. . "\u0397 \u039A\u03AC\u03C1\u03BC\u03B5\u03BD \u039C\u03B9\u03C1\u03AC\u03BD\u03C4\u03B1 (\u03A0\u03BF\u03C1\u03C4\u03BF\u03B3\u03B1\u03BB\u03B9\u03BA\u03AE \u03C0\u03C1\u03BF\u03C6\u03BF\u03C1\u03AC: [\u02C8ka\u027Em\u1EBD\u0237\u0303 mi\u02C8\u027E\u0250\u0303d\u0250], \u03C0\u03BB\u03AE\u03C1\u03B5\u03C2 \u03BF\u03BD\u03BF\u03BC\u03B1\u03C4\u03B5\u03C0\u03CE\u03BD\u03C5\u03BC\u03BF \u039C\u03B1\u03C1\u03AF\u03B1 \u03BD\u03C4\u03BF \u039A\u03AC\u03C1\u03BC\u03BF \u039C\u03B9\u03C1\u03AC\u03BD\u03C4\u03B1 \u03BD\u03C4\u03B1 \u039A\u03BF\u03CD\u03BD\u03B9\u03B1, \u03B1\u03B3\u03B3\u03BB\u03B9\u03BA\u03AC Carmen Miranda, Marco de Canaveses, \u0392\u03CC\u03C1\u03B5\u03B9\u03B1 \u03A0\u03BF\u03C1\u03C4\u03BF\u03B3\u03B1\u03BB\u03AF\u03B1, 9 \u03A6\u03B5\u03B2\u03C1\u03BF\u03C5\u03B1\u03C1\u03AF\u03BF\u03C5 1909 - 5 \u0391\u03C5\u03B3\u03BF\u03CD\u03C3\u03C4\u03BF\u03C5 1955) \u03AE\u03C4\u03B1\u03BD \u0392\u03C1\u03B1\u03B6\u03B9\u03BB\u03B9\u03AC\u03BD\u03B1 \u03C0\u03BF\u03C1\u03C4\u03BF\u03B3\u03B1\u03BB\u03B9\u03BA\u03AE\u03C2 \u03BA\u03B1\u03C4\u03B1\u03B3\u03C9\u03B3\u03AE\u03C2 \u03C7\u03BF\u03C1\u03B5\u03CD\u03C4\u03C1\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03C3\u03AC\u03BC\u03C0\u03B1\u03C2, \u03C4\u03C1\u03B1\u03B3\u03BF\u03C5\u03B4\u03AF\u03C3\u03C4\u03C1\u03B9\u03B1 \u03B1\u03BB\u03BB\u03AC \u03BA\u03B1\u03B9 \u03B7\u03B8\u03BF\u03C0\u03BF\u03B9\u03CC\u03C2, \u03B7 \u03C0\u03C1\u03CE\u03C4\u03B7 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03AD\u03C7\u03BD\u03B9\u03C2 \u03B1\u03C0\u03CC \u03C4\u03B7 \u039D\u03CC\u03C4\u03B9\u03B1 \u0391\u03BC\u03B5\u03C1\u03B9\u03BA\u03AE \u03BC\u03B5 \u03B1\u03C3\u03C4\u03AD\u03C1\u03B9 \u03C3\u03C4\u03BF \u00ABHall of Fame\u00BB \u03C4\u03C9\u03BD \u03B4\u03B9\u03B1\u03C3\u03B7\u03BC\u03BF\u03C4\u03AE\u03C4\u03C9\u03BD \u03C4\u03BF\u03C5 \u03A7\u03CC\u03BB\u03B9\u03B3\u03BF\u03C5\u03BD\u03C4 (1960). \u03A3\u03C5\u03BD\u03AE\u03B8\u03B9\u03B6\u03B5 \u03BD\u03B1 \u03B5\u03C1\u03BC\u03B7\u03BD\u03B5\u03CD\u03B5\u03B9 \u03C4\u03B1 \u03C4\u03C1\u03B1\u03B3\u03BF\u03CD\u03B4\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03C6\u03BF\u03C1\u03CE\u03BD\u03C4\u03B1\u03C2 \u03C0\u03BF\u03BB\u03CD\u03C7\u03C1\u03C9\u03BC\u03B7 \u03B1\u03BC\u03C6\u03AF\u03B5\u03C3\u03B7, \u03BC\u03B5 \u03BC\u03B5\u03B3\u03AC\u03BB\u03B1 \u03BA\u03B1\u03C0\u03AD\u03BB\u03B1 \u03C3\u03C4\u03BF\u03BB\u03B9\u03C3\u03BC\u03AD\u03BD\u03B1 \u03BC\u03B5 \u03B1\u03C0\u03BF\u03BC\u03B9\u03BC\u03AE\u03C3\u03B5\u03B9\u03C2 \u03C6\u03C1\u03BF\u03CD\u03C4\u03C9\u03BD \u03BA\u03B1\u03B9 \u03B5\u03BE\u03C9\u03C4\u03B9\u03BA\u03AE, \u03B3\u03B5\u03BD\u03B9\u03BA\u03AC, \u03B5\u03BC\u03C6\u03AC\u03BD\u03B9\u03C3\u03B7. \u0394\u03B9\u03B1\u03BA\u03C1\u03AF\u03B8\u03B7\u03BA\u03B5 \u03B5\u03C0\u03AF\u03C3\u03B7\u03C2 \u03C3\u03C4\u03B9\u03C2 \u03C0\u03B1\u03C1\u03B1\u03C3\u03C4\u03AC\u03C3\u03B5\u03B9\u03C2 \u03C4\u03BF\u03C5 \u00AB\u039A\u03B9\u03BD\u03AD\u03B6\u03B9\u03BA\u03BF\u03C5 \u0398\u03B5\u03AC\u03C4\u03C1\u03BF\u03C5\u00BB, \u03C3\u03C4\u03B1 1941."@el . . "Carmen Miranda (* 9. Februar 1909 in Marco de Canaveses, Portugal; \u2020 5. August 1955 in Beverly Hills, USA; eigentlich Maria do Carmo Miranda da Cunha) war eine portugiesisch-brasilianische S\u00E4ngerin und Schauspielerin. Sie machte ihren Tutti-Frutti-Hut (Tutti-Frutti Hat) weltbekannt. Ihren Spitznamen \u201ECarmen\u201C erhielt Maria nach der gleichnamigen Hauptfigur aus Georges Bizets Oper Carmen."@de . . . . . . "644"^^ . . "1909"^^ . . . . "\u039A\u03AC\u03C1\u03BC\u03B5\u03BD \u039C\u03B9\u03C1\u03AC\u03BD\u03C4\u03B1"@el . . . . . . . . . . . "\u041C\u0430\u0440\u0438\u0301\u044F \u0434\u0443 \u041A\u0430\u0301\u0440\u043C\u0443 \u041C\u0438\u0440\u0430\u0301\u043D\u0434\u0430 \u0434\u0430 \u041A\u0443\u0301\u043D\u044C\u044F (\u043F\u043E\u0440\u0442. Mar\u00EDa do Carmo Miranda da Cunha), \u043F\u0440\u043E\u0444\u0435\u0441\u0441\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u043E \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u0430\u044F \u043A\u0430\u043A \u041A\u0430\u0301\u0440\u043C\u0435\u043D \u041C\u0438\u0440\u0430\u0301\u043D\u0434\u0430 (\u043F\u043E\u0440\u0442. Carmen Miranda; 9 \u0444\u0435\u0432\u0440\u0430\u043B\u044F 1909[\u2026], \u041C\u0430\u0440\u043A\u0443-\u0434\u0438-\u041A\u0430\u043D\u0430\u0432\u0435\u0437\u0438\u0448, \u041F\u043E\u0440\u0442\u0443, \u041F\u043E\u0440\u0442\u0443\u0433\u0430\u043B\u0438\u044F \u2014 5 \u0430\u0432\u0433\u0443\u0441\u0442\u0430 1955[\u2026], \u0411\u0435\u0432\u0435\u0440\u043B\u0438-\u0425\u0438\u043B\u043B\u0437, \u0421\u0428\u0410) \u2014 \u0431\u0440\u0430\u0437\u0438\u043B\u044C\u0441\u043A\u0430\u044F \u043F\u0435\u0432\u0438\u0446\u0430, \u0442\u0430\u043D\u0446\u043E\u0432\u0449\u0438\u0446\u0430, \u0430\u043A\u0442\u0440\u0438\u0441\u0430 \u043F\u043E\u0440\u0442\u0443\u0433\u0430\u043B\u044C\u0441\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F. \u0421\u0442\u0430\u0440\u0448\u0430\u044F \u0441\u0435\u0441\u0442\u0440\u0430 \u043D\u0435\u0441\u043A\u043E\u043B\u044C\u043A\u043E \u043C\u0435\u043D\u0435\u0435 \u0437\u043D\u0430\u043C\u0435\u043D\u0438\u0442\u043E\u0439 \u043F\u0435\u0432\u0438\u0446\u044B, \u0442\u0430\u043D\u0446\u043E\u0432\u0449\u0438\u0446\u044B \u0438 \u043A\u0438\u043D\u043E\u0430\u043A\u0442\u0440\u0438\u0441\u044B \u0410\u0432\u0440\u043E\u0440\u044B."@ru . . . . . "Carmen Miranda GOIH OMC (nascida Maria do Carmo Miranda da Cunha; Marco de Canaveses, 9 de fevereiro de 1909 \u2013 Beverly Hills, 5 de agosto de 1955) foi uma cantora, dan\u00E7arina, e atriz luso-brasileira. Sua carreira art\u00EDstica transcorreu no Brasil e Estados Unidos entre as d\u00E9cadas de 1930 e 1950. Trabalhou no r\u00E1dio, no teatro de revista, no cinema e na televis\u00E3o. Foi considerada pela revista Rolling Stone como a 15\u00AA maior voz da m\u00FAsica brasileira, sendo um \u00EDcone e s\u00EDmbolo internacional do Brasil no exterior. \u00C9 irm\u00E3 da atriz e cantora Aurora Miranda."