. . "Edgard Victor Achille Charles Var\u00E8se (French: [\u025Bd\u0261a\u0281 vikt\u0254\u0281 a\u0283il \u0283a\u0281l va\u0281\u025Bz]; also spelled Edgar; December 22, 1883 \u2013 November 6, 1965) was a French-born composer who spent the greater part of his career in the United States. Var\u00E8se's music emphasizes timbre and rhythm; he coined the term \"organized sound\" in reference to his own musical aesthetic. Var\u00E8se's conception of music reflected his vision of \"sound as living matter\" and of \"musical space as open rather than bounded\". He conceived the elements of his music in terms of \"sound-masses\", likening their organization to the natural phenomenon of crystallization. Var\u00E8se thought that \"to stubbornly conditioned ears, anything new in music has always been called noise\", and he posed the question, \"what is music but organized noises?\""@en . "Edgar (a\u016D Edgard) VAR\u00C8SE (naski\u011Dis la 22-a de decembro, 1883, mortis la 6-a de novembro, 1965) estis en Francio naskita komponisto, kiu transmigris al Usono en 1915, kaj esti\u011Dis usona civitano en 1926. Dum siaj unuaj jaroj en Usono li kunvenis kun gravaj kontribuantoj al la usona muziko, kiuj spronis liajn ambiciojn uzi novajn elektronikajn muzikinstrumentojn, orkestrojn, kaj fondi la . Proksimume en tiu tempo Var\u00E8se anka\u016D ekverkis pri sia unua kompona\u0135o en usono, , kiu fini\u011Dis en 1921. Kiam li finis \u0109i tiun verko Var\u00E8se kune kun fondis la Internacian Gildon de Komponistoj, dedi\u0109atan al la ludado de novaj kompona\u0135oj de kaj amerikaj kaj e\u016Dropaj komponistoj, por kiu li komponis multajn el liaj verkoj por orkestraj instrumentoj kaj vo\u0109oj, precipe dum la unua duona de la 1920-aj jaroj li komponis , , , kaj . En 1928, Var\u00E8se revenis al Parizo por aliigi unu de la partoj en Am\u00E9riques por integri la anta\u016Dnelonge konstruitan Ondes martenot. Var\u00E8se sekvis Am\u00E9riques komponanta \u0109irka\u016D 1930 sian plej faman ne-elektronikan verkon, titolitan , kiu estis la unua verko reliefiganta sole perkutajn instrumentojn. Kvankam uzante instrumentojn jam ekzistantajn, Ionisation komponi\u011Dis por esplori novajn sonojn kaj metodojn krei ilin. En 1933, kiam Var\u00E8se estis ankora\u016D en Parizo, li skribis al la kaj en klopodo ricevi financan subtenon por disvolvi atelieron de elektronika muziko. Lia sekva kompona\u0135o, Ecuatorial, efektivigita en 1934, enhavis partojn por tereminoj, kaj Var\u00E8se, anticipanta la sukcesan ricevon de unu el la sponsora\u0135oj, avide revenis al Usono fine efektivigi sian elektronikan muzikon. Var\u00E8se verkis sian Ecuatorial por du fingrotabulaj tereminoj, kantisto, blovinstrumentoj kaj perkutaj instrumentoj komence de la 1930-aj jaroj. \u011Cia unua prezento okazis je la 15-a de aprilo 1934, sub la taktobastono de . Tiam Var\u00E8se foriris de Novjorko, kie li vivadis ekde 1915, kaj transloki\u011Dis al Santa Fe (Nov-Meksiko), San-Francisko (Kalifornio) kaj Los-An\u011Deleso (Kalifornio). En 1936 li verkis . Kiam fine de 1938 Var\u00E8se revenis al Novjorko, Lev Termen jam estis reirinta al Rusio. \u0108i tio detruis Var\u00E8se, kiu esperis labori kun Termen pri perfektigo de lia instrumento. Var\u00E8se anka\u016D varbis por tereminoj dum siaj okcidentaj voja\u011Doj kaj demonstraciis unu \u0109e prelego en la Universitato de Nov-Meksiko en Albuquerque je la 12-a de novembro 1936. La havas RCA-tereminon, kiu eble estas \u011Duste tiu \u0109i instrumento. Kiam, en la malfruaj 1950-aj jaroj, al Var\u00E8se turni\u011Dis eldonisto pri disponebligo de Ecuatorial, oni povis trovi nur tre malmultajn tereminojn (por ech ne paroli pri fingrotabulaj tereminoj). Tial Var\u00E8se reverkis kaj rebaptis la muzika\u0135on por la instrumento Ondes martenot.\u0108i tiu nova versio estis premiere prezentita en 1961."@eo . . . . . . . . . . "Edgard (eller Edgar) Victor Achille Charles Var\u00E8se, f\u00F6dd 22 december 1883 i Paris, d\u00F6d 6 november 1965 i New York i New York, var en amerikansk komposit\u00F6r av fransk h\u00E4rkomst."@sv . . "Edgard Var\u00E8se"@en . . . . . . . . . . . . . . "\u30A8\u30C9\u30AC\u30FC\u30EB\u30FB\u30F4\u30A3\u30AF\u30C8\u30FC\u30EB\u30FB\u30A2\u30B7\u30EB\u30FB\u30B7\u30E3\u30EB\u30EB\u30FB\u30F4\u30A1\u30EC\u30FC\u30BA\uFF08Edgar(d) Victor Achille Charles Var\u00E8se, 1883\u5E7412\u670822\u65E5 \uFF0D 1965\u5E7411\u67086\u65E5\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u306B\u751F\u307E\u308C\u3001\u30A2\u30E1\u30EA\u30AB\u306B\u5E30\u5316\u3057\u305F\u4F5C\u66F2\u5BB6\u3002\u30D1\u30EA\u751F\u307E\u308C\u3002\u5F1F\u5B50\u306B\u30A2\u30F3\u30C9\u30EC\u30FB\u30B8\u30E7\u30EA\u30F4\u30A7\u3001\u5468\u6587\u4E2D\u3001\u30A6\u30A3\u30EA\u30A2\u30E0\u30FB\u30B0\u30E9\u30F3\u30C8\u30FB\u30B9\u30C6\u30A3\u30EB\u3089\u304C\u3044\u308B\u3002"@ja . . . . . "Edgard Var\u00E8se ou Edgar Var\u00E8se (les deux orthographes ont \u00E9t\u00E9 utilis\u00E9es par le compositeur lui-m\u00EAme \u00E0 diff\u00E9rentes \u00E9poques de sa vie) est un compositeur fran\u00E7ais naturalis\u00E9 am\u00E9ricain, n\u00E9 le 22 d\u00E9cembre 1883 \u00E0 Paris et mort le 6 novembre 1965 \u00E0 New York. Form\u00E9, dans un premier temps, \u00E0 la Schola Cantorum et au Conservatoire de Paris, Var\u00E8se trouve aupr\u00E8s d'artistes plus ind\u00E9pendants, comme Debussy et Busoni, les encouragements n\u00E9cessaires pour son expression personnelle. En effet, bien avant 1914, Var\u00E8se envisage l'abandon des m\u00E9thodes de composition classiques, le syst\u00E8me temp\u00E9r\u00E9 et les instruments de musique traditionnels pour employer \u00AB la mati\u00E8re sonore elle-m\u00EAme \u00BB. Cet id\u00E9al le conduit \u00E0 d\u00E9truire ses premi\u00E8res partitions jusqu'\u00E0 Am\u00E9riques \u2014 o\u00F9 il emploie d\u00E9j\u00E0 les sons modul\u00E9s en fr\u00E9quence et en intensit\u00E9 d'une sir\u00E8ne \u2014 et \u00E0 encourager les recherches dans le domaine acoustique, du dynamophone aux r\u00E9alisations de L\u00E9on Theremin et de Maurice Martenot. Var\u00E8se abandonne l'orchestre \u00E0 partir d'Arcana, pour des ensembles instrumentaux plus r\u00E9duits et