451 \u0432 \u043A\u043B\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043A\u043E\u0439 \u0438 \u0431\u0430\u0440\u043E\u0447\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0435, \u0432 \u0442\u043E\u043C \u0447\u0438\u0441\u043B\u0435 \u0411\u0430\u0445, \u041C\u043E\u0446\u0430\u0440\u0442, \u0411\u0435\u0442\u0445\u043E\u0432\u0435\u043D)."@ru . . . . . "200"^^ . "\u0412\u0430\u043B\u0442\u043E\u0301\u0440\u043D\u0430 (\u043D\u0435\u043C. Waldhorn \u2014 \u043B\u0435\u0441\u043D\u043E\u0439 \u0440\u043E\u0433, \u0438\u0442\u0430\u043B. corno, \u0444\u0440. cor, \u0430\u043D\u0433\u043B. French horn) \u2014 \u043C\u0435\u0434\u043D\u044B\u0439 \u0434\u0443\u0445\u043E\u0432\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0430\u043B\u044C\u043D\u044B\u0439 \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442 \u0442\u0435\u043D\u043E\u0440\u043E\u0432\u043E\u0433\u043E \u0440\u0435\u0433\u0438\u0441\u0442\u0440\u0430. \u041F\u0440\u043E\u0438\u0437\u043E\u0448\u043B\u0430 \u043E\u0442 \u043E\u0445\u043E\u0442\u043D\u0438\u0447\u044C\u0435\u0433\u043E \u0441\u0438\u0433\u043D\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0440\u043E\u0433\u0430, \u0432 \u043E\u0440\u043A\u0435\u0441\u0442\u0440 \u0432\u043E\u0448\u043B\u0430 \u0432 \u0441\u0435\u0440\u0435\u0434\u0438\u043D\u0435 XVII \u0432\u0435\u043A\u0430. \u0414\u043E 1830-\u0445 \u0433\u043E\u0434\u043E\u0432, \u043F\u043E\u0434\u043E\u0431\u043D\u043E \u0434\u0440\u0443\u0433\u0438\u043C \u043C\u0435\u0434\u043D\u044B\u043C \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u0430\u043C, \u043D\u0435 \u0438\u043C\u0435\u043B\u0430 \u0432\u0435\u043D\u0442\u0438\u043B\u0435\u0439 \u0438 \u0431\u044B\u043B\u0430 \u043D\u0430\u0442\u0443\u0440\u0430\u043B\u044C\u043D\u044B\u043C \u0438\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u043E\u043C \u0441 \u043E\u0433\u0440\u0430\u043D\u0438\u0447\u0435\u043D\u043D\u044B\u043C \u0437\u0432\u0443\u043A\u043E\u0440\u044F\u0434\u043E\u043C (\u0442\u0430\u043A \u043D\u0430\u0437\u044B\u0432\u0430\u0435\u043C\u0430\u044F \u00AB\u043D\u0430\u0442\u0443\u0440\u0430\u043B\u044C\u043D\u0430\u044F \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0430\u00BB, \u043A\u043E\u0442\u043E\u0440\u0443\u044E \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u043E\u0432\u0430\u043B\u0438 \u0435\u0449\u0451 \u0432 \u043A\u043B\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043A\u043E\u0439 \u0438 \u0431\u0430\u0440\u043E\u0447\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0435, \u0432 \u0442\u043E\u043C \u0447\u0438\u0441\u043B\u0435 \u0411\u0430\u0445, \u041C\u043E\u0446\u0430\u0440\u0442, \u0411\u0435\u0442\u0445\u043E\u0432\u0435\u043D)."@ru . . . . . . . . "\u0628\u0648\u0642 \u0641\u0631\u0646\u0633\u064A"@ar . . . "Le cor d'harmonie est un instrument \u00E0 vent de la famille des cuivres. C'est la version moderne du cor \u00E0 pistons invent\u00E9 au XIXe si\u00E8cle sur la base du cor naturel. Il est caract\u00E9ris\u00E9 par son embouchure, sa perce conique qui lui conf\u00E8re un son doux et riche en harmoniques, son large pavillon et un ensemble de pistons permettant \u00E0 l'ex\u00E9cutant de modifier instantan\u00E9ment la longueur, et donc l'accord, de l'instrument. Le musicien qui joue du cor est un corniste (\u00E0 ne pas confondre avec le cornettiste qui joue du cornet \u00E0 piston ou le choriste qui fait partie d'une chorale). Le cor moderne ou cor d'harmonie est pr\u00E9sent dans les orchestres symphoniques, de nombreux ensembles de musique de chambre et dans les orchestres d'harmonie ; il est par ailleurs souvent sollicit\u00E9 dans les musiques de films de toutes sortes, pour les dessins anim\u00E9s et les bruitages. Il est utilis\u00E9 plus rarement dans le jazz. L'embouchure du cor est de petite taille et de forme int\u00E9rieure conique, diff\u00E9rente de celles de la trompette et du trombone qui sont h\u00E9misph\u00E9riques et plus larges. Cette forme conique se retrouve tout le long du tube jusqu'au niveau du pavillon, tout comme le sont le cornet \u00E0 piston ou les saxhorns. Cette perce donne de la douceur au son, contrairement \u00E0 la perce cylindrique des cuivres comme la trompette, qui produit un son plus brillant. Le corniste produit les notes de la gamme par vibration des l\u00E8vres sur l'embouchure. Sa main gauche active trois ou quatre palettes (ou plus rarement pistons), pour changer la hauteur du son. La main droite est plac\u00E9e dans le pavillon pour soutenir l'instrument. Elle permet \u00E9galement d'arrondir le son, d'en corriger la hauteur ou d'effectuer des sons bouch\u00E9s. L'instrumentiste peut aussi \u00EAtre amen\u00E9 \u00E0 utiliser une sourdine plac\u00E9e dans le pavillon pour obtenir un timbre plus sourd, mais pas forc\u00E9ment dans le but d'att\u00E9nuer le son. \u00C0 son plus fort, le cor d\u2019harmonie peut atteindre entre 80 et 96 d\u00E9cibels, l'un des cuivres les plus bruyants d'un orchestre."@fr . . . . . "423.232"^^ . . "44227"^^ . "De hoorn is een muziekinstrument dat sinds lange tijd belangrijke functies heeft vervuld. Net als bij de trompetten kon ook op de hoorn door het ontbreken van kleppen en ventielen in het hoofdbuiscorpus niet chromatisch in alle twaalf toonsoorten worden gespeeld. Dit was al vroeg in de westerse muziekgeschiedenis, rond de 14e eeuw, wel het geval met de schuiftrombone. De hoorn is, met de trompet, in feite het laatste koperblaasinstrument dat van ventielen werd voorzien."@nl . . . "\u0627\u0644\u0628\u0648\u0642 \u0627\u0644\u0641\u0631\u0646\u0633\u064A (\u0628\u0627\u0644\u0625\u0646\u062C\u0644\u064A\u0632\u064A\u0629 French horn \u0648\u0628\u0627\u0644\u0625\u064A\u0637\u0627\u0644\u064A\u0629 corno) \u0647\u064A \u0622\u0644\u0629 \u0646\u0641\u062E \u0646\u062D\u0627\u0633\u064A\u0629 \u0644\u0647\u0627 \u0628\u062F\u0627\u064A\u0629 \u0645\u062E\u0631\u0648\u0637\u064A\u0629 \u0648\u0634\u0643\u0644 \u064A\u0634\u0628\u0647 \u0627\u0644\u062F\u0627\u0626\u0631\u064A \u0645\u062C\u0627\u0644\u0647\u0627 \u0627\u0644\u0635\u0648\u062A\u064A \u062B\u0644\u0627\u062B\u0629 \u0623\u0648\u0643\u062A\u0627\u0641\u0627\u062A \u0648\u0646\u0635\u0641 \u0648\u0642\u062F \u0646\u0634\u0623 \u0627\u0644\u0647\u0648\u0631\u0646 \u0627\u0644\u0641\u0631\u0646\u0633\u064A \u0641\u064A \u0641\u0631\u0646\u0633\u0627 \u0639\u0627\u0645 1650 \u0648\u062A\u0637\u0648\u0631 \u0628\u0639\u062F \u0630\u0644\u0643 \u0639\u0646 \u0637\u0631\u064A\u0642 \u0625\u0636\u0627\u0641\u0629 \u0628\u0639\u0636 \u0627\u0644\u0635\u0645\u0627\u0645\u0627\u062A \u062B\u0645 \u0628\u0639\u062F \u0630\u0644\u0643 \u062A\u0645\u062A \u0625\u0636\u0627\u0641\u0629 \u0627\u0644\u0645\u0641\u0627\u062A\u064A\u062D \u0625\u0644\u064A\u0647 \u0648\u0630\u0644\u0643 \u0644\u0644\u062A\u062D\u0643\u0645 \u0641\u064A \u0627\u0644\u0645\u062C\u0627\u0644 \u0627\u0644\u0635\u0648\u062A\u064A \u0648\u0628\u0627\u0644\u062A\u0627\u0644\u064A \u0627\u0644\u062A\u062D\u0643\u0645 \u0641\u064A \u0627\u0644\u0639\u0644\u0627\u0645\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629\u060C \u062D\u062A\u0649 \u0627\u0633\u062A\u0642\u0631 \u0639\u0644\u0649 \u0648\u0636\u0639\u0647 \u0627\u0644\u062D\u0627\u0644\u064A \u0641\u064A \u0639\u0627\u0645 1900 \u0648\u0628\u0627\u0633\u062A\u0637\u0627\u0639\u062A\u0647 \u0639\u0632\u0641 \u0633\u0644\u0645 \u0643\u0631\u0648\u0645\u0627\u062A\u064A\u0643 \u0636\u0645\u0646 \u0645\u062C\u0627\u0644 \u062B\u0644\u0627\u062B\u0629 \u0623\u0648\u0643\u062A\u0627\u0641\u0627\u062A \u0648\u064A\u0633\u062A\u062E\u062F\u0645 \u0627\u0644\u0647\u0648\u0631\u0646 \u0636\u0645\u0646 \u0641\u0631\u0642 \u0627\u0644\u0623\u0648\u0631\u0643\u0633\u062A\u0631\u0627 \u0648\u0639\u0627\u062F\u0629 \u062A\u0648\u062C\u062F \u0641\u064A \u0627\u0644\u0641\u0631\u0642\u0629 \u0623\u0631\u0628\u0639 \u0622\u0644\u0627\u062A \u0647\u0648\u0631\u0646."@ar . . "Valthorn"@sv . . . . . "\u03A4\u03BF \u03B3\u03B1\u03BB\u03BB\u03B9\u03BA\u03CC \u03BA\u03CC\u03C1\u03BD\u03BF \u03AE \u03B1\u03BB\u03BB\u03B9\u03CE\u03C2 \u03C3\u03CD\u03B3\u03C7\u03C1\u03BF\u03BD\u03BF \u03BA\u03CC\u03C1\u03BD\u03BF \u03AE \u03BA\u03CC\u03C1\u03BD\u03BF \u03BC\u03B5 \u03BA\u03BB\u03B5\u03B9\u03B4\u03B9\u03AC \u03AD\u03C7\u03B5\u03B9 \u03AD\u03BD\u03B1 \u03BC\u03B1\u03BA\u03C1\u03CD \u03BA\u03C9\u03BD\u03B9\u03BA\u03CC \u03C3\u03C9\u03BB\u03AE\u03BD\u03B1 \u03C3\u03B5 \u03BC\u03BF\u03C1\u03C6\u03AE \u03C3\u03C0\u03B5\u03B9\u03C1\u03BF\u03B5\u03B9\u03B4\u03BF\u03CD\u03C2, \u03BF \u03BF\u03C0\u03BF\u03AF\u03BF\u03C2 \u03B5\u03BB\u03AF\u03C3\u03C3\u03B5\u03C4\u03B1\u03B9 \u03BA\u03B1\u03B9 \u03BA\u03B1\u03C4\u03B1\u03BB\u03AE\u03B3\u03B5\u03B9 \u03C3\u03B5 \u03BC\u03B9\u03B1 \u03BC\u03B5\u03B3\u03AC\u03BB\u03B7 \"\u03BA\u03B1\u03BC\u03C0\u03AC\u03BD\u03B1\" ."@el . . . . . . . . . . . . . . . . . . . . . . "Valved aerophone sounded by lip vibration"@en . . . "La trompa \u00E9s un instrument aer\u00F2fon, de vent-metall, consistent en un tub obert, llarg i c\u00F2nic, enrotllat circularment diverses vegades, o tamb\u00E9 plegat sobre si mateix. L'instrument es desenvolup\u00E0 inicialment a Fran\u00E7a a mitjan segle xvii, a partir del cor de chasse o trompa de ca\u00E7a."@ca . . . . . . "Lesn\u00ED roh je \u017Ees\u0165ov\u00FD hudebn\u00ED n\u00E1stroj s k\u00F3nickou trubic\u00ED, pevn\u00E9 m\u00EDsto v orchestrech m\u00E1 ji\u017E od 18. stolet\u00ED. Vyvinul se z loveck\u00FDch n\u00E1stroj\u016F pou\u017E\u00EDvan\u00FDch pro hran\u00ED fanf\u00E1r a sign\u00E1l\u016F p\u0159i lovu zv\u011B\u0159e. Od p\u0159elomu 17. a 18. stolet\u00ED se pou\u017E\u00EDv\u00E1 v orchestrech. P\u0159ibli\u017En\u011B od roku 1814 je opat\u0159ov\u00E1n ventily, co\u017E umo\u017E\u0148uje hr\u00E1t cel\u00FD chromatick\u00FD rozsah t\u00F3n\u016F. M\u00E1 charakteristick\u00FD sto\u010Den\u00FD tvar, zvukov\u00E1 trubice m\u00E1 d\u00E9lku p\u0159es 4 metry a je zakon\u010Dena \u0161irok\u00FDm ozvu\u010Dn\u00EDkem. P\u0159i h\u0159e se dr\u017E\u00ED ozvu\u010Dn\u00EDkem vpravo dol\u016F: prav\u00E1 ruka jej podp\u00EDr\u00E1 zevnit\u0159; proto m\u00E1 lesn\u00ED roh ventilovou soustavu (se \u010Dty\u0159mi ventily) uzp\u016Fsobenou pro levou ruku, na rozd\u00EDl od v\u011Bt\u0161iny ostatn\u00EDch \u017Ees\u0165ov\u00FDch n\u00E1stroj\u016F. Jeho t\u00F3nov\u00FD rozsah jsou \u010Dty\u0159i okt\u00E1vy i v\u00EDce, podle zdatnosti hr\u00E1\u010De. V sou\u010Dasnosti nejpou\u017E\u00EDvan\u011Bj\u0161\u00ED jsou dvojit\u00E9 lesn\u00ED rohy (viz obr\u00E1zek), kter\u00E9 v sob\u011B integruj\u00ED roh v F lad\u011Bn\u00ED a roh v lad\u011Bn\u00ED o kvartu v\u00FD\u0161e, v B; hr\u00E1\u010D je m\u016F\u017Ee m\u011Bnit pomoc\u00ED \u010Dtvrt\u00E9 klapky ovl\u00E1dan\u00E9 palcem. Tento syst\u00E9m roz\u0161i\u0159uje t\u00F3nov\u00FD rozsah n\u00E1stroje a umo\u017E\u0148uje jist\u011Bj\u0161\u00ED hran\u00ED"@cs . "11456"^^ . . . "Trompa"@pt . . . . . . . "* List of horn players"@en . . . . . . . . . "* Tenor horn (alto horn)\n* Baritone horn\n* German horn\n* Mellophone\n* Natural horn\n* Post horn\n* Saxhorn\n* Vienna horn\n* Wagner tuba"@en . . . . . . "French horn"@en . . . . . . . "French horn adalah alat musik tiup dalam keluarga alat musik tiup logam yang umumnya dimainkan sebagai salah satu bagian dari alat-alat musik tiup dalam sebuah pertunjukan marching band. French Horn umum digunakan dalam konser-konser musik klasik. French horn memiliki tiga katup pengatur yang di mainkan dengan tangan kiri dengan tata cara dalam memainkan yang identik dengan trumpet. French horn pada umumnya menggunakan meski instrumen musik lainnya biasanya menggunakan kunci B\u266D. Alasan utama French horn digunakan sebagai alat musik konser untuk marching band adalah karena alat musik ini memiliki corong yang menghadap ke depan (front-bell) sehingga suara yang dihasilkannya sesuai dengan arah pemainnya. Hal ini sangat penting agar sesuai dengan ciri marching band dan suara dapat mengarah pada / yang umumnya menonton dari satu sisi dalam sebuah pertunjukan marching band. Sekarang tipe horn yang paling sering digunakan adalah \"double horn\" (horn rangkep), yaitu kombinasi dari F-horn dan B\u266D-Horn. Dengan katup pengatur yang digerakkan ibu jari (sistem Kruspe), penyeteman bisa diubah dari F menjadi B\u266D (Bes). Selain itu juga ada \"triple horn\" (horn rangkep tiga), kombinasi horn F, B\u266D dan F kecil. Ada beberapa pabrik horn, yang paling laku sekarang adalah Alexander, di Mainz, Jerman."@in . "The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B\u266D (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist."@en . . "Tronpa (musika tresna)"@eu . . . . . "\u6CD5\u570B\u865F"@zh . . . . . . . . . . . . "*List of horn makers"@en . . . . "\u30DB\u30EB\u30F3\u306F\u3001\u91D1\u7BA1\u697D\u5668\u306E\u4E00\u7A2E\u3067\u3042\u308B\u3002\u30C8\u30E9\u30F3\u30DA\u30C3\u30C8\u3001\u30C8\u30ED\u30F3\u30DC\u30FC\u30F3\u3001\u30C1\u30E5\u30FC\u30D0\u306A\u3069\u3068\u3082\u306B\u8FD1\u4EE3\u897F\u6D0B\u306E\u91D1\u7BA1\u697D\u5668\u306E\u4E3B\u8981\u306A\u697D\u5668\u306E\u3072\u3068\u3064\u3067\u3042\u308A\u3001\u6F0F\u6597\u578B\u306E\u30DE\u30A6\u30B9\u30D4\u30FC\u30B9\u3001\u5186\u9310\u3092\u4E3B\u4F53\u3068\u3057\u305F\u9577\u3044\u4E38\u3081\u3089\u308C\u305F\u7BA1\u3001\u76F4\u5F84\u7D0430cm\u306B\u9054\u3059\u308B\u30D9\u30EB\uFF08\u671D\u9854\uFF09\u3092\u6301\u3064\u3002\u4ED6\u306E\u91D1\u7BA1\u697D\u5668\u3088\u308A\u3082\u591A\u304F\u306E\u500D\u97F3\u3092\u51FA\u3059\u3053\u3068\u304C\u3067\u304D\u308B\u3002 \u91D1\u7BA1\u697D\u5668\u3067\u3042\u308B\u304C\u3001\u97F3\u8272\u306E\u3084\u308F\u3089\u304B\u3055\u304B\u3089\u91D1\u7BA1\u697D\u5668\u306E\u307F\u306A\u3089\u305A\u6728\u7BA1\u697D\u5668\u3068\u3082\u3088\u304F\u8ABF\u548C\u3059\u308B\u3002\u901A\u5E38\u306E\u6728\u7BA1\u4E94\u91CD\u594F\u3067\u306F\u6A19\u6E96\u7684\u306B\u30DB\u30EB\u30F3\u304C\u52A0\u3048\u3089\u308C\u3066\u3044\u308B\u3002"@ja . "* List of horn techniques\n* List of compositions for horn"@en . "Trompa (instrument)"@ca . . . . . . . "Cor d'harmonie"@fr . . "La trompa o corno franc\u00E9s es un instrumento de viento-metal que tiene un car\u00E1cter muy vers\u00E1til y abarca una tesitura muy amplia con pocos cilindros. Adem\u00E1s este instrumento puede emitir tanto sonidos suaves y dulces como \u00E1speros y duros. Existen ciertos recursos t\u00E9cnicos que permiten a la trompa conseguir efectos t\u00EDmbricos especiales: sordina, bouch\u00E9, apagador y cuivr\u00E9. Su antepasado es el cuerno de caza. Las posiciones del corno en lado de F y en lado de Bb son las siguientes.:"@es . . . "de: Horn, Waldhorn, Ventilhorn"@en . "R\u00F3g (instrument muzyczny)"@pl . . . . . "\u0412\u0430\u043B\u0442\u043E\u0301\u0440\u043D\u0430 (\u0432\u0456\u0434 \u043D\u0456\u043C. Waldhorn \u2014 \u00AB\u043B\u0456\u0441\u043E\u0432\u0438\u0439 \u0440\u0456\u0433\u00BB) \u2014 \u043C\u0443\u043D\u0434\u0448\u0442\u0443\u0447\u043D\u0438\u0439 \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442 \u0441\u0456\u043C\u0435\u0439\u0441\u0442\u0432\u0430 \u043C\u0456\u0434\u043D\u0438\u0445 \u0434\u0443\u0445\u043E\u0432\u0438\u0445. \u0426\u0435 \u0441\u043A\u0440\u0443\u0447\u0435\u043D\u0430, \u043F\u043E\u0434\u0456\u0431\u043D\u043E \u0434\u043E \u0440\u0430\u0432\u043B\u0438\u043A\u043E\u0432\u043E\u0457 \u043C\u0443\u0448\u043B\u0456, \u043C\u0456\u0434\u043D\u0430 \u0442\u0440\u0443\u0431\u043A\u0430 \u0437 \u0434\u043E\u0432\u0436\u0438\u043D\u043E\u044E \u0434\u043E \u043F'\u044F\u0442\u0438 \u043C\u0435\u0442\u0440\u0456\u0432 \u0437 \u0441\u0438\u043B\u044C\u043D\u043E \u0440\u043E\u0437\u0448\u0438\u0440\u0435\u043D\u0438\u043C \u0440\u043E\u0437\u0442\u0440\u0443\u0431\u043E\u043C. \u0417'\u044F\u0432\u0438\u043B\u0430\u0441\u044F \u043D\u0430\u043F\u0440\u0438\u043A\u0456\u043D\u0446\u0456 XVII \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F. \u0422\u0440\u0438\u0432\u0430\u043B\u0438\u0439 \u0447\u0430\u0441 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0430 \u0431\u0443\u043B\u0430 \u043D\u0430\u0442\u0443\u0440\u0430\u043B\u044C\u043D\u0438\u043C \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u043E\u043C, \u0442\u043E\u0431\u0442\u043E \u043D\u0430 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0456 \u043C\u043E\u0436\u043D\u0430 \u0431\u0443\u043B\u043E \u0432\u0438\u043A\u043E\u043D\u0430\u0442\u0438 \u043B\u0438\u0448\u0435 \u0437\u0432\u0443\u043A\u0438, \u0449\u043E \u043D\u0430\u043B\u0435\u0436\u0430\u0442\u044C \u0434\u043E \u043D\u0430\u0442\u0443\u0440\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0437\u0432\u0443\u043A\u043E\u0440\u044F\u0434\u0443, \u0432\u0438\u0431\u0443\u0434\u043E\u0432\u0430\u043D\u043E\u043C\u0443 \u0432\u0456\u0434 \u043E\u0441\u043D\u043E\u0432\u043D\u043E\u0457 \u043D\u043E\u0442\u0438. \u0422\u043E\u043C\u0443 \u0432 \u0435\u043F\u043E\u0445\u0443 \u043F\u0456\u0437\u043D\u044C\u043E\u0433\u043E \u0431\u0430\u0440\u043E\u043A\u043E, \u043A\u043B\u0430\u0441\u0438\u0446\u0438\u0437\u043C\u0443 \u0456 \u0440\u0430\u043D\u043D\u044C\u043E\u0433\u043E \u0440\u043E\u043C\u0430\u043D\u0442\u0438\u0437\u043C\u0443, \u0431\u0443\u043B\u0438 \u043F\u043E\u0448\u0438\u0440\u0435\u043D\u0456 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0438 \u043D\u0430\u0439\u0440\u0456\u0437\u043D\u043E\u043C\u0430\u043D\u0456\u0442\u043D\u0456\u0448\u0438\u0445 \u0441\u0442\u0440\u043E\u0457\u0432, \u044F\u043A\u0456 \u0437\u0430\u0441\u0442\u043E\u0441\u043E\u0432\u0443\u0432\u0430\u043B\u0438\u0441\u044F \u0437\u0430\u043B\u0435\u0436\u043D\u043E \u0432\u0456\u0434 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u0456, \u0443 \u044F\u043A\u0456\u0439 \u0431\u0443\u0432 \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0438\u0439 \u0442\u043E\u0439 \u0447\u0438 \u0456\u043D\u0448\u0438\u0439 \u0442\u0432\u0456\u0440, (\u043A\u043E\u043D\u0446\u0435\u0440\u0442\u0438 \u0434\u043B\u044F \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0438 \u0419. \u0413\u0430\u0439\u0434\u043D\u0430, \u0412. \u0410. \u041C\u043E\u0446\u0430\u0440\u0442\u0430, \u041A. \u041C. \u0412\u0435\u0431\u0435\u0440\u0430 \u0442\u0430 \u0456\u043D.). \u0412\u0435\u043D\u0442\u0438\u043B\u044C\u043D\u0430 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0430 \u0432\u0445\u043E\u0434\u0438\u0442\u044C \u0432 \u043C\u0443\u0437\u0438\u0447\u043D\u0443 \u043F\u0440\u0430\u043A\u0442\u0438\u043A\u0443 \u043B\u0438\u0448\u0435 \u0432 30-\u0445 \u0440\u043E\u043A\u0430\u0445 XIX \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F. \u0417\u0430 \u0434\u043E\u043F\u043E\u043C\u043E\u0433\u043E\u044E \u0432\u0435\u043D\u0442\u0438\u043B\u044C\u043D\u043E\u0433\u043E \u043C\u0435\u0445\u0430\u043D\u0456\u0437\u043C\u0443, \u043C\u0443\u0437\u0438\u043A\u0430\u043D\u0442 \u043C\u043E\u0436\u0435 \u0441\u043A\u0435\u0440\u043E\u0432\u0443\u0432\u0430\u0442\u0438 \u043F\u043E\u0432\u0456\u0442\u0440\u044F \u0447\u0435\u0440\u0435\u0437 \u0442\u0443 \u0447\u0438 \u0456\u043D\u0448\u0443 \u043A\u0440\u043E\u043D\u0443 \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442\u0430. \u0422\u0438\u043C \u0441\u0430\u043C\u0438\u043C \u043E\u0431'\u0454\u043C \u0432\u0456\u0431\u0440\u0443\u044E\u0447\u043E\u0433\u043E \u043F\u043E\u0432\u0456\u0442\u0440\u044F \u0437\u0431\u0456\u043B\u044C\u0448\u0443\u0454\u0442\u044C\u0441\u044F, \u0430 \u0432\u0438\u0441\u043E\u0442\u0430 \u0437\u0432\u0443\u043A\u0443 \u2014 \u0437\u043D\u0438\u0436\u0443\u0454\u0442\u044C\u0441\u044F. \u0423 \u0441\u0443\u0447\u0430\u0441\u043D\u0456\u0439 \u043A\u043E\u043D\u0441\u0442\u0440\u0443\u043A\u0446\u0456\u0457 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0438 \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u043E\u0432\u0443\u044E\u0442\u044C \u0442\u0440\u0438 \u0432\u0435\u043D\u0442\u0438\u043B\u0456, \u0434\u043B\u044F \u043F\u043E\u043D\u0438\u0436\u0435\u043D\u043D\u044F \u0437\u0432\u0443\u043A\u0443 \u043D\u0430 \u043F\u0456\u0432\u0442\u043E\u043D\u0443 \u0442\u043E\u043D \u0442\u0430 \u043D\u0430 \u043F\u0456\u0432\u0442\u043E\u0440\u0430 \u0442\u043E\u043D\u0443. \u0423 \u0431\u0430\u0433\u0430\u0442\u044C\u043E\u0445 \u043A\u043E\u043D\u0441\u0442\u0440\u0443\u043A\u0446\u0456\u044F\u0445 \u0456\u0441\u043D\u0443\u0454 \u0442\u0430\u043A\u043E\u0436 \u043A\u0432\u0430\u0440\u0442\u0432\u0435\u043D\u0442\u0438\u043B\u044C (\u0442. \u0437\u0432. \u043F\u043E\u0434\u0432\u0456\u0439\u043D\u0430 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0430), \u0449\u043E \u043F\u0456\u0434\u0432\u0438\u0449\u0443\u0454 \u0457\u0457 \u0437\u0432\u0443\u043A\u043E\u0440\u044F\u0434 \u043D\u0430 \u043A\u0432\u0430\u0440\u0442\u0443. \u0421\u0435\u0440\u0435\u0434 \u043C\u0456\u0434\u043D\u0438\u0445 \u0434\u0443\u0445\u043E\u0432\u0438\u0445 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0430 \u0432\u0456\u0434\u0440\u0456\u0437\u043D\u044F\u0454\u0442\u044C\u0441\u044F \u0441\u043A\u043B\u0430\u0434\u043D\u0456\u0441\u0442\u044E \u043E\u043F\u0430\u043D\u0443\u0432\u0430\u043D\u043D\u044F \u0442\u0430 \u043C'\u044F\u043A\u0456\u0441\u0442\u044E \u0442\u0435\u043C\u0431\u0440\u0443. \u0417\u0432\u0443\u043A \u043C\u043E\u0436\u0435 \u043F\u0440\u0438\u0433\u043B\u0443\u0448\u0443\u0432\u0430\u0442\u0438\u0441\u044C \u0437\u0430 \u0434\u043E\u043F\u043E\u043C\u043E\u0433\u043E\u044E \u0441\u0443\u0440\u0434\u0438\u043D\u0438. \u0412\u0430\u043B\u0442\u043E\u0440\u043D\u0430 \u043C\u0430\u0454 \u0434\u0456\u0430\u043F\u0430\u0437\u043E\u043D \u0437\u0432\u0443\u0447\u0430\u043D\u043D\u044F \u0432\u0456\u0434 \u0434\u043E (\u043D\u0430 \u043F\u043E\u0434\u0432\u0456\u0439\u043D\u0438\u0445 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0430\u0445 \u2014 \u0432\u0456\u0434 ).\u0412\u0430\u043B\u0442\u043E\u0440\u043D\u0430 \u2014 \u0442\u0440\u0430\u043D\u0441\u043F\u043E\u043D\u0443\u044E\u0447\u0438\u0439 \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442 \u0441\u0442\u0440\u043E\u044E F. \u0423 \u0441\u0443\u0447\u0430\u0441\u043D\u0456\u0439 \u043F\u0440\u0430\u043A\u0442\u0438\u0446\u0456 \u0456\u0441\u043D\u0443\u0454 \u0434\u0432\u0456 \u0442\u0440\u0430\u0434\u0438\u0446\u0456\u0457 \u043D\u043E\u0442\u0430\u0446\u0456\u0457 \u043F\u0430\u0440\u0442\u0456\u0457 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0438 : \n* \u043A\u043B\u0430\u0441\u0438\u0447\u043D\u0430, \u0437\u0430 \u044F\u043A\u043E\u044E \u043D\u043E\u0442\u0438, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0456 \u0432 \u0441\u043A\u0440\u0438\u043F\u043A\u043E\u0432\u043E\u043C\u0443 \u043A\u043B\u044E\u0447\u0456 \u0437\u0432\u0443\u0447\u0430\u0442\u044C \u043A\u0432\u0456\u043D\u0442\u043E\u044E \u043D\u0438\u0436\u0447\u0435, \u0430 \u043D\u043E\u0442\u0438, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0456 \u0432 \u0431\u0430\u0441\u043E\u0432\u043E\u043C\u0443 \u043A\u043B\u044E\u0447\u0456 \u2014 \u043A\u0432\u0430\u0440\u0442\u043E\u044E \u0432\u0438\u0449\u0435 \u0432\u0456\u0434 \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043E\u0433\u043E. \n* \u0421\u0443\u0447\u0430\u0441\u043D\u0430, \u0437\u0430 \u044F\u043A\u043E\u044E \u043D\u043E\u0442\u0438, \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u0456 \u044F\u043A \u0432 \u0441\u043A\u0440\u0438\u043F\u043A\u043E\u0432\u043E\u043C\u0443, \u0442\u0430\u043A \u0456 \u0432 \u0431\u0430\u0441\u043E\u0432\u043E\u043C\u0443 \u043A\u043B\u044E\u0447\u0430\u0445, \u0437\u0432\u0443\u0447\u0430\u0442\u044C \u043A\u0432\u0456\u043D\u0442\u043E\u044E \u043D\u0438\u0436\u0447\u0435 \u0432\u0456\u0434 \u043D\u0430\u043F\u0438\u0441\u0430\u043D\u043E\u0433\u043E. \u0423 \u043F\u0430\u0440\u0442\u0438\u0442\u0443\u0440\u0456 \u0434\u043B\u044F \u0441\u0438\u043C\u0444\u043E\u043D\u0456\u0447\u043D\u043E\u0433\u043E \u043E\u0440\u043A\u0435\u0441\u0442\u0440\u0443 \u043F\u0430\u0440\u0442\u0456\u0457 \u0432\u0430\u043B\u0442\u043E\u0440\u043D \u0440\u043E\u0437\u043C\u0456\u0449\u0435\u043D\u0456 \u043F\u0456\u0441\u043B\u044F \u0444\u0430\u0433\u043E\u0442\u0456\u0432,\u043F\u0435\u0440\u0435\u0434 \u043F\u0430\u0440\u0442\u0456\u044F\u043C\u0438 \u0442\u0440\u0443\u0431 \u0442\u0430 \u0442\u0440\u043E\u043C\u0431\u043E\u043D\u0456\u0432."@uk . . . . "Il corno \u00E8 uno strumento musicale a fiato che fa parte della famiglia degli aerofoni e della sottofamiglia degli ottoni con canneggio conico. Viene anche chiamato corno francese anche se non ne \u00E8 chiaro il motivo considerando che l'antenato dello strumento moderno, il corno naturale, non ha avuto chiare origini nel paese transalpino, ma ha subito un'evoluzione un po' generalizzata in tutta Europa e veniva utilizzato prima come segnale di richiamo nelle battute di caccia e introdotto poi come strumento stabile nell'orchestra. Per questi motivi, dal 1971, l' ha suggerito il termine corno per antonomasia. Il corno \u00E8 lo strumento a fiato con la pi\u00F9 ampia estensione di registro, sono infatti possibili, potenzialmente, 5 ottave piene. Il corno, nella versione moderna pi\u00F9 comune con suono fondamentale Fa1, presenta un canneggio conico (anche se nella parte iniziale \u00E8 parzialmente cilindrico) lungo 3,894 m, avvolto a spirale e terminante in una campana molto svasata. La piccola imboccatura ha una sezione conica, contrariamente agli ottoni di tipo cilindrico (tromba, trombone, etc.) che utilizzano bocchini con sezione a tazza. I corni odierni hanno il bocchino separabile dal corpo dello strumento, in modo che ogni strumentista possa scegliere il modello di imboccatura che pi\u00F9 gli aggrada. Il suono viene prodotto grazie alla vibrazione delle labbra appoggiate sull'imboccatura, cos\u00EC come avviene negli altri ottoni. Lo strumento antico, chiamato corno naturale, era senza valvole e poteva produrre solo gli armonici naturali: per via della lunghezza del canneggio e delle ridotte dimensioni dell'imboccatura produceva gli armonici pi\u00F9 acuti e quindi pi\u00F9 ravvicinati tra loro.I corni moderni possiedono una \"macchina\" con almeno tre valvole, azionate con la mano sinistra, che deviano l'aria in tubature aggiuntive e permettono di produrre tutte le altezze cromatiche. Molti corni possiedono valvole rotative azionate da leve ma alcuni, come il corno viennese, usano pistoni simili a quelli della tromba. Oggigiorno si costruiscono corni singoli nelle tonalit\u00E0 di Fa, di Si\u266D, o Fa acuto (pi\u00F9 raramente Mi\u266D e Mi\u266D acuto). Esistono per\u00F2 anche doppi (i pi\u00F9 comuni, in Fa/Si\u266D), doppi \"descant\" (Sib/Fa acuto), e tripli (in Fa/Si\u266D/Fa acuto). I doppi e i tripli hanno una o due valvole supplementari, solitamente azionate dal pollice, che deviano l'aria verso il canneggio supplementare. In orchestra viene utilizzato come strumento sia melodico (con tanti spunti solistici) che armonico, grazie al suo particolare timbro che \"lega\" molto bene con gli altri suoni e pu\u00F2 anche emergere facilmente; molti compositori dei periodi barocco, classico e romantico hanno dato importanti ruoli a questo strumento dal suono evocativo in campo sinfonico, cameristico ed operistico. Strumento \"anfibio\", i compositori lo hanno trattato sia come uno strumento appartenente al gruppo dei legni, sia a quello degli ottoni grazie alle sue molteplici qualit\u00E0 timbriche e sonore. I musicisti che suonano il corno sono chiamati cornisti. La posizione moderna dei cornisti prevede di utilizzare la macchina con la mano sinistra e di posizionare la mano destra, distesa e a dita chiuse, nel padiglione. La mano destra sorregge lo strumento ma pu\u00F2, cambiando di posizione, correggere l'intonazione, scurire il suono, ottenere l'effetto dello stoppato o della sordina (chiudendo la campana). Dato che l'inserimento della mano nella campana modifica la lunghezza della colonna d'aria, talvolta \u00E8 necessario modificare la diteggiatura. L'effetto sordina rende il timbro molto particolare, nasale e ovattato, e pu\u00F2 essere ottenuto anche con sordine di legno o di metallo da inserire nella campana."