. . . . . . "d\u266F-minoro a\u016D d-diesa minoro estas tonalo de la modalo minoro, bazi\u011Danta sur la toniko d\u266F. La tonalon d\u266F-minoro oni indikas en la notacio per ses diesoj (f\u266F, c\u266F, g\u266F, d\u266F, a\u266F, e\u266F). Anka\u016D la respektivan gamon kaj la bazan akordon de \u0109i tiu tonalo (la toniko d\u266F-f\u266F-a\u266F), oni nomas d\u266F-minoro."@eo . . "D-sharp minor is a minor scale based on D\u266F, consisting of the pitches D\u266F, E\u266F, F\u266F, G\u266F, A\u266F, B, and C\u266F. Its key signature has six sharps. Its relative major is F-sharp major (or enharmonically G-flat major), and its parallel major is D-sharp major, usually replaced by E-flat major, since D-sharp major's two double-sharps make it impractical to use. Its enharmonic equivalent, E-flat minor, has the same number of flats. The D-sharp natural minor scale is: Audio playback is not supported in your browser. You can ."@en . . . "\uC62C\uB9BC\uB77C\uB2E8\uC870(-\u77ED\u8ABF, D\u266Fm)\uB294 (D\u266F) \uC74C\uC744 \uC73C\uB738\uC74C\uC73C\uB85C \uD558\uB294 \uB2E8\uC74C\uACC4\uC774\uB2E4. \uC62C\uB9BC\uB77C\uB2E8\uC870\uC758 \uB534\uC774\uB984\uD55C\uC18C\uB9AC \uC870\uB294 \uB0B4\uB9BC\uB9C8\uB2E8\uC870\uC774\uB2E4. \uBE0C\uB77C\uC6B0\uC800\uC5D0\uC11C \uC18C\uB9AC \uC7AC\uC0DD\uC744 \uC9C0\uC6D0\uD558\uC9C0 \uC54A\uC2B5\uB2C8\uB2E4. \uD560 \uC218 \uC788\uC2B5\uB2C8\uB2E4."@ko . "dis-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton dis aufbaut. Die Tonart dis-Moll wird in der Notenschrift mit sechs Kreuzen geschrieben (fis, cis, gis, dis, ais, eis). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart (die Tonika dis-fis-ais) werden mit dem Begriff dis-Moll bezeichnet."@de . . . . . . "\u5B30\u30CB\u77ED\u8ABF\uFF08\u3048\u3044\u30CB\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u5B30\u30CB (D\u266F) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3067\u3042\u308B\u3002\u8ABF\u53F7\u306F\u30B7\u30E3\u30FC\u30D76\u7B87\u6240 (F, C, G, D, A, E) \u3067\u3042\u308B\u3002"@ja . . "R\u00E9 sustenido menor (abreviatura no sistema Europeu R\u00E9\u266F m e no Americano D\u266Fm) \u00E9 a tonalidade que consiste na escala menor de r\u00E9 sustenido e cont\u00E9m as notas r\u00E9 sustenido, mi sustenido, f\u00E1 sustenido, sol sustenido, l\u00E1 sustenido, si, d\u00F3 sustenido e r\u00E9 sustenido. A sua armadura cont\u00E9m, pois, seis sustenidos. A sua tonalidade relativa \u00E9 f\u00E1 sustenido maior e a sua paralela r\u00E9 sustenido maior. As altera\u00E7\u00F5es para as vers\u00F5es mel\u00F3dicas e harm\u00F4nicas s\u00E3o escritas se forem necess\u00E1rias. \u00C9 enarm\u00F4nica de mi bemol menor."@pt . "\u0420\u0435-\u0434\u0456\u0454\u0437 \u043C\u0456\u043D\u043E\u0440"@uk . . "R\u00E9 di\u00E8se mineur"@fr . . . "2069247"^^ . . . "\u0420\u0435-\u0434\u0438\u0435\u0437-\u043C\u0438\u043D\u043E\u0440 (dis-moll) \u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u0440\u0435-\u0434\u0438\u0435\u0437, \u0438\u043C\u0435\u0435\u0442 6 \u0434\u0438\u0435\u0437\u043E\u0432 \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435. \u042D\u043D\u0433\u0430\u0440\u043C\u043E\u043D\u0438\u0447\u0435\u0441\u043A\u0438 \u0440\u0430\u0432\u043D\u0430 \u043C\u0438-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0438\u043D\u043E\u0440\u0443."