. . . . . . . . . . . . . . . . . . . . . . . "\u2014Punch and Judy showman Glyn Edwards."@en . . . . . . . . . . . . . . . . "28.0"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . "12830"^^ . . . . . . . . . . "1122986609"^^ . . . . . . "\"[Pulcinella] went down particularly well with Restoration British audiences, fun-starved after years of Puritanism. We soon changed Punch's name, transformed him from a marionette to a hand puppet, and he became, really, a spirit of Britain - a subversive maverick who defies authority, a kind of puppet equivalent to our political cartoons.\""@en . . . . . . "British comedy"@en . . . . . . . . . . . . . . . . . . "Throughout film, television, and radio, British comedy has become known for its consistently peculiar characters, plots, and settings, and has produced some of the most renowned comedians and characters in the world."@en . "right"@en . "89602"^^ . . . . . . . . . . . . "Throughout film, television, and radio, British comedy has become known for its consistently peculiar characters, plots, and settings, and has produced some of the most renowned comedians and characters in the world."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .