. . . . . . . . "1086247657"^^ . "Francesco Bartolomeo Conti"@en . "26692568"^^ . . . . "Francesco Bartolomeo Conti (* 20. Januar 1682 in Florenz; \u2020 20. Juli 1732 in Wien) war ein italienischer Theorbenspieler und Komponist des Sp\u00E4tbarock."@de . "Francesco Bartolomeo Conti"@fr . . . "Francesco Bartolomeo Conti (Firenze, 20 gennaio 1681 o 1682 \u2013 Vienna, 19 luglio 1732) \u00E8 stato un compositore, mandolinista e tiorbista italiano."@it . . "Francesco Bartolomeo Conti"@ca . . . . "\u30D5\u30E9\u30F3\u30C1\u30A7\u30B9\u30B3\u30FB\u30D0\u30EB\u30C8\u30ED\u30E1\u30AA\u30FB\u30B3\u30F3\u30C6\u30A3"@ja . . . . "Francesco Bartolomeo Conti"@nl . . . . . . . . . . . . "\u30D5\u30E9\u30F3\u30C1\u30A7\u30B9\u30B3\u30FB\u30D0\u30EB\u30C8\u30ED\u30E1\u30AA\u30FB\u30B3\u30F3\u30C6\u30A3\uFF08Francesco Bartolomeo Conti, 1681\u5E741\u670820\u65E5\u307E\u305F\u306F1682\u5E74 - 1732\u5E747\u6708\uFF09\u306F\u3001\u30A4\u30BF\u30EA\u30A2\u306E\u4F5C\u66F2\u5BB6\u3001\u30C6\u30AA\u30EB\u30DC\u594F\u8005\u3001\u30DE\u30F3\u30C9\u30EA\u30F3\u594F\u8005\u3002"@ja . . . . . . . . . . . "Francesco Bartolomeo Conti (20 January 1681 or 1682 \u2013 19 July 1732) was an Italian composer and player of the mandolin and theorbo. He also wrote the oldest mandolin method book that has survived. Little is known about the biography of Conti. He was born in Florence, Italy. By 1700 he was already known as a theorbist not only in his native Florence, but also in other cities such as Ferrara and Milan. The fame he enjoyed by 1701 enabled him to obtain appointment as an auxiliary theorbist at the Habsburg court in Vienna with the same salary as the main theorbist, Orazio Clementi. At the 1706 carnival he made his debut as an opera composer with Cleotide, and in 1713 was appointed as a court composer. In 1708, with the death of Clementi, Conti was promoted senior theorbist, a position he held "@en . . . . . . . . . . . . . . "\u30D5\u30E9\u30F3\u30C1\u30A7\u30B9\u30B3\u30FB\u30D0\u30EB\u30C8\u30ED\u30E1\u30AA\u30FB\u30B3\u30F3\u30C6\u30A3\uFF08Francesco Bartolomeo Conti, 1681\u5E741\u670820\u65E5\u307E\u305F\u306F1682\u5E74 - 1732\u5E747\u6708\uFF09\u306F\u3001\u30A4\u30BF\u30EA\u30A2\u306E\u4F5C\u66F2\u5BB6\u3001\u30C6\u30AA\u30EB\u30DC\u594F\u8005\u3001\u30DE\u30F3\u30C9\u30EA\u30F3\u594F\u8005\u3002"@ja . "Francesco Bartolomeo Conti (* 20. Januar 1682 in Florenz; \u2020 20. Juli 1732 in Wien) war ein italienischer Theorbenspieler und Komponist des Sp\u00E4tbarock."@de . . . . . . . . "Francesco Bartolomeo Conti (Flor\u00E8ncia, Toscana, 20 de gener de 1681 - Viena, \u00C0ustria, 3 de juliol de 1732) fou un compositor i int\u00E8rpret de tiorba. El 1703 entr\u00E0 en l'orquestra de la capella imperial de la qual fou director el 1722. Segons explica Mattheson en el seu Der Volkommene Capellmeister, Conti, injuriat greument per un sacerdot, respongu\u00E9 a la inj\u00FAria amb una bufetada sent condemnat a retractar-se p\u00FAblicament durant tres dies a la porta de la catedral. L'emperador, que apreciava molt al m\u00FAsic, redu\u00ED la pena a un dia, per\u00F2 Conti, irritat perqu\u00E8 la humiliaci\u00F3 subsistia sempre, profer\u00ED tals insults contra els jutges que aquests ratificaren la primera pena condemnant-lo a m\u00E9s a una munta de consideraci\u00F3, i a quatre anys de pres\u00F3 i a abandonar el territori austr\u00EDac, quan recobr\u00E9s la llibertat. L'autenticitat d'aquesta an\u00E8cdota ha estat negada per alguns autors, fundant-se en l'odi que Mattheson professava per Conti, per\u00F2 F\u00E9tis opina que deu ser cert. Les obres del m\u00FAsic itali\u00E0 es distingeixen per la correcci\u00F3 i eleg\u00E0ncia, per\u00F2 manquen d'originalitat; s'hi nota excessivament la influ\u00E8ncia d'Alessandro Scarlatti. Heus ac\u00ED les \u00F2peres m\u00E9s importants: \n* Clotilde (1709), \n* Alba Cornelia (1714), \n* Satiri in Arcadia (1714), \n* Teseo in Creta (1715), \n* Il finto Policare (1716), \n* Ciro (1716), \n* Don Chisciotte in Sierra Morena (1719), \n* Alessandro in Cidone (1721), \n* Archelao, re di Cappadocia (1722), \n* Mos\u00E9 preservato (1722), \n* Penelope (1724), \n* Griselda (1725), Tamb\u00E9 compongu\u00E9 alguns motets i cantates"@ca . . . . "Francesco Bartolomeo Conti (Flor\u00E8ncia, Toscana, 20 de gener de 1681 - Viena, \u00C0ustria, 3 de juliol de 1732) fou un compositor i int\u00E8rpret de tiorba. El 1703 entr\u00E0 en l'orquestra de la capella imperial de la qual fou director el 1722. Segons explica Mattheson en el seu Der Volkommene Capellmeister, Conti, injuriat greument per un sacerdot, respongu\u00E9 a la inj\u00FAria amb una bufetada sent condemnat a retractar-se p\u00FAblicament durant tres dies a la porta de la catedral. L'emperador, que apreciava molt al m\u00FAsic, redu\u00ED la pena a un dia, per\u00F2 Conti, irritat perqu\u00E8 la humiliaci\u00F3 subsistia sempre, profer\u00ED tals insults contra els jutges que aquests ratificaren la primera pena condemnant-lo a m\u00E9s a una munta de consideraci\u00F3, i a quatre anys de pres\u00F3 i a abandonar el territori austr\u00EDac, quan recobr\u00E9s la ll"@ca . . . . . "Francesco Bartolomeo Conti (Florence, 20 januari 1681 of 1682 - Wenen, juli 1732) was een Italiaans componist en mandoline- en theorbespeler. Hij schreef het vroegst bekende handboek voor mandoline."@nl . . "Francesco Bartolomeo Conti est un compositeur italien n\u00E9 \u00E0 Florence le 20 janvier 1681 ou 1682 et mort \u00E0 Vienne en juillet 1732. Il jouait aussi de la mandoline et du th\u00E9orbe."@fr . . "Francesco Bartolomeo Conti"@de . . . . . . "Francesco Bartolomeo Conti (Florence, 20 januari 1681 of 1682 - Wenen, juli 1732) was een Italiaans componist en mandoline- en theorbespeler. Hij schreef het vroegst bekende handboek voor mandoline."@nl . "Francesco Bartolomeo Conti (20 January 1681 or 1682 \u2013 19 July 1732) was an Italian composer and player of the mandolin and theorbo. He also wrote the oldest mandolin method book that has survived. Little is known about the biography of Conti. He was born in Florence, Italy. By 1700 he was already known as a theorbist not only in his native Florence, but also in other cities such as Ferrara and Milan. The fame he enjoyed by 1701 enabled him to obtain appointment as an auxiliary theorbist at the Habsburg court in Vienna with the same salary as the main theorbist, Orazio Clementi. At the 1706 carnival he made his debut as an opera composer with Cleotide, and in 1713 was appointed as a court composer. In 1708, with the death of Clementi, Conti was promoted senior theorbist, a position he held until 1726. In the same year he was elected a member of the Accademia Filarmonica of Bologna and in 1711 he was appointed vice-Kapellmeister (vice-maestro di cappella) in Vienna. In April of that year, after the death of his first wife, Theresia Kugler, Conti remarried to the prima donna Maria Landini, at that time the highest-paid singer in Vienna. She sang the main soprano roles in Conti's