. . . . . "Hasthamudra7.JPG"@en . . . . . "\u0628\u0647\u0627\u0631\u0627\u062A\u0627\u062A\u064A\u0627\u0645"@ar . . "\u0411\u0433\u0430\u0440\u0430\u0442\u0430\u043D\u0430\u0301\u0442\u044C\u044F\u043C (\u0431\u0433\u0430 \u2014 \u00AB\u0431\u0433\u0430\u0432\u0430\u00BB, \u043F\u043E\u0447\u0443\u0442\u0442\u044F, \u0435\u043C\u043E\u0446\u0456\u0457; \u0440\u0430 \u2014 \u00AB\u0440\u0430\u0433\u0430\u00BB \u2014 \u043C\u0435\u043B\u043E\u0434\u0456\u044F, \u0442\u0430 \u2014 \u00AB\u0442\u0430\u043B\u0430\u043C\u00BB \u2014 \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u043E \u0440\u0438\u0442\u043C\u0443, \u043D\u0430\u0442\u044C\u044F\u043C \u2014 \u0442\u0430\u043D\u0435\u0446\u044C) \u2014 \u0432\u0438\u0434 \u0442\u0435\u0430\u0442\u0440\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0442\u0430\u043D\u0446\u044E, \u0449\u043E \u0437\u0430\u0440\u043E\u0434\u0438\u0432\u0441\u044F \u0432 \u041F\u0456\u0432\u0434\u0435\u043D\u043D\u0456\u0439 \u0406\u043D\u0434\u0456\u0457, \u0443 \u0448\u0442\u0430\u0442\u0456 \u0422\u0430\u043C\u0456\u043B\u043D\u0430\u0434. \u0404 \u043E\u0434\u043D\u0438\u043C \u0437 \u043A\u043B\u0430\u0441\u0438\u0447\u043D\u0438\u0445 \u0441\u0442\u0438\u043B\u0456\u0432 \u0456\u043D\u0434\u0456\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u0442\u0430\u043D\u0446\u044E."@uk . . . "A Bharatanatyam dancer"@en . . "\u2014T Balasaraswati, a Bharatanatyam devadasi"@en . . . . "El bharatanatyam \u2015\u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD: paratan\u0101\u1E6D\u1E6Diyam, en tamil\u2015 es una danza cl\u00E1sica de la India, originaria de Tamil Nadu, un estado del sur de India.\u200B\u200B\u200B\u200B\u200B Es una de las ocho o nueve danzas cl\u00E1sicas de la India, como el kathakali, mohiniyattam, odissi, kuchipudi, kathak y manipuri. Se cree que es una forma de danza reconstruida a partir del , que a su vez es una reconstrucci\u00F3n de danzas m\u00E1s antiguas, provenientes de los templos de la antigua India, del I milenio a. C. Las asociaciones, sin embargo, deben ser sometidas a un examen exhaustivo. No hay una l\u00EDnea clara que vincule al Bharatanatyam con formas de danza milenarias. No existe una manera certera de saber c\u00F3mo eran las danzas hace 2000 a\u00F1os, y es necesario reconocer que la est\u00E9tica y las formas de Bharatanatyam contempor\u00E1neo son parte de "@es . . . "\u0411\u0445\u0430\u0440\u0430\u0442\u043D\u0430\u0442\u044C\u044F\u043C"@ru . "Bharata natyam (\u00E4ven Bharathanatyam, Bharatnatyam eller Bharatanatyam) \u00E4r en sydindisk klassisk dans. Dansen fick sin definitiva utformning av under tidigt 1800-tal, och senare av dansaren . Enligt legenden ska Bharata natyam en dans som skapats av , en hinduisk som ska vara f\u00F6rfattare till , den \u00E4ldsta indiska skrift som avhandlar dansen. Under \u00E4ldre tid utf\u00F6rdes dansen som av Devadasis i templen. M\u00E5nga \u00E4ldre tempelskulpturer baseras f.