. "Delarto (itale commedia dell\u2019arte, t.e. \u00ABteatro de profesiaj aktoroj\u00BB) estas speco de improvizema teatro de baroka Italio. Sian pinton \u011Di atingis inter la jaroj 1570 kaj 1650. De la 18a jc \u011Dia influo iom post iom malforti\u011Das, kvankam multajn delartajn komediojn oni prezentas anka\u016D nuntempe. Delartaj trupoj forte influis aktorojn kaj dramverkistojn en \u0109iuj e\u016Dropaj landoj, kiujn ili atingis; interalie, ili rimarkeble influis la francan teatron per Moliero."@eo . "\u7FA9\u5927\u5229\u5373\u8208\u559C\u5287"@zh . "Masque picto.jpg"@en . . . . "\u0397 \u03BA\u03BF\u03BC\u03AD\u03BD\u03C4\u03B9\u03B1 \u03BD\u03C4\u03B5\u03BB \u03AC\u03C1\u03C4\u03B5 (Commedia dell'arte) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03BF\u03BD\u03BF\u03BC\u03B1\u03C3\u03AF\u03B1 \u03C4\u03B7\u03C2 \u03BB\u03B1\u03CA\u03BA\u03AE\u03C2 \u03B9\u03C4\u03B1\u03BB\u03B9\u03BA\u03AE\u03C2 \u03B1\u03C5\u03C4\u03BF\u03C3\u03C7\u03B5\u03B4\u03B9\u03B1\u03C3\u03C4\u03B9\u03BA\u03AE\u03C2 \u03BA\u03C9\u03BC\u03C9\u03B4\u03AF\u03B1\u03C2 \u03B7 \u03BF\u03C0\u03BF\u03AF\u03B1 \u03AE\u03C4\u03B1\u03BD \u03B4\u03B7\u03BC\u03BF\u03C6\u03B9\u03BB\u03AE\u03C2 \u03BC\u03B5\u03C4\u03B1\u03BE\u03CD \u03C4\u03BF\u03C5 16\u03BF\u03C5 \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 18\u03BF\u03C5 \u03B1\u03B9\u03CE\u03BD\u03B1 \u03BA\u03B1\u03B9 \u03AD\u03B3\u03B9\u03BD\u03B5 \u03C3\u03CD\u03BD\u03C4\u03BF\u03BC\u03B1 \u03B1\u03B3\u03B1\u03C0\u03B7\u03C4\u03AE \u03BA\u03B1\u03B9 \u03AD\u03BE\u03C9 \u03B1\u03C0\u03CC \u03C4\u03B1 \u03C3\u03CD\u03BD\u03BF\u03C1\u03B1 \u03C4\u03B7\u03C2 \u0399\u03C4\u03B1\u03BB\u03AF\u03B1\u03C2. \"Commedia dell\u2019arte\" \u03C3\u03B7\u03BC\u03B1\u03AF\u03BD\u03B5\u03B9 \u03B7 \u03BA\u03C9\u03BC\u03C9\u03B4\u03AF\u03B1 \u03C4\u03B7\u03C2 \u03C4\u03AD\u03C7\u03BD\u03B7\u03C2, \u03CC\u03C7\u03B9 \u03BC\u03B5 \u03C4\u03B7\u03BD \u03AD\u03BD\u03BD\u03BF\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03B5\u03C7\u03BD\u03AF\u03B1\u03C2 \u03B1\u03BB\u03BB\u03AC \u03BC\u03B5 \u03B1\u03C5\u03C4\u03AE\u03BD \u03C4\u03B7\u03C2 \u03C4\u03B5\u03C7\u03BD\u03B9\u03BA\u03AE\u03C2 \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 \u03B5\u03C0\u03B1\u03B3\u03B3\u03B5\u03BB\u03BC\u03B1\u03C4\u03B9\u03C3\u03BC\u03BF\u03CD, \u03B7 \u03BA\u03C9\u03BC\u03C9\u03B4\u03AF\u03B1 \u03B4\u03B7\u03BB\u03B1\u03B4\u03AE \u03C0\u03BF\u03C5 \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03B5\u03AF\u03C4\u03B1\u03B9 \u03B1\u03C0\u03CC \"\u03C4\u03B5\u03C7\u03BD\u03AF\u03C4\u03B5\u03C2\" \u2013\u03B5\u03C0\u03B1\u03B3\u03B3\u03B5\u03BB\u03BC\u03B1\u03C4\u03AF\u03B5\u03C2 \u03B7\u03B8\u03BF\u03C0\u03BF\u03B9\u03BF\u03CD\u03C2 \u03C3\u03B5 \u03B1\u03BD\u03C4\u03AF\u03B8\u03B5\u03C3\u03B7 \u03BC\u03B5 \u03C4\u03BF\u03C5\u03C2 \u03B5\u03C1\u03B1\u03C3\u03B9\u03C4\u03AD\u03C7\u03BD\u03B5\u03C2 \u03C4\u03B7\u03C2 \u03BB\u03CC\u03B3\u03B9\u03B1\u03C2 \u03BA\u03C9\u03BC\u03C9\u03B4\u03AF\u03B1\u03C2. \u0395\u03C0\u03C1\u03CC\u03BA\u03B5\u03B9\u03C4\u03BF \u03B3\u03B9\u03B1 \u03AD\u03BD\u03B1 \u03C3\u03CD\u03BD\u03BF\u03BB\u03BF \u03BB\u03B1\u03CA\u03BA\u03CE\u03BD \u03B8\u03B5\u03B1\u03C4\u03C1\u03AF\u03BD\u03C9\u03BD \u03C0\u03BF\u03C5, \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03CE\u03BD\u03C4\u03B1\u03C2 \u03BC\u03CC\u03BD\u03BF\u03B9 \u03C4\u03BF\u03C5\u03C2 \u03C4\u03BF \u03BA\u03BF\u03C3\u03C4\u03BF\u03CD\u03BC\u03B9, \u03C4\u03B7 , \u03C4\u03B9\u03C2 \u03B9\u03B4\u03B9\u03B1\u03B9\u03C4\u03B5\u03C1\u03CC\u03C4\u03B7\u03C4\u03B5\u03C2 \u03C4\u03B7\u03C2 \u03C6\u03C9\u03BD\u03AE\u03C2 \u03C4\u03BF\u03C5\u03C2 \u03BA\u03B1\u03B9 \u03C4\u03B7 \u03C3\u03C4\u03AC\u03C3\u03B7 \u03C4\u03BF\u03C5 \u03C3\u03CE\u03BC\u03B1\u03C4\u03CC\u03C2 \u03C4\u03BF\u03C5\u03C2, \u03AD\u03C0\u03BB\u03B1\u03B8\u03B1\u03BD \u03C4\u03BF\u03C5\u03C2 \u03C7\u03B1\u03C1\u03B1\u03BA\u03C4\u03AE\u03C1\u03B5\u03C2 \u03C4\u03B7\u03C2. \u03A3\u03C4\u03B7\u03C1\u03B9\u03B6\u03CC\u03C4\u03B1\u03BD \u03BA\u03B1\u03C4\u03AC \u03B2\u03AC\u03C3\u03B7 \u03C3\u03C4\u03BF\u03BD \u03B7\u03B8\u03BF\u03C0\u03BF\u03B9\u03CC \u03BA\u03B1\u03B9 \u03C3\u03C4\u03BF\u03BD \u03B1\u03C5\u03C4\u03BF\u03C3\u03C7\u03B5\u03B4\u03B9\u03B1\u03C3\u03BC\u03CC \u03C4\u03BF\u03C5 \u03C0\u03B1\u03C1\u03AC \u03C3\u03C4\u03BF \u03C3\u03C5\u03B3\u03B3\u03C1\u03B1\u03C6\u03AD\u03B1. \u039F\u03B9 \u03C0\u03B5\u03C1\u03B9\u03C3\u03C3\u03CC\u03C4\u03B5\u03C1\u03BF\u03B9 \u03B7\u03B8\u03BF\u03C0\u03BF\u03B9\u03BF\u03AF \u03AD\u03C0\u03C1\u03B5\u03C0\u03B5 \u03AC\u03BB\u03BB\u03C9\u03C3\u03C4\u03B5 \u03BD\u03B1 \u03B4\u03B9\u03B1\u03B8\u03AD\u03C4\u03BF\u03C5\u03BD \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B7 \u03B5\u03C5\u03BB\u03C5\u03B3\u03B9\u03C3\u03AF\u03B1 \u03BA\u03B1\u03B9 \u03B9\u03BA\u03B1\u03BD\u03CC\u03C4\u03B7\u03C4\u03B1 \u03C3\u03C4\u03BF \u03C7\u03BF\u03C1\u03CC. \u0395\u03C0\u03AF\u03C3\u03B7\u03C2 \u03AE\u03C4\u03B1\u03BD \u03AD\u03BD\u03B1 \u03B1\u03C0\u03CC \u03C4\u03B1 \u03C0\u03C1\u03CE\u03C4\u03B1 \u03B8\u03B5\u03B1\u03C4\u03C1\u03B9\u03BA\u03AC \u03B5\u03AF\u03B4\u03B7 \u03C0\u03BF\u03C5 \u03C3\u03C5\u03BC\u03C0\u03B5\u03C1\u03B9\u03AD\u03BB\u03B1\u03B2\u03B5 \u03C3\u03C4\u03BF \u03B8\u03AF\u03B1\u03C3\u03BF \u03B3\u03C5\u03BD\u03B1\u03AF\u03BA\u03B5\u03C2 \u03B7\u03B8\u03BF\u03C0\u03BF\u03B9\u03BF\u03CD\u03C2. \u0395\u03C0\u03B7\u03C1\u03AD\u03B1\u03C3\u03B5 \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03AC \u03C4\u03B7\u03BD \u03B5\u03BE\u03AD\u03BB\u03B9\u03BE\u03B7 \u03C4\u03BF\u03C5 \u03B8\u03B5\u03AC\u03C4\u03C1\u03BF\u03C5 \u03B5\u03BD\u03CE \u03AD\u03C1\u03B3\u03B1 \u03C4\u03B7\u03C2 \u03C0\u03B1\u03AF\u03B6\u03BF\u03BD\u03C4\u03B1\u03B9 \u03B1\u03BA\u03CC\u03BC\u03B7 \u03BA\u03B1\u03B9 \u03C3\u03AE\u03BC\u03B5\u03C1\u03B1."@el . . . . . "Commedia dell\u2019arte"@pl . . "\uCF64\uBA54\uB514\uC544 \uB378\uB77C\uB974\uD14C(Commedia dell'arte)\uB294 16\uC138\uAE30\uC5D0\uC11C 18\uC138\uAE30 \uC0AC\uC774\uC5D0 \uC774\uD0C8\uB9AC\uC544\uC5D0\uC11C \uC720\uD589\uD55C \uC989\uD765\uADF9\uC774\uB2E4. \uC624\uB298\uB0A0\uC5D0\uB3C4 \uD558\uB098\uC758 \uC5F0\uADF9\uD615\uD0DC\uB85C \uB0A8\uC544\uC788\uB2E4. \uACF5\uC5F0\uC758 \uAD6C\uC131\uC6D0\uC740 10\uBA85 \uC815\uB3C4\uC774\uBA70, \uB300\uBCF8\uC5C6\uC774 \uC5F4\uB9B0\uACF5\uAC04\uC5D0\uC11C \uBB34\uB8CC\uB85C \uACF5\uC5F0\uB41C\uB2E4. \uC18C\uD488\uC740 \uAC70\uC758 \uC0AC\uC6A9\uB418\uC9C0 \uC54A\uB294\uB2E4."