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<http://dbpedia.org/resource/Carl_Philipp_Emanuel_Bach>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Carl Philipp Emanuel Bach (8 Maret 1714 \u2013 14 Desember 1788) adalah seorang komponis dan musikus zaman Klasik Klasik Jerman, anak kelima dan putra kedua yang masih hidup dari Johann Sebastian Bach dan Maria Barbara Bach. Nama keduanya diberikan untuk menghormati ayah baptisnya Georg Philipp Telemann, seorang teman Johann Sebastian Bach."@in .
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<http://dbpedia.org/resource/Carl_Philipp_Emanuel_Bach>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Carl Philipp Emanuel Bach (Weimar, 1714ko martxoaren 8a \u2013 Hanburgo, 1788ko abenduaren 14a) konpositore alemaniarra, Johann Sebastian Bach eta hamaika seme-alabetan bigarrena. sortzaileetako bat izan zen, eta garaiko konpositore garrantzitsuenetariko bat. Gainera, XX. mendeko klabezin-jotzaileetan azken maisua izan zen."@eu .
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<http://dbpedia.org/resource/Carl_Philipp_Emanuel_Bach>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Rhetoric> .
<http://dbpedia.org/resource/Carl_Philipp_Emanuel_Bach>	<http://www.w3.org/2000/01/rdf-schema#comment>	"Carl Philipp Emanuel Bach, f\u00F6dd 8 mars 1714 i Weimar, d\u00F6d 14 december 1788 i Hamburg, var en tysk tons\u00E4ttare, musikpedagog och klaverspelare. Han betraktas ofta som den mest betydande av Johann Sebastian Bachs s\u00F6ner. Carl Philipp Emanuel fick \u00E4rva en del av kvarl\u00E5tenskapen efter fadern. Trots att han brutit stilm\u00E4ssigt med faderns barock tog han v\u00E4l vara p\u00E5 den och propagerade ofta i skrifter f\u00F6r faderns storhet som komposit\u00F6r. Han skrev ocks\u00E5 en del om \u00E4ldre tiders komposit\u00F6rer, fr\u00E4mst inom sl\u00E4kten Bach, vilket har varit v\u00E4rdefullt f\u00F6r musikhistoriker."@sv .
<http://dbpedia.org/resource/Carl_Philipp_Emanuel_Bach>	<http://dbpedia.org/ontology/wikiPageWikiLink>	<http://dbpedia.org/resource/Litany> .
<http://dbpedia.org/resource/Carl_Philipp_Emanuel_Bach>	<http://dbpedia.org/property/filename>	"Carl Phillipe Emanuel Bach - Freie Fantasie, F Sharp minor.ogg"@en .
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<http://dbpedia.org/resource/Carl_Philipp_Emanuel_Bach>	<http://dbpedia.org/ontology/abstract>	"Carl Philipp Emanuel BACH (naski\u011Dis la 8-an de marto, 1714, mortis la 14-an de decembro, 1788) estis germana muzikisto kaj komponisto, kaj la dua filo de Johann Sebastian Bach. Li estis fondinto de la klasika stilo, kaj estis profunde respektata interalie de Joseph Haydn, kiu diris: \"Li estas la patro, ni la infanoj.\" En Frankfurto \u0109e Odro ekzistas koncertejo nomita la\u016D li, la Bach-koncerthalo en la iama franciskana pre\u011Dejo."@eo .
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<http://dbpedia.org/resource/Carl_Philipp_Emanuel_Bach>	<http://dbpedia.org/ontology/abstract>	"Carl Philipp Emanuel Bach, f\u00F6dd 8 mars 1714 i Weimar, d\u00F6d 14 december 1788 i Hamburg, var en tysk tons\u00E4ttare, musikpedagog och klaverspelare. Han betraktas ofta som den mest betydande av Johann Sebastian Bachs s\u00F6ner. Han studerade f\u00F6rst juridik vid universiteten i Leipzig och Frankfurt an der Oder, men efter avlagd examen \u00F6vergav han sina planer p\u00E5 en akademisk karri\u00E4r f\u00F6r musiken. Han komponerade s\u00E5v\u00E4l instrumental som vokal musik, men br\u00F6t med faderns polyfona kontrapunktiska barock och blev i st\u00E4llet den fr\u00E4msta f\u00F6retr\u00E4daren f\u00F6r den k\u00E4nslosamma rokokomusiken. Hans musik utstr\u00E5lar ofta ett slags vemod. Fl\u00F6jten \u00E4r ett instrument som passar hans stil utm\u00E4rkt. Carl Philipp Emanuel fick \u00E4rva en del av kvarl\u00E5tenskapen efter fadern. Trots att han brutit stilm\u00E4ssigt med faderns barock tog han v\u00E4l vara p\u00E5 den och propagerade ofta i skrifter f\u00F6r faderns storhet som komposit\u00F6r. Han skrev ocks\u00E5 en del om \u00E4ldre tiders komposit\u00F6rer, fr\u00E4mst inom sl\u00E4kten Bach, vilket har varit v\u00E4rdefullt f\u00F6r musikhistoriker. Han var (liksom fadern) en framst\u00E5ende pedagog, med halvbrodern Johann Christian Bach som mest k\u00E4nda elev. Han skrev ocks\u00E5 en ber\u00F6md l\u00E4robok i klaverspel - Versuch \u00FCber die wahre Art, das Clavier zu spielen - som \u00E4r ytterst elegant formulerad och vid sidan av till exempel Quantz' tv\u00E4rfl\u00F6jtl\u00E4ra och Leopold Mozarts violinskola en viktig k\u00E4lla till d\u00E5tida spelteknik och praktisk musikuppfattning. Han komponerade olika slags klavermusik, symfonier, pianokonserter, kammarmusik och kyrkomusik i form av oratorier, kantater och andliga s\u00E5nger. F\u00F6r samtiden var CPE Bach en av sin tids allra fr\u00E4msta tons\u00E4ttare och yngre komposit\u00F6rer som exempelvis Mozart tog intryck av hans stil. N\u00E4r Bachren\u00E4ssansen under f\u00F6rsta halvan av 1800-talet br\u00F6t igenom kom CPE Bach f\u00F6r en tid i vanrykte som den som f\u00F6rd\u00E4rvade arvet fr\u00E5n barocken. Senare har han rehabiliterats, och hans betydelse f\u00F6r Wienklassicismen har framh\u00E5llits. Hans egen musik har ocks\u00E5 en trogen lyssnarskara och v\u00E4lsorterade skivaff\u00E4rer har i regel ett sortiment av inspelningar av hans verk."@sv .
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