individualis\u00E9s. Cependant, l'absence de moyens techniques, de studio d'enregistrement ou de laboratoire le r\u00E9duit au silence pendant toute la dur\u00E9e de la Seconde Guerre mondiale et jusqu'au milieu des ann\u00E9es 1950, lorsque se d\u00E9veloppent les techniques d'enregistrement du studio d'essais de Pierre Schaeffer et Pierre Henry. Var\u00E8se peut alors r\u00E9aliser une \u0153uvre comme le Po\u00E8me \u00E9lectronique, pour l'Exposition universelle de Bruxelles en 1958. Entretenant des relations \u00E9troites avec d'importants repr\u00E9sentants de la communaut\u00E9 scientifique de son temps, l'int\u00E9r\u00EAt de Var\u00E8se pour les sciences se traduit dans les titres qu'il donne \u00E0 ses \u0153uvres, \u00E9voquant les math\u00E9matiques (Int\u00E9grales), la m\u00E9tallurgie (Densit\u00E9 21,5), la cristallographie (Hyperprism), la botanique (Octandre), la chimie (Ionisation) et m\u00EAme l'alchimie (Arcana). L'\u0153uvre de Var\u00E8se a d'abord paru tr\u00E8s abstraite. Pour autant, sa musique a une grande puissance d'incantation, d\u00E8s qu'intervient la voix humaine (Offrandes, Ecuatorial, Nocturnal). Le scandale de la cr\u00E9ation de D\u00E9serts, le 2 d\u00E9cembre 1954 \u00E0 Paris, le r\u00E9v\u00E8le pour une nouvelle g\u00E9n\u00E9ration de compositeurs classiques (dont Iannis Xenakis et Bruno Maderna) et populaires (comme Frank Zappa) qui ont reconnu en lui, bien plus qu'un \u00AB pr\u00E9curseur \u00BB, un mod\u00E8le \u00E0 suivre et l'un des grands innovateurs du XXe si\u00E8cle avec Stravinsky, Bart\u00F3k, Henry Cowell et Anton Webern."@fr . . "Chris Morrison"@en . . . "35344"^^ . . . . "artist"@en . . . "\uC5D0\uB4DC\uAC00\uB974 \uBC14\uB808\uC988"@ko . . . . . . . . . "\u0415\u0434\u0491\u0430\u0440 \u0412\u0430\u0440\u0435\u0301\u0437 (Edgar(d) Var\u00E8se, \u043F\u043E\u0432\u043D\u0435 \u0456\u043C'\u044F \u0415\u0434\u0433\u0430\u0440\u0434 \u0412\u0456\u043A\u0442\u043E\u0440 \u0410\u0445\u0456\u043B\u043B \u0428\u0430\u0440\u043B\u044C \u0412\u0430\u0440\u0435\u0437, 22 \u0433\u0440\u0443\u0434\u043D\u044F 1883\u20146 \u043B\u0438\u0441\u0442\u043E\u043F\u0430\u0434\u0430 1965) \u2014 \u0444\u0440\u0430\u043D\u043A\u043E-\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u0444\u0440\u0430\u043D\u0446\u0443\u0437 \u0437\u0430 \u043F\u043E\u0445\u043E\u0434\u0436\u0435\u043D\u043D\u044F\u043C, \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0433\u0440\u043E\u043C\u0430\u0434\u0441\u044C\u043A\u0438\u0439 \u0434\u0456\u044F\u0447 \u0456 \u0434\u0438\u0440\u0438\u0433\u0435\u043D\u0442, \u043E\u0434\u0438\u043D \u0437 \u043F\u0456\u043E\u043D\u0435\u0440\u0456\u0432 \u0435\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0457 \u0456 \u043A\u043E\u043D\u043A\u0440\u0435\u0442\u043D\u043E\u0457 \u043C\u0443\u0437\u0438\u043A\u0438."@uk . . "\u57C3\u5FB7\u52A0\u00B7\u7EF4\u514B\u591A\u00B7\u963F\u897F\u5C14\u00B7\u590F\u5C14\u00B7\u74E6\u96F7\u5179\uFF08\u6CD5\u6587\uFF1AEdgard Victor Achille Charles Var\u00E8se\uFF0C1883\u5E7412\u670822\u65E5\uFF0D1965\u5E7411\u67086\u65E5\uFF09\uFF0C\u6CD5\u88D4\u7F8E\u56FD\u4EBA\uFF0C\u4F5C\u66F2\u5BB6\u3002\u65E9\u5E74\u5728\u5DF4\u9ECE\u5E08\u4ECE\u4E39\u7B2C\uFF0C\u7EF4\u591A\u5C14\u548C\u9C81\u585E\u5C14\u5B66\u4E60\uFF0C1907\u5E74\u79FB\u5C45\u67CF\u6797\uFF0C1915\u5E74\u5230\u7F8E\u56FD\uFF0C\u4E4B\u540E\u957F\u671F\u5728\u7F8E\u56FD\u4ECE\u4E8B\u521B\u4F5C\u3002\u74E6\u96F7\u5179\u662F\u4E8C\u5341\u4E16\u7EAA\u8457\u540D\u7684\u5148\u950B\u6D3E\u4F5C\u66F2\u5BB6\uFF0C\u5728\u5E8F\u5217\u97F3\u4E50\uFF0C\u566A\u97F3\u97F3\u4E50\uFF0C\u7535\u5B50\u97F3\u4E50\u548C\u5FAE\u5206\u97F3\u7684\u8FD0\u7528\u4E0A\u90FD\u6709\u5F88\u5927\u8D21\u732E\uFF0C\u5927\u5927\u5F00\u53D1\u4E86\u97F3\u4E50\u7684\u8868\u73B0\u529B\uFF0C\u88AB\u5C0A\u4E3A\u201C\u7535\u5B50\u97F3\u4E50\u4E4B\u7236\u201D\u3002"@zh . . . "Edgard Victor Achille Charles Var\u00E8se (ur. 22 grudnia 1883 w Pary\u017Cu, zm. 6 listopada 1965 w Nowym Jorku) \u2013 ameryka\u0144ski kompozytor francuskiego pochodzenia. W swojej muzyce Var\u00E8se k\u0142ad\u0142 nacisk na barw\u0119 d\u017Awi\u0119ku i rytm. By\u0142 tw\u00F3rc\u0105 poj\u0119cia \u201Ezorganizowany d\u017Awi\u0119k\u201D, kt\u00F3re oznacza, \u017Ce poszczeg\u00F3lne barwy d\u017Awi\u0119k\u00F3w i rytmy mog\u0105 si\u0119 ze sob\u0105 \u0142\u0105czy\u0107 tworz\u0105c zupe\u0142nie now\u0105 definicj\u0119 d\u017Awi\u0119ku. Pomimo tego, \u017Ce jego ocala\u0142e i uko\u0144czone dzie\u0142a trwaj\u0105 oko\u0142o 3 godzin, Var\u00E8se uwa\u017Cany jest za wp\u0142ywowego kompozytora XX wieku. Dzi\u0119ki u\u017Cyciu innowacyjnych instrument\u00F3w i elektronicznych rozwi\u0105za\u0144, znany jest r\u00F3wnie\u017C jako \u201Eojciec muzyki elektronicznej\u201D (\u201Efather of electronic music\u201D) i, jak opisa\u0142 go Henry Miller, \u201Estratosferyczny kolos d\u017Awi\u0119ku\u201D (\u201Ethe stratospheric colossus of sound\u201D)."@pl . . "Edgard Var\u00E8se"@en . . . . . . . . "Edgard Victor Achille Charles Var\u00E8se, tambi\u00E9n escrito Edgar Var\u00E8se\u200B (Par\u00EDs, 22 de diciembre de 1883 - Nueva York, 6 de noviembre de 1965) fue un compositor franc\u00E9s, que vivi\u00F3 una larga etapa decisiva en Estados Unidos. La m\u00FAsica de Var\u00E8se se caracteriza por enfatizar tanto timbre como ritmo, y en ella se acu\u00F1\u00F3 el t\u00E9rmino de \"sonido organizado\" para hacer referencia a su propia .\u200B Su concepci\u00F3n de la m\u00FAsica refleja una visi\u00F3n del \"sonido como materia viva\" y del \"espacio musical abierto en lugar de limitado\".\u200B Var\u00E8se conceb\u00EDa los elementos de su m\u00FAsica en t\u00E9rminos de \"sonido de masas\", comparando la organizaci\u00F3n de los mismos con el fen\u00F3meno de cristalizaci\u00F3n.\u200B Var\u00E8se dec\u00EDa que para todos aquellos o\u00EDdos poco experimentados y de baja condici\u00F3n, todo aquello que resultaba nuevo en la m\u00FAsica era denominado ruido, por lo que plante\u00F3 la pregunta: \u00BFQu\u00E9 es la m\u00FAsica sino una sucesi\u00F3n de ruidos organizados?