\u00F6. p\u00E5 just denna dans. Bharata natyam \u00E4r den yttre manifestationen av den sydindiska id\u00E9n om att fira det eviga universum genom att fira den fysiska kroppens sk\u00F6nhet. I indisk mytologi s\u00E4gs universum vara identiskt med den dans som utf\u00F6rs av , en av Shivas avatarer. Bharata natyam \u00E4r en , och en av fem dansstilar som inkluderar Odissi (elementet vatten) och (elementet luft). R\u00F6relsem\u00F6nstret i en v\u00E4l utf\u00F6rd Bharata natyam p\u00E5minner om eldsl\u00E5gans r\u00F6relse. Bharata natyam kan i religi\u00F6s mening \u00E4ven ut\u00F6vas som . En professionell dansare (patra) av Bharata natyam b\u00F6r enligt (en ledande kommentarsamling f\u00F6r dansen) ha f\u00F6ljande egenskaper: Hon ska vara 1. \n* ung, 2. \n* smal, 3. \n* vacker, 4. \n* ha stora \u00F6gon, 5. \n* ha en vacker byst, 6. \n* ha gott sj\u00E4lvf\u00F6rtroende, 7. \n* beg\u00E5vad med humor, 8. \n* till lags, 9. \n* medveten om n\u00E4r dansen ska inledas respektive avslutas, kunna f\u00F6lja musikens och s\u00E5ngens rytm, hon ska \u00E4ven ha 10. \n* vackra dansdr\u00E4kter och 11. \n* en positiv inst\u00E4llning."@sv . . . . . . "#FFE0BB"@en . . "Bharatanatyam oder Bharatnatyam (Tamil:\u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD, Sanskrit: \u092D\u0930\u0924\u0928\u093E\u091F\u094D\u092F\u092E, bh\u0101ratan\u0101\u1E6Dyam, w\u00F6rtl.: Tanz Indiens) ist einer der acht klassischen Tanzstile in Indien. Seine Wurzeln liegen in der s\u00FCdindischen Tempelkultur und sind im Natyashastra festgehalten."@de . . "Bharatanatyam (Tamil: \u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD) is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism. A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic Silappatikaram, while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance tradition in India. Bharatanatyam is the state dance form of Tamil Nadu. Bharatanatyam contains different types of baanis. Baani, or 'tradition', is a Tamil term used to describe the dance technique and style specific to a guru or school. These are named according to the village of the guru (with the exception of some baanis. Bharatanatyam style is noted for its fixed upper torso, bent legs and knees flexed (Arai mandi) combined with spectacular footwork, and a sophisticated vocabulary of sign language based on gestures of hands, eyes, and face muscles. The dance is accompanied by music and a singer, and typically the dancer's guru is present as the Nattuvanar, director, and conductor of the performance and art. The performance repertoire of Bharatanatyam, like other classical dances, includes nrita (pure dance), nritya (solo expressive dance) and natya (group dramatic dance). Bharatanatyam remained exclusive to Hindu temples through the 19th century. It was banned by the colonial British government in 1910, but the Indian community protested against the ban and expanded its performance outside temples in the 20th century. Modern stage productions of Bharatanatyam has been spread out and popular throughout India that has been done in different ways and have incorporated technical performances, pure dance based on non-religious ideas and fusion themes. Tanjavur brothers gave the actual form of the recent day repertoire of Bharatanatyam by formalizing bharatanatyam into a melodious art form."