@ru . . "\u0631\u064A \u0645\u0631\u062A\u0641\u0639 \u0635\u063A\u064A\u0631"@ar . . . . "\u5347d\u5C0F\u8ABF"@zh . . . "La tonalit\u00E0 di re diesis minore (D-sharp minor, dis-Moll) \u00E8 incentrata sulla nota tonica re diesis. Viene spesso abbreviata in Re\u266Fm. La sua scala minore naturale \u00E8: re\u266F, mi\u266F, fa\u266F, sol\u266F, la\u266F, si, do\u266F, re\u266F. L'armatura di chiave \u00E8 la seguente (sei diesis): Alterazioni (da sinistra a destra): fa\u266F, do\u266F, sol\u266F, re\u266F, la\u266F, mi\u266F. Questa rappresentazione sul pentagramma coincide con quella della tonalit\u00E0 relativa Fa diesis maggiore."@it . . . . "E"@en . "\u5347D\u5C0F\u8ABF\u662F\u5F9E\u5347D\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u7684\u5C0F\u8ABF\uFF0C\u7D44\u6210\u7684\u97F3\u6709\u5347D\u3001\u5347E\u3001\u5347F\u3001\u5347G\u3001\u5347A\u3001B\u3001\u5347C\u53CA\u5347D\u3002\u5347D\u5C0F\u8ABF\u662F\u4E00\u500B\u67096\u500B\u5347\u865F\u7684\u8ABF\u3002\u8207\u964DE\u5C0F\u8ABF\u7570\u540D\u540C\u97F3\u3002\u5728\u548C\u8072\u5C0F\u8ABF\u4E2D\uFF0C\u5347C\u4EE5C\u53D6\u4EE3\u3002\u5728\u65CB\u5F8B\u5C0F\u8ABF\u7684\u4E0A\u884C\u4E2D\uFF0CB\u53CA\u5347C\u5206\u5225\u4EE5\u5347B\u8207\u91CD\u5347C\u53D6\u4EE3\u3002 \u5B83\u7684\u95DC\u4FC2\u8ABF\u662F\u5347F\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662F\u5347D\u5927\u8ABF\u3002"@zh . "La tonalit\u00E9 de r\u00E9 di\u00E8se mineur se d\u00E9veloppe en partant de la note tonique r\u00E9 di\u00E8se. Elle est appel\u00E9e D-sharp minor en anglais et dis-Moll dans l\u2019Europe centrale. L'armure co\u00EFncide avec celle de la tonalit\u00E9 relative Fa di\u00E8se majeur. La tonalit\u00E9 de r\u00E9 di\u00E8se mineur \u00E9quivaut acoustiquement \u00E0 celle de mi b\u00E9mol mineur : un exemple de cette \u00E9quivalence enharmonie se trouve dans le premier livre du Clavier bien temp\u00E9r\u00E9, dont le pr\u00E9lude n\u00B0 8 est en mi b\u00E9mol mineur, tandis que la fugue qui le suit imm\u00E9diatement est en r\u00E9 di\u00E8se mineur."@fr . . "Re diesis minore"@it . . . . "\u5347D\u5C0F\u8ABF\u662F\u5F9E\u5347D\u97F3\u958B\u59CB\u7684\u97F3\u6A02\u7684\u5C0F\u8ABF\uFF0C\u7D44\u6210\u7684\u97F3\u6709\u5347D\u3001\u5347E\u3001\u5347F\u3001\u5347G\u3001\u5347A\u3001B\u3001\u5347C\u53CA\u5347D\u3002\u5347D\u5C0F\u8ABF\u662F\u4E00\u500B\u67096\u500B\u5347\u865F\u7684\u8ABF\u3002\u8207\u964DE\u5C0F\u8ABF\u7570\u540D\u540C\u97F3\u3002\u5728\u548C\u8072\u5C0F\u8ABF\u4E2D\uFF0C\u5347C\u4EE5C\u53D6\u4EE3\u3002\u5728\u65CB\u5F8B\u5C0F\u8ABF\u7684\u4E0A\u884C\u4E2D\uFF0CB\u53CA\u5347C\u5206\u5225\u4EE5\u5347B\u8207\u91CD\u5347C\u53D6\u4EE3\u3002 \u5B83\u7684\u95DC\u4FC2\u8ABF\u662F\u5347F\u5927\u8ABF\uFF0C\u4E26\u884C\u5927\u8ABF\u662F\u5347D\u5927\u8ABF\u3002"@zh . . . . ""@en . . "dis-mineur of dis klein (afkorting: D\u266Fm) is een toonsoort met als grondtoon dis."@nl . "A"@en . . . . "\uC62C\uB9BC\uB77C\uB2E8\uC870(-\u77ED\u8ABF, D\u266Fm)\uB294 (D\u266F) \uC74C\uC744 \uC73C\uB738\uC74C\uC73C\uB85C \uD558\uB294 \uB2E8\uC74C\uACC4\uC774\uB2E4. \uC62C\uB9BC\uB77C\uB2E8\uC870\uC758 \uB534\uC774\uB984\uD55C\uC18C\uB9AC \uC870\uB294 \uB0B4\uB9BC\uB9C8\uB2E8\uC870\uC774\uB2E4. \uBE0C\uB77C\uC6B0\uC800\uC5D0\uC11C \uC18C\uB9AC \uC7AC\uC0DD\uC744 \uC9C0\uC6D0\uD558\uC9C0 \uC54A\uC2B5\uB2C8\uB2E4. \uD560 \uC218 \uC788\uC2B5\uB2C8\uB2E4."