\u200B A pesar de que toda su obra no dura m\u00E1s de tres horas, este autor ha sido reconocido como una gran influencia en la m\u00FAsica por parte de grandes compositores de finales del siglo XX. Var\u00E8se vislumbr\u00F3 un gran potencial en la utilizaci\u00F3n de medios electr\u00F3nicos para la producci\u00F3n sonora, y su uso de estos nuevos medios electr\u00F3nicos sumado al de nuevos instrumentos lo llev\u00F3 a ser conocido como el \"padre de la m\u00FAsica electr\u00F3nica\", mientras que Henry Miller le describi\u00F3 como \"El Coloso estratosf\u00E9rico del sonido\".\u200B"@es . . . . "Edgard Var\u00E8se"@it . . . . "Edgard Var\u00E8se (Par\u00EDs, 22 de desembre de 1883 - Nova York, 6 de novembre de 1965) fou un compositor franc\u00E8s, un dels innovadors del segle xx per l'\u00FAs de m\u00FAsica electr\u00F2nica en les seves composicions. Va estudiar amb Vincent d'Indy a la (1903-1905) i amb Charles Widor al Conservatori de Par\u00EDs (1905-1907). Va viatjar a Berl\u00EDn, on va con\u00E8ixer Strauss i Busoni. El 1913 va tornar a Par\u00EDs, per\u00F2 el 1915 va emigrar a Nova York. La seva primera obra (ja que va destruir les seves obres anteriors) \u00E9s Am\u00E9riques per a gran orquestra (1921), amb reminisc\u00E8ncies de Debussy i Stravinski."@ca . . . . "Edgar Var\u00E8se"@pl . . . . . "Edgar(d) Victor Achille Charles Var\u00E8se (Parijs, 22 december 1883 \u2013 New York, 6 november 1965) was een Frans-Amerikaans componist. Hij is bekend geworden met een weinig omvangrijk maar buitengewoon vooruitstrevend oeuvre."@nl . . "Edgar Var\u00E8se (Paris, Frantzia, 1883ko abenduaren 22a - New York, Ameriketako Estatu Batuak, 1965eko azaroaren 6a) musikagilea eta orkestra-zuzendaria izan zen. Frantzian jaioa, bere karreraren zatirik handiena Ameriketako Estatu Batuetan egin zuen."@eu . . "Edgar Var\u00E8se"@eu . . "Edgard Victor Achille Charles Var\u00E8se (bahasa Prancis: [\u025Bd\u0261a\u02D0\u0281 vikt\u0254\u02D0\u0281 a\u0283il \u0283a\u0281l va\u0281\u025B\u02D0z]; atau dieja Edgar Var\u00E8se; (lahir pada 22 Desember 1883\u2013dan meninggal pada 6 November 1965) adalah seorang komponis Amerika Serikat kelahiran Prancis."@in . . . . . . . . . . . . . "\u30A8\u30C9\u30AC\u30FC\u30FB\u30F4\u30A1\u30EC\u30FC\u30BA"@ja . . . . . . "\u042D\u0434\u0433\u0430\u0301\u0440 \u0412\u0430\u0440\u0435\u0301\u0437 (\u0444\u0440. Edgar(d) Var\u00E8se; 22 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1883 \u0433\u043E\u0434\u0430, \u041F\u0430\u0440\u0438\u0436, \u0424\u0440\u0430\u043D\u0446\u0438\u044F \u2014 6 \u043D\u043E\u044F\u0431\u0440\u044F 1965 \u0433\u043E\u0434\u0430, \u041D\u044C\u044E-\u0419\u043E\u0440\u043A, \u0421\u0428\u0410) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u0438 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u0438 \u0434\u0438\u0440\u0438\u0436\u0451\u0440, \u043E\u0434\u0438\u043D \u0438\u0437 \u043F\u0438\u043E\u043D\u0435\u0440\u043E\u0432 \u044D\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0439 \u0438 \u043A\u043E\u043D\u043A\u0440\u0435\u0442\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438."@ru . . . . . . . . . . "\u0412\u0430\u0440\u0435\u0437, \u042D\u0434\u0433\u0430\u0440"@ru . . . . . "Edgard Var\u00E8se"@nl . . "Edgard (eller Edgar) Victor Achille Charles Var\u00E8se, f\u00F6dd 22 december 1883 i Paris, d\u00F6d 6 november 1965 i New York i New York, var en amerikansk komposit\u00F6r av fransk h\u00E4rkomst."@sv . . . . . . . . . . . . . "Edgar (a\u016D Edgard) VAR\u00C8SE (naski\u011Dis la 22-a de decembro, 1883, mortis la 6-a de novembro, 1965) estis en Francio naskita komponisto, kiu transmigris al Usono en 1915, kaj esti\u011Dis usona civitano en 1926. Kiam, en la malfruaj 1950-aj jaroj, al Var\u00E8se turni\u011Dis eldonisto pri disponebligo de Ecuatorial, oni povis trovi nur tre malmultajn tereminojn (por ech ne paroli pri fingrotabulaj tereminoj). Tial Var\u00E8se reverkis kaj rebaptis la muzika\u0135on por la instrumento Ondes martenot.\u0108i tiu nova versio estis premiere prezentita en 1961."@eo . . . . . . . . . . . . . . . . . . "\u0415\u0434\u0491\u0430\u0440 \u0412\u0430\u0440\u0435\u0301\u0437 (Edgar(d) Var\u00E8se, \u043F\u043E\u0432\u043D\u0435 \u0456\u043C'\u044F \u0415\u0434\u0433\u0430\u0440\u0434 \u0412\u0456\u043A\u0442\u043E\u0440 \u0410\u0445\u0456\u043B\u043B \u0428\u0430\u0440\u043B\u044C \u0412\u0430\u0440\u0435\u0437, 22 \u0433\u0440\u0443\u0434\u043D\u044F 1883\u20146 \u043B\u0438\u0441\u0442\u043E\u043F\u0430\u0434\u0430 1965) \u2014 \u0444\u0440\u0430\u043D\u043A\u043E-\u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u044C\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440, \u0444\u0440\u0430\u043D\u0446\u0443\u0437 \u0437\u0430 \u043F\u043E\u0445\u043E\u0434\u0436\u0435\u043D\u043D\u044F\u043C, \u043C\u0443\u0437\u0438\u0447\u043D\u0438\u0439 \u0433\u0440\u043E\u043C\u0430\u0434\u0441\u044C\u043A\u0438\u0439 \u0434\u0456\u044F\u0447 \u0456 \u0434\u0438\u0440\u0438\u0433\u0435\u043D\u0442, \u043E\u0434\u0438\u043D \u0437 \u043F\u0456\u043E\u043D\u0435\u0440\u0456\u0432 \u0435\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0457 \u0456 \u043A\u043E\u043D\u043A\u0440\u0435\u0442\u043D\u043E\u0457 \u043C\u0443\u0437\u0438\u043A\u0438."@uk . . . "Edgar Var\u00E8se"@pt . . . . . . . . . . . . . . . . . . "\u042D\u0434\u0433\u0430\u0301\u0440 \u0412\u0430\u0440\u0435\u0301\u0437 (\u0444\u0440. Edgar(d) Var\u00E8se; 22 \u0434\u0435\u043A\u0430\u0431\u0440\u044F 1883 \u0433\u043E\u0434\u0430, \u041F\u0430\u0440\u0438\u0436, \u0424\u0440\u0430\u043D\u0446\u0438\u044F \u2014 6 \u043D\u043E\u044F\u0431\u0440\u044F 1965 \u0433\u043E\u0434\u0430, \u041D\u044C\u044E-\u0419\u043E\u0440\u043A, \u0421\u0428\u0410) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u0438 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u0439 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440 \u0438 \u0434\u0438\u0440\u0438\u0436\u0451\u0440, \u043E\u0434\u0438\u043D \u0438\u0437 \u043F\u0438\u043E\u043D\u0435\u0440\u043E\u0432 \u044D\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0439 \u0438 \u043A\u043E\u043D\u043A\u0440\u0435\u0442\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438."