@en . . . . . . . . "Bharatanatjam (dewanagari \u092D\u0930\u0924\u0928\u093E\u091F\u094D\u092F\u092E\u094D trl. bharatn\u0101tyam, tamil \u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD, ang. Bharatanatyam) \u2013 antyczny styl klasycznego ta\u0144ca hinduskiego, istniej\u0105cy od oko\u0142o 3000 lat, pocz\u0105tkowo ta\u0144czony przez kap\u0142anki-tancerki dewadasi w \u015Bwi\u0105tyni w Tanjavur i Malabar i zwany \"sadir\" lub \"dasi attam\" (trl. d\u0101s\u012B \u0101\u0163\u0163am) charakterystyczny element bhakti. Pochodzi z Indii po\u0142udniowych i uto\u017Csamiany jest z kultur\u0105 Tamil\u00F3w."@pl . . . . . . . "160"^^ . "Hasthamudra18.JPG"@en . . . "Bharatanatyam has helped to inspire musicians, poets, painters, singers and sculptors in Indian history."@en . . "Bharatanatyam Indiako dantza klasiko bat da, inspirazio hindua dauka, eta egun Tamil Nadu den eskualdean sortua. Antzinatik dantzatu izan da Indiako hegoaldeko tenplu eta gorteetan. Indiako dantza klasikoaren zortzi modu ezagunenetako bat da, eta haien artean zaharrena. Erlijio-gaiak eta Indiako hegoaldeko ideia espiritualak adierazten ditu, bereziki shaivismoa, vishnuismoa, shaktismoa, oro har hinduismoari lotutako printzipioak."@eu . . "Le bharata natyam, auparavant appel\u00E9 Sadhir Attam, est une forme majeure de danse classique tamoule originaire du Tamil Nadu en Inde. C'est l'une des plus anciennes danses traditionnelles indiennes. M\u00E9lange de danse classique et d'art martial \u00E0 la base, elle est li\u00E9e aux pratiques religieuses d\u00E8s son origine. Elle est l'une des huit formes de danse reconnues par la (en), les autres \u00E9tant le kathak, le kuchipudi, l'odissi, le kathakali, le , le manipuri, le sattriya et elle exprime les th\u00E8mes religieux et les id\u00E9es spirituelles de l'Inde du Sud, en particulier le shiva\u00EFsme, le vishnouisme et le shaktisme. Avec le temps, elle fut interdite sous la domination anglaise, mais autoris\u00E9e dans les comptoirs fran\u00E7ais de Pondich\u00E9ry (Sud du pays). La description du bharata natyam, au IIe si\u00E8cle de notre \u00E8re est mentionn\u00E9e dans l'ancienne \u00E9pop\u00E9e tamoule Silappatikaram, tandis que les sculptures des temples du VIe au IXe si\u00E8cle de notre \u00E8re sugg\u00E8rent qu'il s'agissait d'un art du spectacle bien raffin\u00E9 au milieu du premier mill\u00E9naire de notre \u00E8re. Le bharata natyam est la plus ancienne tradition de danse classique en Inde. Cette forme de danse \u00E9tait r\u00E9pandue dans l'ancien Tamil Nadu, et plusieurs livres les ont codifi\u00E9s comme le N\u00E2tya-sh\u00E2stra. Le N\u00E2tya-sh\u00E2stra n'est qu'une codification par un auteur inconnu des formes de danse existant au Tamil Nadu. La pratique de la danse a souffert au XIXe si\u00E8cle