@it . . "\u03A4\u03BF \u03B3\u03B1\u03BB\u03BB\u03B9\u03BA\u03CC \u03BA\u03CC\u03C1\u03BD\u03BF \u03AE \u03B1\u03BB\u03BB\u03B9\u03CE\u03C2 \u03C3\u03CD\u03B3\u03C7\u03C1\u03BF\u03BD\u03BF \u03BA\u03CC\u03C1\u03BD\u03BF \u03AE \u03BA\u03CC\u03C1\u03BD\u03BF \u03BC\u03B5 \u03BA\u03BB\u03B5\u03B9\u03B4\u03B9\u03AC \u03AD\u03C7\u03B5\u03B9 \u03AD\u03BD\u03B1 \u03BC\u03B1\u03BA\u03C1\u03CD \u03BA\u03C9\u03BD\u03B9\u03BA\u03CC \u03C3\u03C9\u03BB\u03AE\u03BD\u03B1 \u03C3\u03B5 \u03BC\u03BF\u03C1\u03C6\u03AE \u03C3\u03C0\u03B5\u03B9\u03C1\u03BF\u03B5\u03B9\u03B4\u03BF\u03CD\u03C2, \u03BF \u03BF\u03C0\u03BF\u03AF\u03BF\u03C2 \u03B5\u03BB\u03AF\u03C3\u03C3\u03B5\u03C4\u03B1\u03B9 \u03BA\u03B1\u03B9 \u03BA\u03B1\u03C4\u03B1\u03BB\u03AE\u03B3\u03B5\u03B9 \u03C3\u03B5 \u03BC\u03B9\u03B1 \u03BC\u03B5\u03B3\u03AC\u03BB\u03B7 \"\u03BA\u03B1\u03BC\u03C0\u03AC\u03BD\u03B1\" ."@el . . . . . "Das Horn ist ein Blechblasinstrument mit kreisf\u00F6rmig gewundener Rohrf\u00FChrung. Charakteristisch f\u00FCr das Horn ist das Trichtermundst\u00FCck, eine enge konische Mensur, die in einem weit auslaufender Schallbecher (auch St\u00FCrze oder Schalltrichter genannt) mit einem Durchmesser von etwa 30 cm endet. Die Spielhaltung ist \u00FCblicherweise mit der rechten Hand im Schallbecher und den Fingern der linken Hand an den Ventilen. Weitere Bezeichnungen sind in der Orchesterliteratur corno und (fr\u00FCher) Waldhorn."@de . . . . . . . "Ett valthorn (fr\u00E5n tyskans Waldhorn) eller horn (p\u00E5 engelska: French horn) \u00E4r ett bleckbl\u00E5sinstrument som utvecklats fr\u00E5n det ventill\u00F6sa jakthornet till signal- och posthornet. I dag anv\u00E4nds ventilhorn st\u00E4mda i F och B\u266D (se transponerande instrument)."@sv . . . . . . "French horn"@en . . . . . "\u30DB\u30EB\u30F3\u306F\u3001\u91D1\u7BA1\u697D\u5668\u306E\u4E00\u7A2E\u3067\u3042\u308B\u3002\u30C8\u30E9\u30F3\u30DA\u30C3\u30C8\u3001\u30C8\u30ED\u30F3\u30DC\u30FC\u30F3\u3001\u30C1\u30E5\u30FC\u30D0\u306A\u3069\u3068\u3082\u306B\u8FD1\u4EE3\u897F\u6D0B\u306E\u91D1\u7BA1\u697D\u5668\u306E\u4E3B\u8981\u306A\u697D\u5668\u306E\u3072\u3068\u3064\u3067\u3042\u308A\u3001\u6F0F\u6597\u578B\u306E\u30DE\u30A6\u30B9\u30D4\u30FC\u30B9\u3001\u5186\u9310\u3092\u4E3B\u4F53\u3068\u3057\u305F\u9577\u3044\u4E38\u3081\u3089\u308C\u305F\u7BA1\u3001\u76F4\u5F84\u7D0430cm\u306B\u9054\u3059\u308B\u30D9\u30EB\uFF08\u671D\u9854\uFF09\u3092\u6301\u3064\u3002\u4ED6\u306E\u91D1\u7BA1\u697D\u5668\u3088\u308A\u3082\u591A\u304F\u306E\u500D\u97F3\u3092\u51FA\u3059\u3053\u3068\u304C\u3067\u304D\u308B\u3002 \u91D1\u7BA1\u697D\u5668\u3067\u3042\u308B\u304C\u3001\u97F3\u8272\u306E\u3084\u308F\u3089\u304B\u3055\u304B\u3089\u91D1\u7BA1\u697D\u5668\u306E\u307F\u306A\u3089\u305A\u6728\u7BA1\u697D\u5668\u3068\u3082\u3088\u304F\u8ABF\u548C\u3059\u308B\u3002\u901A\u5E38\u306E\u6728\u7BA1\u4E94\u91CD\u594F\u3067\u306F\u6A19\u6E96\u7684\u306B\u30DB\u30EB\u30F3\u304C\u52A0\u3048\u3089\u308C\u3066\u3044\u308B\u3002"@ja . "Ett valthorn (fr\u00E5n tyskans Waldhorn) eller horn (p\u00E5 engelska: French horn) \u00E4r ett bleckbl\u00E5sinstrument som utvecklats fr\u00E5n det ventill\u00F6sa jakthornet till signal- och posthornet. I dag anv\u00E4nds ventilhorn st\u00E4mda i F och B\u266D (se transponerande instrument). Eftersom dessa tv\u00E5 horn har n\u00E5got olika tonomf\u00E5ng och f\u00F6rdelar anv\u00E4nder professionella musiker ett s\u00E5 kallat dubbelhorn som best\u00E5r av b\u00E5de ett F- och ett B-horn som delar p\u00E5 samma munstycke och klockstycke. Omkopplingen mellan F- och B\u266D-systemen sker med hj\u00E4lp av en extra ventil. Dubbelhornets normala tonomf\u00E5ng \u00E4r H1-b\u266D2, f\u00F6ljaktligen n\u00E4ra fyra oktaver. Hornister i symfoniorkestrar brukar vara specialiserade p\u00E5 antingen det l\u00E5ga eller det h\u00F6ga registret. Ventilerna man\u00F6vreras med v\u00E4nster hand. H\u00F6ger hand sticks in i klockstycket, vilket p\u00E5verkar intonationen, dvs tonh\u00F6jden. N\u00E4r man spelar anv\u00E4nds dock inte handen f\u00F6r att intonera, eftersom det inte blir tillr\u00E4ckligt finjusterat och v\u00E4ldigt opraktiskt, utan liksom g\u00E4llande andra bl\u00E5sinstrument anv\u00E4nds luften och l\u00E4pparna f\u00F6r att h\u00E5lla upp eller ner tonen."@sv . . . . . . . . . . . "French horn adalah alat musik tiup dalam keluarga alat musik tiup logam yang umumnya dimainkan sebagai salah satu bagian dari alat-alat musik tiup dalam sebuah pertunjukan marching band. French Horn umum digunakan dalam konser-konser musik klasik. French horn memiliki tiga katup pengatur yang di mainkan dengan tangan kiri dengan tata cara dalam memainkan yang identik dengan trumpet. French horn pada umumnya menggunakan meski instrumen musik lainnya biasanya menggunakan kunci B\u266D. Ada beberapa pabrik horn, yang paling laku sekarang adalah Alexander, di Mainz, Jerman."