@ru . . . . . "Edgard Victor Achille Charles Var\u00E8se (ur. 22 grudnia 1883 w Pary\u017Cu, zm. 6 listopada 1965 w Nowym Jorku) \u2013 ameryka\u0144ski kompozytor francuskiego pochodzenia. W swojej muzyce Var\u00E8se k\u0142ad\u0142 nacisk na barw\u0119 d\u017Awi\u0119ku i rytm. By\u0142 tw\u00F3rc\u0105 poj\u0119cia \u201Ezorganizowany d\u017Awi\u0119k\u201D, kt\u00F3re oznacza, \u017Ce poszczeg\u00F3lne barwy d\u017Awi\u0119k\u00F3w i rytmy mog\u0105 si\u0119 ze sob\u0105 \u0142\u0105czy\u0107 tworz\u0105c zupe\u0142nie now\u0105 definicj\u0119 d\u017Awi\u0119ku. Pomimo tego, \u017Ce jego ocala\u0142e i uko\u0144czone dzie\u0142a trwaj\u0105 oko\u0142o 3 godzin, Var\u00E8se uwa\u017Cany jest za wp\u0142ywowego kompozytora XX wieku. Dzi\u0119ki u\u017Cyciu innowacyjnych instrument\u00F3w i elektronicznych rozwi\u0105za\u0144, znany jest r\u00F3wnie\u017C jako \u201Eojciec muzyki elektronicznej\u201D (\u201Efather of electronic music\u201D) i, jak opisa\u0142 go Henry Miller, \u201Estratosferyczny kolos d\u017Awi\u0119ku\u201D (\u201Ethe stratospheric colossus of sound\u201D)."@pl . . . . . . . . "\u039F \u0395\u03BD\u03C4\u03B3\u03BA\u03AC\u03C1 \u0392\u03B9\u03BA\u03C4\u03CC\u03C1 \u0391\u03C3\u03AF\u03BB \u03A3\u03B1\u03C1\u03BB \u0392\u03B1\u03C1\u03AD\u03B6 (Edgard Victor Achille Charles Var\u00E8se \u03AE Edgar Var\u00E8se, \u03A0\u03B1\u03C1\u03AF\u03C3\u03B9 22 \u0394\u03B5\u03BA\u03B5\u03BC\u03B2\u03C1\u03AF\u03BF\u03C5 1883 \u2013 \u039D\u03AD\u03B1 \u03A5\u03CC\u03C1\u03BA\u03B7 6 \u039D\u03BF\u03B5\u03BC\u03B2\u03C1\u03AF\u03BF\u03C5 1965) \u03AE\u03C4\u03B1\u03BD \u03B3\u03B1\u03BB\u03BB\u03B9\u03BA\u03AE\u03C2 \u03BA\u03B1\u03C4\u03B1\u03B3\u03C9\u03B3\u03AE\u03C2 \u0391\u03BC\u03B5\u03C1\u03B9\u03BA\u03B1\u03BD\u03CC\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03CC\u03C4\u03B5\u03C1\u03BF\u03C5\u03C2 \u03C4\u03BF\u03C5 20\u03BF\u03CD \u03B1\u03B9\u03CE\u03BD\u03B1. \u039F\u03B9 \u03C1\u03B9\u03B6\u03BF\u03C3\u03C0\u03B1\u03C3\u03C4\u03B9\u03BA\u03AD\u03C2 \u03C4\u03BF\u03C5 \u03B9\u03B4\u03AD\u03B5\u03C2 \u03C0\u03AC\u03BD\u03C9 \u03C3\u03C4\u03BF\u03BD \u03BF\u03C1\u03B9\u03C3\u03BC\u03CC \u03C4\u03B7\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2 \u03CC\u03C0\u03C9\u03C2, \u03C4\u03BF\u03C5\u03BB\u03AC\u03C7\u03B9\u03C3\u03C4\u03BF\u03BD, \u03C4\u03B7\u03BD \u03B1\u03BD\u03C4\u03B9\u03BB\u03B1\u03BC\u03B2\u03B1\u03BD\u03CC\u03C4\u03B1\u03BD \u03BF \u03AF\u03B4\u03B9\u03BF\u03C2, \u03BA\u03B1\u03B8\u03CE\u03C2 \u03BA\u03B1\u03B9 \u03BF\u03B9 \u00AB\u03C0\u03C1\u03BF\u03C6\u03B7\u03C4\u03B9\u03BA\u03AD\u03C2\u00BB \u03B3\u03B9\u03B1 \u03C4\u03B7\u03BD \u03B5\u03C0\u03BF\u03C7\u03AE \u03C3\u03C5\u03BD\u03B8\u03AD\u03C3\u03B5\u03B9\u03C2 \u03C4\u03BF\u03C5, \u03C4\u03BF\u03BD \u03BA\u03B1\u03C4\u03B1\u03C4\u03AC\u03C3\u03C3\u03BF\u03C5\u03BD -\u03B4\u03B9\u03BA\u03B1\u03AF\u03C9\u03C2- \u03B1\u03BD\u03AC\u03BC\u03B5\u03C3\u03B1 \u03C3\u03C4\u03BF\u03C5\u03C2 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03CC\u03C1\u03BF\u03C5\u03C2 \u03B5\u03BA\u03C6\u03C1\u03B1\u03C3\u03C4\u03AD\u03C2 \u03C4\u03B7\u03C2 \u03AD\u03BD\u03C4\u03B5\u03C7\u03BD\u03B7\u03C2 \u03B4\u03C5\u03C4\u03B9\u03BA\u03AE\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2, \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B1 \u03BC\u03B5\u03C4\u03AC \u03C4\u03B7\u03BD \u03B4\u03B5\u03BA\u03B1\u03B5\u03C4\u03AF\u03B1 \u03C4\u03BF\u03C5 1950. \u0397 \u03B5\u03C0\u03B9\u03C1\u03C1\u03BF\u03AE \u03C0\u03BF\u03C5 \u03AC\u03C3\u03BA\u03B7\u03C3\u03B5 \u03C3\u03C4\u03B1 \u03BC\u03B5\u03B3\u03B1\u03BB\u03CD\u03C4\u03B5\u03C1\u03B1 \u03BF\u03BD\u03CC\u03BC\u03B1\u03C4\u03B1 \u03C4\u03B7\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2 \u03C4\u03BF\u03C5 20\u03BF\u03CD \u03B1\u03B9\u03CE\u03BD\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03BA\u03B1\u03C4\u03B1\u03BB\u03C5\u03C4\u03B9\u03BA\u03AE (\u03B2\u03BB. \u0395\u03C0\u03B9\u03C1\u03C1\u03BF\u03AE \u03C4\u03BF\u03C5 \u0392\u03B1\u03C1\u03AD\u03B6 \u03C3\u03B5 \u03AC\u03BB\u03BB\u03BF\u03C5\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B5\u03C2)."@el . . . . . . . "Edgar Var\u00E8se (Paris, Frantzia, 1883ko abenduaren 22a - New York, Ameriketako Estatu Batuak, 1965eko azaroaren 6a) musikagilea eta orkestra-zuzendaria izan zen. Frantzian jaioa, bere karreraren zatirik handiena Ameriketako Estatu Batuetan egin zuen."@eu . . . . . . . . . "Edgard Var\u00E8se"@sv . . . . "Edgard Var\u00E8se, cel\u00FDm jm\u00E9nem Edgard /t\u00E9\u017E Edgar/ Victor Achille Charles Var\u00E8se (22. prosince 1883, Pa\u0159\u00ED\u017E \u2013 6. listopadu 1965, New York) byl francouzsk\u00FD hudebn\u00ED skladatel, kter\u00FD p\u0159ev\u00E1\u017Enou \u010D\u00E1st \u017Eivota str\u00E1vil ve Spojen\u00FDch st\u00E1tech. Var\u00E8se soust\u0159edil svou pozornost na zvukovou charakteristiku hudby, kterou d\u016Fmysln\u011B rozv\u00EDjel jak pou\u017Eit\u00EDm nov\u00FDch n\u00E1stroj\u016F nebo jejich um\u00EDst\u011Bn\u00EDm do prost\u0159ed\u00ED m\u011Bn\u00EDc\u00EDm jejich povahu (barvu, prostorov\u00E1 orientace, atd.) nebo pozd\u011Bji pou\u017Eit\u00EDm nov\u00FDch zdroj\u016F zvuku, v\u010Detn\u011B elektronick\u00FDch m\u00E9di\u00ED. Stejn\u011B tak kladl d\u016Fraz na rytmickou slo\u017Eku hudby. Jeho nov\u00E1torsk\u00FD koncept tzv. \u201Eorganizovan\u00E9ho zvuku\u201C, kdy se plnohodnotnou sou\u010D\u00E1st\u00ED skladatelovy pr\u00E1ce st\u00E1v\u00E1 nal\u00E9z\u00E1n\u00ED nov\u00FDch zvukov\u00FDch struktur mimo arzen\u00E1l (nejen klasick\u00FDch) hudebn\u00EDch n\u00E1stroj\u016F, znamenal pr\u016Flom v dosavadn\u00EDm ch\u00E1p\u00E1n\u00ED hudby, kter\u00FD mu vynesl p\u0159\u00EDdomky jako \u201Eotec elektronick\u00E9 hudby\u201C \u010Di \u201Estratosf\u00E9rick\u00FD kolos zvuku\u201C (t\u00EDm ho ozna\u010Dil americk\u00FD spisovatel Henry Miller). Var\u00E8se svou tvorbou t\u00E9\u017E poopravil term\u00EDn \u201Eid\u00E9e fixe\u201C, jeho\u017E autorem je jin\u00FD francouzsk\u00FD skladatel Hector Berlioz."