@ko . . . . "\u5B30\u30CB\u77ED\u8ABF\uFF08\u3048\u3044\u30CB\u305F\u3093\u3061\u3087\u3046\uFF09\u306F\u3001\u897F\u6D0B\u97F3\u697D\u306B\u304A\u3051\u308B\u8ABF\u306E\u3072\u3068\u3064\u3067\u3001\u5B30\u30CB (D\u266F) \u97F3\u3092\u4E3B\u97F3\u3068\u3059\u308B\u77ED\u8ABF\u3067\u3042\u308B\u3002\u8ABF\u53F7\u306F\u30B7\u30E3\u30FC\u30D76\u7B87\u6240 (F, C, G, D, A, E) \u3067\u3042\u308B\u3002"@ja . . . "Dis-mineur"@nl . . "\u0420\u0435-\u0434\u0438\u0435\u0437-\u043C\u0438\u043D\u043E\u0440 (dis-moll) \u2014 \u043C\u0438\u043D\u043E\u0440\u043D\u0430\u044F \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u043E\u0441\u0442\u044C \u0441 \u0442\u043E\u043D\u0438\u043A\u043E\u0439 \u0440\u0435-\u0434\u0438\u0435\u0437, \u0438\u043C\u0435\u0435\u0442 6 \u0434\u0438\u0435\u0437\u043E\u0432 \u043F\u0440\u0438 \u043A\u043B\u044E\u0447\u0435. \u042D\u043D\u0433\u0430\u0440\u043C\u043E\u043D\u0438\u0447\u0435\u0441\u043A\u0438 \u0440\u0430\u0432\u043D\u0430 \u043C\u0438-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0438\u043D\u043E\u0440\u0443."@ru . . "\u0420\u0435-\u0434\u0438\u0435\u0437 \u043C\u0438\u043D\u043E\u0440"@ru . "G"@en . "dis-Moll ist eine Tonart des Tongeschlechts Moll, die auf dem Grundton dis aufbaut. Die Tonart dis-Moll wird in der Notenschrift mit sechs Kreuzen geschrieben (fis, cis, gis, dis, ais, eis). Auch die entsprechende Tonleiter und der Grundakkord dieser Tonart (die Tonika dis-fis-ais) werden mit dem Begriff dis-Moll bezeichnet."@de . . . . "Dis-moll"@pl . . "dis-moll \u2212 gama oparta na skali molowej, kt\u00F3rej tonik\u0105 jest dis. Gama ta w odmianie naturalnej (eolskiej) zawiera d\u017Awi\u0119ki: dis, eis, fis, gis, ais, h, cis. W zapisie tonacji dis-moll wyst\u0119puje sze\u015B\u0107 krzy\u017Cyk\u00F3w. Audio playback is not supported in your browser. You can . Gama dis-moll w odmianie harmonicznej (z VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton): Audio playback is not supported in your browser. You can . Gama dis-moll w odmianie doryckiej (z VI i VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton w stosunku do gamy dis-moll naturalnej): Audio playback is not supported in your browser. You can ."@pl . . . "Re sostenido menor (abreviatura en sistema europeo Re\u266Fm y en sistema americano D\u266F) es la tonalidad de , en modalidad de escala menor, entre las que elegimos la que contiene las notas re sostenido, mi sostenido fa sostenido, sol sostenido, la sostenido, si, do sostenido y re sostenido. Su armadura contiene 6 sostenidos.Su tonalidad relativa es fa sostenido mayor, y su tonalidad hom\u00F3nima es mi bemol mayor. Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias. Su equivalente enarm\u00F3nico es Mi bemol menor."