d'une d\u00E9valorisation de cet art par les colonisateurs anglais. La tradition a \u00E9t\u00E9 sauv\u00E9e puis renouvel\u00E9e au cours du XXe si\u00E8cle, notamment apr\u00E8s l'ind\u00E9pendance. Il existe diff\u00E9rents styles de bharata natyam. Le bharata natyam est souvent une danse de soliste dont l'apprentissage est tr\u00E8s difficile et tr\u00E8s long. Souvent enseign\u00E9e aujourd'hui aux jeunes filles, elle est rest\u00E9e ouverte aux gar\u00E7ons."@fr . . . "Bharatanatyam"@pt . "2"^^ . . . . . . "The traditional order of Bharata Natyam recital viz. alarippu, jatiswaram, varnam, padams, tillana and the shloka is the correct sequence in the practice of this art, which is an artistic Yoga, for revealing the spiritual through the corporeal."@en . . . . . . . . "Bharatanatyam, atau dikenal juga dengan nama Bharathanatiyam atau Sadir, merupakan salah satu gaya tarian klasik India yang berasal dari wilayah Tamil Nadu di India Selatan. Menurut tradisi awal Bharatanatyam hanya ditarikan wanita secara solo. Bharatanatyam sarat akan unsur-unsur religius, seperti pemujaan terhadap Siwa, Wisnu, dan juga terhadap dewi-dewi Hindu (Sakta)."@in . . . . . "Hasthamudra11.JPG"@en . . . . . . . "left"@en . . . . . . "Bharatanatyam Indiako dantza klasiko bat da, inspirazio hindua dauka, eta egun Tamil Nadu den eskualdean sortua. Antzinatik dantzatu izan da Indiako hegoaldeko tenplu eta gorteetan. Indiako dantza klasikoaren zortzi modu ezagunenetako bat da, eta haien artean zaharrena. Erlijio-gaiak eta Indiako hegoaldeko ideia espiritualak adierazten ditu, bereziki shaivismoa, vishnuismoa, shaktismoa, oro har hinduismoari lotutako printzipioak."@eu . "Tamil Nadu, India"@en . . . . . . . . . "139"^^ . . . . "Bharatanatyam"@en . . . . . "Bharata natyam"@nl . . . . . . . . . . "Bharata natyam (\u00E4ven Bharathanatyam, Bharatnatyam eller Bharatanatyam) \u00E4r en sydindisk klassisk dans. Dansen fick sin definitiva utformning av under tidigt 1800-tal, och senare av dansaren . Enligt legenden ska Bharata natyam en dans som skapats av , en hinduisk som ska vara f\u00F6rfattare till , den \u00E4ldsta indiska skrift som avhandlar dansen. Under \u00E4ldre tid utf\u00F6rdes dansen som av Devadasis i templen. M\u00E5nga \u00E4ldre tempelskulpturer baseras f.\u00F6. p\u00E5 just denna dans."@sv . . "Bharata Natyam is an art which consecrates the body"@en . . . . . . . . . "Bharatanatyam"@it . . . . . "61323"^^ . "160"^^ . . "\u0411\u0445\u0430\u0440\u0430\u0442\u043D\u0430\u0442\u044C\u044F\u043C (\u0431\u0445\u0430 \u2014 \u00AB\u0431\u0445\u0430\u0432\u0430\u00BB, \u0447\u0443\u0432\u0441\u0442\u0432\u0430, \u044D\u043C\u043E\u0446\u0438\u0438; \u0440\u0430 \u2014 \u00AB\u0440\u0430\u0433\u0430\u00BB \u2014 \u043C\u0435\u043B\u043E\u0434\u0438\u044F, \u0442\u0430 \u2014 \u00AB\u0442\u0430\u043B\u0430\u043C\u00BB \u2014 \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E \u0440\u0438\u0442\u043C\u0430, \u043D\u0430\u0442\u044C\u044F\u043C \u2014 \u0442\u0430\u043D\u0435\u0446) \u2014 \u0432\u0438\u0434 \u0442\u0435\u0430\u0442\u0440\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0442\u0430\u043D\u0446\u0430, \u0437\u0430\u0440\u043E\u0434\u0438\u0432\u0448\u0438\u0439\u0441\u044F \u0432 \u042E\u0436\u043D\u043E\u0439 \u0418\u043D\u0434\u0438\u0438, \u0432 \u0448\u0442\u0430\u0442\u0435 \u0422\u0430\u043C\u0438\u043B\u043D\u0430\u0434. \u042F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u043A\u043B\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u0441\u0442\u0438\u043B\u0435\u0439 \u0438\u043D\u0434\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0442\u0430\u043D\u0446\u0430. \u041F\u0435\u0440\u0432\u043E\u043D\u0430\u0447\u0430\u043B\u044C\u043D\u043E \u0438\u043C\u0435\u043B \u0441\u0430\u043A\u0440\u0430\u043B\u044C\u043D\u043E\u0435 \u0437\u043D\u0430\u0447\u0435\u043D\u0438\u0435, \u0447\u0442\u043E \u043F\u043E\u0434\u0442\u0432\u0435\u0440\u0436\u0434\u0430\u044E\u0442 \u0440\u0430\u0437\u043B\u0438\u0447\u043D\u044B\u0435 \u043F\u043E\u0437\u044B \u0431\u0445\u0430\u0440\u0430\u0442\u0430\u043D\u0430\u0442\u044C\u044F\u043C\u044B, \u0432\u044B\u0441\u0435\u0447\u0435\u043D\u043D\u044B\u0435 \u043D\u0430 \u0441\u0442\u0435\u043D\u0430\u0445 \u0445\u0440\u0430\u043C\u043E\u0432 \u042E\u0436\u043D\u043E\u0439 \u0418\u043D\u0434\u0438\u0438. \u0418\u0441\u043F\u043E\u043B\u043D\u044F\u043B\u0441\u044F \u0445\u0440\u0430\u043C\u043E\u0432\u044B\u043C\u0438 \u0442\u0430\u043D\u0446\u043E\u0432\u0449\u0438\u0446\u0430\u043C\u0438 \u2014 \u0434\u0435\u0432\u0430\u0434\u0430\u0441\u0438, \u043A\u043E\u0442\u043E\u0440\u044B\u0435 \u0438\u0433\u0440\u0430\u043B\u0438 \u043D\u0435 \u043C\u0435\u043D\u0435\u0435 \u0432\u0430\u0436\u043D\u0443\u044E \u0440\u043E\u043B\u044C, \u0447\u0435\u043C \u0436\u0440\u0435\u0446\u044B. \u0421\u044E\u0436\u0435\u0442\u044B \u0442\u0430\u043D\u0446\u0435\u0432\u0430\u043B\u044C\u043D\u044B\u0445 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0438\u0439 \u0441\u043E\u0441\u0442\u0430\u0432\u043B\u044F\u043B\u0438 \u043B\u0435\u0433\u0435\u043D\u0434\u044B \u043E \u0431\u043E\u0436\u0435\u0441\u0442\u0432\u0435, \u0432 \u0447\u0435\u0441\u0442\u044C \u043A\u043E\u0442\u043E\u0440\u043E\u0433\u043E \u043F\u043E\u0441\u0442\u0440\u043E\u0435\u043D \u0445\u0440\u0430\u043C, \u043E\u043F\u0438\u0441\u044B\u0432\u0430\u044E\u0449\u0438\u0435 \u0435\u0433\u043E \u043F\u043E\u0434\u0432\u0438\u0433\u0438 \u0432 \u0431\u043E\u0440\u044C\u0431\u0435 \u0441 \u0434\u0435\u043C\u043E\u043D\u0430\u043C\u0438. \u0421\u0447\u0438\u0442\u0430\u043B\u043E\u0441\u044C, \u0447\u0442\u043E \u0432\u0441\u0435 \u0441\u043E\u0431\u044B\u0442\u0438\u044F \u0432 \u0442\u0430\u043D\u0446\u0435 \u043F\u0435\u0440\u0435\u0436\u0438\u0432\u0430\u044E\u0442\u0441\u044F \u0432\u043D\u043E\u0432\u044C \u043D\u0430\u044F\u0432\u0443, \u043F\u043E\u044D\u0442\u043E\u043C\u0443 \u0438\u0441\u0445\u043E\u0434 \u0431\u0438\u0442\u0432\u044B \u0437\u0430\u0432\u0438\u0441\u0435\u043B \u043E\u0442 \u043C\u0430\u0441\u0442\u0435\u0440\u0441\u0442\u0432\u0430 \u0442\u0430\u043D\u0446\u043E\u0432\u0449\u0438\u0446\u044B: \u0434\u043B\u044F \u043F\u043E\u0431\u0435\u0434\u044B \u0431\u043E\u0436\u0435\u0441\u0442\u0432\u0430 \u043E\u043D\u0430 \u0434\u043E\u043B\u0436\u043D\u0430 \u0431\u044B\u043B\u0430 \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u0442\u044C \u0441\u0432\u043E\u0439 \u0442\u0430\u043D\u0435\u0446 \u0431\u0435\u0437\u0443\u043A\u043E\u0440\u0438\u0437\u043D\u0435\u043D\u043D\u043E."@ru . "Hasthamudra8.JPG"@en . . . . . . "Example mudras \u2013 gestures as symbols in Bharatanatyam."@en . "A Bharatanatyam pose"@en . . "right"@en . . "El bharatanatyam \u2015\u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD: paratan\u0101\u1E6D\u1E6Diyam, en t\u00E0mil\u2015 \u00E9s una dansa cl\u00E0ssica de l'\u00CDndia, origin\u00E0ria de Tamil Nadu, un estat del sud d'\u00CDndia. \u00C9s una de les vuit o nou , aix\u00ED com el , mohiniyattam, , , kathak i manipuri. Es creu que \u00E9s una forma de dansa reconstru\u00EFda a partir del , que al seu torn \u00E9s una reconstrucci\u00F3 de danses m\u00E9s antigues, provinents dels temples de l'antiga \u00CDndia, del I mil\u00B7lenni ae. Usualment el bharatanatyam s'acompanya amb m\u00FAsica carn\u00E0tica."@ca . . . . . . . . . . "\u30D0\u30E9\u30BF\u30CA\u30C6\u30A3\u30E4\u30E0"@ja . . 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\u0627\u0644\u0623\u0635\u0644\u064A\u0629 \u0644\u0628\u0647\u0627\u0631\u0627\u062A\u0627\u0646\u0627\u062A\u064A\u0627\u0645 (\u0623\u062D\u062F \u0623\u0634\u0643\u0627\u0644 \u0627\u0644\u0631\u0642\u0635 \u0627\u0644\u0643\u0644\u0627\u0633\u064A\u0643\u064A \u0627\u0644\u0647\u0646\u062F\u064A). \u062A\u0645 \u0630\u0643\u0631 \u0634\u0643\u0644 \u0627\u0644\u0631\u0642\u0635 \u0623\u064A\u0636\u064B\u0627 \u0644\u0641\u062A\u0631\u0629 \u0648\u062C\u064A\u0632\u0629 \u0641\u064A \u0646\u0635 \u0627\u0644\u0643\u0627\u0646\u0627\u062F\u0627 Manasolalla \u0627\u0644\u0630\u064A \u0643\u062A\u0628\u0647 Someshwara III. \u0644\u0642\u062F \u0627\u0632\u062F\u0647\u0631\u062A \u0641\u064A \u0627\u0644\u0645\u0639\u0627\u0628\u062F \u0648\u0627\u0644\u0645\u062D\u0627\u0643\u0645 \u0641\u064A \u062C\u0646\u0648\u0628 \u0627\u0644\u0647\u0646\u062F \u0645\u0646\u0630 \u0627\u0644\u0639\u0635\u0648\u0631 \u0627\u0644\u0642\u062F\u064A\u0645\u0629. \u0625\u0646\u0647\u0627 \u0648\u0627\u062D\u062F\u0629 \u0645\u0646 \u062B\u0645\u0627\u0646\u064A\u0629 \u0623\u0634\u0643\u0627\u0644 \u0644\u0644\u0631\u0642\u0635 \u0627\u0644\u0643\u0644\u0627\u0633\u064A\u0643\u064A \u0627\u0644\u0647\u0646\u062F\u064A \u0627\u0644\u0645\u0639\u062A\u0631\u0641 \u0628\u0647\u0627 \u0639\u0644\u0649 \u0646\u0637\u0627\u0642 \u0648\u0627\u0633\u0639 (\u0627\u0644\u0623\u0634\u0643\u0627\u0644 \u0627\u0644\u0623\u062E\u0631\u0649 \u0647\u064A \u0643\u0627\u062B\u0627\u0643 \u0648\u0643\u0648\u062A\u0634\u064A\u0628\u0648\u062F\u064A \u0648\u0623\u0648\u062F\u064A\u0633\u064A \u0648\u0643\u0627\u062B\u0627\u0643\u0627\u0644\u064A \u0648\u0645\u0648\u0647\u064A\u0646\u064A\u0627\u062A\u0627\u0645 \u0648\u0645\u0627\u0646\u064A\u0628\u0648\u0631\u064A \u0648\u0633\u0627\u062A\u0631\u064A\u0627) \u0648\u0647\u064A \u062A\u0639\u0628\u0631 \u0639\u0646 \u0627\u0644\u0645\u0648\u0636\u0648\u0639\u0627\u062A \u0627\u0644\u062F\u064A\u0646\u064A\u0629 \u0648\u0627\u0644\u0623\u0641\u0643\u0627\u0631 \u0627\u0644\u0631\u0648\u062D\u064A\u0629 \u0641\u064A \u062C\u0646\u0648\u0628 \u0627\u0644\u0647\u0646\u062F\u060C \u0644\u0627 \u0633\u064A\u0645\u0627 \u0627\u0644\u0634\u064A\u0641\u064A\u0632\u0645\u064A\u0629 \u0648\u0627\u0644\u0641\u0627\u064A\u0634\u0646\u0627\u0641\u064A\u0629 \u0648\u0627\u0644\u0634\u0627\u0643\u062A\u064A\u0632\u0645\u064A\u0629. \u064A\u0645\u0643\u0646 \u0627\u0644\u0639\u062B\u0648\u0631 \u0639\u0644\u0649 \u0648\u0635\u0641 \u0644\u0640 Bharatanatyam \u0645\u0646 \u0627\u0644\u0642\u0631\u0646 \u0627\u0644\u062B\u0627\u0646\u064A \u0627\u0644\u0645\u064A\u0644\u0627\u062F\u064A \u0641\u064A \u0645\u0644\u062D\u0645\u0629 \u0627\u0644\u062A\u0627\u0645\u064A\u0644 \u0627\u0644\u0642\u062F\u064A\u0645\u0629 Silappatikaram \u060C \u0628\u064A\u0646\u0645\u0627 \u062A\u0634\u064A\u0631 \u0645\u0646\u062D\u0648\u062A\u0627\u062A \u0627\u0644\u0645\u0639\u0628\u062F \u0645\u0646 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\u0642\u0627\u0645\u062A \u0627\u0644\u0639\u062F\u064A\u062F \u0645\u0646 \u0627\u0644\u0643\u062A\u0628 \u0628\u062A\u062F\u0648\u064A\u0646\u0647\u060C \u0645\u062B\u0644 \u0646\u0627\u062A\u064A\u0627 \u0634\u0627\u0633\u062A\u0631\u0627 \u0644\u0647\u0627\u0631\u0627\u062A \u0645\u0648\u0646\u064A (\u0627\u0644\u0633\u0646\u0633\u0643\u0631\u064A\u062A\u064A\u0629: \u092D\u0930\u0924 \u092E\u0941\u0928\u093F). \u0628\u0647\u0627\u0631\u0627\u062A\u0627\u0646\u0627\u062A\u064A\u0627\u0645 \u0647\u0648 \u0634\u0643\u0644 \u0631\u0642\u0635 \u0627\u0644\u062F\u0648\u0644\u0629 \u0641\u064A \u062A\u0627\u0645\u064A\u0644 \u0646\u0627\u062F\u0648."@ar . . . . "De bharata natyam is een vorm van Indiase klassieke dans die van oorsprong uit het zuiden van India komt. De naam Bharata Natyam is afkomstig van BHAva (uitdrukking) + RAga (muziek) + TAla (ritme) + Natyam wat dans betekent in het Tamil.Bharata Natyam is meer dan 2000 jaar geleden ontstaan binnen de tempelmuren van Zuid-India. Beoefenaars en uitvoerders van deze danskunst waren de Devadasi's: dienaressen en toegewijden van god. Door de jaren heen heeft deze dansuiting zich ontwikkeld en is uitgegroeid tot een danskunst die nu vele podia siert. Kenmerkend zijn hoofd-, oog-, en nekbewegingen, ritmisch voetenwerk, handgebaren en verhalende expressie.De drie essenti\u00EBle onderdelen binnen de Bharata Natyam: Het hindoe\u00EFsme en de Zuid-Indiase cultuur zijn onlosmakelijk verbonden en terug te vinden in de dansstijl en de inhoud van de dans. Altijd in contact staande met het spirituele en het aardse, blijft Bharata Natyam zelfs nu in de 21ste eeuw het middel dat deze twee werelden laat versmelten en de mensen met een boodschap en schoonheid weet te raken. De Bharata natyam is een solistische dans, waarvoor lang geoefend moet worden om het onder de knie te krijgen. Het wordt vaak aan jonge meisjes geleerd, maar tegenwoordig ook aan jongens. Tijdens de Engelse overheersing was deze dans voor jongens verboden; in de Franse kolonies in het zuiden van het land was het wel toegestaan. Er worden vele mudra's gebruikt."