@cs . . . . "Edgard Var\u00E8se"@fr . . . . . . . . . . . "Edgar Varese"@eo . "\u57C3\u5FB7\u52A0\u00B7\u74E6\u96F7\u5179"@zh . . . . . "Edgar(d) Victor Achille Charles Var\u00E8se (Paris, 22 de dezembro de 1883 \u2014 Nova Iorque, em 6 de novembro de 1965) foi um compositor franc\u00EAs naturalizado estadunidense. Ele estudou com Vincent d'Indy na , de 1903 a 1905, e com Charles-Marie Widor no Conservat\u00F3rio de Paris, de 1905 a 1907; depois, ele se deslocou a Berlim, onde encontrou Richard Strauss e Ferruccio Busoni. Em 1913, regressou a Paris, mas em 1915, decepcionado pelos novos meios oferecidos aos compositores, decidiu emigrar para os Estados Unidos, e estabeleceu-se em Nova Iorque."@pt . . . . . . "Edgard Victor Achille Charles Var\u00E8se, tambi\u00E9n escrito Edgar Var\u00E8se\u200B (Par\u00EDs, 22 de diciembre de 1883 - Nueva York, 6 de noviembre de 1965) fue un compositor franc\u00E9s, que vivi\u00F3 una larga etapa decisiva en Estados Unidos. Var\u00E8se dec\u00EDa que para todos aquellos o\u00EDdos poco experimentados y de baja condici\u00F3n, todo aquello que resultaba nuevo en la m\u00FAsica era denominado ruido, por lo que plante\u00F3 la pregunta: \u00BFQu\u00E9 es la m\u00FAsica sino una sucesi\u00F3n de ruidos organizados?\u200B"@es . "\uC5D0\uB4DC\uAC00\uB974 \uBE45\uD1A0\uB974 \uC544\uC2E4 \uC0E4\uB97C \uBC14\uB808\uC988(\uD504\uB791\uC2A4\uC5B4: Edgard Victor Achille Charles Var\u00E8se, 1883\uB144 12\uC6D4 22\uC77C ~ 1965\uB144 11\uC6D4 6\uC77C)\uB294 \uD504\uB791\uC2A4\uC758 \uC791\uACE1\uAC00\uB85C \uBBF8\uAD6D\uC5D0\uC11C \uB9CE\uC740 \uD65C\uB3D9\uC744 \uD558\uC600\uB2E4. \uBC14\uB808\uC988\uB294 '\uC804\uC704\uC74C\uC545\uC758 \uC544\uBC84\uC9C0'\uB77C\uACE0 \uBD88\uB9AC\uB294 \uC2E4\uD5D8\uC801 \uC791\uACE1\uAC00\uC774\uB2E4. 1885\uB144 12\uC6D4 22\uC77C \uD30C\uB9AC\uC5D0\uC11C \uD0DC\uC5B4\uB098, \uACFC \uD30C\uB9AC \uC74C\uC545\uC6D0\uC5D0\uC11C \uBC30\uC6B4 \uD30C\uB9AC \uC0AC\uB78C\uC774\uB098, 1915\uB144\uBD80\uD130 \uB274\uC695\uC5D0 \uC601\uC8FC\uD558\uBA70 20\uC138\uAE30\uC5D0 \uC788\uC5B4\uC11C \uAC00\uC7A5 \uB300\uB2F4\uD55C \uCC3D\uC758\uC5D0 \uB118\uCCD0\uD750\uB974\uB294 \uD601\uC2E0\uC801\uC778 \uC791\uACE1\uAC00\uAC00 \uB418\uC5C8\uB2E4. \uD604\uC7AC\uC758 \uC804\uC704\uC74C\uC545\uC758 \uAD50\uC870\uB77C \uD574\uB3C4 \uC88B\uB2E4. 1933\uB144\uC5D0 \uC758 \uC9C0\uD718\uB85C \uB274\uC695\uC5D0\uC11C \uCD08\uC5F0\uB41C <\uC774\uC624\uB2C8\uC81C\uC774\uC158(\u96FB\u96E2)>\uC740 41\uAC1C\uC758 \uD0C0\uC545\uAE30\uC640 \uC0AC\uC774\uB80C 2\uB97C \uC704\uD574 \uC791\uACE1\uB418\uC5C8\uC73C\uBA70, \uC138\uC778\uB4E4\uC740 \uC989\uC2DC '\uC791\uACE1\uACC4\uC758 \uC774\uB2E8\uC790'\uB77C\uACE0 \uB5A0\uB4E4\uC5C8\uB2E4. \uB2F9\uC2DC \uBBF8\uAD6D\uC758 \uD3C9\uB860\uAC00 P. \uB85C\uC820\uD3A0\uD2B8\uB294 \"\uD3ED\uBC1C\uC801\uC778 \uD654\uC74C\uC740 \uBD88\uAC00\uC0AC\uC758\uD55C \uB9AC\uB4EC\uACFC \uACB0\uBD80\uB418\uC5B4, \uADF9\uB2E8\uC801\uC778 \uB2E8\uC21C\uD654\uB85C \uBC1C\uC0DD\uD558\uB294 \uB180\uB784 \uB9CC\uD55C \uBC15\uB825\uC740 \uC9C4\uC815 \uACF5\uAC04\uC758 \uBB3C\uCCB4\uB97C \uBAA8\uB450 \uC6D0\uC18C\uB85C \uD658\uC6D0\uC2DC\uD0A4\uB294 \uAC83 \uAC19\uC740 \uAC10\uBA85\uC744 \uC900\uB2E4. \uB192\uC740 \uC74C, \uC2EC\uD788 \uAC70\uCE5C \uC74C, \uC800\uB825\uC774 \uC788\uB294 \uC74C\uB7C9\uC740 \uACFC\uD559\uC73C\uB85C\uB294 \uC774\uD574\uAC00 \uC548 \uB418\uBA70, \uB2E4\uB9CC \uAC10\uAC01\uC73C\uB85C\uC368\uB9CC \uAC10\uC9C0\uD560 \uC218 \uC788\uB294 \uC5B4\uB5A4 \uD798\uC758 \uC9C4\uD589\uC744 \uC0DD\uAC01\uD558\uAC8C \uD558\uB294 \uBC14\uAC00 \uC788\uB2E4\"\uACE0 \uB17C\uD3C9\uD558\uC600\uB2E4. \uB610\uD55C \uB808\uC624\uD3F4\uB4DC \uC2A4\uD1A0\uCF54\uD504\uC2A4\uD0A4\uB294 \"\uADF8\uC640 \uAC19\uC740 \uC790\uC720\uBD84\uBC29\uD55C \uC791\uACE1\uAC00\uB294 \uC624\uB298\uB0A0 \uC1E4\uBCA0\uB974\uD06C\uAC00 \uC788\uC744 \uBFD0\uC774\uB2E4. \uC774 \uB450 \uC791\uACE1\uAC00\uC57C\uB9D0\uB85C \uC74C\uC545 \uC9C4\uC804\uC758 \uC804\uCD08\uB77C\uACE0 \uD558\uACA0\uB2E4\"\uB77C\uACE0 \uACA9\uCC2C\uD558\uC600\uB2E4. \uC2A4\uD1A0\uCF54\uD504\uC2A4\uD0A4\uC758 \uC608\uC5B8\uC740 \uC801\uC911\uD558\uC600\uB2E4. \uBC14\uB808\uC988\uC758 \uC791\uD488\uC218\uB294 \uC801\uC9C0\uB9CC \uADF8 \uC601\uD5A5\uB825\uC740 \uC1E4\uBCA0\uB974\uD06C\uC640 \uD568\uAED8 20\uC138\uAE30 \uC791\uACE1\uC758 \uC9C0\uD3C9\uC120\uC744 \uC554\uC2DC\uD55C \uAC83\uC774\uB2E4. <\uC804\uB9AC(\u96FB\u96E2)> \uC774\uC804\uC758 \uC791\uD488\uC73C\uB85C\uB294 <\uC625\uD0C4\uB4E4>, <\uC801\uBD84(\u7A4D\u5206)>, <\uC544\uBA54\uB9AC\uD06C>\uAC00 \uC788\uACE0, \uC774\uD6C4\uC758 \uC791\uD488\uC73C\uB85C\uB294 <\uC801\uB3C4>, <\uB374\uC2DC\uD2F0 21.5>(\uBB34\uBC18\uC8FC \uD50C\uB8E8\uD2B8 \uB3C5\uC8FC\uACE1), <\uC0AC\uB9C9>\uC774 \uC788\uB2E4. \uC804\uD6C4\uC5D0\uB294 \uC804\uC790\uC74C\uC545\uC5D0\uB3C4 \uC190\uC744 \uB300\uC5B4 1958\uB144 \uC758 \uD544\uB9BD\uC2A4\uAD00(\u9928)\uC744 \uC704\uD558\uC5EC 400\uAC1C\uC758 \uC2A4\uD53C\uCEE4\uB97C \uC0AC\uC6A9\uD574\uC11C <\uC804\uC790\uC74C\uC545\uC758 \uC2DC\uACE1(\u8A69\u66F2)>\uC744 \uC81C\uC791, \uD654\uC81C\uB97C \uB0B3\uC558\uB2E4. 1965\uB144 11\uC6D4 6\uC77C \uB274\uC695\uC5D0\uC11C \uC0AC\uB9DD\uD558\uC600\uB2E4. \uC774 \uBB38\uC11C\uC5D0\uB294 \uB2E4\uC74C\uCEE4\uBBA4\uB2C8\uCF00\uC774\uC158(\uD604 \uCE74\uCE74\uC624)\uC5D0\uC11C GFDL \uB610\uB294 CC-SA \uB77C\uC774\uC120\uC2A4\uB85C \uBC30\uD3EC\uD55C \uAE00\uB85C\uBC8C \uC138\uACC4\uB300\uBC31\uACFC\uC0AC\uC804\uC758 \uB0B4\uC6A9\uC744 \uAE30\uCD08\uB85C \uC791\uC131\uB41C \uAE00\uC774 \uD3EC\uD568\uB418\uC5B4 \uC788\uC2B5\uB2C8\uB2E4."@ko . . . . . . . . . "Edgard Victor Achille Var\u00E8se (Parigi, 22 dicembre 1883 \u2013 New York, 6 novembre 1965) \u00E8 stato un compositore francese naturalizzato statunitense."@it . . "\u57C3\u5FB7\u52A0\u00B7\u7EF4\u514B\u591A\u00B7\u963F\u897F\u5C14\u00B7\u590F\u5C14\u00B7\u74E6\u96F7\u5179\uFF08\u6CD5\u6587\uFF1AEdgard Victor Achille Charles Var\u00E8se\uFF0C1883\u5E7412\u670822\u65E5\uFF0D1965\u5E7411\u67086\u65E5\uFF09\uFF0C\u6CD5\u88D4\u7F8E\u56FD\u4EBA\uFF0C\u4F5C\u66F2\u5BB6\u3002\u65E9\u5E74\u5728\u5DF4\u9ECE\u5E08\u4ECE\u4E39\u7B2C\uFF0C\u7EF4\u591A\u5C14\u548C\u9C81\u585E\u5C14\u5B66\u4E60\uFF0C1907\u5E74\u79FB\u5C45\u67CF\u6797\uFF0C1915\u5E74\u5230\u7F8E\u56FD\uFF0C\u4E4B\u540E\u957F\u671F\u5728\u7F8E\u56FD\u4ECE\u4E8B\u521B\u4F5C\u3002\u74E6\u96F7\u5179\u662F\u4E8C\u5341\u4E16\u7EAA\u8457\u540D\u7684\u5148\u950B\u6D3E\u4F5C\u66F2\u5BB6\uFF0C\u5728\u5E8F\u5217\u97F3\u4E50\uFF0C\u566A\u97F3\u97F3\u4E50\uFF0C\u7535\u5B50\u97F3\u4E50\u548C\u5FAE\u5206\u97F3\u7684\u8FD0\u7528\u4E0A\u90FD\u6709\u5F88\u5927\u8D21\u732E\uFF0C\u5927\u5927\u5F00\u53D1\u4E86\u97F3\u4E50\u7684\u8868\u73B0\u529B\uFF0C\u88AB\u5C0A\u4E3A\u201C\u7535\u5B50\u97F3\u4E50\u4E4B\u7236\u201D\u3002"@zh . "Edgard Victor Achille Var\u00E8se (Parigi, 22 dicembre 1883 \u2013 New York, 6 novembre 1965) \u00E8 stato un compositore francese naturalizzato statunitense."