@es . . . "F"@en . "R\u00E9 sustenido menor"@pt . "dis-moll \u2212 gama oparta na skali molowej, kt\u00F3rej tonik\u0105 jest dis. Gama ta w odmianie naturalnej (eolskiej) zawiera d\u017Awi\u0119ki: dis, eis, fis, gis, ais, h, cis. W zapisie tonacji dis-moll wyst\u0119puje sze\u015B\u0107 krzy\u017Cyk\u00F3w. Audio playback is not supported in your browser. You can . Gama dis-moll w odmianie harmonicznej (z VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton): Audio playback is not supported in your browser. You can . Gama dis-moll w odmianie doryckiej (z VI i VII stopniem podwy\u017Cszonym o p\u00F3\u0142ton w stosunku do gamy dis-moll naturalnej): Audio playback is not supported in your browser. You can . R\u00F3wnoleg\u0142\u0105 gam\u0105 durow\u0105 jest Fis-dur, jednoimienn\u0105 durow\u0105 \u2013 Dis-dur. Nazwa dis-moll to tak\u017Ce akord, zbudowany z pierwszego (dis), trzeciego (fis) i pi\u0105tego (ais) stopnia gamy dis-moll. Znane dzie\u0142a w tonacji dis-moll: \n* Aleksandr Skriabin \u2013 Etiuda dis-moll, Op. 8, No. 12. \n* Charles-Valentin Alkan \u2013 druga cz\u0119\u015B\u0107 Wielkiej Sonaty \u201ELes Quatre \u00C2ges\u201D z podtytu\u0142em Quasi-Faust \n* Olivier Messiaen \u2013 hymn O sacrum convivium."@pl . . "\u5B30\u30CB\u77ED\u8ABF"@ja . . . "\u0420\u0435-\u0434\u0456\u0454\u0437 \u043C\u0456\u043D\u043E\u0440 (D-sharp minor, dis-Moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u0440\u0435-\u0434\u0456\u0454\u0437. \u0413\u0430\u043C\u0430 \u0440\u0435-\u0434\u0456\u0454\u0437 \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u0440\u0435\u266F - \u043C\u0456\u266F - \u0444\u0430\u266F - \u0441\u043E\u043B\u044C\u266F - \u043B\u044F\u266F - \u0441\u0456 - \u0434\u043E\u266F D\u266F - E\u266F - F\u266F - G\u266F - A\u266F - B - C\u266F. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0444\u0430-\u0434\u0456\u0454\u0437 \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 (\u0435\u043D\u0433\u0430\u0440\u043C\u043E\u043D\u0456\u0447\u043D\u043E \u0440\u0456\u0432\u043D\u0438\u0439) \u043C\u0456-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0430\u0436\u043E\u0440. \u0420\u0435-\u0434\u0456\u0454\u0437 \u043C\u0456\u043D\u043E\u0440 \u043C\u0430\u0454 \u0448\u0456\u0441\u0442\u044C \u0434\u0456\u0454\u0437\u0456\u0432 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0444\u0430-, \u0434\u043E-, \u0441\u043E\u043B\u044C-, \u0440\u0435-, \u043B\u044F-, \u043C\u0456-)."@uk . "La tonalit\u00E9 de r\u00E9 di\u00E8se mineur se d\u00E9veloppe en partant de la note tonique r\u00E9 di\u00E8se. Elle est appel\u00E9e D-sharp minor en anglais et dis-Moll dans l\u2019Europe centrale. L'armure co\u00EFncide avec celle de la tonalit\u00E9 relative Fa di\u00E8se majeur. La tonalit\u00E9 de r\u00E9 di\u00E8se mineur \u00E9quivaut acoustiquement \u00E0 celle de mi b\u00E9mol mineur : un exemple de cette \u00E9quivalence enharmonie se trouve dans le premier livre du Clavier bien temp\u00E9r\u00E9, dont le pr\u00E9lude n\u00B0 8 est en mi b\u00E9mol mineur, tandis que la fugue qui le suit imm\u00E9diatement est en r\u00E9 di\u00E8se mineur."