@ko . . "La commedia dell'arte \u00E8 una forma di spettacolo nata in Italia nel XVI secolo, che si distingue dagli altri generi teatrali del tempo per il professionismo degli attori. \u00C8 rimasta popolare fino alla met\u00E0 del XVIII secolo, anni della riforma goldoniana della commedia. Non si trattava di un genere teatrale, bens\u00EC di una diversa modalit\u00E0 di produzione degli spettacoli. Le rappresentazioni non erano basate su copioni definiti, ma su dei canovacci, detti anche scenari, che fornivano unicamente indicazioni sull'azione e sui lazzi (interventi comici slegati dal resto della commedia, con il solo scopo di far ridere), mentre il resto dello spettacolo era affidato all'improvvisazione. Un altro elemento caratteristico della commedia dell'arte \u00E8 la presenza di caratteri fissi, ovvero personaggi con le"@it . . . . . . . . . "Commedia dell'arte"@ca . . . . . . "\u041A\u043E\u043C\u0435\u0434\u0456\u044F \u0434\u0435\u043B\u044C \u0430\u0440\u0442\u0435"@uk . . "Commedia dell'arte"@it . . . . "Commedia dell\u2019arte"@de . . . . . . . . . . . . . . . . . . . . "De commedia dell'arte (letterlijk: beroepstheater) is een vorm van improvisatietheater die uit Itali\u00EB stamt. Het genre was vooral populair van de 16e tot de 18e eeuw. Een andere benaming ervoor is commedia delle maschere, naar de gebruikte maskers. De commedia dell'arte combineerde serieuze en komische elementen. Figuren als Harlekijn en Pantalone werden er door gepopulariseerd in diverse Europese tradities. Na de theaterhervorming van Carlo Goldoni verdween de toneelvorm. Tegenwoordig leven de personages uit de commedia verder in ballet, pantomime, poppenspel en carnaval."@nl . . . . . . . . . . "Commedia dell'arte"@cs . . . . . "Commedia dell'arte"@eu . . . "\u7FA9\u5927\u5229\u5373\u8208\u559C\u5287\uFF08\u7FA9\u5927\u5229\u8A9E\uFF1ACommedia dell'arte\uFF09\u662F16\u4E16\u7D00\u5728\u7FA9\u5927\u5229\u51FA\u73FE\u7684\u4E00\u7A2E\u6232\u5287\uFF0C\u5176\u7279\u9EDE\u662F\u6234\u8457\u9762\u5177\u7684\u89D2\u8272\uFF0C\u662F\u7531\u5973\u6F14\u54E1\u767C\u660E\uFF0C\u662F\u4EE5\u559C\u5267\u5C0F\u54C1\u70BA\u57FA\u790E\u7684\u5373\u8208\u5287\u5834\u3002\u7FA9\u5927\u5229\u5373\u8208\u559C\u5287\u4E2D\u7684\u4E00\u500B\u7279\u8272\u662F\uFF0C\u53E6\u4E00\u500B\u7279\u8272\u662F\u5176\u4E2D\u6ED1\u7A3D\u6F14\u54E1\u6703\u4EE5\u54D1\u5267\u7684\u65B9\u5F0F\u5448\u73FE\u3002 \u7FA9\u5927\u5229\u5373\u8208\u559C\u5287\u4E2D\u6709\u8A31\u591A\u7684\u5B9A\u578B\u89D2\u8272\uFF0C\u4F8B\u5982\u611A\u7B28\u7684\u8001\u4EBA\u3001\u72E1\u733E\u7684\u50D5\u4EBA\u3001\u770B\u4F3C\u5145\u6EFF\u52C7\u6C23\u7684\u8ECD\u5B98\u7B49\u3002\u4E3B\u8981\u89D2\u8272\u6709\u50D5\u4EBA\u3001\u8001\u4EBA\u3001\u611B\u4EBA\u53CA\u8239\u9577\u7B49\u3002"@zh . . . "La commedia dell'arte [kom\u02C8m\u025B\u02D0dja del\u02C8larte] est un genre de th\u00E9\u00E2tre populaire italien, n\u00E9 au XVIe si\u00E8cle, o\u00F9 des acteurs masqu\u00E9s improvisent des com\u00E9dies marqu\u00E9es par la na\u00EFvet\u00E9, la ruse et l'ing\u00E9niosit\u00E9. Ce genre est apparu avec les premi\u00E8res troupes de com\u00E9die avec masques, en 1528. Signifiant litt\u00E9ralement \u00AB th\u00E9\u00E2tre interpr\u00E9t\u00E9 par des gens de l\u2019art \u00BB, c'est-\u00E0-dire des com\u00E9diens professionnels, le terme est, de nos jours, utilis\u00E9 dans de nombreuses langues, parmi lesquelles le fran\u00E7ais ou l'anglais."@fr . . . . . . . . . . . . . . . . . . . "Comedia del arte"@es . . "Commedia dell'arte XV. mende bukaeran Italian sortu, Europan barrena zabaldu eta gaur egun arte berebiziko eragina duen antzerki-moldea da. Bat-batekotasunean oinarritzen da, maskara edo karatosak erabiltzen dira eta pantomimak, dantzak eta akrobaziak osatzen dute. Horrez gainera, giza bizioren edo barregarriren bat irudikatzen duten pertsonaiak sortu ditu, janzkera eta ibilera bereziez hornituak: Arlecchino (Arlekina, bufoi lotsagabe eta alferra jatorriz, zerbitzari gaixo eta sentibera azkenik), Pedrolino (Pierrot Frantzian, pertsonaia komikoa), Scaramuccia (Scaramouche Frantzian, komedia-antzezleen printzea, goitik behera beltzez jantzia), Pantalone (Pantalon Frantzian, agure likits eta zikoitza, gazteen irrigarri), Il Dottore (Doktorea, Tartaglia edo Totelaren aurrekoa), Capitan (Kapita"@eu . . . . "Masks of Il Capitano and Il Dottore"@en . . "\u0627\u0644\u0643\u0648\u0645\u064A\u062F\u064A\u0627 \u0627\u0644\u0645\u0631\u062A\u064E\u062C\u0644\u064E\u0629 \u0623\u0648 \u0627\u0644\u0645\u0644\u0647\u0627\u0629 \u0627\u0644\u0645\u0631\u062A\u062C\u0644\u0629 Commedia dell'arte \u0634\u0643\u0644 \u0645\u0633\u0631\u062D\u064A\u0651 \u0625\u064A\u0637\u0627\u0644\u064A \u0627\u0632\u062F\u0647\u0631 \u0641\u064A \u0623\u0648\u0631\u0648\u0628\u0627 \u0627\u0628\u062A\u062F\u0627\u0621\u064B \u0645\u0646 \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u0633\u0627\u062F\u0633 \u0639\u0634\u0631 \u0625\u0644\u0649 \u0623\u0648\u0627\u062E\u0631 \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u062B\u0627\u0645\u0646 \u0639\u0634\u0631."@ar . . . . . . . "\u041A\u043E\u043C\u0435\u0434\u0438\u044F \u0434\u0435\u043B\u044C \u0430\u0301\u0440\u0442\u0435 (\u0438\u0442\u0430\u043B. commedia dell\u2019arte), \u0438\u043B\u0438 \u043A\u043E\u043C\u0435\u0434\u0438\u044F \u043C\u0430\u0441\u043E\u043A \u2014 \u0432\u0438\u0434 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u0433\u043E \u043D\u0430\u0440\u043E\u0434\u043D\u043E\u0433\u043E (\u043F\u043B\u043E\u0449\u0430\u0434\u043D\u043E\u0433\u043E \u0438 \u0443\u043B\u0438\u0447\u043D\u043E\u0433\u043E) \u0442\u0435\u0430\u0442\u0440\u0430, \u0441\u043F\u0435\u043A\u0442\u0430\u043A\u043B\u0438 \u043A\u043E\u0442\u043E\u0440\u043E\u0433\u043E \u0441\u043E\u0437\u0434\u0430\u0432\u0430\u043B\u0438\u0441\u044C \u043C\u0435\u0442\u043E\u0434\u043E\u043C \u0438\u043C\u043F\u0440\u043E\u0432\u0438\u0437\u0430\u0446\u0438\u0438, \u043D\u0430 \u043E\u0441\u043D\u043E\u0432\u0435 \u0441\u0446\u0435\u043D\u0430\u0440\u0438\u044F, 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"\uCF64\uBA54\uB514\uC544 \uB378\uB77C\uB974\uD14C(Commedia dell'arte)\uB294 16\uC138\uAE30\uC5D0\uC11C 18\uC138\uAE30 \uC0AC\uC774\uC5D0 \uC774\uD0C8\uB9AC\uC544\uC5D0\uC11C \uC720\uD589\uD55C \uC989\uD765\uADF9\uC774\uB2E4. \uC624\uB298\uB0A0\uC5D0\uB3C4 \uD558\uB098\uC758 \uC5F0\uADF9\uD615\uD0DC\uB85C \uB0A8\uC544\uC788\uB2E4. \uACF5\uC5F0\uC758 \uAD6C\uC131\uC6D0\uC740 10\uBA85 \uC815\uB3C4\uC774\uBA70, \uB300\uBCF8\uC5C6\uC774 \uC5F4\uB9B0\uACF5\uAC04\uC5D0\uC11C \uBB34\uB8CC\uB85C \uACF5\uC5F0\uB41C\uB2E4. \uC18C\uD488\uC740 \uAC70\uC758 \uC0AC\uC6A9\uB418\uC9C0 \uC54A\uB294\uB2E4."@ko . . "\u0397 \u03BA\u03BF\u03BC\u03AD\u03BD\u03C4\u03B9\u03B1 \u03BD\u03C4\u03B5\u03BB \u03AC\u03C1\u03C4\u03B5 (Commedia dell'arte) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03BF\u03BD\u03BF\u03BC\u03B1\u03C3\u03AF\u03B1 \u03C4\u03B7\u03C2 \u03BB\u03B1\u03CA\u03BA\u03AE\u03C2 \u03B9\u03C4\u03B1\u03BB\u03B9\u03BA\u03AE\u03C2 \u03B1\u03C5\u03C4\u03BF\u03C3\u03C7\u03B5\u03B4\u03B9\u03B1\u03C3\u03C4\u03B9\u03BA\u03AE\u03C2 \u03BA\u03C9\u03BC\u03C9\u03B4\u03AF\u03B1\u03C2 \u03B7 \u03BF\u03C0\u03BF\u03AF\u03B1 \u03AE\u03C4\u03B1\u03BD \u03B4\u03B7\u03BC\u03BF\u03C6\u03B9\u03BB\u03AE\u03C2 \u03BC\u03B5\u03C4\u03B1\u03BE\u03CD \u03C4\u03BF\u03C5 16\u03BF\u03C5 \u03BA\u03B1\u03B9 \u03C4\u03BF\u03C5 18\u03BF\u03C5 \u03B1\u03B9\u03CE\u03BD\u03B1 \u03BA\u03B1\u03B9 \u03AD\u03B3\u03B9\u03BD\u03B5 \u03C3\u03CD\u03BD\u03C4\u03BF\u03BC\u03B1 \u03B1\u03B3\u03B1\u03C0\u03B7\u03C4\u03AE \u03BA\u03B1\u03B9 \u03AD\u03BE\u03C9 \u03B1\u03C0\u03CC \u03C4\u03B1 \u03C3\u03CD\u03BD\u03BF\u03C1\u03B1 \u03C4\u03B7\u03C2 \u0399\u03C4\u03B1\u03BB\u03AF\u03B1\u03C2. \u0395\u03C0\u03B7\u03C1\u03AD\u03B1\u03C3\u03B5 \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03AC \u03C4\u03B7\u03BD \u03B5\u03BE\u03AD\u03BB\u03B9\u03BE\u03B7 \u03C4\u03BF\u03C5 \u03B8\u03B5\u03AC\u03C4\u03C1\u03BF\u03C5 \u03B5\u03BD\u03CE \u03AD\u03C1\u03B3\u03B1 \u03C4\u03B7\u03C2 \u03C0\u03B1\u03AF\u03B6\u03BF\u03BD\u03C4\u03B1\u03B9 \u03B1\u03BA\u03CC\u03BC\u03B7 \u03BA\u03B1\u03B9 \u03C3\u03AE\u03BC\u03B5\u03C1\u03B1."@el . . . "\u041A\u043E\u043C\u0435\u0434\u0438\u044F \u0434\u0435\u043B\u044C \u0430\u0301\u0440\u0442\u0435 (\u0438\u0442\u0430\u043B. commedia dell\u2019arte), \u0438\u043B\u0438 \u043A\u043E\u043C\u0435\u0434\u0438\u044F \u043C\u0430\u0441\u043E\u043A \u2014 \u0432\u0438\u0434 \u0438\u0442\u0430\u043B\u044C\u044F\u043D\u0441\u043A\u043E\u0433\u043E \u043D\u0430\u0440\u043E\u0434\u043D\u043E\u0433\u043E (\u043F\u043B\u043E\u0449\u0430\u0434\u043D\u043E\u0433\u043E \u0438 \u0443\u043B\u0438\u0447\u043D\u043E\u0433\u043E) \u0442\u0435\u0430\u0442\u0440\u0430, \u0441\u043F\u0435\u043A\u0442\u0430\u043A\u043B\u0438 \u043A\u043E\u0442\u043E\u0440\u043E\u0433\u043E \u0441\u043E\u0437\u0434\u0430\u0432\u0430\u043B\u0438\u0441\u044C \u043C\u0435\u0442\u043E\u0434\u043E\u043C \u0438\u043C\u043F\u0440\u043E\u0432\u0438\u0437\u0430\u0446\u0438\u0438, \u043D\u0430 \u043E\u0441\u043D\u043E\u0432\u0435 \u0441\u0446\u0435\u043D\u0430\u0440\u0438\u044F, \u0441\u043E\u0434\u0435\u0440\u0436\u0430\u0449\u0435\u0433\u043E \u043A\u0440\u0430\u0442\u043A\u0443\u044E \u0441\u044E\u0436\u0435\u0442\u043D\u0443\u044E \u0441\u0445\u0435\u043C\u0443 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043B\u0435\u043D\u0438\u044F, \u0441 \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043C \u0430\u043A\u0442\u0451\u0440\u043E\u0432, \u043E\u0434\u0435\u0442\u044B\u0445 \u0432 \u043C\u0430\u0441\u043A\u0438. \u0412 \u0440\u0430\u0437\u043D\u044B\u0445 \u0438\u0441\u0442\u043E\u0447\u043D\u0438\u043A\u0430\u0445 \u0442\u0430\u043A\u0436\u0435 \u0443\u043F\u043E\u043C\u0438\u043D\u0430\u0435\u0442\u0441\u044F \u043A\u0430\u043A la commedia a soggetto (\u0441\u0446\u0435\u043D\u0430\u0440\u043D\u044B\u0439 \u0442\u0435\u0430\u0442\u0440), la commedia all\u2019improvviso (\u0442\u0435\u0430\u0442\u0440 \u0438\u043C\u043F\u0440\u043E\u0432\u0438\u0437\u0430\u0446\u0438\u0438) \u0438\u043B\u0438 la commedia degli zanni (\u043A\u043E\u043C\u0435\u0434\u0438\u044F \u0434\u0437\u0430\u043D\u043D\u0438)."@ru . . . . "\u0643\u0648\u0645\u064A\u062F\u064A\u0627 \u0645\u0631\u062A\u062C\u0644\u0629"@ar . . . "\u041A\u043E\u043C\u0435\u0301\u0434\u0456\u044F \u0434\u0435\u043B\u044C \u0430\u0301\u0440\u0442\u0435, \u0430\u0431\u043E \u041A\u043E\u043C\u0435\u0301\u0434\u0456\u044F \u043C\u0430\u0301\u0441\u043E\u043A (\u0456\u0442\u0430\u043B. commedia dell'arte \u2014 \u0430\u0440\u0442\u0438\u0441\u0442\u0438\u0447\u043D\u0430 \u043A\u043E\u043C\u0435\u0434\u0456\u044F) \u2014 \u0432\u0438\u0434 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u043D\u0430\u0440\u043E\u0434\u043D\u043E\u0433\u043E (\u043C\u0430\u0439\u0434\u0430\u043D\u043D\u043E\u0433\u043E) \u0442\u0435\u0430\u0442\u0440\u0443, \u0441\u043F\u0435\u043A\u0442\u0430\u043A\u043B\u0456 \u044F\u043A\u043E\u0433\u043E \u0441\u0442\u0432\u043E\u0440\u044E\u0432\u0430\u043B\u0438\u0441\u044F \u043C\u0435\u0442\u043E\u0434\u043E\u043C \u0456\u043C\u043F\u0440\u043E\u0432\u0456\u0437\u0430\u0446\u0456\u0457, \u043D\u0430 \u043E\u0441\u043D\u043E\u0432\u0456 \u0441\u0446\u0435\u043D\u0430\u0440\u0456\u044E, \u0449\u043E \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u043A\u043E\u0440\u043E\u0442\u043A\u0443 \u0441\u044E\u0436\u0435\u0442\u043D\u0443 \u0441\u0445\u0435\u043C\u0443 \u0432\u0438\u0441\u0442\u0430\u0432\u0438, \u0437\u0430 \u0443\u0447\u0430\u0441\u0442\u044E \u0430\u043A\u0442\u043E\u0440\u0456\u0432, \u043E\u0434\u044F\u0433\u043D\u0435\u043D\u0438\u0445 \u0432 \u043C\u0430\u0441\u043A\u0438. \u0423 \u0440\u0456\u0437\u043D\u0438\u0445 \u0434\u0436\u0435\u0440\u0435\u043B\u0430\u0445 \u0437\u0433\u0430\u0434\u0443\u0454\u0442\u044C\u0441\u044F \u044F\u043A la commedia a soggetto (\u0441\u0446\u0435\u043D\u0430\u0440\u043D\u0438\u0439 \u0442\u0435\u0430\u0442\u0440), la commedia all\u2019improvviso \u0430\u0431\u043E la commedia degli zanni (\u043A\u043E\u043C\u0435\u0434\u0456\u044F )."@uk . . "Commedia dell\u2019arte \u2013 komedia ludowa, powsta\u0142a we W\u0142oszech w po\u0142owie XVI wieku, wywodz\u0105ca si\u0119 z tradycji antycznego mimu, rzymskiej pantomimy i b\u0142aze\u0144skich popis\u00F3w \u015Bredniowiecznych histrion\u00F3w. Komedia, w kt\u00F3rej niezwykle wa\u017Cn\u0105 rol\u0119 odgrywa\u0142a plastyka. Stanowi\u0142a ona nieod\u0142\u0105czn\u0105 cz\u0119\u015B\u0107 tego zabawnego przedsi\u0119wzi\u0119cia. Powtarzalno\u015B\u0107 postaci scenicznych w ka\u017Cdym scenariuszu doprowadzi\u0142a do utrwalenia si\u0119 pewnych komicznych typ\u00F3w, o charakterystycznym wygl\u0105dzie i zachowaniu, zwanych maskami i w maskach cz\u0119sto wyst\u0119puj\u0105cych."