@it . . . . . . . . . . . . . . . "Edgar(d) Victor Achille Charles Var\u00E8se (Parijs, 22 december 1883 \u2013 New York, 6 november 1965) was een Frans-Amerikaans componist. Hij is bekend geworden met een weinig omvangrijk maar buitengewoon vooruitstrevend oeuvre."@nl . . . . . . . . . . . . "\u0415\u0434\u0491\u0430\u0440 \u0412\u0430\u0440\u0435\u0437"@uk . . . . "Edgard Victor Achille Charles Var\u00E8se (French: [\u025Bd\u0261a\u0281 vikt\u0254\u0281 a\u0283il \u0283a\u0281l va\u0281\u025Bz]; also spelled Edgar; December 22, 1883 \u2013 November 6, 1965) was a French-born composer who spent the greater part of his career in the United States. Var\u00E8se's music emphasizes timbre and rhythm; he coined the term \"organized sound\" in reference to his own musical aesthetic. Var\u00E8se's conception of music reflected his vision of \"sound as living matter\" and of \"musical space as open rather than bounded\". He conceived the elements of his music in terms of \"sound-masses\", likening their organization to the natural phenomenon of crystallization. Var\u00E8se thought that \"to stubbornly conditioned ears, anything new in music has always been called noise\", and he posed the question, \"what is music but organized noises?\" Although his complete surviving works only last about three hours, he has been recognised as an influence by several major composers of the late 20th century. Var\u00E8se saw potential in using electronic media for sound production, and his use of new instruments and electronic resources led to his being known as the \"Father of Electronic Music\" whilst Henry Miller described him as \"The stratospheric Colossus of Sound\". Var\u00E8se actively promoted performances of works by other 20th-century composers and founded the International Composers' Guild in 1921 and the Pan-American Association of Composers in 1926."@en . . "Edgar Var\u00E8se"@in . . . . "Edgard Var\u00E8se"@ca . . . . . . . "biography"@en . . . . . "Edgard Var\u00E8se"@cs . . . . . . . . . . "\uC5D0\uB4DC\uAC00\uB974 \uBE45\uD1A0\uB974 \uC544\uC2E4 \uC0E4\uB97C \uBC14\uB808\uC988(\uD504\uB791\uC2A4\uC5B4: Edgard Victor Achille Charles Var\u00E8se, 1883\uB144 12\uC6D4 22\uC77C ~ 1965\uB144 11\uC6D4 6\uC77C)\uB294 \uD504\uB791\uC2A4\uC758 \uC791\uACE1\uAC00\uB85C \uBBF8\uAD6D\uC5D0\uC11C \uB9CE\uC740 \uD65C\uB3D9\uC744 \uD558\uC600\uB2E4. \uBC14\uB808\uC988\uB294 '\uC804\uC704\uC74C\uC545\uC758 \uC544\uBC84\uC9C0'\uB77C\uACE0 \uBD88\uB9AC\uB294 \uC2E4\uD5D8\uC801 \uC791\uACE1\uAC00\uC774\uB2E4. 1885\uB144 12\uC6D4 22\uC77C \uD30C\uB9AC\uC5D0\uC11C \uD0DC\uC5B4\uB098, \uACFC \uD30C\uB9AC \uC74C\uC545\uC6D0\uC5D0\uC11C \uBC30\uC6B4 \uD30C\uB9AC \uC0AC\uB78C\uC774\uB098, 1915\uB144\uBD80\uD130 \uB274\uC695\uC5D0 \uC601\uC8FC\uD558\uBA70 20\uC138\uAE30\uC5D0 \uC788\uC5B4\uC11C \uAC00\uC7A5 \uB300\uB2F4\uD55C \uCC3D\uC758\uC5D0 \uB118\uCCD0\uD750\uB974\uB294 \uD601\uC2E0\uC801\uC778 \uC791\uACE1\uAC00\uAC00 \uB418\uC5C8\uB2E4. \uD604\uC7AC\uC758 \uC804\uC704\uC74C\uC545\uC758 \uAD50\uC870\uB77C \uD574\uB3C4 \uC88B\uB2E4. <\uC804\uB9AC(\u96FB\u96E2)> \uC774\uC804\uC758 \uC791\uD488\uC73C\uB85C\uB294 <\uC625\uD0C4\uB4E4>, <\uC801\uBD84(\u7A4D\u5206)>, <\uC544\uBA54\uB9AC\uD06C>\uAC00 \uC788\uACE0, \uC774\uD6C4\uC758 \uC791\uD488\uC73C\uB85C\uB294 <\uC801\uB3C4>, <\uB374\uC2DC\uD2F0 21.5>(\uBB34\uBC18\uC8FC \uD50C\uB8E8\uD2B8 \uB3C5\uC8FC\uACE1), <\uC0AC\uB9C9>\uC774 \uC788\uB2E4. \uC804\uD6C4\uC5D0\uB294 \uC804\uC790\uC74C\uC545\uC5D0\uB3C4 \uC190\uC744 \uB300\uC5B4 1958\uB144 \uC758 \uD544\uB9BD\uC2A4\uAD00(\u9928)\uC744 \uC704\uD558\uC5EC 400\uAC1C\uC758 \uC2A4\uD53C\uCEE4\uB97C \uC0AC\uC6A9\uD574\uC11C <\uC804\uC790\uC74C\uC545\uC758 \uC2DC\uACE1(\u8A69\u66F2)>\uC744 \uC81C\uC791, \uD654\uC81C\uB97C \uB0B3\uC558\uB2E4. 1965\uB144 11\uC6D4 6\uC77C \uB274\uC695\uC5D0\uC11C \uC0AC\uB9DD\uD558\uC600\uB2E4. \uC774 \uBB38\uC11C\uC5D0\uB294 \uB2E4\uC74C\uCEE4\uBBA4\uB2C8\uCF00\uC774\uC158(\uD604 \uCE74\uCE74\uC624)\uC5D0\uC11C GFDL \uB610\uB294 CC-SA \uB77C\uC774\uC120\uC2A4\uB85C \uBC30\uD3EC\uD55C \uAE00\uB85C\uBC8C \uC138\uACC4\uB300\uBC31\uACFC\uC0AC\uC804\uC758 \uB0B4\uC6A9\uC744 \uAE30\uCD08\uB85C \uC791\uC131\uB41C \uAE00\uC774 \uD3EC\uD568\uB418\uC5B4 \uC788\uC2B5\uB2C8\uB2E4."@ko . . . . . . . . . . . . . . . "nm0889679" . . . "Edgard Var\u00E8se ou Edgar Var\u00E8se (les deux orthographes ont \u00E9t\u00E9 utilis\u00E9es par le compositeur lui-m\u00EAme \u00E0 diff\u00E9rentes \u00E9poques de sa vie) est un compositeur fran\u00E7ais naturalis\u00E9 am\u00E9ricain, n\u00E9 le 22 d\u00E9cembre 1883 \u00E0 Paris et mort le 6 novembre 1965 \u00E0 New York. Form\u00E9, dans un premier temps, \u00E0 la Schola Cantorum et au Conservatoire de Paris, Var\u00E8se trouve aupr\u00E8s d'artistes plus ind\u00E9pendants, comme Debussy et Busoni, les encouragements n\u00E9cessaires pour son expression personnelle."@fr . . . "1123823561"^^ . . . . . . . . . . . . . . . . . . . "\u30A8\u30C9\u30AC\u30FC\u30EB\u30FB\u30F4\u30A3\u30AF\u30C8\u30FC\u30EB\u30FB\u30A2\u30B7\u30EB\u30FB\u30B7\u30E3\u30EB\u30EB\u30FB\u30F4\u30A1\u30EC\u30FC\u30BA\uFF08Edgar(d) Victor Achille Charles Var\u00E8se, 1883\u5E7412\u670822\u65E5 \uFF0D 1965\u5E7411\u67086\u65E5\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u306B\u751F\u307E\u308C\u3001\u30A2\u30E1\u30EA\u30AB\u306B\u5E30\u5316\u3057\u305F\u4F5C\u66F2\u5BB6\u3002\u30D1\u30EA\u751F\u307E\u308C\u3002\u5F1F\u5B50\u306B\u30A2\u30F3\u30C9\u30EC\u30FB\u30B8\u30E7\u30EA\u30F4\u30A7\u3001\u5468\u6587\u4E2D\u3001\u30A6\u30A3\u30EA\u30A2\u30E0\u30FB\u30B0\u30E9\u30F3\u30C8\u30FB\u30B9\u30C6\u30A3\u30EB\u3089\u304C\u3044\u308B\u3002"@ja . . . . . . "Edgar Var\u00E8se"@es . . . . . . "Edgar Var\u00E8se"@de . . . . . . "Edgard Var\u00E8se, cel\u00FDm jm\u00E9nem Edgard /t\u00E9\u017E Edgar/ Victor Achille Charles Var\u00E8se (22. prosince 1883, Pa\u0159\u00ED\u017E \u2013 6. listopadu 1965, New York) byl francouzsk\u00FD hudebn\u00ED skladatel, kter\u00FD p\u0159ev\u00E1\u017Enou \u010D\u00E1st \u017Eivota str\u00E1vil ve Spojen\u00FDch st\u00E1tech. Var\u00E8se soust\u0159edil svou pozornost na zvukovou charakteristiku hudby, kterou d\u016Fmysln\u011B rozv\u00EDjel jak pou\u017Eit\u00EDm nov\u00FDch n\u00E1stroj\u016F nebo jejich um\u00EDst\u011Bn\u00EDm do prost\u0159ed\u00ED m\u011Bn\u00EDc\u00EDm jejich povahu (barvu, prostorov\u00E1 orientace, atd.) nebo pozd\u011Bji pou\u017Eit\u00EDm nov\u00FDch zdroj\u016F zvuku, v\u010Detn\u011B elektronick\u00FDch m\u00E9di\u00ED. Stejn\u011B tak kladl d\u016Fraz na rytmickou slo\u017Eku hudby."@cs . . . . . . . . "q8076"@en . . . . . . . . "Edgar Var\u00E8se (geboren als Edgard Victor Achille Charles Var\u00E8se; * 22. Dezember 1883 in Paris; \u2020 6. November 1965 in New York) war ein franz\u00F6sischer Komponist und Dirigent, der 1915 in die Vereinigten Staaten emigrierte."@de . . . . . . "Edgard Victor Achille Charles Var\u00E8se (bahasa Prancis: [\u025Bd\u0261a\u02D0\u0281 vikt\u0254\u02D0\u0281 a\u0283il \u0283a\u0281l va\u0281\u025B\u02D0z]; atau dieja Edgar Var\u00E8se; (lahir pada 22 Desember 1883\u2013dan meninggal pada 6 November 1965) adalah seorang komponis Amerika Serikat kelahiran Prancis."@in . . . . . . . . . . . . . "42821450"^^ . . . "\u0395\u03BD\u03C4\u03B3\u03BA\u03AC\u03C1 \u0392\u03B1\u03C1\u03AD\u03B6"@el . . . . . . . "\u039F \u0395\u03BD\u03C4\u03B3\u03BA\u03AC\u03C1 \u0392\u03B9\u03BA\u03C4\u03CC\u03C1 \u0391\u03C3\u03AF\u03BB \u03A3\u03B1\u03C1\u03BB \u0392\u03B1\u03C1\u03AD\u03B6 (Edgard Victor Achille Charles Var\u00E8se \u03AE Edgar Var\u00E8se, \u03A0\u03B1\u03C1\u03AF\u03C3\u03B9 22 \u0394\u03B5\u03BA\u03B5\u03BC\u03B2\u03C1\u03AF\u03BF\u03C5 1883 \u2013 \u039D\u03AD\u03B1 \u03A5\u03CC\u03C1\u03BA\u03B7 6 \u039D\u03BF\u03B5\u03BC\u03B2\u03C1\u03AF\u03BF\u03C5 1965) \u03AE\u03C4\u03B1\u03BD \u03B3\u03B1\u03BB\u03BB\u03B9\u03BA\u03AE\u03C2 \u03BA\u03B1\u03C4\u03B1\u03B3\u03C9\u03B3\u03AE\u03C2 \u0391\u03BC\u03B5\u03C1\u03B9\u03BA\u03B1\u03BD\u03CC\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B7\u03C2, \u03B1\u03C0\u03CC \u03C4\u03BF\u03C5\u03C2 \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03CC\u03C4\u03B5\u03C1\u03BF\u03C5\u03C2 \u03C4\u03BF\u03C5 20\u03BF\u03CD \u03B1\u03B9\u03CE\u03BD\u03B1. \u039F\u03B9 \u03C1\u03B9\u03B6\u03BF\u03C3\u03C0\u03B1\u03C3\u03C4\u03B9\u03BA\u03AD\u03C2 \u03C4\u03BF\u03C5 \u03B9\u03B4\u03AD\u03B5\u03C2 \u03C0\u03AC\u03BD\u03C9 \u03C3\u03C4\u03BF\u03BD \u03BF\u03C1\u03B9\u03C3\u03BC\u03CC \u03C4\u03B7\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2 \u03CC\u03C0\u03C9\u03C2, \u03C4\u03BF\u03C5\u03BB\u03AC\u03C7\u03B9\u03C3\u03C4\u03BF\u03BD, \u03C4\u03B7\u03BD \u03B1\u03BD\u03C4\u03B9\u03BB\u03B1\u03BC\u03B2\u03B1\u03BD\u03CC\u03C4\u03B1\u03BD \u03BF \u03AF\u03B4\u03B9\u03BF\u03C2, \u03BA\u03B1\u03B8\u03CE\u03C2 \u03BA\u03B1\u03B9 \u03BF\u03B9 \u00AB\u03C0\u03C1\u03BF\u03C6\u03B7\u03C4\u03B9\u03BA\u03AD\u03C2\u00BB \u03B3\u03B9\u03B1 \u03C4\u03B7\u03BD \u03B5\u03C0\u03BF\u03C7\u03AE \u03C3\u03C5\u03BD\u03B8\u03AD\u03C3\u03B5\u03B9\u03C2 \u03C4\u03BF\u03C5, \u03C4\u03BF\u03BD \u03BA\u03B1\u03C4\u03B1\u03C4\u03AC\u03C3\u03C3\u03BF\u03C5\u03BD -\u03B4\u03B9\u03BA\u03B1\u03AF\u03C9\u03C2- \u03B1\u03BD\u03AC\u03BC\u03B5\u03C3\u03B1 \u03C3\u03C4\u03BF\u03C5\u03C2 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03CC\u03C1\u03BF\u03C5\u03C2 \u03B5\u03BA\u03C6\u03C1\u03B1\u03C3\u03C4\u03AD\u03C2 \u03C4\u03B7\u03C2 \u03AD\u03BD\u03C4\u03B5\u03C7\u03BD\u03B7\u03C2 \u03B4\u03C5\u03C4\u03B9\u03BA\u03AE\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2, \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B1 \u03BC\u03B5\u03C4\u03AC \u03C4\u03B7\u03BD \u03B4\u03B5\u03BA\u03B1\u03B5\u03C4\u03AF\u03B1 \u03C4\u03BF\u03C5 1950. \u0397 \u03B5\u03C0\u03B9\u03C1\u03C1\u03BF\u03AE \u03C0\u03BF\u03C5 \u03AC\u03C3\u03BA\u03B7\u03C3\u03B5 \u03C3\u03C4\u03B1 \u03BC\u03B5\u03B3\u03B1\u03BB\u03CD\u03C4\u03B5\u03C1\u03B1 \u03BF\u03BD\u03CC\u03BC\u03B1\u03C4\u03B1 \u03C4\u03B7\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2 \u03C4\u03BF\u03C5 20\u03BF\u03CD \u03B1\u03B9\u03CE\u03BD\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03BA\u03B1\u03C4\u03B1\u03BB\u03C5\u03C4\u03B9\u03BA\u03AE (\u03B2\u03BB. \u0395\u03C0\u03B9\u03C1\u03C1\u03BF\u03AE \u03C4\u03BF\u03C5 \u0392\u03B1\u03C1\u03AD\u03B6 \u03C3\u03B5 \u03AC\u03BB\u03BB\u03BF\u03C5\u03C2 \u03C3\u03C5\u03BD\u03B8\u03AD\u03C4\u03B5\u03C2)."@el . . . "Edgar(d) Victor Achille Charles Var\u00E8se (Paris, 22 de dezembro de 1883 \u2014 Nova Iorque, em 6 de novembro de 1965) foi um compositor franc\u00EAs naturalizado estadunidense. Ele estudou com Vincent d'Indy na , de 1903 a 1905, e com Charles-Marie Widor no Conservat\u00F3rio de Paris, de 1905 a 1907; depois, ele se deslocou a Berlim, onde encontrou Richard Strauss e Ferruccio Busoni. Em 1913, regressou a Paris, mas em 1915, decepcionado pelos novos meios oferecidos aos compositores, decidiu emigrar para os Estados Unidos, e estabeleceu-se em Nova Iorque. Passou seus primeiros anos nos Estados Unidos a encontrar-se com os principais autores da m\u00FAsica norte-americana, promovendo sua vis\u00E3o de novos instrumentos de m\u00FAsica eletr\u00F4nica, dirigindo orquestras, e criando a New Symphony Orchestra. Foi cerca desse per\u00EDodo que Var\u00E8se come\u00E7ou a trabalhar em Am\u00E9riques, que terminou em 1921. Nessa obra, Var\u00E8se mostra-se particularmente atento em dar corpo \u00E0 mat\u00E9ria sonora proteiforme, palavra criada a partir da entidade mitol\u00F3gica grega Proteu, divindade com o poder de se metamorfosear: ele transforma as massas sonoras em cores de timbres, jogos de intera\u00E7\u00F5es rec\u00EDprocas, liberadas do jugo de um sistema. Necessitou integrar, para essa empreitada, novos conceitos de sonoridade, que transformam os par\u00E2metros cl\u00E1ssicos da m\u00FAsica em categorias mais amplas, portanto em campos, no\u00E7\u00E3o m\u00F3vel, mas mais em conson\u00E2ncia com as pesquisas desenvolvidas