@pt . . . . . "Carmen Miranda and M\u00E1rio Reis, released in 1934"@en . . "335"^^ . . "The Shamrock Hotel Entertainment and Menu - 2-26-1952 - inside.jpg"@en . . . . "\u0643\u0627\u0631\u0645\u0646 \u0645\u064A\u0631\u0646\u062F\u0627 (\u0628\u0627\u0644\u0628\u0631\u062A\u063A\u0627\u0644\u064A\u0629: Carmen Miranda\u200F) \u0645\u0648\u0627\u0644\u064A\u062F (09 \u0641\u0628\u0631\u0627\u064A\u0631 1909 \u0641\u064A \u0645\u0627\u0631\u0643\u0648 \u062F\u064A \u0643\u0627\u0646\u0627\u0641\u064A\u0633\u0633\u060C \u0645\u0645\u0644\u0643\u0629 \u0627\u0644\u0628\u0631\u062A\u063A\u0627\u0644 - 05 \u0623\u063A\u0633\u0637\u0633 1955 \u0641\u064A \u0628\u064A\u0641\u0631\u0644\u064A \u0647\u064A\u0644\u0632\u060C \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629)\u060C \u0643\u0627\u0646\u062A \u0645\u063A\u0646\u064A\u0629 \u0648\u0645\u0645\u062B\u0644\u0629 \u0628\u0631\u0627\u0632\u064A\u0644\u064A\u0629 \u0628\u062F\u0623\u062A \u0645\u0633\u064A\u0631\u062A\u0647\u0627 \u0627\u0644\u0641\u0646\u064A\u0629 \u0639\u0627\u0645 1928. \u0648\u062A\u064F\u0639\u062A\u0628\u0631 \u0623\u062D\u062F \u0623\u0643\u0628\u0631 \u0631\u0627\u0642\u0635\u0627\u062A \u0627\u0644\u0633\u0627\u0645\u0628\u0627 \u0627\u0644\u0628\u0631\u0627\u0632\u064A\u0644\u064A\u0629"@ar . . . . . . . . "Chegou a hora da fogueira"@en . . "Miranda in the New York Sunday News"@en . "Signature Carmen Miranda.svg"@en . . . . . . . . "Carmen Miranda (pelafalan dalam bahasa Portugis: ; 9 Februari 1909 \u2013 5 Agustus 1955) adalah seorang penyanyi dan aktris berkebangsaan Brasil era 1940-an dan 1950-an. Ia berkarier di dunia artis sejak tahun 1928 dan sampai kematiannya pada tahun 1955 akibat serangan jantung yang dideritanya."@in . . ""@en . . . . . . . . . . . . . . . . . . . . "S\u00E3o Jo\u00E3o Batista Cemetery, Rio de Janeiro, Brazil"@en . . . . . . . . . . . . . . . . . . . . "1928"^^ . . . . "Beverly Hills, California, U.S."@en . . . "\u0643\u0627\u0631\u0645\u0646 \u0645\u064A\u0631\u0646\u062F\u0627 (\u0628\u0627\u0644\u0628\u0631\u062A\u063A\u0627\u0644\u064A\u0629: Carmen Miranda\u200F) \u0645\u0648\u0627\u0644\u064A\u062F (09 \u0641\u0628\u0631\u0627\u064A\u0631 1909 \u0641\u064A \u0645\u0627\u0631\u0643\u0648 \u062F\u064A \u0643\u0627\u0646\u0627\u0641\u064A\u0633\u0633\u060C \u0645\u0645\u0644\u0643\u0629 \u0627\u0644\u0628\u0631\u062A\u063A\u0627\u0644 - 05 \u0623\u063A\u0633\u0637\u0633 1955 \u0641\u064A \u0628\u064A\u0641\u0631\u0644\u064A \u0647\u064A\u0644\u0632\u060C \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629)\u060C \u0643\u0627\u0646\u062A \u0645\u063A\u0646\u064A\u0629 \u0648\u0645\u0645\u062B\u0644\u0629 \u0628\u0631\u0627\u0632\u064A\u0644\u064A\u0629 \u0628\u062F\u0623\u062A \u0645\u0633\u064A\u0631\u062A\u0647\u0627 \u0627\u0644\u0641\u0646\u064A\u0629 \u0639\u0627\u0645 1928. \u0648\u062A\u064F\u0639\u062A\u0628\u0631 \u0623\u062D\u062F \u0623\u0643\u0628\u0631 \u0631\u0627\u0642\u0635\u0627\u062A \u0627\u0644\u0633\u0627\u0645\u0628\u0627 \u0627\u0644\u0628\u0631\u0627\u0632\u064A\u0644\u064A\u0629"@ar . "\u041A\u0430\u0440\u043C\u0435\u043D \u041C\u0456\u0440\u0430\u043D\u0434\u0430 (\u043F\u043E\u0440\u0442. Carmen Miranda, [\u02C8ka\u027Em\u1EBD\u0237\u0303 mi\u02C8\u027E\u0250\u0303d\u0250]; 9 \u043B\u044E\u0442\u043E\u0433\u043E 1909, \u041C\u0430\u0440\u043A\u0443-\u0434\u0435-\u041A\u0430\u043D\u0430\u0432\u0435\u0437\u0435\u0448, \u041F\u043E\u0440\u0442\u0443\u0433\u0430\u043B\u0456\u044F \u2014 5 \u0441\u0435\u0440\u043F\u043D\u044F 1955, \u0411\u0435\u0432\u0435\u0440\u043B\u0456-\u0413\u0456\u043B\u043B\u0437, \u041B\u043E\u0441-\u0410\u043D\u0434\u0436\u0435\u043B\u0435\u0441, \u0421\u0428\u0410) \u2014 \u0431\u0440\u0430\u0437\u0438\u043B\u044C\u0441\u044C\u043A\u0430 \u0441\u043F\u0456\u0432\u0430\u0447\u043A\u0430, \u0442\u0430\u043D\u0446\u0456\u0432\u043D\u0438\u0446\u044F, \u0430\u043A\u0442\u0440\u0438\u0441\u0430 \u043F\u043E\u0440\u0442\u0443\u0433\u0430\u043B\u044C\u0441\u044C\u043A\u043E\u0433\u043E \u043F\u043E\u0445\u043E\u0434\u0436\u0435\u043D\u043D\u044F."@uk . "Convent of Saint Therese of Lisieux"@en . . . "Carmen Miranda, GCIH, OMC (Portuguese pronunciation: [\u02C8ka\u027Em\u1EBD\u0237\u0303 mi\u02C8\u027E\u0250\u0303d\u0250]; born Maria do Carmo Miranda da Cunha, 9 February 1909 \u2013 5 August 1955) was a Portuguese-born Brazilian samba singer, dancer, Broadway actress and film star who was active from the late 1920s onwards. Nicknamed \"The Brazilian Bombshell\", Miranda was known for her signature fruit hat outfit that she wore in her American films. As a young woman, she designed hats in a boutique before making her first recordings with composer Josu\u00E9 de Barros in 1929. Miranda's 1930 recording of \"Ta\u00ED (Pra Voc\u00EA Gostar de Mim)\", written by Joubert de Carvalho, catapulted her to stardom in Brazil as the foremost interpreter of samba."@en . "The Shamrock Hotel Entertainment and Menu - 2-26-1952.jpg"@en . . . . . . . . . "\u041C\u0430\u0440\u0438\u0301\u044F \u0434\u0443 \u041A\u0430\u0301\u0440\u043C\u0443 \u041C\u0438\u0440\u0430\u0301\u043D\u0434\u0430 \u0434\u0430 \u041A\u0443\u0301\u043D\u044C\u044F (\u043F\u043E\u0440\u0442. Mar\u00EDa do Carmo Miranda da Cunha), \u043F\u0440\u043E\u0444\u0435\u0441\u0441\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u043E \u0438\u0437\u0432\u0435\u0441\u0442\u043D\u0430\u044F \u043A\u0430\u043A \u041A\u0430\u0301\u0440\u043C\u0435\u043D \u041C\u0438\u0440\u0430\u0301\u043D\u0434\u0430 (\u043F\u043E\u0440\u0442. Carmen Miranda; 9 \u0444\u0435\u0432\u0440\u0430\u043B\u044F 1909[\u2026], \u041C\u0430\u0440\u043A\u0443-\u0434\u0438-\u041A\u0430\u043D\u0430\u0432\u0435\u0437\u0438\u0448, \u041F\u043E\u0440\u0442\u0443, \u041F\u043E\u0440\u0442\u0443\u0433\u0430\u043B\u0438\u044F \u2014 5 \u0430\u0432\u0433\u0443\u0441\u0442\u0430 1955[\u2026], \u0411\u0435\u0432\u0435\u0440\u043B\u0438-\u0425\u0438\u043B\u043B\u0437, \u0421\u0428\u0410) \u2014 \u0431\u0440\u0430\u0437\u0438\u043B\u044C\u0441\u043A\u0430\u044F \u043F\u0435\u0432\u0438\u0446\u0430, \u0442\u0430\u043D\u0446\u043E\u0432\u0449\u0438\u0446\u0430, \u0430\u043A\u0442\u0440\u0438\u0441\u0430 \u043F\u043E\u0440\u0442\u0443\u0433\u0430\u043B\u044C\u0441\u043A\u043E\u0433\u043E \u043F\u0440\u043E\u0438\u0441\u0445\u043E\u0436\u0434\u0435\u043D\u0438\u044F. \u0421\u0442\u0430\u0440\u0448\u0430\u044F \u0441\u0435\u0441\u0442\u0440\u0430 \u043D\u0435\u0441\u043A\u043E\u043B\u044C\u043A\u043E \u043C\u0435\u043D\u0435\u0435 \u0437\u043D\u0430\u043C\u0435\u043D\u0438\u0442\u043E\u0439 \u043F\u0435\u0432\u0438\u0446\u044B, \u0442\u0430\u043D\u0446\u043E\u0432\u0449\u0438\u0446\u044B \u0438 \u043A\u0438\u043D\u043E\u0430\u043A\u0442\u0440\u0438\u0441\u044B \u0410\u0432\u0440\u043E\u0440\u044B."