@in . . . . . . . . "The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B\u266D (technically a variety of German horn) is the horn most often used by players in professional orchestras and bands, although the descant and triple horn have become increasingly popular. A musician who plays a horn is known as a horn player or hornist. Pitch is controlled through the combination of the following factors: speed of air through the instrument (controlled by the player's lungs and thoracic diaphragm); diameter and tension of lip aperture (by the player's lip muscles\u2014the embouchure) in the mouthpiece; plus, in a modern horn, the operation of valves by the left hand, which route the air into extra sections of tubing. Most horns have lever-operated rotary valves, but some, especially older horns, use piston valves (similar to a trumpet's) and the Vienna horn uses double-piston valves, or pumpenvalves. The backward-facing orientation of the bell relates to the perceived desirability to create a subdued sound in concert situations, in contrast to the more piercing quality of the trumpet. A horn without valves is known as a natural horn, changing pitch along the natural harmonics of the instrument (similar to a bugle). Pitch may also be controlled by the position of the hand in the bell, in effect reducing the bell's diameter. The pitch of any note can easily be raised or lowered by adjusting the hand position in the bell. The key of a natural horn can be changed by adding different crooks of different lengths. Three valves control the flow of air in the single horn, which is tuned to F or less commonly B\u266D. The more common double horn has a fourth, trigger valve, usually operated by the thumb, which routes the air to one set of tubing tuned to F or another tuned to B\u266D which expands the horn range to over four octaves and blends with flutes or clarinets in a woodwind ensemble. Triple horns with five valves are also made, usually tuned in F, B\u266D, and a descant E\u266D or F. There are also double horns with five valves tuned in B\u266D, descant E\u266D or F, and a stopping valve, which greatly simplifies the complicated and difficult hand-stopping technique, though these are rarer. Also common are descant doubles, which typically provide B\u266D and alto F branches. A crucial element in playing the horn deals with the mouthpiece. Most of the time, the mouthpiece is placed in the exact center of the lips, but, because of differences in the formation of the lips and teeth of different players, some tend to play with the mouthpiece slightly off center. Although the exact side-to-side placement of the mouthpiece varies for most horn players, the up-and-down placement of the mouthpiece is generally two-thirds on the upper lip and one-third on the lower lip. When playing higher notes, the majority of players exert a small degree of additional pressure on the lips using the mouthpiece. However, this is undesirable from the perspective of both endurance and tone: excessive mouthpiece pressure makes the horn sound forced and harsh and decreases the player's stamina due to the resulting constricted flow of blood to the lips and lip muscles."@en . . . . . . . . . . . . . . . . . . . . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uD638\uB978 (\uB3D9\uC74C\uC774\uC758) \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \uD638\uB978(\uB3C5\uC77C\uC5B4: horn) \uB610\uB294 \uD504\uB80C\uCE58 \uD638\uB978(French horn)\uC740 \uAE08\uAD00\uC545\uAE30\uC758 \uC77C\uC885\uC73C\uB85C, \uB098\uD314\uAF43 \uBAA8\uC591\uC758 \uAD00\uC774 \uD2B9\uC9D5\uC774\uB2E4."@ko . . . . . "Tronpa edo frantziar kornoa izaera oso moldagarri bat duen eta pistoi gutxirekin (metalezko haize instrumentu guztiek duten ezaugarria) tesitura oso zabal bat hartzen duen metalezko haize instrumentu bat da. Tronparen soinua oso aberats eta adierazgarria da. Gainera, musika tresna honek soinu leun eta gozoak zein latz eta gogorrak sor ditzake. Tronpari soinu efektu bereziak lortzea ahalbidetzen dioten zenbait baliabide tekniko daude, sordina, itzaltzailea eta cuivr\u00E9 delakoa esaterako. Bere aurrekaria animali adar bat edo krustazeo baten karakola bat da."@eu . "La trompa \u00E9s un instrument aer\u00F2fon, de vent-metall, consistent en un tub obert, llarg i c\u00F2nic, enrotllat circularment diverses vegades, o tamb\u00E9 plegat sobre si mateix. L'instrument es desenvolup\u00E0 inicialment a Fran\u00E7a a mitjan segle xvii, a partir del cor de chasse o trompa de ca\u00E7a."@ca . . . . . . . . . "\u0393\u03B1\u03BB\u03BB\u03B9\u03BA\u03CC \u03BA\u03CC\u03C1\u03BD\u03BF"@el . . . "2017-06-30"^^ . . . . . . . . . . . . . . . . . . . . . "De hoorn is een muziekinstrument dat sinds lange tijd belangrijke functies heeft vervuld. Net als bij de trompetten kon ook op de hoorn door het ontbreken van kleppen en ventielen in het hoofdbuiscorpus niet chromatisch in alle twaalf toonsoorten worden gespeeld. Dit was al vroeg in de westerse muziekgeschiedenis, rond de 14e eeuw, wel het geval met de schuiftrombone. De hoorn is, met de trompet, in feite het laatste koperblaasinstrument dat van ventielen werd voorzien."@nl . . . . . . . . . . "R\u00F3g, waltornia (w\u0142. corno, skr\u00F3t: cor. niem. Waldhorn \u201Er\u00F3g le\u015Bny\u201D) \u2013 muzyczny instrument d\u0119ty blaszany. Do tej samej rodziny instrument\u00F3w nale\u017C\u0105 mi\u0119dzy innymi tr\u0105bka, puzon i tuba. Obejmuje zakres d\u017Awi\u0119k\u00F3w muzycznych od B1 (B1 brzmi\u0105cego \u2013 B oktawy kontra dla rogu podw\u00F3jnego, wsp\u00F3\u0142cze\u015Bnie u\u017Cywanego F/B) do f2 (f oktawy dwukre\u015Blnej dla rogu F/B). Dla por\u00F3wnania skala rogu jest nieco ni\u017Csza ni\u017C puzonu. Istniej\u0105 r\u00F3wnie\u017C inne odmiany rogu o wy\u017Cszej skali i nieco odmiennej barwie d\u017Awi\u0119ku."@pl . . . . "es: trompa or corno"@en . . . . . . . . . . . . . "\u0412\u0430\u043B\u0442\u043E\u0440\u043D\u0430"@ru . . . . . . . . . "Trompa (instrumento)"@es . "\u5706\u53F7\uFF08\u6CD5\u8A9E\uFF1Acor d'harmonie\uFF0C\u82F1\u8A9E\uFF1Ahorn\uFF09\uFF0C\u6216\u7A31\u6CD5\u56FD\u53F7\uFF08\u82F1\u8A9E\uFF1AFrench horn\uFF09\uFF0C\u662F\u4E00\u7A2E\u4E2D\u97F3\u9285\u7BA1\u6A02\u5668\u3002\u5706\u53F7\u662F\u97F3\u57DF\u6700\u5EE3\u7684\u7BA1\u6A02\u5668\u4E4B\u4E00\u3002 \u6CD5\u570B\u865F\u7684\u5439\u7BA1\u7D30\u800C\u9577\uFF0C\u5F4E\u66F2\u69CB\u6210\u5713\u5F62\u7684\u8EC0\u5E79\uFF0C\u5C3E\u90E8\u5247\u64F4\u5927\u6210\u6F0F\u6597\u72C0\u7684\u5587\u53ED\u53E3\u3002\u6F14\u594F\u6CD5\u570B\u865F\u6642\uFF0C\u5439\u594F\u8005\u7D93\u904E\u865F\u5634\uFF0C\u4EE5\u96D9\u5507\u632F\u52D5\u7A7A\u6C23\u4F86\u767C\u8072\uFF0C\u4E26\u4EE5\u5DE6\u624B\u64CD\u4F5C\u8F49\u95A5\u5F0F\u6309\u9375\u4F86\u6539\u8B8A\u97F3\u9AD8\uFF1B\u53F3\u624B\u653E\u9032\u671D\u5411\u53F3\u5F8C\u65B9\u7684\u5587\u53ED\u53E3\uFF0C\u7528\u4F86\u8ABF\u7BC0\u7D30\u5FAE\u7684\u97F3\u9AD8\u8D77\u4F0F\u3002\u56E0\u6B64\uFF0C\u6CD5\u570B\u865F\u662F\u5C11\u6578\u4EE5\u5DE6\u624B\u6309\u9375\u7684\u9285\u7BA1\u6A02\u5668\uFF0C\u4E14\u7531\u65BC\u8072\u97F3\u4E0D\u540C\u65BC\u5176\u4ED6\u9285\u7BA1\u6A02\u5668\u7684\u5F37\u76F4\uFF0C\u6CD5\u570B\u865F\u7684\u8072\u97F3\u662F\u8F03\u67D4\u548C\u7684\uFF0C\u662F\u5728\u6728\u7BA1\u6F14\u594F\u4E2D\u552F\u4E00\u51FA\u73FE\u7684\u9285\u7BA1\u3002\u3002 \u5728\u97F3\u6A02\u53F2\u4E0A\uFF0C\u6CD5\u570B\u865F\u7684\u4F7F\u7528\u8C61\u5FB5\u8457\u7375\u4EBA\u3001\u68EE\u6797\u7B49\u610F\u8C61\uFF0C\u9577\u4E45\u4EE5\u4F86\u5DF2\u662F\u6B50\u6D32\u4F5C\u66F2\u5BB6\u5171\u6709\u7684\u624B\u6CD5\u3002"@zh . . . "\u0412\u0430\u043B\u0442\u043E\u0301\u0440\u043D\u0430 (\u0432\u0456\u0434 \u043D\u0456\u043C. Waldhorn \u2014 \u00AB\u043B\u0456\u0441\u043E\u0432\u0438\u0439 \u0440\u0456\u0433\u00BB) \u2014 \u043C\u0443\u043D\u0434\u0448\u0442\u0443\u0447\u043D\u0438\u0439 \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442 \u0441\u0456\u043C\u0435\u0439\u0441\u0442\u0432\u0430 \u043C\u0456\u0434\u043D\u0438\u0445 \u0434\u0443\u0445\u043E\u0432\u0438\u0445. \u0426\u0435 \u0441\u043A\u0440\u0443\u0447\u0435\u043D\u0430, \u043F\u043E\u0434\u0456\u0431\u043D\u043E \u0434\u043E \u0440\u0430\u0432\u043B\u0438\u043A\u043E\u0432\u043E\u0457 \u043C\u0443\u0448\u043B\u0456, \u043C\u0456\u0434\u043D\u0430 \u0442\u0440\u0443\u0431\u043A\u0430 \u0437 \u0434\u043E\u0432\u0436\u0438\u043D\u043E\u044E \u0434\u043E \u043F'\u044F\u0442\u0438 \u043C\u0435\u0442\u0440\u0456\u0432 \u0437 \u0441\u0438\u043B\u044C\u043D\u043E \u0440\u043E\u0437\u0448\u0438\u0440\u0435\u043D\u0438\u043C \u0440\u043E\u0437\u0442\u0440\u0443\u0431\u043E\u043C. \u0417'\u044F\u0432\u0438\u043B\u0430\u0441\u044F \u043D\u0430\u043F\u0440\u0438\u043A\u0456\u043D\u0446\u0456 XVII \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F. \u0421\u0435\u0440\u0435\u0434 \u043C\u0456\u0434\u043D\u0438\u0445 \u0434\u0443\u0445\u043E\u0432\u0438\u0445 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0430 \u0432\u0456\u0434\u0440\u0456\u0437\u043D\u044F\u0454\u0442\u044C\u0441\u044F \u0441\u043A\u043B\u0430\u0434\u043D\u0456\u0441\u0442\u044E \u043E\u043F\u0430\u043D\u0443\u0432\u0430\u043D\u043D\u044F \u0442\u0430 \u043C'\u044F\u043A\u0456\u0441\u0442\u044E \u0442\u0435\u043C\u0431\u0440\u0443. \u0417\u0432\u0443\u043A \u043C\u043E\u0436\u0435 \u043F\u0440\u0438\u0433\u043B\u0443\u0448\u0443\u0432\u0430\u0442\u0438\u0441\u044C \u0437\u0430 \u0434\u043E\u043F\u043E\u043C\u043E\u0433\u043E\u044E \u0441\u0443\u0440\u0434\u0438\u043D\u0438. \u0412\u0430\u043B\u0442\u043E\u0440\u043D\u0430 \u043C\u0430\u0454 \u0434\u0456\u0430\u043F\u0430\u0437\u043E\u043D \u0437\u0432\u0443\u0447\u0430\u043D\u043D\u044F \u0432\u0456\u0434 \u0434\u043E (\u043D\u0430 \u043F\u043E\u0434\u0432\u0456\u0439\u043D\u0438\u0445 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0430\u0445 \u2014 \u0432\u0456\u0434 ).\u0412\u0430\u043B\u0442\u043E\u0440\u043D\u0430 \u2014 \u0442\u0440\u0430\u043D\u0441\u043F\u043E\u043D\u0443\u044E\u0447\u0438\u0439 \u0456\u043D\u0441\u0442\u0440\u0443\u043C\u0435\u043D\u0442 \u0441\u0442\u0440\u043E\u044E F. \u0423 \u0441\u0443\u0447\u0430\u0441\u043D\u0456\u0439 \u043F\u0440\u0430\u043A\u0442\u0438\u0446\u0456 \u0456\u0441\u043D\u0443\u0454 \u0434\u0432\u0456 \u0442\u0440\u0430\u0434\u0438\u0446\u0456\u0457 \u043D\u043E\u0442\u0430\u0446\u0456\u0457 \u043F\u0430\u0440\u0442\u0456\u0457 \u0432\u0430\u043B\u0442\u043E\u0440\u043D\u0438 :"@uk . . . . . . . "brass"@en . . . . "Lesn\u00ED roh je \u017Ees\u0165ov\u00FD hudebn\u00ED n\u00E1stroj s k\u00F3nickou trubic\u00ED, pevn\u00E9 m\u00EDsto v orchestrech m\u00E1 ji\u017E od 18. stolet\u00ED. Vyvinul se z loveck\u00FDch n\u00E1stroj\u016F pou\u017E\u00EDvan\u00FDch pro hran\u00ED fanf\u00E1r a sign\u00E1l\u016F p\u0159i lovu zv\u011B\u0159e. Od p\u0159elomu 17. a 18. stolet\u00ED se pou\u017E\u00EDv\u00E1 v orchestrech. P\u0159ibli\u017En\u011B od roku 1814 je opat\u0159ov\u00E1n ventily, co\u017E umo\u017E\u0148uje hr\u00E1t cel\u00FD chromatick\u00FD rozsah t\u00F3n\u016F."@cs . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uD638\uB978 (\uB3D9\uC74C\uC774\uC758) \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \uD638\uB978(\uB3C5\uC77C\uC5B4: horn) \uB610\uB294 \uD504\uB80C\uCE58 \uD638\uB978(French horn)\uC740 \uAE08\uAD00\uC545\uAE30\uC758 \uC77C\uC885\uC73C\uB85C, \uB098\uD314\uAF43 \uBAA8\uC591\uC758 \uAD00\uC774 \uD2B9\uC9D5\uC774\uB2E4."@ko . . . "A trompa \u00E9 um instrumento de sopro, ou seja, um aerofone, da fam\u00EDlia dos metais (ou instrumentos de bocal), met\u00E1lico e curvo, maior que a trombeta, considerado essencial na orquestra sinf\u00F4nica moderna. Consiste num tubo met\u00E1lico de 3,7 metros de comprimento, ligeiramente c\u00F4nico, com um bocal numa das extremidades e uma campana, (ou pavilh\u00E3o) na outra, enrolado v\u00E1rias vezes sobre si mesmo, e munido de tr\u00EAs, quatro ou at\u00E9 cinco v\u00E1lvulas, de acordo com o modelo e marca. O trompista prime as chaves com a m\u00E3o esquerda e, com a m\u00E3o direita dentro da campana, consegue controlar a afina\u00E7\u00E3o, timbre e mesmo ajudar \u00E0 pega do pr\u00F3prio instrumento. O som da trompa \u00E9 rico em parciais harm\u00F4nicos. A m\u00E3o dentro da campana permite uma enorme variedade de timbres. Trompas aparecem nas dez \u00FAltimas sinfonias de Haydn e Mozart, em todas as nove de Beethoven, nas quatro de Schumann, nas quatro de Brahms, nas seis de Tchaikovski, nas nove completas de Mahler. A partitura da Segunda Sinfonia de Mahler exige dez trompas."@pt . . . . . . . . . "Horn (Blechblasinstrument)"@de . . . . "Horn"@en . . "Le cor d'harmonie est un instrument \u00E0 vent de la famille des cuivres. C'est la version moderne du cor \u00E0 pistons invent\u00E9 au XIXe si\u00E8cle sur la base du cor naturel. Il est caract\u00E9ris\u00E9 par son embouchure, sa perce conique qui lui conf\u00E8re un son doux et riche en harmoniques, son large pavillon et un ensemble de pistons permettant \u00E0 l'ex\u00E9cutant de modifier instantan\u00E9ment la longueur, et donc l'accord, de l'instrument. Le musicien qui joue du cor est un corniste (\u00E0 ne pas confondre avec le cornettiste qui joue du cornet \u00E0 piston ou le choriste qui fait partie d'une chorale)."@fr . . . . . . "La trompa o corno franc\u00E9s es un instrumento de viento-metal que tiene un car\u00E1cter muy vers\u00E1til y abarca una tesitura muy amplia con pocos cilindros. Adem\u00E1s este instrumento puede emitir tanto sonidos suaves y dulces como \u00E1speros y duros. Existen ciertos recursos t\u00E9cnicos que permiten a la trompa conseguir efectos t\u00EDmbricos especiales: sordina, bouch\u00E9, apagador y cuivr\u00E9. Su antepasado es el cuerno de caza. La trompa est\u00E1 formada por un tubo estrecho y largo. Este tubo c\u00F3nico de metal se enrolla y acaba en un pabell\u00F3n o campana abierto (en forma de trompa) y empieza en el denominado tudel (el inicio de cuerpo del instrumento) en el cual se coloca la boquilla. En el caso de las trompas dobles, la tesitura parte del si \u266D 2, y llega alrededor del mi 6 o mi sobreagudo. El sonido se produce por la vibraci\u00F3n de los labios en el interior de la boquilla, por acci\u00F3n de la presi\u00F3n del aire: este se va refinando hasta llegar al pabell\u00F3n, donde se emite hacia el exterior. Actualmente se utiliza la trompa en fa y en si \u266D agudo. Tambi\u00E9n se halla difundida la trompa doble que \u2014mediante la aplicaci\u00F3n de un cilindro especial\u2014 puede ser afinada en fa o en si \u266D agudo seg\u00FAn las