@pl . "Delarto (itale commedia dell\u2019arte, t.e. \u00ABteatro de profesiaj aktoroj\u00BB) estas speco de improvizema teatro de baroka Italio. Sian pinton \u011Di atingis inter la jaroj 1570 kaj 1650. De la 18a jc \u011Dia influo iom post iom malforti\u011Das, kvankam multajn delartajn komediojn oni prezentas anka\u016D nuntempe. Delartaj trupoj forte influis aktorojn kaj dramverkistojn en \u0109iuj e\u016Dropaj landoj, kiujn ili atingis; interalie, ili rimarkeble influis la francan teatron per Moliero. Reapero de la samaj drampersonoj en \u0109iuj teatra\u0135oj kondukis al esti\u011Do de certaj teatraj tipoj, kun karaktera aspekto kaj konduto, nomataj maskoj (kaj en maskoj ofte aktorantaj). Delarto evoluis paralele kaj konkure kun la elita dramarto humanisma, kiun oni nomis klera (itale \u00ABerudita\u00BB); aparta\u0135o de delarto estis improvizado. La aktoroj havis nur skizan scenaron, kaj far\u0109is \u011Din per aktuala\u0135oj kaj gagoj (kiujn itale oni nomis lazzi). Nova aparta\u0135o estis apero de virinoj sur la sceno. La \u0109efaj maskoj estis du mastroj: Pantaleono kaj Doktoro (Pantalone kaj Dottore); du servistoj: Arlekeno kaj Brigelo (Brighella); \u0109ambristino Kolombino; Pul\u0109inelo kaj Kapitano. Aldoni\u011Dis anka\u016D Pieroto."@eo . . . . . . . . . . "\u041A\u043E\u043C\u0435\u0301\u0434\u0456\u044F \u0434\u0435\u043B\u044C \u0430\u0301\u0440\u0442\u0435, \u0430\u0431\u043E \u041A\u043E\u043C\u0435\u0301\u0434\u0456\u044F \u043C\u0430\u0301\u0441\u043E\u043A (\u0456\u0442\u0430\u043B. commedia dell'arte \u2014 \u0430\u0440\u0442\u0438\u0441\u0442\u0438\u0447\u043D\u0430 \u043A\u043E\u043C\u0435\u0434\u0456\u044F) \u2014 \u0432\u0438\u0434 \u0456\u0442\u0430\u043B\u0456\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u043D\u0430\u0440\u043E\u0434\u043D\u043E\u0433\u043E (\u043C\u0430\u0439\u0434\u0430\u043D\u043D\u043E\u0433\u043E) \u0442\u0435\u0430\u0442\u0440\u0443, \u0441\u043F\u0435\u043A\u0442\u0430\u043A\u043B\u0456 \u044F\u043A\u043E\u0433\u043E \u0441\u0442\u0432\u043E\u0440\u044E\u0432\u0430\u043B\u0438\u0441\u044F \u043C\u0435\u0442\u043E\u0434\u043E\u043C \u0456\u043C\u043F\u0440\u043E\u0432\u0456\u0437\u0430\u0446\u0456\u0457, \u043D\u0430 \u043E\u0441\u043D\u043E\u0432\u0456 \u0441\u0446\u0435\u043D\u0430\u0440\u0456\u044E, \u0449\u043E \u043C\u0456\u0441\u0442\u0438\u0442\u044C \u043A\u043E\u0440\u043E\u0442\u043A\u0443 \u0441\u044E\u0436\u0435\u0442\u043D\u0443 \u0441\u0445\u0435\u043C\u0443 \u0432\u0438\u0441\u0442\u0430\u0432\u0438, \u0437\u0430 \u0443\u0447\u0430\u0441\u0442\u044E \u0430\u043A\u0442\u043E\u0440\u0456\u0432, \u043E\u0434\u044F\u0433\u043D\u0435\u043D\u0438\u0445 \u0432 \u043C\u0430\u0441\u043A\u0438. \u0423 \u0440\u0456\u0437\u043D\u0438\u0445 \u0434\u0436\u0435\u0440\u0435\u043B\u0430\u0445 \u0437\u0433\u0430\u0434\u0443\u0454\u0442\u044C\u0441\u044F \u044F\u043A la commedia a soggetto (\u0441\u0446\u0435\u043D\u0430\u0440\u043D\u0438\u0439 \u0442\u0435\u0430\u0442\u0440), la commedia all\u2019improvviso \u0430\u0431\u043E la commedia degli zanni (\u043A\u043E\u043C\u0435\u0434\u0456\u044F ). \u0422\u0435\u0430\u0442\u0440 \u043F\u0440\u043E\u0456\u0441\u043D\u0443\u0432\u0430\u0432 \u0437 \u0441\u0435\u0440\u0435\u0434\u0438\u043D\u0438 XVI \u0434\u043E \u043A\u0456\u043D\u0446\u044F XVIII \u0441\u0442\u043E\u043B\u0456\u0442\u044C, \u043D\u0430\u0434\u0430\u0432\u0448\u0438 \u043F\u0440\u0438 \u0446\u044C\u043E\u043C\u0443 \u0437\u043D\u0430\u0447\u043D\u0438\u0439 \u0432\u043F\u043B\u0438\u0432 \u043D\u0430 \u043F\u043E\u0434\u0430\u043B\u044C\u0448\u0438\u0439 \u0440\u043E\u0437\u0432\u0438\u0442\u043E\u043A \u0437\u0430\u0445\u0456\u0434\u043D\u043E\u0454\u0432\u0440\u043E\u043F\u0435\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u0434\u0440\u0430\u043C\u0430\u0442\u0438\u0447\u043D\u043E\u0433\u043E \u0442\u0435\u0430\u0442\u0440\u0443. \u0422\u0440\u0443\u043F\u0438, \u044F\u043A\u0456 \u0433\u0440\u0430\u043B\u0438 \u043A\u043E\u043C\u0435\u0434\u0456\u0457 \u043C\u0430\u0441\u043E\u043A, \u0431\u0443\u043B\u0438 \u043F\u0435\u0440\u0448\u0438\u043C\u0438 \u0432 \u0404\u0432\u0440\u043E\u043F\u0456 \u043F\u0440\u043E\u0444\u0435\u0441\u0456\u0439\u043D\u0438\u043C\u0438 \u0442\u0435\u0430\u0442\u0440\u0430\u043B\u044C\u043D\u0438\u043C\u0438 \u0442\u0440\u0443\u043F\u0430\u043C\u0438, \u0434\u0435 \u0437\u0430\u043A\u043B\u0430\u0434\u0430\u043B\u0438\u0441\u044F \u043E\u0441\u043D\u043E\u0432\u0438 \u0430\u043A\u0442\u043E\u0440\u0441\u044C\u043A\u043E\u0457 \u043C\u0430\u0439\u0441\u0442\u0435\u0440\u043D\u043E\u0441\u0442\u0456 (\u0442\u0435\u0440\u043C\u0456\u043D \u043A\u043E\u043C\u0435\u0434\u0456\u044F \u0434\u0435\u043B\u044C \u0430\u0440\u0442\u0435, \u0430\u0431\u043E \u043C\u0430\u0439\u0441\u0442\u0435\u0440\u043D\u0438\u0439 \u0442\u0435\u0430\u0442\u0440, \u0432\u043A\u0430\u0437\u0443\u0454 \u043D\u0430 \u0434\u043E\u0441\u043A\u043E\u043D\u0430\u043B\u0456\u0441\u0442\u044C \u0430\u043A\u0442\u043E\u0440\u0456\u0432 \u0443 \u0442\u0435\u0430\u0442\u0440\u0430\u043B\u044C\u043D\u0456\u0439 \u0433\u0440\u0456) \u0456 \u0434\u0435 \u0432\u043F\u0435\u0440\u0448\u0435 \u0431\u0443\u043B\u0438 \u043F\u0440\u0438\u0441\u0443\u0442\u043D\u0456 \u0435\u043B\u0435\u043C\u0435\u043D\u0442\u0438 \u0440\u0435\u0436\u0438\u0441\u0443\u0440\u0438 (\u0446\u0456 \u0444\u0443\u043D\u043A\u0446\u0456\u0457 \u0432\u0438\u043A\u043E\u043D\u0443\u0432\u0430\u0432 \u043F\u0440\u043E\u0432\u0456\u0434\u043D\u0438\u0439 \u0430\u043A\u0442\u043E\u0440 \u0442\u0440\u0443\u043F\u0438 \u0437\u0432\u0430\u043D\u0438\u0439 \u043A\u0430\u043F\u043E\u043A\u043E\u043C\u0456\u043A\u043E, \u0456\u0442\u0430\u043B. capocomico). \u0414\u043E XIX \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u044F \u043A\u043E\u043C\u0435\u0434\u0456\u044F \u0434\u0435\u043B\u044C \u0430\u0440\u0442\u0435 \u0437\u0436\u0438\u0432\u0430\u0454 \u0441\u0435\u0431\u0435, \u0430\u043B\u0435 \u0437\u043D\u0430\u0445\u043E\u0434\u0438\u0442\u044C \u043F\u0440\u043E\u0434\u043E\u0432\u0436\u0435\u043D\u043D\u044F \u0432 \u043F\u0430\u043D\u0442\u043E\u043C\u0456\u043C\u0456 \u0456 \u043C\u0435\u043B\u043E\u0434\u0440\u0430\u043C\u0456. \u0423 XX \u0441\u0442\u043E\u043B\u0456\u0442\u0442\u0456 \u043A\u043E\u043C\u0435\u0434\u0456\u044F \u0441\u043B\u0443\u0436\u0438\u0442\u044C \u043C\u043E\u0434\u0435\u043B\u043B\u044E \u0434\u043B\u044F \u0441\u0438\u043D\u0442\u0435\u0442\u0438\u0447\u043D\u043E\u0433\u043E \u0442\u0435\u0430\u0442\u0440\u0443 \u041C\u0435\u0439\u0454\u0440\u0445\u043E\u043B\u044C\u0434\u0430 \u0456 \u0412\u0430\u0445\u0442\u0430\u043D\u0433\u043E\u0432\u0430, \u0430 \u0442\u0430\u043A\u043E\u0436 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0456\u0432 \u0456 \u0416\u0430\u043D\u0430-\u041B\u0443\u0457 \u0411\u0430\u0440\u0440\u043E, \u044F\u043A\u0456 \u0432\u0456\u0434\u0440\u043E\u0434\u0436\u0443\u0432\u0430\u043B\u0438 \u0432\u0438\u0440\u0430\u0437\u043D\u0456\u0441\u0442\u044C \u0441\u0446\u0435\u043D\u0456\u0447\u043D\u0438\u0445 \u0436\u0435\u0441\u0442\u0456\u0432 \u0442\u0430 \u0456\u043C\u043F\u0440\u043E\u0432\u0456\u0437\u0430\u0446\u0456\u0457 \u0456 \u043D\u0430\u0434\u0430\u0432\u0430\u043B\u0438 \u0432\u0435\u043B\u0438\u043A\u0435 \u0437\u043D\u0430\u0447\u0435\u043D\u043D\u044F \u0430\u043D\u0441\u0430\u043C\u0431\u043B\u0435\u0432\u0456\u0439 \u0433\u0440\u0456. \u041F\u0440\u0438\u043D\u0446\u0438\u043F tipi fissi, \u0432 \u044F\u043A\u043E\u043C\u0443 \u043E\u0434\u043D\u0456 \u0456 \u0442\u0456 \u0436 \u043F\u0435\u0440\u0441\u043E\u043D\u0430\u0436\u0456 (\u043C\u0430\u0441\u043A\u0438) \u0431\u0435\u0440\u0443\u0442\u044C \u0443\u0447\u0430\u0441\u0442\u044C \u0443 \u0440\u0456\u0437\u043D\u0438\u0445 \u0437\u0430 \u0437\u043C\u0456\u0441\u0442\u043E\u043C \u0441\u0446\u0435\u043D\u0430\u0440\u0456\u044F\u0445, \u0441\u044C\u043E\u0433\u043E\u0434\u043D\u0456 \u0448\u0438\u0440\u043E\u043A\u043E \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u043E\u0432\u0443\u0454\u0442\u044C\u0441\u044F \u0432 \u0441\u0442\u0432\u043E\u0440\u0435\u043D\u043D\u0456 \u043A\u043E\u043C\u0435\u0434\u0456\u0439\u043D\u0438\u0445 \u0442\u0435\u043B\u0435\u0441\u0435\u0440\u0456\u0430\u043B\u0456\u0432, \u0430 \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u043E \u0456\u043C\u043F\u0440\u043E\u0432\u0456\u0437\u0430\u0446\u0456\u0457 \u2014 \u0443 stand-up comedy."@uk . . . . . . . . . "Commedia dell'arte (/k\u0252\u02C8me\u026Adi\u0259 d\u025Bl\u02C8\u0251\u02D0rte\u026A, k\u0259-, -\u02C8m\u025Bdi\u0259, -\u02C8\u0251\u02D0rti\u02D0/; Italian: [kom\u02C8m\u025B\u02D0dja del\u02C8larte]; lit.\u2009'comedy of the profession') was an early form of professional theatre, originating in Italy, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as commedia alla maschera, commedia improvviso, and commedia dell'arte all'improvviso. Characterized by masked \"types\", commedia was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A commedia, such as The Tooth Puller, is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of commedia is the lazzo, a joke or \"something foolish or witty\", usually well known to the performers and to some extent a scripted routine. Another characteristic of commedia is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the commedia usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated \"real characters\", such as a know-it-all doctor called Il Dottore, a greedy old man called Pantalone, or a perfect relationship like the Innamorati. Many troupes were formed to perform commedia, including I Gelosi (which had actors such as Andreini and her husband Francesco Andreini), Confidenti Troupe, Desioi Troupe, and Fedeli Troupe. Commedia was often performed outside on platforms or in popular areas such as a piazza (town square). The form of theatre originated in Italy, but travelled throughout Europe - sometimes to as far away as Moscow. The genesis of commedia may be related to carnival in Venice, where the author and actor Andrea Calmo had created the character Il Magnifico, the precursor to the vecchio (old man) Pantalone, by 1570. In the Flaminio Scala scenario, for example, Il Magnifico persists and is interchangeable with Pantalone into the 17th century. While Calmo's characters (which also included the Spanish Capitano and a dottore type) were not masked, it is uncertain at what point the characters donned the mask. However, the connection to carnival (the period between Epiphany and Ash Wednesday) would suggest that masking was a convention of carnival and was applied at some point. The tradition in Northern Italy is centred in Florence, Mantua, and Venice, where the major companies came under the protection of the various dukes. Concomitantly, a Neapolitan tradition emerged in the south and featured the prominent stage figure Pulcinella, which has been long associated with Naples and derived into various types elsewhere\u2014most famously as the puppet character Punch (of the eponymous Punch and Judy shows) in England."@en . . . . "Commedia dell'arte"@en . . . . . "24527985"^^ . "Commedia dell'arte va ser el nom que va rebre un tipus d'espectacle improvisat de carrer que va ser especialment popular al renaixement itali\u00E0 i que tenia uns personatges caracter\u00EDstics, com la Colombina, l'Arlequ\u00ED, el Pedrolino \u2014que esdevindria el Pierrot franc\u00E8s\u2014 i el pantalone. Dramaturgs de la talla de Shakespeare i Moli\u00E8re es van basar en ells per a escriure les seves obres, s\u00F3n origen dels pallassos, d'hist\u00F2ries tradicionals de titelles, i de les \u00F2peres c\u00F2mica i bufa. La definici\u00F3 de \u00ABcom\u00E8dia de l'art\u00BB distingia el teatre d'actors professionals d'aquell que es feia a les corts per part de literats i cortesans o dels espectacles sagrats de l'esgl\u00E9sia. Les companyies professionals estaven compostes per artistes i acr\u00F2bates ambulants. No interpretaven textos d'autor sin\u00F3 que, a partir d'un argument, representaven esdeveniments inspirats en la realitat quotidiana, enriquits amb n\u00FAmeros acrob\u00E0tics, dansa, m\u00FAsica i cant. A la com\u00E8dia de l'art hi ha una s\u00E8rie de personatges tipificats i arquet\u00EDpics, la majoria amb la seva m\u00E0scara pr\u00F2pia, que els actors coneixen b\u00E9. La trama i el tema, s\u00F3n motius i esbossos, etapes del proc\u00E9s creatiu. Els actors improvisen a escena amb aquest material, i l'obra teatral neix davant del p\u00FAblic en el mateix moment en qu\u00E8 es representa. Cada pe\u00E7a \u00E9s diferent i els autors de l'obra en s\u00F3n els mateixos executors."