@ru . . "50758"^^ . "Singer"@en . . . . . . . . "Miranda's signature in ink"@en . . . . . . "1955-08-05"^^ . . . . . "Carmen Miranda"@sv . . . . . . . "\u041C\u0438\u0440\u0430\u043D\u0434\u0430, \u041A\u0430\u0440\u043C\u0435\u043D"@ru . . . . . . . . "Carmen Miranda"@eu . "\uCE74\uB974\uBA69 \uBBF8\uB780\uB2E4(\uD3EC\uB974\uD22C\uAC08\uC5B4: Carmen Miranda, 1909\uB144 2\uC6D4 9\uC77C ~ 1955\uB144 8\uC6D4 5\uC77C)\uB294 \uD3EC\uB974\uD22C\uAC08 \uCD9C\uC0DD \uBE0C\uB77C\uC9C8\uC758 \uAC00\uC218, \uBB34\uC6A9\uAC00, \uBC30\uC6B0\uC774\uB2E4."@ko . . . "Carmen Miranda, all'anagrafe Maria do Carmo Miranda da Cunha (anche nota in Brasile come A Pequena Not\u00E1vel e negli Stati Uniti come The Brazilian Bombshell) (Marco de Canaveses, 9 febbraio 1909 \u2013 Los Angeles, 5 agosto 1955), \u00E8 stata una cantante e attrice portoghese naturalizzata brasiliana. Cantante di radio e di locali notturni di Rio de Janeiro, Carmen Miranda registr\u00F2 i suoi primi album negli anni trenta, diventando rapidamente l'interprete principale di grandi nomi del samba. Tra i suoi molti successi, alcuni classici della musica brasiliana come O que \u00E9 que a baiana tem? di Dorival Caymmi e No tabuleiro da baiana di Ary Barroso. Negli anni quaranta si afferm\u00F2 a livello internazionale con la partecipazione a oltre una dozzina di film prodotti a Hollywood. Il successo la rese la donna pi\u00F9 pagata negli Stati Uniti d'America nel 1945. Icona della cultura popolare, esagerazione estetica e stereotipo, la sua figura venne evocata come simbolo della Tropic\u00E1lia nel Brasile negli anni sessanta, essendo presente nei testi di canzoni come Tropic\u00E1lia di Caetano Veloso.Dopo la sua prematura morte, avvenuta nell'agosto 1955 all'et\u00E0 di 46 anni, la Miranda lasci\u00F2 come eredit\u00E0 la sua immagine, che tutt'oggi \u00E8 utilizzata nel mondo artistico e culturale del Brasile. Nel 1956 fu creato il Museo Carmen Miranda, che sarebbe stato ufficialmente inaugurato solo 20 anni pi\u00F9 tardi dal governatore di Rio de Janeiro, , il 5 agosto 1976."@it . . . . . . "Maria do Carmo Miranda Da Cunha, dite Carmen Miranda, est une actrice et chanteuse br\u00E9silienne d'origine portugaise, n\u00E9e le 9 f\u00E9vrier 1909 \u00E0 Marco de Canaveses (Portugal) et morte le 5 ao\u00FBt 1955 \u00E0 Beverly Hills (Californie). Surnomm\u00E9e \u00AB la bombe br\u00E9silienne \u00BB, elle fit preuve d'un indiscutable temp\u00E9rament comique et participa \u00E0 beaucoup de com\u00E9dies musicales, latino-am\u00E9ricaines dans les ann\u00E9es 1940, \u00E0 la 20th Century Fox. En 1945, elle \u00E9tait la femme la mieux pay\u00E9e des \u00C9tats-Unis. Bien que salu\u00E9e comme une artiste de talent, sa popularit\u00E9 a d\u00E9clin\u00E9 jusqu'\u00E0 la fin de la Seconde Guerre mondiale. Son talent de chanteuse et d'interpr\u00E8te, cependant, a souvent \u00E9t\u00E9 \u00E9clips\u00E9 par le caract\u00E8re exotique de leurs pr\u00E9sentations. \u00C0 une \u00E9poque o\u00F9 Hollywood militait pour emp\u00EAcher les nations d'Am\u00E9rique latine de s'aligner avec l'Axe, Carmen Miranda est devenue l'incarnation d'un exotisme g\u00E9n\u00E9rique de l'Am\u00E9rique latine adopt\u00E9 par l'Am\u00E9rique du Nord mais rejet\u00E9 \u00E0 cause de son inauthenticit\u00E9 et de sa condescendance par les Br\u00E9siliens. Consid\u00E9r\u00E9e comme pr\u00E9curseure du \u00AB tropicalisme \u00BB, mouvement culturel br\u00E9silien des ann\u00E9es 1960, Carmen Miranda a \u00E9t\u00E9 la premi\u00E8re star latino-am\u00E9ricaine \u00E0 poser ses empreintes devant le Grauman's Chinese Theatre en 1941. En 20 ans de carri\u00E8re, Miranda a enregistr\u00E9 279 chansons au Br\u00E9sil et 34 aux \u00C9tats-Unis pour un total de 313. Un mus\u00E9e a \u00E9t\u00E9 construit plus tard \u00E0 Rio de Janeiro, en son honneur. En 1995, elle a fait l'objet du documentaire Carmen Miranda: Bananas is my Business, r\u00E9alis\u00E9 par . Elle a \u00E9t\u00E9 class\u00E9e par le magazine Rolling Stone comme la 15e plus grande voix de la musique br\u00E9silienne, une ic\u00F4ne et un symbole international du pays \u00E0 l'\u00E9tranger."@fr . "Carmen Miranda, rodn\u00FDm jm\u00E9nem Maria do Carmo Miranda da Cunha (9. \u00FAnora 1909 \u2013 5. srpna 1955) byla portugalsk\u00E1 tane\u010Dnice, zp\u011Bva\u010Dka a here\u010Dka. Narodila se ve vesnici pobl\u00ED\u017E portugalsk\u00E9ho m\u011Bsta . N\u011Bkolik m\u011Bs\u00EDc\u016F po jej\u00EDm narozen\u00ED jej\u00ED otec emigroval do Braz\u00EDlie a usadil se v Riu de Janeiru; jej\u00ED matka spolu s n\u00ED a sestrou jej n\u00E1sledovala v roce 1910. Zde matka porodila dal\u0161\u00ED t\u0159i potomky (jeden z nich \u2013 dcera \u2013 se pozd\u011Bji stala here\u010Dkou). Svou p\u011Bveckou kari\u00E9ru zah\u00E1jila koncem dvac\u00E1t\u00FDch let a roku 1933 hr\u00E1la ve sv\u00E9m prvn\u00EDm filmu. Koncem t\u0159ic\u00E1t\u00FDch let se usadila v New Yorku, kde hr\u00E1la v divadle na Broadwayi. Pozd\u011Bji p\u0159es\u00EDdlila do Hollywoodu, kde za\u010Dala rozv\u00EDjet svou filmovou kari\u00E9ru. Zem\u0159ela v roce 1955 v Beverly Hills ve v\u011Bku 46 let. Vel\u0161sk\u00FD hudebn\u00EDk John Cale napsal p\u00EDse\u0148 \u201EThe Soul of Carmen Miranda\u201C, kterou nahr\u00E1l na sv\u00E9 album Words for the Dying z roku 1989."@cs . . . . . "Carmen Miranda, w\u0142a\u015Bc. Maria do Carmo Miranda da Cunha (ur. 9 lutego 1909 w Marco de Canaveses, zm. 5 sierpnia 1955 w Beverly Hills) \u2013 brazylijska piosenkarka, tancerka i aktorka pochodzenia portugalskiego. Pierwsza brazylijska artystka, kt\u00F3ra sta\u0142a si\u0119 mi\u0119dzynarodow\u0105 gwiazd\u0105."@pl . "Cecilia Miranda de Carvalho"@en . "Maria do Carmo Miranda da Cunha"@en . . . . . . . . . . . . . . "Carmen Miranda"@eo . "Carmen_Miranda_e_M\u00E1rio_Reis_-_Alo..._Alo....ogg"@en . . . "Menu cover with woman resembling Miranda"@en . . "Carmen Miranda"@pl . "dancer"@en . "Carmen Miranda"@fr . . "1955"^^ . . . . . "\u0643\u0627\u0631\u0645\u0646 \u0645\u064A\u0631\u0646\u062F\u0627"@ar . . . "1955-08-05"^^ . . . . . . "\uCE74\uB974\uBA69 \uBBF8\uB780\uB2E4"@ko . . . . "\u041A\u0430\u0440\u043C\u0435\u043D \u041C\u0456\u0440\u0430\u043D\u0434\u0430 (\u043F\u043E\u0440\u0442. Carmen Miranda, [\u02C8ka\u027Em\u1EBD\u0237\u0303 mi\u02C8\u027E\u0250\u0303d\u0250]; 9 \u043B\u044E\u0442\u043E\u0433\u043E 1909, \u041C\u0430\u0440\u043A\u0443-\u0434\u0435-\u041A\u0430\u043D\u0430\u0432\u0435\u0437\u0435\u0448, \u041F\u043E\u0440\u0442\u0443\u0433\u0430\u043B\u0456\u044F \u2014 5 \u0441\u0435\u0440\u043F\u043D\u044F 1955, \u0411\u0435\u0432\u0435\u0440\u043B\u0456-\u0413\u0456\u043B\u043B\u0437, \u041B\u043E\u0441-\u0410\u043D\u0434\u0436\u0435\u043B\u0435\u0441, \u0421\u0428\u0410) \u2014 \u0431\u0440\u0430\u0437\u0438\u043B\u044C\u0441\u044C\u043A\u0430 \u0441\u043F\u0456\u0432\u0430\u0447\u043A\u0430, \u0442\u0430\u043D\u0446\u0456\u0432\u043D\u0438\u0446\u044F, \u0430\u043A\u0442\u0440\u0438\u0441\u0430 \u043F\u043E\u0440\u0442\u0443\u0433\u0430\u043B\u044C\u0441\u044C\u043A\u043E\u0433\u043E \u043F\u043E\u0445\u043E\u0434\u0436\u0435\u043D\u043D\u044F."@uk . "Carmen Miranda (pelafalan dalam bahasa Portugis: ; 9 Februari 1909 \u2013 5 Agustus 1955) adalah seorang penyanyi dan aktris berkebangsaan Brasil era 1940-an dan 1950-an. Ia berkarier di dunia artis sejak tahun 1928 dan sampai kematiannya pada tahun 1955 akibat serangan jantung yang dideritanya."@in . "300"^^ . "Carmen Miranda"@cs . . . . . . . . . "The Chiquita Banana Girl"@en . . . . . . . "Carmen Miranda"@en . . . . . . . . . . . . . "A Pequena Not\u00E1vel (in Brazil)"@en . . . . "Al\u00F4... Al\u00F4?"@en . . . "\u5361\u9580\u00B7\u7C73\u862D\u9054"@zh . . "Mar\u00EDa do Carmo Miranda da Cunha (Marco de Canaveses, 9 de febrero de 1909-Beverly Hills, 5 de agosto de 1955), m\u00E1s conocida como Carmen Miranda, fue una cantante de samba y actriz lusobrasile\u00F1a famosa durante los a\u00F1os 1930, 1940 y 1950.\u200B Destacada en la \u00E9poca de oro de Hollywood. Comenz\u00F3 su carrera como cantante a finales de 1920. El primer gran \u00E9xito vino con Pra Voc\u00EA Gostar De Mim (Ta-hi!), escrita por , lanzado en 1930 y que fue r\u00E9cord de ventas, superando la marca de 36 000 copias. La canci\u00F3n alcanz\u00F3 una popularidad tan grande que, en menos de seis meses, Carmen Miranda ya era la m\u00E1s famosa cantante en Brasil.\u200B El a\u00F1o siguiente viaj\u00F3 al extranjero por primera vez como una artista de renombre, cuando se fue a Argentina con los cantantes , y el mandolina . Miranda regres\u00F3 a Argentina en m\u00E1s de ocho ocasiones, entre los a\u00F1os 1933 y 1938. Pronto se convirti\u00F3 en el primer artista en firmar un contrato de trabajo con una emisora de radio en Brasil.\u200B En 1939, en la comedia musical Banana da Terra, Carmen Miranda apareci\u00F3 por primera vez caracterizada de baiana, personaje que la lanz\u00F3 internacionalmente a la fama. La pel\u00EDcula cont\u00F3 con cl\u00E1sicos como O que \u00E9 que a baiana tem?. En febrero de 1939, mientras estaba en el , Carmen fue vista por el magnate de show business que la contrat\u00F3 para ser una de las atracciones de su espect\u00E1culo The Streets of Paris, que estrenar\u00EDa en Broadway. Este fue el episodio que transform\u00F3 la vida de quien m\u00E1s tarde ser\u00EDa conocida como la bomba brasile\u00F1a.\u200B En 1940, Miranda hizo su debut en el cine estadounidense en la pel\u00EDcula Down Argentine Way, con Don Ameche y Betty Grable; sus ropas ex\u00F3ticas y acento brasile\u00F1o se convirtieron en su marca registrada.\u200B Ese mismo a\u00F1o fue elegida la tercera personalidad m\u00E1s popular en Estados Unidos y fue invitada a actuar con su grupo, el , para el presidente Franklin Roosevelt en la Casa Blanca.\u200B En 1945, Carmen Miranda se convirti\u00F3 en la mujer mejor pagada en los Estados Unidos.\u200B Ella hizo un total de 14 pel\u00EDculas en Hollywood entre 1940 y 1953. Aunque aclamada como una artista con talento, su popularidad disminuy\u00F3 desde el final de la Segunda Guerra Mundial. Este talento como cantante e int\u00E9rprete, sin embargo, muchas veces fue ensombrecido por el car\u00E1cter ex\u00F3tico de sus presentaciones. Carmen trat\u00F3 de reconstruir su identidad y escapar de los personajes folcl\u00F3ricos que sus productores y la industria le impon\u00EDan, pero sin conseguir grandes avances.\u200B De hecho, pese a todos los estereotipos a los que se enfrent\u00F3 a lo largo de su carrera, sus performances hicieron grandes avances en la popularizaci\u00F3n de la m\u00FAsica brasile\u00F1a, y al mismo tiempo abri\u00F3 el camino para una mayor conciencia de la cultura latina.\u200B Carmen Miranda fue la primera estrella latinoamericana en ser invitada a imprimir sus manos y pies en el patio del Grauman's Chinese Theatre en 1941. Tambi\u00E9n se convirti\u00F3 en la primera persona sudamericana en ser honrada con una estrella en el Paseo de la Fama y es considera la precursora del Tropicalismo en Brasil, el movimiento cultural de la d\u00E9cada de 1960.\u200B\u200B En 20 a\u00F1os de carrera dej\u00F3 a su voz grabada en 279 grabaciones en Brasil y m\u00E1s 34 en los Estados Unidos, con un total de 313 grabaciones. Un museo se construy\u00F3 m\u00E1s tarde, en R\u00EDo de Janeiro, en su homenaje. En 1995, ella fue tema del documental premiado Carmen Miranda: Bananas is my Business, dirigida por .\u200B Una intersecci\u00F3n entre la Hollywood Boulevard y Orange Drive frente al Chinese Theatre en Hollywood fue oficialmente nombrada Carmen Miranda Square en septiembre de 1998. Hasta hoy, ning\u00FAn artista brasile\u00F1o tuvo tanto reconocimiento internacional como ella.\u200B"@es . . "Mar\u00EDa do Carmo Miranda da Cunha (Marco de Canaveses, 9 de febrero de 1909-Beverly Hills, 5 de agosto de 1955), m\u00E1s conocida como Carmen Miranda, fue una cantante de samba y actriz lusobrasile\u00F1a famosa durante los a\u00F1os 1930, 1940 y 1950.\u200B Destacada en la \u00E9poca de oro de Hollywood. En 1945, Carmen Miranda se convirti\u00F3 en la mujer mejor pagada en los Estados Unidos.