necesidades del que la est\u00E1 tocando. Las posiciones del corno en lado de F y en lado de Bb son las siguientes.: En tiempos de compositores como Joseph Haydn, Wolfgang Amadeus Mozart y Carl Maria von Weber la trompa era considerada como un instrumento de viento madera, ya que a diferencia del resto de los instrumentos de la familia de viento metal, tiene un sonido menos brillante y m\u00E1s dulce. Dado que no tiene un sonido tan poderoso como la trompeta, o el tromb\u00F3n, por su estructura y al ser un instrumento de , desde finales del siglo XVIII pas\u00F3 a formar parte de la familia de los metales. Las primeras trompas fueron utilizadas en la caza y en la guerra y eran de origen animal. A partir del siglo XVI, su cuerpo aparece enroscado o en espiral y recibe el nombre de trompa natural. Las trompas antiguas eran m\u00E1s sencillas que las actuales. Estas trompas antiguas eran hechas de tubos de metal y ten\u00EDan una abertura \u00ABestallada\u00BB (pabell\u00F3n o campana). Eran originalmente usadas en la cacer\u00EDa, a menudo montando a caballo. El cambio de tono era efectuado enteramente por los labios. Hasta el siglo XIX no iban equipadas con v\u00E1lvulas. La trompa (o, muchas veces, pares de trompas) a menudo invocaban la idea de cazar o, en el barroco, de representar nobleza, realeza o divinidad. Las trompas antiguas estaban afinadas com\u00FAnmente en tonos de fa, mi, mi \u266D, si \u266D y do, y ya que estas eran las \u00FAnicas notas disponibles en las series arm\u00F3nicas de uno de esos tonos, no hab\u00EDa posibilidad de tocar en diferentes tonos intermedios. El remedio para esta limitaci\u00F3n era el uso de \"curvas\" o \"tonillos\", es decir, secciones del tubo de diferente longitud que, insertados, alteraran el largo del instrumento, y as\u00ED su tono. Finalmente, los int\u00E9rpretes de trompa comenzaron a poner la mano derecha dentro del pabell\u00F3n para cambiar el largo del instrumento, ajustando la tonalidad, hasta un tono. Esto ofrec\u00EDa mayores posibilidades para tocar las notas no solo en las series arm\u00F3nicas usadas para una sola pieza. Durante el per\u00EDodo cl\u00E1sico la trompa se convierte en un instrumento capaz de tocar muchas melod\u00EDas. Alrededor del 1815, fue introducido el uso de pistones (elementos que al ser pulsados suben y bajan dejando pasar as\u00ED el aire), aportando mayor flexibilidad para tocar en diferentes tonos. De hecho se convirti\u00F3 en un instrumento que usa completamente la escala crom\u00E1tica por primera vez."@es . "1124810610"^^ . . "R\u00F3g, waltornia (w\u0142. corno, skr\u00F3t: cor. niem. Waldhorn \u201Er\u00F3g le\u015Bny\u201D) \u2013 muzyczny instrument d\u0119ty blaszany. Do tej samej rodziny instrument\u00F3w nale\u017C\u0105 mi\u0119dzy innymi tr\u0105bka, puzon i tuba. Obejmuje zakres d\u017Awi\u0119k\u00F3w muzycznych od B1 (B1 brzmi\u0105cego \u2013 B oktawy kontra dla rogu podw\u00F3jnego, wsp\u00F3\u0142cze\u015Bnie u\u017Cywanego F/B) do f2 (f oktawy dwukre\u015Blnej dla rogu F/B). Dla por\u00F3wnania skala rogu jest nieco ni\u017Csza ni\u017C puzonu. Istniej\u0105 r\u00F3wnie\u017C inne odmiany rogu o wy\u017Cszej skali i nieco odmiennej barwie d\u017Awi\u0119ku."@pl . "Il corno \u00E8 uno strumento musicale a fiato che fa parte della famiglia degli aerofoni e della sottofamiglia degli ottoni con canneggio conico. Viene anche chiamato corno francese anche se non ne \u00E8 chiaro il motivo considerando che l'antenato dello strumento moderno, il corno naturale, non ha avuto chiare origini nel paese transalpino, ma ha subito un'evoluzione un po' generalizzata in tutta Europa e veniva utilizzato prima come segnale di richiamo nelle battute di caccia e introdotto poi come strumento stabile nell'orchestra. Per questi motivi, dal 1971, l' ha suggerito il termine corno per antonomasia."@it . . "Das Horn ist ein Blechblasinstrument mit kreisf\u00F6rmig gewundener Rohrf\u00FChrung. Charakteristisch f\u00FCr das Horn ist das Trichtermundst\u00FCck, eine enge konische Mensur, die in einem weit auslaufender Schallbecher (auch St\u00FCrze oder Schalltrichter genannt) mit einem Durchmesser von etwa 30 cm endet. Die Spielhaltung ist \u00FCblicherweise mit der rechten Hand im Schallbecher und den Fingern der linken Hand an den Ventilen. Weitere Bezeichnungen sind in der Orchesterliteratur corno und (fr\u00FCher) Waldhorn."@de . . "\u0412\u0430\u043B\u0442\u043E\u0440\u043D\u0430"@uk . . "A modern double horn"@en . . "Lesn\u00ED roh"@cs . "Hoorn (muziekinstrument)"@nl . . "\u30DB\u30EB\u30F3"@ja . . . . . . . . "\u5706\u53F7\uFF08\u6CD5\u8A9E\uFF1Acor d'harmonie\uFF0C\u82F1\u8A9E\uFF1Ahorn\uFF09\uFF0C\u6216\u7A31\u6CD5\u56FD\u53F7\uFF08\u82F1\u8A9E\uFF1AFrench horn\uFF09\uFF0C\u662F\u4E00\u7A2E\u4E2D\u97F3\u9285\u7BA1\u6A02\u5668\u3002\u5706\u53F7\u662F\u97F3\u57DF\u6700\u5EE3\u7684\u7BA1\u6A02\u5668\u4E4B\u4E00\u3002 \u6CD5\u570B\u865F\u7684\u5439\u7BA1\u7D30\u800C\u9577\uFF0C\u5F4E\u66F2\u69CB\u6210\u5713\u5F62\u7684\u8EC0\u5E79\uFF0C\u5C3E\u90E8\u5247\u64F4\u5927\u6210\u6F0F\u6597\u72C0\u7684\u5587\u53ED\u53E3\u3002\u6F14\u594F\u6CD5\u570B\u865F\u6642\uFF0C\u5439\u594F\u8005\u7D93\u904E\u865F\u5634\uFF0C\u4EE5\u96D9\u5507\u632F\u52D5\u7A7A\u6C23\u4F86\u767C\u8072\uFF0C\u4E26\u4EE5\u5DE6\u624B\u64CD\u4F5C\u8F49\u95A5\u5F0F\u6309\u9375\u4F86\u6539\u8B8A\u97F3\u9AD8\uFF1B\u53F3\u624B\u653E\u9032\u671D\u5411\u53F3\u5F8C\u65B9\u7684\u5587\u53ED\u53E3\uFF0C\u7528\u4F86\u8ABF\u7BC0\u7D30\u5FAE\u7684\u97F3\u9AD8\u8D77\u4F0F\u3002\u56E0\u6B64\uFF0C\u6CD5\u570B\u865F\u662F\u5C11\u6578\u4EE5\u5DE6\u624B\u6309\u9375\u7684\u9285\u7BA1\u6A02\u5668\uFF0C\u4E14\u7531\u65BC\u8072\u97F3\u4E0D\u540C\u65BC\u5176\u4ED6\u9285\u7BA1\u6A02\u5668\u7684\u5F37\u76F4\uFF0C\u6CD5\u570B\u865F\u7684\u8072\u97F3\u662F\u8F03\u67D4\u548C\u7684\uFF0C\u662F\u5728\u6728\u7BA1\u6F14\u594F\u4E2D\u552F\u4E00\u51FA\u73FE\u7684\u9285\u7BA1\u3002\u3002 \u5728\u97F3\u6A02\u53F2\u4E0A\uFF0C\u6CD5\u570B\u865F\u7684\u4F7F\u7528\u8C61\u5FB5\u8457\u7375\u4EBA\u3001\u68EE\u6797\u7B49\u610F\u8C61\uFF0C\u9577\u4E45\u4EE5\u4F86\u5DF2\u662F\u6B50\u6D32\u4F5C\u66F2\u5BB6\u5171\u6709\u7684\u624B\u6CD5\u3002"@zh . . . . . . . . . "La korno estas latuna blovinstrumento. Oni \u011Din foje nomas \"franca korno\", en iuj lingvoj anka\u016D \"arbara korno\" pro tio ke e\u016Dropaj \u0109astistoj tradicie emas signali per \u011Di (ekzemple germane Waldhorn a\u016D latve Me\u017Erags, en aliaj lingvoj kiel en la litova vorto Valtorna la\u016Dsone transpreni\u011Dis la germana esprimo de \"arbara korno\"). Depost la 18-a jarcento la \"franca korno\" havas fiksan rolon en orkestroj. La origino de la termino korno estas pro tio, ke la prakornoj estis faritaj el naturaj konusaj tuboj, kiel plej ofte bestaj kornoj sed anka\u016D konkoj."@eo . .