@ca . . . . . . "Dottore's Mask.jpg"@en . "145"^^ . . . . . . "Delarto"@eo . "138"^^ . . . "Commedia dell'arte"@fr . . "La comedia del arte (Commedia dell'Arte en italiano) o comedia del arte italiana es un tipo de teatro popular nacido a mediados del siglo XVI en Italia y conservado hasta comienzos del siglo XIX. Como g\u00E9nero, mezcla elementos del teatro literario del Renacimiento italiano con tradiciones carnavalescas (m\u00E1scaras y vestuario), recursos m\u00EDmicos y peque\u00F1as habilidades acrob\u00E1ticas. Su aparici\u00F3n es contempor\u00E1nea de la profesionalizaci\u00F3n de los actores y la creaci\u00F3n de compa\u00F1\u00EDas estables. Los argumentos m\u00E1s t\u00EDpicos, tramas muy sencillas, suelen relatar las aventuras y vicisitudes de una pareja de enamorados (por ejemplo Florindo e Isabella) ante la oposici\u00F3n familiar (Pantaleone o Il Dottore) o tipos del entorno social como Il Capitano. Las intrigas, mimos y acrobacias corren a cargo de los \u00ABzanni\u00BB ('criados'), que encarnan personajes tipo como Arlequ\u00EDn y su novia Colombina, el astuto Brighella, el torpe Polichinela o el r\u00FAstico Truffaldino.\u200B Muchas de las claves de la \u00ABcomedia del arte\u00BB fueron usadas por maestros cl\u00E1sicos como Shakespeare, Lope de Vega o Moli\u00E8re. Tras su desaparici\u00F3n en el siglo XIX, tuvo continuidad en g\u00E9neros como la pantomima, el melodrama de estereotipos y la vertiente teatral de los payasos. A finales del siglo XX se reconoc\u00EDa en claves esenciales del teatro independiente, el cine burlesco y, como modelo did\u00E1ctico, en la ideolog\u00EDa de un teatro completo (basado en el actor y el colectivo), recuperador del poder del gesto y la improvisaci\u00F3n, como se percibe en la obra de Meyerhold, Jacques Copeau, Jean-Louis Barrault y, en especial, de Dario Fo.\u200B\u200B"@es . . . . . . . . . . "\uCF64\uBA54\uB514\uC544 \uB378\uB77C\uB974\uD14C"@ko . . "Commedia dell\u2019arte (italienisch f\u00FCr \u201EBerufsschauspielkunst\u201C, wobei commedia allgemein f\u00FCr das Theater steht und arte mit \u201EKunst\u201C im Sinne von \u201EHandwerk, Beruf\u201C zu \u00FCbersetzen ist) bezeichnet Varianten traditionellen Theaters in den italienischen Gebieten des 16. bis 18. Jahrhunderts. Andere Bezeichnungen f\u00FCr die Commedia dell\u2019arte sind oder waren commedia degli zanni (Theater der Zanni als bestimmte Gruppe von Masken), commedia a soggetto (Szenen- oder Szenariumstheater), commedia improvvisa oder all\u2019improvviso (Improvisationstheater) und commedia delle maschere (Maskentheater). Auf Deutsch werden auch die Begriffe \u201EStegreiftheater\u201C, \u201Eitalienische Stegreifkom\u00F6die\u201C oder \u201Eitalienische Volkskom\u00F6die\u201C verwendet."@de . "\u7FA9\u5927\u5229\u5373\u8208\u559C\u5287\uFF08\u7FA9\u5927\u5229\u8A9E\uFF1ACommedia dell'arte\uFF09\u662F16\u4E16\u7D00\u5728\u7FA9\u5927\u5229\u51FA\u73FE\u7684\u4E00\u7A2E\u6232\u5287\uFF0C\u5176\u7279\u9EDE\u662F\u6234\u8457\u9762\u5177\u7684\u89D2\u8272\uFF0C\u662F\u7531\u5973\u6F14\u54E1\u767C\u660E\uFF0C\u662F\u4EE5\u559C\u5267\u5C0F\u54C1\u70BA\u57FA\u790E\u7684\u5373\u8208\u5287\u5834\u3002\u7FA9\u5927\u5229\u5373\u8208\u559C\u5287\u4E2D\u7684\u4E00\u500B\u7279\u8272\u662F\uFF0C\u53E6\u4E00\u500B\u7279\u8272\u662F\u5176\u4E2D\u6ED1\u7A3D\u6F14\u54E1\u6703\u4EE5\u54D1\u5267\u7684\u65B9\u5F0F\u5448\u73FE\u3002 \u7FA9\u5927\u5229\u5373\u8208\u559C\u5287\u4E2D\u6709\u8A31\u591A\u7684\u5B9A\u578B\u89D2\u8272\uFF0C\u4F8B\u5982\u611A\u7B28\u7684\u8001\u4EBA\u3001\u72E1\u733E\u7684\u50D5\u4EBA\u3001\u770B\u4F3C\u5145\u6EFF\u52C7\u6C23\u7684\u8ECD\u5B98\u7B49\u3002\u4E3B\u8981\u89D2\u8272\u6709\u50D5\u4EBA\u3001\u8001\u4EBA\u3001\u611B\u4EBA\u53CA\u8239\u9577\u7B49\u3002"@zh . . . . . . . . . . . . . . "Commedia dell'arte, av italienska commedia \"sk\u00E5despel\", \"lustspel\" och arte \"konst\", \"hantverk\", \"yrke\", \u00E4r en teaterform med ett givet galleri av rollfigurer som ofta parodierar olika yrkesgrupper genom variationer av \u00E5terkommande scener. Commedia dell'arte uppstod i Italien i mitten av 1500-talet."@sv . "Commedia dell'arte va ser el nom que va rebre un tipus d'espectacle improvisat de carrer que va ser especialment popular al renaixement itali\u00E0 i que tenia uns personatges caracter\u00EDstics, com la Colombina, l'Arlequ\u00ED, el Pedrolino \u2014que esdevindria el Pierrot franc\u00E8s\u2014 i el pantalone. Dramaturgs de la talla de Shakespeare i Moli\u00E8re es van basar en ells per a escriure les seves obres, s\u00F3n origen dels pallassos, d'hist\u00F2ries tradicionals de titelles, i de les \u00F2peres c\u00F2mica i bufa."@ca . . . . "\u30B3\u30F3\u30E1\u30C7\u30A3\u30A2\u30FB\u30C7\u30C3\u30E9\u30EB\u30C6"@ja . . . . . . . . . . . . "Commedia dell\u2019arte (italienisch f\u00FCr \u201EBerufsschauspielkunst\u201C, wobei commedia allgemein f\u00FCr das Theater steht und arte mit \u201EKunst\u201C im Sinne von \u201EHandwerk, Beruf\u201C zu \u00FCbersetzen ist) bezeichnet Varianten traditionellen Theaters in den italienischen Gebieten des 16. bis 18. Jahrhunderts."@de . . . . "La commedia dell'arte \u00E8 una forma di spettacolo nata in Italia nel XVI secolo, che si distingue dagli altri generi teatrali del tempo per il professionismo degli attori. \u00C8 rimasta popolare fino alla met\u00E0 del XVIII secolo, anni della riforma goldoniana della commedia. Non si trattava di un genere teatrale, bens\u00EC di una diversa modalit\u00E0 di produzione degli spettacoli. Le rappresentazioni non erano basate su copioni definiti, ma su dei canovacci, detti anche scenari, che fornivano unicamente indicazioni sull'azione e sui lazzi (interventi comici slegati dal resto della commedia, con il solo scopo di far ridere), mentre il resto dello spettacolo era affidato all'improvvisazione. Un altro elemento caratteristico della commedia dell'arte \u00E8 la presenza di caratteri fissi, ovvero personaggi con le medesime caratteristiche che si ripetono nelle diverse rappresentazioni. In origine, le rappresentazioni erano tenute all'aperto con una scenografia fatta di pochi oggetti. All'estero era conosciuta come \"Commedia italiana\". Nella