\u200B"@es . . . . . . ""@en . . . "Carmen Miranda"@nl . "Carmen Miranda"@in . . . . . . . . . . . . . "1955"^^ . "1909-02-09"^^ . . . . "actress"@en . . . . . . "\u30AB\u30EB\u30E1\u30F3\u30FB\u30DF\u30E9\u30F3\u30C0\uFF08Carmen Miranda\u30011909\u5E742\u67089\u65E5 - 1955\u5E748\u67085\u65E5\uFF09\u306F\u3001\u30DD\u30EB\u30C8\u30AC\u30EB\u751F\u307E\u308C\u306E\u30D6\u30E9\u30B8\u30EB\u4EBA\u30B5\u30F3\u30D0\u6B4C\u624B\u3001\u30C0\u30F3\u30B5\u30FC\u3001\u30D6\u30ED\u30FC\u30C9\u30A6\u30A7\u30A4\u5973\u512A\u3001\u6620\u753B\u30B9\u30BF\u30FC\u3067\u3042\u308A\u30011940\u5E74\u4EE3\u30011950\u5E74\u4EE3\u306B\u4EBA\u6C17\u3092\u535A\u3057\u305F\u3002 \u30D6\u30E9\u30B8\u30EB\u3067\u306E\u6B4C\u624B\u3001\u5973\u512A\u3068\u3057\u3066\u306E\u7D4C\u6B74\u3092\u78BA\u7ACB\u3057\u305F\u5F8C\u3001\u304C\u30011939\u5E74\u30DF\u30E9\u30F3\u30C0\u304A\u3088\u3073\u5F7C\u5973\u306E\u30D0\u30F3\u30C9\u3068\u306E\u5951\u7D04\u306B\u30B5\u30A4\u30F3\u3057\u305F\u3002\u5F7C\u5973\u306F\u30011939\u5E747\u6708\u306B\u30A2\u30E1\u30EA\u30AB\u3067\u30C7\u30D3\u30E5\u30FC\u3057\u3001\u5F8C\u306B\u6620\u753B\u30AD\u30E3\u30EA\u30A2\u3092\u6C42\u3081\u30CF\u30EA\u30A6\u30C3\u30C9\u306B\u5C45\u3092\u79FB\u3057\u3066\u3044\u308B\u3002\u201C\u30D6\u30E9\u30B8\u30EB\u306E\u7206\u5F3E\u201D\u3068\u79F0\u3055\u308C\u30011943\u5E74\u6620\u753B\u201C\u201D\uFF08\u82F1\u8A9E\u7248\uFF09\u3067\u88AB\u3063\u305F\u30DF\u30E9\u30F3\u30C0\u306E\u30D5\u30EB\u30FC\u30C4\u30CF\u30C3\u30C8\u306F\u6709\u540D\u3067\u3042\u308B\u30021945\u5E74\u8FC4\u306B\u3001\u5F7C\u5973\u306F\u30A2\u30E1\u30EA\u30AB\u5408\u8846\u56FD\u306B\u65BC\u3044\u3066\u6700\u9AD8\u7D66\u53D6\u308A\u306E\u5973\u6027\u3068\u306A\u3063\u305F\u3002\u30DF\u30E9\u30F3\u30C0\u306F\u30011940\u301C1953\u5E74\u306E\u9593\u306B\u8A0814\u672C\u306E\u30CF\u30EA\u30A6\u30C3\u30C9\u6620\u753B\u306B\u51FA\u6F14\u3057\u305F\u3002\u512A\u79C0\u306A\u30D1\u30D5\u30A9\u30FC\u30DE\u30FC\u3068\u3057\u3066\u8A8D\u77E5\u3055\u308C\u308B\u304C\u3001\u7B2C\u4E8C\u6B21\u4E16\u754C\u5927\u6226\u306E\u7D42\u308A\u8FC4\u306B\u306F\u5F7C\u5973\u306E\u4EBA\u6C17\u306F\u843D\u3061\u3066\u3086\u304F\u3002\u5F7C\u5973\u306F\u305D\u306E\u5F8C\u81EA\u8EAB\u304C\u69CB\u7BC9\u3057\u305F\u304A\u99B4\u67D3\u307F\u306E\u201C\u30D6\u30E9\u30B8\u30EB\u306E\u7206\u5F3E\u201D\u30A4\u30E1\u30FC\u30B8\u3092\u4E0D\u5FEB\u306B\u611F\u3058\u308B\u3088\u3046\u306B\u306A\u308A\u3001\u305D\u306E\u6253\u7834\u3092\u8A66\u307F\u305F\u304C\u5927\u304D\u306A\u6210\u529F\u306F\u53CE\u3081\u3066\u3044\u306A\u3044\u30021955\u5E748\u67084\u65E5\u3001\u306E\u30A8\u30D4\u30BD\u30FC\u30C9\u306E\u53CE\u9332\u4E2D\u3001\u30DF\u30E9\u30F3\u30C0\u306B\u8EFD\u5EA6\u306E\u5FC3\u81D3\u767A\u4F5C\u304C\u8D77\u304D\u305F\u3002\u5F7C\u5973\u306F\u30B7\u30E7\u30FC\u3092\u7D42\u3048\u305F\u304C\u30012\u5EA6\u76EE\u306E\u5FC3\u81D3\u767A\u4F5C\u5F8C\u3001\u7FCC\u671D\uFF085\u65E5\uFF09\u6B7B\u4EA1\u3057\u305F\u3002"@ja . . . . . . . . . . . . . . "\u041A\u0430\u0440\u043C\u0435\u043D \u041C\u0456\u0440\u0430\u043D\u0434\u0430"@uk . . . . "\u30AB\u30EB\u30E1\u30F3\u30FB\u30DF\u30E9\u30F3\u30C0\uFF08Carmen Miranda\u30011909\u5E742\u67089\u65E5 - 1955\u5E748\u67085\u65E5\uFF09\u306F\u3001\u30DD\u30EB\u30C8\u30AC\u30EB\u751F\u307E\u308C\u306E\u30D6\u30E9\u30B8\u30EB\u4EBA\u30B5\u30F3\u30D0\u6B4C\u624B\u3001\u30C0\u30F3\u30B5\u30FC\u3001\u30D6\u30ED\u30FC\u30C9\u30A6\u30A7\u30A4\u5973\u512A\u3001\u6620\u753B\u30B9\u30BF\u30FC\u3067\u3042\u308A\u30011940\u5E74\u4EE3\u30011950\u5E74\u4EE3\u306B\u4EBA\u6C17\u3092\u535A\u3057\u305F\u3002 \u30D6\u30E9\u30B8\u30EB\u3067\u306E\u6B4C\u624B\u3001\u5973\u512A\u3068\u3057\u3066\u306E\u7D4C\u6B74\u3092\u78BA\u7ACB\u3057\u305F\u5F8C\u3001\u304C\u30011939\u5E74\u30DF\u30E9\u30F3\u30C0\u304A\u3088\u3073\u5F7C\u5973\u306E\u30D0\u30F3\u30C9\u3068\u306E\u5951\u7D04\u306B\u30B5\u30A4\u30F3\u3057\u305F\u3002\u5F7C\u5973\u306F\u30011939\u5E747\u6708\u306B\u30A2\u30E1\u30EA\u30AB\u3067\u30C7\u30D3\u30E5\u30FC\u3057\u3001\u5F8C\u306B\u6620\u753B\u30AD\u30E3\u30EA\u30A2\u3092\u6C42\u3081\u30CF\u30EA\u30A6\u30C3\u30C9\u306B\u5C45\u3092\u79FB\u3057\u3066\u3044\u308B\u3002\u201C\u30D6\u30E9\u30B8\u30EB\u306E\u7206\u5F3E\u201D\u3068\u79F0\u3055\u308C\u30011943\u5E74\u6620\u753B\u201C\u201D\uFF08\u82F1\u8A9E\u7248\uFF09\u3067\u88AB\u3063\u305F\u30DF\u30E9\u30F3\u30C0\u306E\u30D5\u30EB\u30FC\u30C4\u30CF\u30C3\u30C8\u306F\u6709\u540D\u3067\u3042\u308B\u30021945\u5E74\u8FC4\u306B\u3001\u5F7C\u5973\u306F\u30A2\u30E1\u30EA\u30AB\u5408\u8846\u56FD\u306B\u65BC\u3044\u3066\u6700\u9AD8\u7D66\u53D6\u308A\u306E\u5973\u6027\u3068\u306A\u3063\u305F\u3002\u30DF\u30E9\u30F3\u30C0\u306F\u30011940\u301C1953\u5E74\u306E\u9593\u306B\u8A0814\u672C\u306E\u30CF\u30EA\u30A6\u30C3\u30C9\u6620\u753B\u306B\u51FA\u6F14\u3057\u305F\u3002\u512A\u79C0\u306A\u30D1\u30D5\u30A9\u30FC\u30DE\u30FC\u3068\u3057\u3066\u8A8D\u77E5\u3055\u308C\u308B\u304C\u3001\u7B2C\u4E8C\u6B21\u4E16\u754C\u5927\u6226\u306E\u7D42\u308A\u8FC4\u306B\u306F\u5F7C\u5973\u306E\u4EBA\u6C17\u306F\u843D\u3061\u3066\u3086\u304F\u3002\u5F7C\u5973\u306F\u305D\u306E\u5F8C\u81EA\u8EAB\u304C\u69CB\u7BC9\u3057\u305F\u304A\u99B4\u67D3\u307F\u306E\u201C\u30D6\u30E9\u30B8\u30EB\u306E\u7206\u5F3E\u201D\u30A4\u30E1\u30FC\u30B8\u3092\u4E0D\u5FEB\u306B\u611F\u3058\u308B\u3088\u3046\u306B\u306A\u308A\u3001\u305D\u306E\u6253\u7834\u3092\u8A66\u307F\u305F\u304C\u5927\u304D\u306A\u6210\u529F\u306F\u53CE\u3081\u3066\u3044\u306A\u3044\u30021955\u5E748\u67084\u65E5\u3001\u306E\u30A8\u30D4\u30BD\u30FC\u30C9\u306E\u53CE\u9332\u4E2D\u3001\u30DF\u30E9\u30F3\u30C0\u306B\u8EFD\u5EA6\u306E\u5FC3\u81D3\u767A\u4F5C\u304C\u8D77\u304D\u305F\u3002\u5F7C\u5973\u306F\u30B7\u30E7\u30FC\u3092\u7D42\u3048\u305F\u304C\u30012\u5EA6\u76EE\u306E\u5FC3\u81D3\u767A\u4F5C\u5F8C\u3001\u7FCC\u671D\uFF085\u65E5\uFF09\u6B7B\u4EA1\u3057\u305F\u3002"@ja . . . . . . . . . . "Carmen Miranda, rodn\u00FDm jm\u00E9nem Maria do Carmo Miranda da Cunha (9. \u00FAnora 1909 \u2013 5. srpna 1955) byla portugalsk\u00E1 tane\u010Dnice, zp\u011Bva\u010Dka a here\u010Dka. Narodila se ve vesnici pobl\u00ED\u017E portugalsk\u00E9ho m\u011Bsta . N\u011Bkolik m\u011Bs\u00EDc\u016F po jej\u00EDm narozen\u00ED jej\u00ED otec emigroval do Braz\u00EDlie a usadil se v Riu de Janeiru; jej\u00ED matka spolu s n\u00ED a sestrou jej n\u00E1sledovala v roce 1910. Zde matka porodila dal\u0161\u00ED t\u0159i potomky (jeden z nich \u2013 dcera \u2013 se pozd\u011Bji stala here\u010Dkou)."@cs . . . . . . . . . . "Carmen Miranda"@en . . "Carmen Miranda"@pt . . "Carmen Miranda, w\u0142a\u015Bc. Maria do Carmo Miranda da Cunha (ur. 9 lutego 1909 w Marco de Canaveses, zm. 5 sierpnia 1955 w Beverly Hills) \u2013 brazylijska piosenkarka, tancerka i aktorka pochodzenia portugalskiego. Pierwsza brazylijska artystka, kt\u00F3ra sta\u0142a si\u0119 mi\u0119dzynarodow\u0105 gwiazd\u0105."