operas from 1714 and 1721, but died in 1722. After her death Anna Maria Lorenzani was appointed prima donna and performed in three more of Conti's operas. She became his third wife in April 1725. On 28 August 1723, Conti, as theorbist, took part in the first performance of the festival opera Costanza e Fortezza by Johann Joseph Fux. In 1726 and again during 1729 to 1732 Conti visited Italy because of health problems. He returned to Vienna in 1732, where he staged two new operas but in July of the same year he died. He was succeeded by his son (Florence 1699-1759). Although Il mio bel foco (Quella fiamma) has long been attributed to Venetian composer and statesman Benedetto Marcello (1686-1739), recent scholarship now identifies Conti as the likely composer of this lovely song. Conti was also a supreme player of the mandolin, and wrote the earliest sonatas for the instrument. His works composed between 1714 and 1725 were primarily written for the carnival season or to celebrate birthdays and name days of the members of the Imperial family. Handel reused some of Conti's music for Cleotide in his pasticcio Ormisda (1730) performed at the Queen's Theatre. His music was also appreciated by Johann Sebastian Bach, and Conti's cantata Languet anima mea, survives in a manuscript version from 1716 as arranged by Bach (BWV deest 1006). In 1739, Mattheson in his Der vollkommene Capellmeister, Part I, Chapter six, Nr.48 writes about him: Excerpt from a Letter from Regensburg of October 19, 1730. \"On September 10 in Vienna the Imperial Composilore di Musica, Francesco Conti, was expelled from St. Stephan's Cathedral by virtue of an excommunication pronounced on him by the local Consistorio. His Imperial Majesty had reduced the imposed standing from thrice to once out of innate kindness; but since then the man behaved very badly the first time, in the view of many hundreds of persons, as he did the second time on September 17 when placed before the doors of said church for an hour in a long hairy coat, called a coat of penance, between twelve guards who formed a circle around him while he held a burning black candle in his hand; the same thing is also to occur on the 24th. His food is bread and water as long as he remains under the ecclesiastical authority; after transfer to the secular he is to pay the priest who was beaten by him 1,000 guilders in compensation as well as expenses, then remain in jail for four years and subsequently be banned from Austria forever: since as he stood in front of the church doors the first time he used a very uncivil and vexatious effrontery (i.e., he used his art of gesticulation in a most wicked manner). The said court-Compositeur has been sentenced to such punishment because he laid violent hands on a priest and beat him up severely. The following epigram has been made about him: \"It is not good Muse, nor Music, which you have composed Conti, for that was a heavy touch: And the bass is too heavy, and the key is not harmonious: Hence as a result you bear black marks forever.\""@en . "Francesco Bartolomeo Conti"@it . . . . . . . "Francesco Bartolomeo Conti est un compositeur italien n\u00E9 \u00E0 Florence le 20 janvier 1681 ou 1682 et mort \u00E0 Vienne en juillet 1732. Il jouait aussi de la mandoline et du th\u00E9orbe."@fr . . . . . "8132"^^ . . . . . . "Francesco Bartolomeo Conti (Firenze, 20 gennaio 1681 o 1682 \u2013 Vienna, 19 luglio 1732) \u00E8 stato un compositore, mandolinista e tiorbista italiano."@it .