loro formula spettacolare, i comici della Commedia dell'Arte introdussero un elemento nuovo di portata dirompente e rivoluzionaria: la presenza delle donne sul palcoscenico. In un contratto stipulato con un notaio di Roma il 10 ottobre 1564, si ha la prima apparizione documentata di una donna: la \"signora Lucrezia Di Siena\" ingaggiata da una compagnia che si proponeva di far commedie nel periodo di carnevale, probabilmente un personaggio di elevata cultura in grado di comporre versi e di suonare strumenti. Solo alla fine del secolo le donne avrebbero preso posto a pieno titolo nelle compagnie teatrali. La denominazione veniva sostituita con altre: commedia all'improvviso (o improvvisa), commedia a braccio o commedia degli Zanni. Il nome \"arte\", nel Medioevo, significava \"mestiere\", \"professione\": quello del teatrante, infatti, con la commedia dell'arte diventa un vero e proprio mestiere. Bisogna per\u00F2 specificare che era considerato come tale, non per le compagnie amatoriali, ma solo per quelle compagnie associate che venivano riconosciute dai ducati e avevano un vero e proprio statuto di leggi e regole. Grazie a queste ultime, le compagnie associate sottomettevano le altre che venivano definite \"ruba piazze\"."@it . . . "\u30B3\u30F3\u30E1\u30C7\u30A3\u30A2\u30FB\u30C7\u30C3\u30E9\u30EB\u30C6\uFF08\u30A4\u30BF\u30EA\u30A2\u8A9E: Commedia dell'arte\uFF09\u306F\u3001\u4EEE\u9762\u3092\u4F7F\u7528\u3059\u308B\u5373\u8208\u6F14\u5287\u306E\u4E00\u5F62\u614B\u300216\u4E16\u7D00\u4E2D\u9803\u306B\u30A4\u30BF\u30EA\u30A2\u5317\u90E8\u3067\u751F\u307E\u308C\u3001\u4E3B\u306B16\u4E16\u7D00\u9803\u304B\u308918\u4E16\u7D00\u9803\u306B\u304B\u3051\u3066\u30E8\u30FC\u30ED\u30C3\u30D1\u3067\u6D41\u884C\u3057\u3001\u73FE\u5728\u3082\u306A\u304A\u5404\u5730\u3067\u4E0A\u6F14\u3055\u308C\u7D9A\u3051\u3066\u3044\u308B\u3002\u30B3\u30E1\u30C7\u30A3\u30A2\u30FB\u30C7\u30E9\u30EB\u30C6\u3068\u3057\u305F\u65E5\u672C\u8A9E\u8868\u8A18\u3082\u3042\u308B\u3002"@ja . "Commedia dell'arte, av italienska commedia \"sk\u00E5despel\", \"lustspel\" och arte \"konst\", \"hantverk\", \"yrke\", \u00E4r en teaterform med ett givet galleri av rollfigurer som ofta parodierar olika yrkesgrupper genom variationer av \u00E5terkommande scener. Commedia dell'arte uppstod i Italien i mitten av 1500-talet."@sv . . . . . . . . . . . "La comedia del arte (Commedia dell'Arte en italiano) o comedia del arte italiana es un tipo de teatro popular nacido a mediados del siglo XVI en Italia y conservado hasta comienzos del siglo XIX. Como g\u00E9nero, mezcla elementos del teatro literario del Renacimiento italiano con tradiciones carnavalescas (m\u00E1scaras y vestuario), recursos m\u00EDmicos y peque\u00F1as habilidades acrob\u00E1ticas. Su aparici\u00F3n es contempor\u00E1nea de la profesionalizaci\u00F3n de los actores y la creaci\u00F3n de compa\u00F1\u00EDas estables. Los argumentos m\u00E1s t\u00EDpicos, tramas muy sencillas, suelen relatar las aventuras y vicisitudes de una pareja de enamorados (por ejemplo Florindo e Isabella) ante la oposici\u00F3n familiar (Pantaleone o Il Dottore) o tipos del entorno social como Il Capitano. Las intrigas, mimos y acrobacias corren a cargo de los \u00ABzann"@es . "De commedia dell'arte (letterlijk: beroepstheater) is een vorm van improvisatietheater die uit Itali\u00EB stamt. Het genre was vooral populair van de 16e tot de 18e eeuw. Een andere benaming ervoor is commedia delle maschere, naar de gebruikte maskers. De commedia dell'arte combineerde serieuze en komische elementen. Figuren als Harlekijn en Pantalone werden er door gepopulariseerd in diverse Europese tradities. Na de theaterhervorming van Carlo Goldoni verdween de toneelvorm. Tegenwoordig leven de personages uit de commedia verder in ballet, pantomime, poppenspel en carnaval."@nl . . . . . . "Commedia dell'arte (/k\u0252\u02C8me\u026Adi\u0259 d\u025Bl\u02C8\u0251\u02D0rte\u026A, k\u0259-, -\u02C8m\u025Bdi\u0259, -\u02C8\u0251\u02D0rti\u02D0/; Italian: [kom\u02C8m\u025B\u02D0dja del\u02C8larte]; lit.\u2009'comedy of the profession') was an early form of professional theatre, originating in Italy, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as commedia alla maschera, commedia improvviso, and commedia dell'arte all'improvviso. Characterized by masked \"types\", commedia was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A commedia, such as The Tooth Puller, is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of commedia is the lazzo, a joke or \"something foolish or witty"@en . "\u041A\u043E\u043C\u0435\u0434\u0438\u044F \u0434\u0435\u043B\u044C \u0430\u0440\u0442\u0435"@ru . . "A commedia dell'arte \u00E9 uma forma de teatro popular que aparece no s\u00E9culo XV, na It\u00E1lia, e se desenvolveu posteriormente na Fran\u00E7a, permanecendo at\u00E9 o s\u00E9culo XVIII, quando da reforma goldoniana da com\u00E9dia. A \u201Ccommedia dell'arte\u201D veio se opor \u00E0 \u201Ccom\u00E9dia erudita\u201D, tamb\u00E9m sendo chamada de commedia all'improviso e commedia a Soggetto."@pt . . . . . . "Commedia dell'arte"@nl . . . . . . "Commedia dell'arte"@pt . . . . . . . "A commedia dell'arte \u00E9 uma forma de teatro popular que aparece no s\u00E9culo XV, na It\u00E1lia, e se desenvolveu posteriormente na Fran\u00E7a, permanecendo at\u00E9 o s\u00E9culo XVIII, quando da reforma goldoniana da com\u00E9dia. A \u201Ccommedia dell'arte\u201D veio se opor \u00E0 \u201Ccom\u00E9dia erudita\u201D, tamb\u00E9m sendo chamada de commedia all'improviso e commedia a Soggetto. Suas apresenta\u00E7\u00F5es eram realizadas nas ruas e pra\u00E7as p\u00FAblicas. As companhias eram itinerantes e possu\u00EDam uma estrutura de esquema familiar. Ao chegarem a cada cidade, pediam permiss\u00E3o para se apresentar nas suas carro\u00E7as ou em pequenos palcos improvisados. Os atores seguiam apenas um roteiro simplificado (canovaccio) e tinham total liberdade para improvisar e interagir com o p\u00FAblico."