@pl . . . . . . . "449"^^ . . . "Carmen Miranda (* 9. Februar 1909 in Marco de Canaveses, Portugal; \u2020 5. August 1955 in Beverly Hills, USA; eigentlich Maria do Carmo Miranda da Cunha) war eine portugiesisch-brasilianische S\u00E4ngerin und Schauspielerin. Sie machte ihren Tutti-Frutti-Hut (Tutti-Frutti Hat) weltbekannt. Ihren Spitznamen \u201ECarmen\u201C erhielt Maria nach der gleichnamigen Hauptfigur aus Georges Bizets Oper Carmen."@de . . "\u5361\u9580\u00B7\u7C73\u862D\u9054\uFF08\u8461\u8404\u7259\u8A9E\uFF1ACarmen Miranda\uFF1B1909\u5E742\u67089\u65E5\uFF0D1955\u5E748\u67085\u65E5\uFF09\uFF0C\u51FA\u751F\u65BC\u8461\u8404\u7259\uFF0C\u5E7C\u5E74\u79FB\u5C45\u5DF4\u897F\uFF0C\u5728\u5DF4\u897F\u6642\u5148\u662F\u6210\u70BA\u6B4C\u661F\uFF0C1933\u5E74\u767B\u4E0A\u9280\u5E55\uFF0C40\u5E74\u4EE3\u521D\u524D\u5F80\u767E\u8001\u532F\uFF0C\u540E\u4EE5\u5353\u8D8A\u7684\u6B4C\u821E\u624D\u85DD\u6D3B\u8E8D\u65BC\u597D\u840A\u5862\u3002\u5979\u4EE5\u5728\u7F8E\u570B\u96FB\u5F71\u4E2D\u6234\u4E0A\u6C34\u679C\u5E3D\u7684\u9020\u578B\u800C\u805E\u540D\u30021955\u5E74\u7A81\u7136\u60A3\u5FC3\u81DF\u75C5\u53BB\u4E16\uFF0C\u907A\u9AD4\u904B\u56DE\u5DF4\u897F\uFF0C\u5DF4\u897F\u70BA\u5979\u8209\u884C\u4E86\u570B\u846C\u3002 \u5E74\u8F15\u6642\u7684\u5361\u9580\u5728\u670D\u88DD\u5E97\u5DE5\u4F5C\uFF0C\u8CA0\u8CAC\u8A2D\u8A08\u5E3D\u5B50\u3002\u5F8C\u4F861929\u5E74\uFF0C\u8207\u4F5C\u66F2\u5BB6Josu\u00E9 de Barros\u4E00\u8D77\u9304\u88FD\u4E86\u5979\u7684\u7B2C\u4E00\u5F35\u5531\u7247\u3002\u800C1930\u5E74\u9304\u88FD\u4E86\u7531Joubert de Carvalho\u5BEB\u7684\u6B4C Ta\u00ED (Pra Voc\u00EA Gostar de Mim)\uFF0C\u4F7F\u5979\u5168\u570B\u77E5\u540D\u4E26\u978F\u56FA\u4E86\u5979\u4F5C\u70BA\u6F14\u7E79\u68EE\u5DF4\u985E\u6B4C\u66F2\u7684\u4E00\u6D41\u6B4C\u624B\u5730\u4F4D\u3002"@zh . "87041"^^ . "Carmen Miranda"@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "David Alfred Sebastian"@en . . . . . . . . . . . . "Carmen Miranda (kromnomo de Maria do Carmo Miranda da Cunha), sambo-kantistino, naski\u011Dis en , proksime de Lisbono, Portugalio, la 9-an de februaro 1909. Tuj post \u015Dia naski\u011Do la familio elmigris al Brazilo kaj instali\u011Dis en la tiama \u0109efurbo Rio de Janeiro. Tre aktive kantis kaj partoprenis holivudajn filmojn en la 1940-aj jaroj. \u015Ci mortis pro koratako en Beverly Hills, Usono, la 5-an de a\u016Dgusto 1955, nur 46-jara."@eo . . . . . "440"^^ . . . . . . . . . "Menu with drawing of Miranda"@en . . . . "Carmen Miranda"@it . . . . . . . . . . . . . . "1947"^^ . . "\u0397 \u039A\u03AC\u03C1\u03BC\u03B5\u03BD \u039C\u03B9\u03C1\u03AC\u03BD\u03C4\u03B1 (\u03A0\u03BF\u03C1\u03C4\u03BF\u03B3\u03B1\u03BB\u03B9\u03BA\u03AE \u03C0\u03C1\u03BF\u03C6\u03BF\u03C1\u03AC: [\u02C8ka\u027Em\u1EBD\u0237\u0303 mi\u02C8\u027E\u0250\u0303d\u0250], \u03C0\u03BB\u03AE\u03C1\u03B5\u03C2 \u03BF\u03BD\u03BF\u03BC\u03B1\u03C4\u03B5\u03C0\u03CE\u03BD\u03C5\u03BC\u03BF \u039C\u03B1\u03C1\u03AF\u03B1 \u03BD\u03C4\u03BF \u039A\u03AC\u03C1\u03BC\u03BF \u039C\u03B9\u03C1\u03AC\u03BD\u03C4\u03B1 \u03BD\u03C4\u03B1 \u039A\u03BF\u03CD\u03BD\u03B9\u03B1, \u03B1\u03B3\u03B3\u03BB\u03B9\u03BA\u03AC Carmen Miranda, Marco de Canaveses, \u0392\u03CC\u03C1\u03B5\u03B9\u03B1 \u03A0\u03BF\u03C1\u03C4\u03BF\u03B3\u03B1\u03BB\u03AF\u03B1, 9 \u03A6\u03B5\u03B2\u03C1\u03BF\u03C5\u03B1\u03C1\u03AF\u03BF\u03C5 1909 - 5 \u0391\u03C5\u03B3\u03BF\u03CD\u03C3\u03C4\u03BF\u03C5 1955) \u03AE\u03C4\u03B1\u03BD \u0392\u03C1\u03B1\u03B6\u03B9\u03BB\u03B9\u03AC\u03BD\u03B1 \u03C0\u03BF\u03C1\u03C4\u03BF\u03B3\u03B1\u03BB\u03B9\u03BA\u03AE\u03C2 \u03BA\u03B1\u03C4\u03B1\u03B3\u03C9\u03B3\u03AE\u03C2 \u03C7\u03BF\u03C1\u03B5\u03CD\u03C4\u03C1\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03C3\u03AC\u03BC\u03C0\u03B1\u03C2, \u03C4\u03C1\u03B1\u03B3\u03BF\u03C5\u03B4\u03AF\u03C3\u03C4\u03C1\u03B9\u03B1 \u03B1\u03BB\u03BB\u03AC \u03BA\u03B1\u03B9 \u03B7\u03B8\u03BF\u03C0\u03BF\u03B9\u03CC\u03C2, \u03B7 \u03C0\u03C1\u03CE\u03C4\u03B7 \u03BA\u03B1\u03BB\u03BB\u03B9\u03C4\u03AD\u03C7\u03BD\u03B9\u03C2 \u03B1\u03C0\u03CC \u03C4\u03B7 \u039D\u03CC\u03C4\u03B9\u03B1 \u0391\u03BC\u03B5\u03C1\u03B9\u03BA\u03AE \u03BC\u03B5 \u03B1\u03C3\u03C4\u03AD\u03C1\u03B9 \u03C3\u03C4\u03BF \u00ABHall of Fame\u00BB \u03C4\u03C9\u03BD \u03B4\u03B9\u03B1\u03C3\u03B7\u03BC\u03BF\u03C4\u03AE\u03C4\u03C9\u03BD \u03C4\u03BF\u03C5 \u03A7\u03CC\u03BB\u03B9\u03B3\u03BF\u03C5\u03BD\u03C4 (1960). \u03A3\u03C5\u03BD\u03AE\u03B8\u03B9\u03B6\u03B5 \u03BD\u03B1 \u03B5\u03C1\u03BC\u03B7\u03BD\u03B5\u03CD\u03B5\u03B9 \u03C4\u03B1 \u03C4\u03C1\u03B1\u03B3\u03BF\u03CD\u03B4\u03B9\u03B1 \u03C4\u03B7\u03C2 \u03C6\u03BF\u03C1\u03CE\u03BD\u03C4\u03B1\u03C2 \u03C0\u03BF\u03BB\u03CD\u03C7\u03C1\u03C9\u03BC\u03B7 \u03B1\u03BC\u03C6\u03AF\u03B5\u03C3\u03B7, \u03BC\u03B5 \u03BC\u03B5\u03B3\u03AC\u03BB\u03B1 \u03BA\u03B1\u03C0\u03AD\u03BB\u03B1 \u03C3\u03C4\u03BF\u03BB\u03B9\u03C3\u03BC\u03AD\u03BD\u03B1 \u03BC\u03B5 \u03B1\u03C0\u03BF\u03BC\u03B9\u03BC\u03AE\u03C3\u03B5\u03B9\u03C2 \u03C6\u03C1\u03BF\u03CD\u03C4\u03C9\u03BD \u03BA\u03B1\u03B9 \u03B5\u03BE\u03C9\u03C4\u03B9\u03BA\u03AE, \u03B3\u03B5\u03BD\u03B9\u03BA\u03AC, \u03B5\u03BC\u03C6\u03AC\u03BD\u03B9\u03C3\u03B7. \u0394\u03B9\u03B1\u03BA\u03C1\u03AF\u03B8\u03B7\u03BA\u03B5 \u03B5\u03C0\u03AF\u03C3\u03B7\u03C2 \u03C3\u03C4\u03B9\u03C2 \u03C0\u03B1\u03C1\u03B1\u03C3\u03C4\u03AC\u03C3\u03B5\u03B9\u03C2 \u03C4\u03BF\u03C5 \u00AB\u039A\u03B9\u03BD\u03AD\u03B6\u03B9\u03BA\u03BF\u03C5 \u0398\u03B5\u03AC\u03C4\u03C1\u03BF\u03C5\u00BB, \u03C3\u03C4\u03B1 1941."@el . "Mar\u00EDa do Carmo Miranda da Cunha, ezagunagoa Carmen Miranda izenez, (Marco de Canaveses, Portugal, 1909ko otsailaren 9a - Beverly Hills, Ameriketako Estatu Batuak, 1955eko abuztuaren 5a) luso-brasildar sanba-abeslaria eta aktorea izan zen. 1930eko eta 1950eko hamarkaden bitartean ospe handia lortu zuen. Ameriketako Estatu Batuetako filmetan jantzi ohi zituen zituen bereizgarri."@eu . . . "Aurora Miranda"@en . . "Carmen_Miranda_e_M\u00E1rio_Reis_-_Chegou_a_hora_da_fogueira.ogg"@en . . . . . . . . . "\uCE74\uB974\uBA69 \uBBF8\uB780\uB2E4(\uD3EC\uB974\uD22C\uAC08\uC5B4: Carmen Miranda, 1909\uB144 2\uC6D4 9\uC77C ~ 1955\uB144 8\uC6D4 5\uC77C)\uB294 \uD3EC\uB974\uD22C\uAC08 \uCD9C\uC0DD \uBE0C\uB77C\uC9C8\uC758 \uAC00\uC218, \uBB34\uC6A9\uAC00, \uBC30\uC6B0\uC774\uB2E4."@ko . . "Carmen Miranda and M\u00E1rio Reis, released in 1933"@en . "Carmen Miranda (Marco de Canaveses, 9 februari 1909 \u2013 Beverly Hills, 5 augustus 1955) was een Portugees-Braziliaans zangeres en actrice."