pelas ci\u00EAncias f\u00EDsicas de hoje. Com efeito, na teoria qu\u00E2ntica de campos, derivada dos trabalhos sobre o eletromagnetismo, os resultados exatos s\u00E3o raros, e deve-se habitualmente valer-se de m\u00E9todos de aproxima\u00E7\u00F5es sucessivas (tamb\u00E9m chamada de teoria das perturba\u00E7\u00F5es). Notar-se-\u00E1 igualmente a concord\u00E2ncia da composi\u00E7\u00E3o Am\u00E9riques com a publica\u00E7\u00E3o da teoria da relatividade geral de Albert Einstein (1915). Foi depois de terminada a mencionada obra que Var\u00E8se fundou a International Composers' Guild, (ingl\u00EAs para: Associa\u00E7\u00E3o Internacional de Compositores), dedicada \u00E0 interpreta\u00E7\u00E3o de novas obras de compositores norte-americanos e europeus, e para a qual comp\u00F4s quantidade de pe\u00E7as para instrumentos de orquestra e voz, como Offrandes, em 1922, Hyperprism, em 1923, Octandre, em 1924, e Int\u00E9grales, em 1925. Em 1928, Var\u00E8se retornou a Paris para modificar certas partes de Am\u00E9riques, nela incluindo o instrumento ondas Martenot, criado, na d\u00E9cada de 1920, por Maurice Martenot, inventor e m\u00FAsico franc\u00EAs. Comp\u00F4s em 1931 sua mais c\u00E9lebre obra n\u00E3o eletr\u00F4nica, intitulada Ionisation. Ela \u00E9 freq\u00FCentemente apresentada como a primeira pe\u00E7a escrita unicamente para instrumentos de percuss\u00E3o: mas h\u00E1 erro nessa afirma\u00E7\u00E3o, insidiosamente criada e divulgada pelo pr\u00F3prio Var\u00E8se (conferir em Alejo Carpentier). Se fizermos abstra\u00E7\u00E3o de um Interl\u00FAdio escrito por Dmitri Shostakovich para a \u00F3pera Le Nez (O Nariz), a primeira obra exclusiva para instrumentos de percuss\u00E3o da m\u00FAsica erudita ocidental \u00E9 R\u00EDtmica V (1929), do compositor nascido em 1900, em Cuba, Amadeo Rold\u00E1n. Ainda que escrita para os instrumentos existentes, Ionisation foi concebida como uma pesquisa de novos sons e de novos m\u00E9todos para os criar. Em 1933, quando Var\u00E8se ainda estava em Paris, escreveu \u00E0 Funda\u00E7\u00E3o Guggenheim e aos Laborat\u00F3rios Bell na esperan\u00E7a de obter fundos para desenvolver um studio de m\u00FAsica eletr\u00F4nica. Sua composi\u00E7\u00E3o seguinte, Ecuatorial, terminada em 1934, continha partes para teremins, e Var\u00E8se, antecipando uma resposta favor\u00E1vel ao seu pedido de fundos, retorna aos Estados Unidos para l\u00E1 criar sua m\u00FAsica eletr\u00F4nica. Var\u00E8se escreveu Ecuatorial para dois teremins, registro (voz) de baixo, instrumentos de sopro e de percuss\u00E3o, no in\u00EDcio dos anos 1930. A obra foi executada no dia 15 de abril de 1934, sob a dire\u00E7\u00E3o de Nicolas Slonimsky. Em seguida, Var\u00E8se deixa Nova Iorque, onde vivia desde 1915, e vive em Santa F\u00E9, S\u00E3o Francisco e Los Angeles. Quando Var\u00E8se retorna \u00E0 Fran\u00E7a, em 1938, L\u00E9on Theremin havia regressado \u00E0 R\u00FAssia. Esse fa(c)to desesperou Var\u00E8se, que havia esperado trabalhar com Theremin em um aperfei\u00E7oamento do instrumento. Var\u00E8se havia tamb\u00E9m apresentado o teremim por ocasi\u00E3o de suas viagens ao Leste estadunidense, e havia feito uma demonstra\u00E7\u00E3o do instrumento em 12 de novembro de 1936, em uma confer\u00EAncia na Universidade do Novo M\u00E9xico, em Albuquerque. Quando, perto do fim da d\u00E9cada de 1950, Var\u00E8se foi contactado por um editor para publicar Ecuatorial, restavam apenas uns poucos teremins, e ele decidiu ent\u00E3o reescrever essa pe\u00E7a para ondas Martenot. A nova vers\u00E3o foi criada em 1961."@pt . . "Edgard Var\u00E8se (Par\u00EDs, 22 de desembre de 1883 - Nova York, 6 de novembre de 1965) fou un compositor franc\u00E8s, un dels innovadors del segle xx per l'\u00FAs de m\u00FAsica electr\u00F2nica en les seves composicions. Va estudiar amb Vincent d'Indy a la (1903-1905) i amb Charles Widor al Conservatori de Par\u00EDs (1905-1907). Va viatjar a Berl\u00EDn, on va con\u00E8ixer Strauss i Busoni. El 1913 va tornar a Par\u00EDs, per\u00F2 el 1915 va emigrar a Nova York. La seva primera obra (ja que va destruir les seves obres anteriors) \u00E9s Am\u00E9riques per a gran orquestra (1921), amb reminisc\u00E8ncies de Debussy i Stravinski. El 1921, amb i el mecenatge de Gertrude Vanderbilt Whitney, va fundar la . A m\u00E9s, aquesta dona tamb\u00E9 va finan\u00E7ar bona part de la seva obra. Va interpretar algunes de les seves obres per a conjunts petits, principalment vents i percussi\u00F3, on va presentar de forma compacta les innovacions d'Am\u00E8riques: Hyperprism (1923), Octandre (1923 i amb coreografia anys m\u00E9s tard de ) i Int\u00E9grales (1925). Amb Arcana (1927) va retornar a l'orquestra i va posar fi al seu per\u00EDode m\u00E9s productiu. Durant aquest per\u00EDode a Nova York va donar lli\u00E7ons i entre altres alumnes va tenir a . Va residir a Par\u00EDs durant cinc anys, durant els quals va escriure Ionisation per a orquestra de percussi\u00F3 (1931). Tamb\u00E9 es va interessar pels instruments electr\u00F2nics i va compondre per a dos Theremins o ones Martenot a Equatorial per a baix, metalls, teclat i percussi\u00F3 (1934). Densitat 21.5 (1936) va ser la seva \u00FAltima obra completada en les dues d\u00E8cades seg\u00FCents. Durant aquest temps va fer plans per a Espace, obra que faria \u00FAs simultani d'ones de r\u00E0dio de tot el m\u00F3n. Durant els anys 1950 a m\u00E9s de compondre donava lli\u00E7ons, tenint entre els seus alumnes a . Gr\u00E0cies al desenvolupament de la m\u00FAsica electr\u00F2nica, va produir D\u00E9serts, per a vent, percussi\u00F3 i cinta (1954) i un Po\u00E8me \u00E9lectronique (1957-1958). Els seus \u00FAltims anys es va dedicar a projectes sobre la nit i la mort, com Nocturnal, obra inconclusa, per a cor i orquestra de cambra (1961). Les seves obres han influenciat a compositors d'avantguarda com Frank Zappa i Henry Dixon Cowell."@ca . . . . . . . . . "Edgar Var\u00E8se (geboren als Edgard Victor Achille Charles Var\u00E8se; * 22. Dezember 1883 in Paris; \u2020 6. November 1965 in New York) war ein franz\u00F6sischer Komponist und Dirigent, der 1915 in die Vereinigten Staaten emigrierte."@de . . . .