@pt . . . . . . . . . "1113388034"^^ . "Commedia dell'arte znamen\u00E1 (p\u0159elo\u017Eeno z ital\u0161tiny) \u201Ekomedie profesion\u00E1ln\u00EDch herc\u016F\u201C. Zkr\u00E1cen\u011B tak\u00E9 CD'A. Jde o druh improvizovan\u00E9ho divadla renesan\u010Dn\u00ED It\u00E1lie. Nejv\u011Bt\u0161\u00EDho rozmachu dosahovala v letech 1570 a\u017E 1650. Od 18. stolet\u00ED jej\u00ED vliv postupn\u011B sl\u00E1bne, nicm\u00E9n\u011B \u0159\u00EDdce se hraje dodnes. Ko\u010Dovn\u00E9 hereck\u00E9 spole\u010Dnosti commedie dell'arte ovlivnily herce a dramatiky ve v\u0161ech evropsk\u00FDch zem\u00EDch, kam doputovaly. K nejzn\u00E1m\u011Bj\u0161\u00EDm spole\u010Dnostem pat\u0159ili I Gelosi, Confidenti, Accessi, Desioi \u010Di Fedeli, slavn\u00ED herci byli nap\u0159. (vlastn\u00EDm jm\u00E9nem Alberto Naselli), a jeho cho\u0165 ."@cs . "Commedia dell\u2019arte \u2013 komedia ludowa, powsta\u0142a we W\u0142oszech w po\u0142owie XVI wieku, wywodz\u0105ca si\u0119 z tradycji antycznego mimu, rzymskiej pantomimy i b\u0142aze\u0144skich popis\u00F3w \u015Bredniowiecznych histrion\u00F3w. Komedia, w kt\u00F3rej niezwykle wa\u017Cn\u0105 rol\u0119 odgrywa\u0142a plastyka. Stanowi\u0142a ona nieod\u0142\u0105czn\u0105 cz\u0119\u015B\u0107 tego zabawnego przedsi\u0119wzi\u0119cia. Powtarzalno\u015B\u0107 postaci scenicznych w ka\u017Cdym scenariuszu doprowadzi\u0142a do utrwalenia si\u0119 pewnych komicznych typ\u00F3w, o charakterystycznym wygl\u0105dzie i zachowaniu, zwanych maskami i w maskach cz\u0119sto wyst\u0119puj\u0105cych. Rozwijaj\u0105ca si\u0119 r\u00F3wnolegle, cho\u0107 w opozycji, do elitarnego dramatu humanistycznego, a szczeg\u00F3lnie do komedii zwanej erudita (uczona), commedia dell\u2019arte opiera\u0142a si\u0119 w du\u017Cej mierze na zasadzie improwizacji. Aktorzy, bior\u0105c sobie za kanw\u0119 szkicowy scenariusz, swobodnie improwizowali, wymy\u015Blali teksty stosowne do sytuacji, tworzyli zabawne gagi, zwane w\u00F3wczas lazzi, popisywali si\u0119 sztuczkami zr\u0119czno\u015Bciowymi. Novum stanowi\u0142o dopuszczenie na scen\u0119 kobiet. Najwa\u017Cniejsze typowe postacie to: dw\u00F3ch starc\u00F3w, mistrz\u00F3w \u2013 Pantalone i Dottore, dw\u00F3ch s\u0142u\u017C\u0105cych Arlekin i Brighella, pokoj\u00F3wka Kolombina i Kapitan (kapitan jest te\u017C mistrzem)."@pl . . "49515"^^ . . . . . . . . "La commedia dell'arte [kom\u02C8m\u025B\u02D0dja del\u02C8larte] est un genre de th\u00E9\u00E2tre populaire italien, n\u00E9 au XVIe si\u00E8cle, o\u00F9 des acteurs masqu\u00E9s improvisent des com\u00E9dies marqu\u00E9es par la na\u00EFvet\u00E9, la ruse et l'ing\u00E9niosit\u00E9. Ce genre est apparu avec les premi\u00E8res troupes de com\u00E9die avec masques, en 1528. Signifiant litt\u00E9ralement \u00AB th\u00E9\u00E2tre interpr\u00E9t\u00E9 par des gens de l\u2019art \u00BB, c'est-\u00E0-dire des com\u00E9diens professionnels, le terme est, de nos jours, utilis\u00E9 dans de nombreuses langues, parmi lesquelles le fran\u00E7ais ou l'anglais."@fr . "Commedia dell'arte znamen\u00E1 (p\u0159elo\u017Eeno z ital\u0161tiny) \u201Ekomedie profesion\u00E1ln\u00EDch herc\u016F\u201C. Zkr\u00E1cen\u011B tak\u00E9 CD'A. Jde o druh improvizovan\u00E9ho divadla renesan\u010Dn\u00ED It\u00E1lie. Nejv\u011Bt\u0161\u00EDho rozmachu dosahovala v letech 1570 a\u017E 1650. Od 18. stolet\u00ED jej\u00ED vliv postupn\u011B sl\u00E1bne, nicm\u00E9n\u011B \u0159\u00EDdce se hraje dodnes. Ko\u010Dovn\u00E9 hereck\u00E9 spole\u010Dnosti commedie dell'arte ovlivnily herce a dramatiky ve v\u0161ech evropsk\u00FDch zem\u00EDch, kam doputovaly. K nejzn\u00E1m\u011Bj\u0161\u00EDm spole\u010Dnostem pat\u0159ili I Gelosi, Confidenti, Accessi, Desioi \u010Di Fedeli, slavn\u00ED herci byli nap\u0159. (vlastn\u00EDm jm\u00E9nem Alberto Naselli), a jeho cho\u0165 ."@cs . . . . . . . . . . . . "Commedia dell'arte XV. mende bukaeran Italian sortu, Europan barrena zabaldu eta gaur egun arte berebiziko eragina duen antzerki-moldea da. Bat-batekotasunean oinarritzen da, maskara edo karatosak erabiltzen dira eta pantomimak, dantzak eta akrobaziak osatzen dute. Horrez gainera, giza bizioren edo barregarriren bat irudikatzen duten pertsonaiak sortu ditu, janzkera eta ibilera bereziez hornituak: Arlecchino (Arlekina, bufoi lotsagabe eta alferra jatorriz, zerbitzari gaixo eta sentibera azkenik), Pedrolino (Pierrot Frantzian, pertsonaia komikoa), Scaramuccia (Scaramouche Frantzian, komedia-antzezleen printzea, goitik behera beltzez jantzia), Pantalone (Pantalon Frantzian, agure likits eta zikoitza, gazteen irrigarri), Il Dottore (Doktorea, Tartaglia edo Totelaren aurrekoa), Capitan (Kapitaina, beti erronkan diharduen harroputza), Pulcinella (Politxinela). Italiako komediak eragin berezia izan zuen Frantzian XVI. mendetik aurrera (Moli\u00E8re, Com\u00E9die Fran\u00E7aise). Garai modernoagoetan, hainbat pailazok, Grock eta Fratellinitarrek esaterako, Charlie Chaplinek, eta hainbat music-halleko artistek Commedia dell'artek plazaraturiko pantomima-teknikak erabili dituzte."@eu . "\u039A\u03BF\u03BC\u03AD\u03BD\u03C4\u03B9\u03B1 \u03BD\u03C4\u03B5\u03BB \u03AC\u03C1\u03C4\u03B5"@el . . . . . . . . . . . . . . . . . . . "\u0627\u0644\u0643\u0648\u0645\u064A\u062F\u064A\u0627 \u0627\u0644\u0645\u0631\u062A\u064E\u062C\u0644\u064E\u0629 \u0623\u0648 \u0627\u0644\u0645\u0644\u0647\u0627\u0629 \u0627\u0644\u0645\u0631\u062A\u062C\u0644\u0629 Commedia dell'arte \u0634\u0643\u0644 \u0645\u0633\u0631\u062D\u064A\u0651 \u0625\u064A\u0637\u0627\u0644\u064A \u0627\u0632\u062F\u0647\u0631 \u0641\u064A \u0623\u0648\u0631\u0648\u0628\u0627 \u0627\u0628\u062A\u062F\u0627\u0621\u064B \u0645\u0646 \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u0633\u0627\u062F\u0633 \u0639\u0634\u0631 \u0625\u0644\u0649 \u0623\u0648\u0627\u062E\u0631 \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u062B\u0627\u0645\u0646 \u0639\u0634\u0631."@ar . . . . . . "Commedia dell'arte"@sv . . . . . . . . "\u30B3\u30F3\u30E1\u30C7\u30A3\u30A2\u30FB\u30C7\u30C3\u30E9\u30EB\u30C6\uFF08\u30A4\u30BF\u30EA\u30A2\u8A9E: Commedia dell'arte\uFF09\u306F\u3001\u4EEE\u9762\u3092\u4F7F\u7528\u3059\u308B\u5373\u8208\u6F14\u5287\u306E\u4E00\u5F62\u614B\u300216\u4E16\u7D00\u4E2D\u9803\u306B\u30A4\u30BF\u30EA\u30A2\u5317\u90E8\u3067\u751F\u307E\u308C\u3001\u4E3B\u306B16\u4E16\u7D00\u9803\u304B\u308918\u4E16\u7D00\u9803\u306B\u304B\u3051\u3066\u30E8\u30FC\u30ED\u30C3\u30D1\u3067\u6D41\u884C\u3057\u3001\u73FE\u5728\u3082\u306A\u304A\u5404\u5730\u3067\u4E0A\u6F14\u3055\u308C\u7D9A\u3051\u3066\u3044\u308B\u3002\u30B3\u30E1\u30C7\u30A3\u30A2\u30FB\u30C7\u30E9\u30EB\u30C6\u3068\u3057\u305F\u65E5\u672C\u8A9E\u8868\u8A18\u3082\u3042\u308B\u3002"@ja . . . . . .