@nl . . . . . "Carmen Miranda (9 de febrer de 1909 - 5 d'agost de 1955); nascuda Maria do Carmo Miranda da Cunha, fou una cantant de samba i actriu brasilera nascuda a Portugal, activa especialment a partir del 1940. Famosa per promoure el Brasil a tot el m\u00F3n, fou una estrella a Broadway, ja que va aconseguir un dels sous m\u00E9s alts pagats a un artista de Hollywood i a una dona als EUA."@ca . . . . . . . . . . . . . . . "Carmen Miranda, f\u00F6dd Maria do Carmo Miranda da Cunha den 9 februari 1909 i i distriktet Porto i Portugal, d\u00F6d 5 augusti 1955 i Beverly Hills i Los Angeles i Kalifornien, var en brasiliansk s\u00E5ngerska och sk\u00E5despelare."@sv . . . . . . . . . . . "The Brazilian Bombshell"@en . . . . . . . . "Maria do Carmo Miranda Da Cunha, dite Carmen Miranda, est une actrice et chanteuse br\u00E9silienne d'origine portugaise, n\u00E9e le 9 f\u00E9vrier 1909 \u00E0 Marco de Canaveses (Portugal) et morte le 5 ao\u00FBt 1955 \u00E0 Beverly Hills (Californie). Surnomm\u00E9e \u00AB la bombe br\u00E9silienne \u00BB, elle fit preuve d'un indiscutable temp\u00E9rament comique et participa \u00E0 beaucoup de com\u00E9dies musicales, latino-am\u00E9ricaines dans les ann\u00E9es 1940, \u00E0 la 20th Century Fox. En 1945, elle \u00E9tait la femme la mieux pay\u00E9e des \u00C9tats-Unis."@fr . . . . . . . . "--02-26"^^ . "Carmen Miranda"@en . . . . . "Carmen Miranda, GCIH, OMC (Portuguese pronunciation: [\u02C8ka\u027Em\u1EBD\u0237\u0303 mi\u02C8\u027E\u0250\u0303d\u0250]; born Maria do Carmo Miranda da Cunha, 9 February 1909 \u2013 5 August 1955) was a Portuguese-born Brazilian samba singer, dancer, Broadway actress and film star who was active from the late 1920s onwards. Nicknamed \"The Brazilian Bombshell\", Miranda was known for her signature fruit hat outfit that she wore in her American films. As a young woman, she designed hats in a boutique before making her first recordings with composer Josu\u00E9 de Barros in 1929. Miranda's 1930 recording of \"Ta\u00ED (Pra Voc\u00EA Gostar de Mim)\", written by Joubert de Carvalho, catapulted her to stardom in Brazil as the foremost interpreter of samba. During the 1930s, Miranda performed on Brazilian radio and appeared in five Brazilian chanchadas, films celebrating Brazilian music, dance and the country's carnival culture. Hello, Hello Brazil! and Hello, Hello, Carnival! embodied the spirit of these early Miranda films. The 1939 musical Banana da Terra (directed by Ruy Costa) gave the world her \"Baiana\" image, inspired by Afro-Brazilians from the north-eastern state of Bahia. In 1939, Broadway producer Lee Shubert offered Miranda an eight-week contract to perform in The Streets of Paris after seeing her at Cassino da Urca in Rio de Janeiro. The following year she made her first Hollywood film, Down Argentine Way with Don Ameche and Betty Grable and her exotic clothing and Lusophone accent became her trademark. That year, she was voted the third-most-popular personality in the United States; she and her group, Bando da Lua, were invited to sing and dance for President Franklin D. Roosevelt. In 1943, Miranda starred in Busby Berkeley's The Gang's All Here, which featured musical numbers with the fruit hats that became her trademark. By 1945, she was the highest-paid woman in the United States. Miranda made fourteen Hollywood films between 1940 and 1953. Although she was hailed as a talented performer, her popularity waned by the end of World War II. Miranda came to resent the stereotypical \"Brazilian Bombshell\" image she had cultivated and attempted to free herself of it with limited success. She focused on nightclub appearances and became a fixture on television variety shows. Despite being stereotyped, Miranda's performances popularized Brazilian music and increased public awareness of Latin culture. In 1941, she was the first Latin American star to be invited to leave her hand and footprints in the courtyard of Grauman's Chinese Theatre and was the first South American honored with a star on the Hollywood Walk of Fame. Miranda is considered the precursor of Brazil's 1960s Tropicalismo cultural movement. A museum was built in Rio de Janeiro in her honor and she was the subject of the documentary Carmen Miranda: Bananas is My Business (1995)."@en . . . . . . . . "The Chiquita Banana Girl"@en . . "Maria do Carmo Miranda da Cunha"@en . . . . . . . . . . . . . . . . . . . "Carmen Miranda (kromnomo de Maria do Carmo Miranda da Cunha), sambo-kantistino, naski\u011Dis en , proksime de Lisbono, Portugalio, la 9-an de februaro 1909. Tuj post \u015Dia naski\u011Do la familio elmigris al Brazilo kaj instali\u011Dis en la tiama \u0109efurbo Rio de Janeiro. Tre aktive kantis kaj partoprenis holivudajn filmojn en la 1940-aj jaroj. \u015Ci mortis pro koratako en Beverly Hills, Usono, la 5-an de a\u016Dgusto 1955, nur 46-jara."@eo . . "Carmen Miranda GOIH OMC (nascida Maria do Carmo Miranda da Cunha; Marco de Canaveses, 9 de fevereiro de 1909 \u2013 Beverly Hills, 5 de agosto de 1955) foi uma cantora, dan\u00E7arina, e atriz luso-brasileira. Sua carreira art\u00EDstica transcorreu no Brasil e Estados Unidos entre as d\u00E9cadas de 1930 e 1950. Trabalhou no r\u00E1dio, no teatro de revista, no cinema e na televis\u00E3o. Foi considerada pela revista Rolling Stone como a 15\u00AA maior voz da m\u00FAsica brasileira, sendo um \u00EDcone e s\u00EDmbolo internacional do Brasil no exterior. \u00C9 irm\u00E3 da atriz e cantora Aurora Miranda. Apelidada de \"Brazilian Bombshell\", Miranda \u00E9 conhecida por seus ex\u00F3ticos figurinos e chap\u00E9u com frutas que ela costumava usar em seus filmes estadunidenses, que fez deles sua marca registrada. Ainda jovem, ela aprendeu a fazer chap\u00E9us em uma boutique antes de gravar seu primeiro \u00E1lbum com o compositor Josu\u00E9 de Barros em 1929. A grava\u00E7\u00E3o de Ta-h\u00ED (Pra Voc\u00EA Gostar De Mim), escrita por Joubert de Carvalho, a levou ao estrelato no Brasil como a principal int\u00E9rprete do samba na d\u00E9cada de 1930. Na \u00E9poca ela se tornou a primeira artista a assinar um contrato de trabalho com uma emissora de r\u00E1dio no pa\u00EDs. Seu crescente sucesso na ind\u00FAstria fonogr\u00E1fica lhe garantiu um lugar nos primeiros filmes sonoros lan\u00E7ados nos anos 1930. Carmen Miranda participou de cinco musicais carnavalescos lan\u00E7ados nesse per\u00EDodo como Al\u00F4, Al\u00F4, Brasil (1935) e Al\u00F4, Al\u00F4, Carnaval (1936). Em 1939, ela apareceu pela primeira vez caracterizada de baiana, personagem que a lan\u00E7ou internacionalmente, no filme Banana da Terra, dirigido por Ruy Costa. O musical apresentava cl\u00E1ssicos como O que \u00E9 que a baiana tem?, que lan\u00E7ou Dorival Caymmi no cinema. Em 1939, o produtor da Broadway, Lee Shubert, ofereceu a Miranda um contrato de oito semanas para se apresentar em The Streets of Paris depois de v\u00EA-la no Cassino da Urca, no Rio de Janeiro. No ano seguinte, ela fez sua estreia no cinema estadunidense no filme Serenata Tropical, ao lado de Don Ameche e Betty Grable. Naquele ano, Miranda foi eleita a terceira personalidade mais popular nos Estados Unidos, e foi convidada para se apresentar junto com seu grupo, o Bando da Lua, para o presidente Franklin Roosevelt na Casa Branca. Carmen Miranda chegou a ser a mulher mais bem paga dos Estados Unidos segundo o Departamento do Tesouro Americano. Ela fez um total de catorze filmes nos EUA entre a d\u00E9cada de 1940 e d\u00E9cada de 1950, nove deles somente na 20th Century Fox. Embora aclamada como uma artista talentosa, sua popularidade diminuiu at\u00E9 o final da Segunda Guerra Mundial. O seu talento como cantora e performer, por\u00E9m, muitas vezes foi ofuscado pelo car\u00E1ter ex\u00F3tico de suas apresenta\u00E7\u00F5es. Miranda tentou reconstruir sua identidade e fugir do enquadramento que seus produtores e a ind\u00FAstria tentavam lhe impor, mas sem conseguir grandes avan\u00E7os. Sua imagem se tornou a personifica\u00E7\u00E3o de um exotismo latino-americano gen\u00E9rico que foi abra\u00E7ado como singular e peculiar pelo p\u00FAblico dos EUA e rejeitado como inaut\u00EAntico e paternalista por brasileiros. De fato, por todos os estere\u00F3tipos que enfrentou ao longo de sua carreira, suas apresenta\u00E7\u00F5es fizeram grandes avan\u00E7os na populariza\u00E7\u00E3o da m\u00FAsica brasileira, ao mesmo tempo, abrindo o caminho para o aumento da consci\u00EAncia de toda a cultura Latina. Carmen Miranda foi a primeira artista latino-americana a ser convidada a imprimir suas m\u00E3os e p\u00E9s no p\u00E1tio do Grauman's Chinese Theatre, em 1941. Ela tamb\u00E9m se tornou a primeira sul-americana a ser homenageada com uma estrela na Cal\u00E7ada da Fama. A sua figura, para muito al\u00E9m da m\u00FAsica, seria uma influ\u00EAncia permanente na cultura brasileira, da Tropic\u00E1lia ao cinema. Em 20 anos de carreira ela deixou sua voz registrada em 279 grava\u00E7\u00F5es somente no Brasil e mais 34 nos EUA, num total de 313 can\u00E7\u00F5es. Um museu foi constru\u00EDdo mais tarde no Rio de Janeiro, em sua homenagem. Em 1995, ela foi tema do aclamado document\u00E1rio Carmen Miranda: Bananas is my Business, dirigido por Helena Solberg, e uma interse\u00E7\u00E3o no cruzamento da Hollywood Boulevard e Orange Drive em frente ao Teatro Chin\u00EAs em Hollywood foi oficialmente nomeada \"Carmen Miranda Square\", em setembro de 1998. At\u00E9 hoje, nenhum artista brasileiro teve tanta proje\u00E7\u00E3o internacional como ela."@pt . . . . . "Mar\u00EDa do Carmo Miranda da Cunha, ezagunagoa Carmen Miranda izenez, (Marco de Canaveses, Portugal, 1909ko otsailaren 9a - Beverly Hills, Ameriketako Estatu Batuak, 1955eko abuztuaren 5a) luso-brasildar sanba-abeslaria eta aktorea izan zen. 1930eko eta 1950eko hamarkaden bitartean ospe handia lortu zuen. Ameriketako Estatu Batuetako filmetan jantzi ohi zituen zituen bereizgarri."@eu . . . . "1909-02-09"^^ . . . . . . . . . . . . . . . . . . . . . . "1121175156"^^ . "\u30AB\u30EB\u30E1\u30F3\u30FB\u30DF\u30E9\u30F3\u30C0"@ja . . . . "Carmen Miranda"@de . "\u5361\u9580\u00B7\u7C73\u862D\u9054\uFF08\u8461\u8404\u7259\u8A9E\uFF1ACarmen Miranda\uFF1B1909\u5E742\u67089\u65E5\uFF0D1955\u5E748\u67085\u65E5\uFF09\uFF0C\u51FA\u751F\u65BC\u8461\u8404\u7259\uFF0C\u5E7C\u5E74\u79FB\u5C45\u5DF4\u897F\uFF0C\u5728\u5DF4\u897F\u6642\u5148\u662F\u6210\u70BA\u6B4C\u661F\uFF0C1933\u5E74\u767B\u4E0A\u9280\u5E55\uFF0C40\u5E74\u4EE3\u521D\u524D\u5F80\u767E\u8001\u532F\uFF0C\u540E\u4EE5\u5353\u8D8A\u7684\u6B4C\u821E\u624D\u85DD\u6D3B\u8E8D\u65BC\u597D\u840A\u5862\u3002\u5979\u4EE5\u5728\u7F8E\u570B\u96FB\u5F71\u4E2D\u6234\u4E0A\u6C34\u679C\u5E3D\u7684\u9020\u578B\u800C\u805E\u540D\u30021955\u5E74\u7A81\u7136\u60A3\u5FC3\u81DF\u75C5\u53BB\u4E16\uFF0C\u907A\u9AD4\u904B\u56DE\u5DF4\u897F\uFF0C\u5DF4\u897F\u70BA\u5979\u8209\u884C\u4E86\u570B\u846C\u3002 \u5E74\u8F15\u6642\u7684\u5361\u9580\u5728\u670D\u88DD\u5E97\u5DE5\u4F5C\uFF0C\u8CA0\u8CAC\u8A2D\u8A08\u5E3D\u5B50\u3002\u5F8C\u4F861929\u5E74\uFF0C\u8207\u4F5C\u66F2\u5BB6Josu\u00E9 de Barros\u4E00\u8D77\u9304\u88FD\u4E86\u5979\u7684\u7B2C\u4E00\u5F35\u5531\u7247\u3002\u800C1930\u5E74\u9304\u88FD\u4E86\u7531Joubert de Carvalho\u5BEB\u7684\u6B4C Ta\u00ED (Pra Voc\u00EA Gostar de Mim)\uFF0C\u4F7F\u5979\u5168\u570B\u77E5\u540D\u4E26\u978F\u56FA\u4E86\u5979\u4F5C\u70BA\u6F14\u7E79\u68EE\u5DF4\u985E\u6B4C\u66F2\u7684\u4E00\u6D41\u6B4C\u624B\u5730\u4F4D\u3002"@zh . . . . . . . . . . . . . "The Brazilian Bombshell"@en . . . . . . . "Carmen Miranda, all'anagrafe Maria do Carmo Miranda da Cunha (anche nota in Brasile come A Pequena Not\u00E1vel e negli Stati Uniti come The Brazilian Bombshell) (Marco de Canaveses, 9 febbraio 1909 \u2013 Los Angeles, 5 agosto 1955), \u00E8 stata una cantante e attrice portoghese naturalizzata brasiliana."@it . . . . . . "Carmen Miranda (9 de febrer de 1909 - 5 d'agost de 1955); nascuda Maria do Carmo Miranda da Cunha, fou una cantant de samba i actriu brasilera nascuda a Portugal, activa especialment a partir del 1940. Famosa per promoure el Brasil a tot el m\u00F3n, fou una estrella a Broadway, ja que va aconseguir un dels sous m\u00E9s alts pagats a un artista de Hollywood i a una dona als EUA."@ca . "Carmen Miranda"@ca . . . . . . . . . "Carmen Miranda, f\u00F6dd Maria do Carmo Miranda da Cunha den 9 februari 1909 i i distriktet Porto i Portugal, d\u00F6d 5 augusti 1955 i Beverly Hills i Los Angeles i Kalifornien, var en brasiliansk s\u00E5ngerska och sk\u00E5despelare."@sv . . . . . . . . . . . . . . . . . . . "1928"^^ . "A Pequena Not\u00E1vel"@en . . . . . "A smiling Carmen Miranda against a bamboo wall"@en . . . . . ""@en . . . . . . . . "Carmen Miranda (Marco de Canaveses, 9 februari 1909 \u2013 Beverly Hills, 5 augustus 1955) was een Portugees-Braziliaans zangeres en actrice."@nl .