@fr . "\uC62C\uB9BC\uB77C\uB2E8\uC870"@ko . . "C"@en . "4941"^^ . "\u0420\u0435-\u0434\u0456\u0454\u0437 \u043C\u0456\u043D\u043E\u0440 (D-sharp minor, dis-Moll) \u2014 \u043C\u0456\u043D\u043E\u0440\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C, \u0442\u043E\u043D\u0456\u043A\u043E\u044E \u044F\u043A\u043E\u0457 \u0454 \u0437\u0432\u0443\u043A \u0440\u0435-\u0434\u0456\u0454\u0437. \u0413\u0430\u043C\u0430 \u0440\u0435-\u0434\u0456\u0454\u0437 \u043C\u0456\u043D\u043E\u0440 \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u0437\u0432\u0443\u043A\u0438: \u0440\u0435\u266F - \u043C\u0456\u266F - \u0444\u0430\u266F - \u0441\u043E\u043B\u044C\u266F - \u043B\u044F\u266F - \u0441\u0456 - \u0434\u043E\u266F D\u266F - E\u266F - F\u266F - G\u266F - A\u266F - B - C\u266F. \u041F\u0430\u0440\u0430\u043B\u0435\u043B\u044C\u043D\u0430 \u0442\u043E\u043D\u0430\u043B\u044C\u043D\u0456\u0441\u0442\u044C \u2014 \u0444\u0430-\u0434\u0456\u0454\u0437 \u043C\u0430\u0436\u043E\u0440, \u043E\u0434\u043D\u043E\u0439\u043C\u0435\u043D\u043D\u0438\u0439 \u043C\u0430\u0436\u043E\u0440 \u2014 (\u0435\u043D\u0433\u0430\u0440\u043C\u043E\u043D\u0456\u0447\u043D\u043E \u0440\u0456\u0432\u043D\u0438\u0439) \u043C\u0456-\u0431\u0435\u043C\u043E\u043B\u044C \u043C\u0430\u0436\u043E\u0440. \u0420\u0435-\u0434\u0456\u0454\u0437 \u043C\u0456\u043D\u043E\u0440 \u043C\u0430\u0454 \u0448\u0456\u0441\u0442\u044C \u0434\u0456\u0454\u0437\u0456\u0432 \u0431\u0456\u043B\u044F \u043A\u043B\u044E\u0447\u0430 (\u0444\u0430-, \u0434\u043E-, \u0441\u043E\u043B\u044C-, \u0440\u0435-, \u043B\u044F-, \u043C\u0456-)."@uk . . "Re sostenido menor (abreviatura en sistema europeo Re\u266Fm y en sistema americano D\u266F) es la tonalidad de , en modalidad de escala menor, entre las que elegimos la que contiene las notas re sostenido, mi sostenido fa sostenido, sol sostenido, la sostenido, si, do sostenido y re sostenido. Su armadura contiene 6 sostenidos.Su tonalidad relativa es fa sostenido mayor, y su tonalidad hom\u00F3nima es mi bemol mayor. Las alteraciones para las versiones mel\u00F3dicas y arm\u00F3nicas son escritas si son necesarias. Su equivalente enarm\u00F3nico es Mi bemol menor."@es . "\u0631\u064A \u0645\u0631\u062A\u0641\u0639 \u0635\u063A\u064A\u0631 (D-sharp minor) \u0647\u0648 \u0633\u0644\u0645 \u0645\u0648\u0633\u064A\u0642\u064A \u0635\u063A\u064A\u0631 \u064A\u062A\u0623\u0644\u0641 \u0645\u0646 \u0627\u0644\u062F\u0631\u062C\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0631\u064A \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FD\u060C \u0645\u064A \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FE\u060C \u0641\u0627 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FF\u060C \u0635\u0648\u0644 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FG\u060C \u0644\u0627 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FA\u060C \u0633\u064A B\u060C \u062F\u0648 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FC\u060C \u0631\u064A \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FD\u060C \u0648\u064A\u0646\u062A\u0647\u064A \u0628\u0645\u0641\u062A\u0627\u062D \u0631\u064A \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FD\u060C \u0648\u0630\u0644\u0643 \u0639\u0644\u0649 \u0627\u0644\u062A\u0631\u062A\u064A\u0628 \u0627\u0644\u062A\u0627\u0644\u064A \u0645\u0646 \u0627\u0644\u064A\u0633\u0627\u0631 \u0625\u0644\u0649 \u0627\u0644\u064A\u0645\u064A\u0646: \u266FD\u266F, E\u266F, F\u266F, G\u266F, A\u266F, B, C\u266F, D \u064A\u062D\u0648\u064A \u0633\u0644\u0645 \u0631\u064A \u0645\u0631\u062A\u0641\u0639 \u0627\u0644\u0635\u063A\u064A\u0631 \u0639\u0644\u0649 \u0633\u062A \u0625\u0634\u0627\u0631\u0627\u062A \u0631\u0641\u0639\u060C \u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0631\u064A \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0645\u064A \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0641\u0627 \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0635\u0648\u0644 \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0644\u0627 \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u062F\u0648. \u0625\u0646 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0635\u063A\u064A\u0631 \u0627\u0644\u0645\u062A\u0646\u0627\u063A\u0645 \u0645\u0639\u0647 \u064A\u0643\u0648\u0646 \u0639\u0646 \u0637\u0631\u0628\u0642 \u0631\u0641\u0639 \u266FC \u0625\u0644\u0649 C. \u0625\u0646 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0627\u0644\u0642\u0631\u064A\u0628 \u0644\u0647 \u0639\u0644\u0649 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0643\u0628\u064A\u0631 \u0647\u0648 \u0641\u0627 \u0645\u0631\u062A\u0641\u0639 \u0643\u0628\u064A\u0631\u060C \u0623\u0645\u0627 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0645\u0648\u0627\u0632\u064A \u0641\u0647\u0648 ."@ar . . . . . . . . . . . . "\u2192enharmonic E-flat major"@en . . "D-sharp minor{ \\new Staff \\with{ \\magnifyStaff #3/2 } > }"@en . . "1121763175"^^ . "d\u266F-minoro a\u016D d-diesa minoro estas tonalo de la modalo minoro, bazi\u011Danta sur la toniko d\u266F. La tonalon d\u266F-minoro oni indikas en la notacio per ses diesoj (f\u266F, c\u266F, g\u266F, d\u266F, a\u266F, e\u266F). Anka\u016D la respektivan gamon kaj la bazan akordon de \u0109i tiu tonalo (la toniko d\u266F-f\u266F-a\u266F), oni nomas d\u266F-minoro."@eo . . "D-sharp minor"@en . "D-sharp minor is a minor scale based on D\u266F, consisting of the pitches D\u266F, E\u266F, F\u266F, G\u266F, A\u266F, B, and C\u266F. Its key signature has six sharps. Its relative major is F-sharp major (or enharmonically G-flat major), and its parallel major is D-sharp major, usually replaced by E-flat major, since D-sharp major's two double-sharps make it impractical to use. Its enharmonic equivalent, E-flat minor, has the same number of flats. The D-sharp natural minor scale is: Audio playback is not supported in your browser. You can . Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D-sharp harmonic minor and melodic minor scales are: Audio playback is not supported in your browser. You can .Audio playback is not supported in your browser. You can ."@en . . . "\u0631\u064A \u0645\u0631\u062A\u0641\u0639 \u0635\u063A\u064A\u0631 (D-sharp minor) \u0647\u0648 \u0633\u0644\u0645 \u0645\u0648\u0633\u064A\u0642\u064A \u0635\u063A\u064A\u0631 \u064A\u062A\u0623\u0644\u0641 \u0645\u0646 \u0627\u0644\u062F\u0631\u062C\u0627\u062A \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A\u0629 \u0631\u064A \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FD\u060C \u0645\u064A \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FE\u060C \u0641\u0627 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FF\u060C \u0635\u0648\u0644 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FG\u060C \u0644\u0627 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FA\u060C \u0633\u064A B\u060C \u062F\u0648 \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FC\u060C \u0631\u064A \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FD\u060C \u0648\u064A\u0646\u062A\u0647\u064A \u0628\u0645\u0641\u062A\u0627\u062D \u0631\u064A \u0627\u0644\u0645\u0631\u062A\u0641\u0639\u0629 \u266FD\u060C \u0648\u0630\u0644\u0643 \u0639\u0644\u0649 \u0627\u0644\u062A\u0631\u062A\u064A\u0628 \u0627\u0644\u062A\u0627\u0644\u064A \u0645\u0646 \u0627\u0644\u064A\u0633\u0627\u0631 \u0625\u0644\u0649 \u0627\u0644\u064A\u0645\u064A\u0646: \u266FD\u266F, E\u266F, F\u266F, G\u266F, A\u266F, B, C\u266F, D \u064A\u062D\u0648\u064A \u0633\u0644\u0645 \u0631\u064A \u0645\u0631\u062A\u0641\u0639 \u0627\u0644\u0635\u063A\u064A\u0631 \u0639\u0644\u0649 \u0633\u062A \u0625\u0634\u0627\u0631\u0627\u062A \u0631\u0641\u0639\u060C \u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0631\u064A \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0645\u064A \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0641\u0627 \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0635\u0648\u0644 \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u0644\u0627 \u0648\u0648\u0627\u062D\u062F\u0629 \u0639\u0644\u0649 \u0627\u0644\u062F\u0648. \u0625\u0646 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0635\u063A\u064A\u0631 \u0627\u0644\u0645\u062A\u0646\u0627\u063A\u0645 \u0645\u0639\u0647 \u064A\u0643\u0648\u0646 \u0639\u0646 \u0637\u0631\u0628\u0642 \u0631\u0641\u0639 \u266FC \u0625\u0644\u0649 C. \u0625\u0646 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u064A \u0627\u0644\u0642\u0631\u064A\u0628 \u0644\u0647 \u0639\u0644\u0649 \u0627\u0644\u0633\u0644\u0645 \u0627\u0644\u0643\u0628\u064A\u0631 \u0647\u0648 \u0641\u0627 \u0645\u0631\u062A\u0641\u0639 \u0643\u0628\u064A\u0631\u060C \u0623\u0645\u0627 \u0627\u0644\u0645\u0641\u062A\u0627\u062D \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0645\u0648\u0627\u0632\u064A \u0641\u0647\u0648 ."@ar . . . . . . "La tonalit\u00E0 di re diesis minore (D-sharp minor, dis-Moll) \u00E8 incentrata sulla nota tonica re diesis. Viene spesso abbreviata in Re\u266Fm. La sua scala minore naturale \u00E8: re\u266F, mi\u266F, fa\u266F, sol\u266F, la\u266F, si, do\u266F, re\u266F. L'armatura di chiave \u00E8 la seguente (sei diesis): Alterazioni (da sinistra a destra): fa\u266F, do\u266F, sol\u266F, re\u266F, la\u266F, mi\u266F. Questa rappresentazione sul pentagramma coincide con quella della tonalit\u00E0 relativa Fa diesis maggiore."@it . . . . "D-sharp major"@en . . "Dis-Moll"@de . . . . "R\u00E9 sustenido menor (abreviatura no sistema Europeu R\u00E9\u266F m e no Americano D\u266Fm) \u00E9 a tonalidade que consiste na escala menor de r\u00E9 sustenido e cont\u00E9m as notas r\u00E9 sustenido, mi sustenido, f\u00E1 sustenido, sol sustenido, l\u00E1 sustenido, si, d\u00F3 sustenido e r\u00E9 sustenido. A sua armadura cont\u00E9m, pois, seis sustenidos. A sua tonalidade relativa \u00E9 f\u00E1 sustenido maior e a sua paralela r\u00E9 sustenido maior. As altera\u00E7\u00F5es para as vers\u00F5es mel\u00F3dicas e harm\u00F4nicas s\u00E3o escritas se forem necess\u00E1rias. \u00C9 enarm\u00F4nica de mi bemol menor."@pt . . . . "dis-mineur of dis klein (afkorting: D\u266Fm) is een toonsoort met als grondtoon dis."@nl . . . "D"@en . . . "D\u266F-minoro"@eo . . "B"@en . . . "Re sostenido menor"@es . . .