@nl . . . . . . . . . . . . "Le bharata natyam, auparavant appel\u00E9 Sadhir Attam, est une forme majeure de danse classique tamoule originaire du Tamil Nadu en Inde. C'est l'une des plus anciennes danses traditionnelles indiennes. M\u00E9lange de danse classique et d'art martial \u00E0 la base, elle est li\u00E9e aux pratiques religieuses d\u00E8s son origine. Elle est l'une des huit formes de danse reconnues par la (en), les autres \u00E9tant le kathak, le kuchipudi, l'odissi, le kathakali, le , le manipuri, le sattriya et elle exprime les th\u00E8mes religieux et les id\u00E9es spirituelles de l'Inde du Sud, en particulier le shiva\u00EFsme, le vishnouisme et le shaktisme. Avec le temps, elle fut interdite sous la domination anglaise, mais autoris\u00E9e dans les comptoirs fran\u00E7ais de Pondich\u00E9ry (Sud du pays)."@fr . . . . . . . . . "3072"^^ . "Hasthamudra19.JPG"@en . . "Bharatanatyam oder Bharatnatyam (Tamil:\u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD, Sanskrit: \u092D\u0930\u0924\u0928\u093E\u091F\u094D\u092F\u092E, bh\u0101ratan\u0101\u1E6Dyam, w\u00F6rtl.: Tanz Indiens) ist einer der acht klassischen Tanzstile in Indien. Seine Wurzeln liegen in der s\u00FCdindischen Tempelkultur und sind im Natyashastra festgehalten."@de . "\u0411\u0445\u0430\u0440\u0430\u0442\u043D\u0430\u0442\u044C\u044F\u043C (\u0431\u0445\u0430 \u2014 \u00AB\u0431\u0445\u0430\u0432\u0430\u00BB, \u0447\u0443\u0432\u0441\u0442\u0432\u0430, \u044D\u043C\u043E\u0446\u0438\u0438; \u0440\u0430 \u2014 \u00AB\u0440\u0430\u0433\u0430\u00BB \u2014 \u043C\u0435\u043B\u043E\u0434\u0438\u044F, \u0442\u0430 \u2014 \u00AB\u0442\u0430\u043B\u0430\u043C\u00BB \u2014 \u0438\u0441\u043A\u0443\u0441\u0441\u0442\u0432\u043E \u0440\u0438\u0442\u043C\u0430, \u043D\u0430\u0442\u044C\u044F\u043C \u2014 \u0442\u0430\u043D\u0435\u0446) \u2014 \u0432\u0438\u0434 \u0442\u0435\u0430\u0442\u0440\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0442\u0430\u043D\u0446\u0430, \u0437\u0430\u0440\u043E\u0434\u0438\u0432\u0448\u0438\u0439\u0441\u044F \u0432 \u042E\u0436\u043D\u043E\u0439 \u0418\u043D\u0434\u0438\u0438, \u0432 \u0448\u0442\u0430\u0442\u0435 \u0422\u0430\u043C\u0438\u043B\u043D\u0430\u0434. \u042F\u0432\u043B\u044F\u0435\u0442\u0441\u044F \u043E\u0434\u043D\u0438\u043C \u0438\u0437 \u043A\u043B\u0430\u0441\u0441\u0438\u0447\u0435\u0441\u043A\u0438\u0445 \u0441\u0442\u0438\u043B\u0435\u0439 \u0438\u043D\u0434\u0438\u0439\u0441\u043A\u043E\u0433\u043E \u0442\u0430\u043D\u0446\u0430."@ru . . . "El bharatanatyam \u2015\u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD: paratan\u0101\u1E6D\u1E6Diyam, en t\u00E0mil\u2015 \u00E9s una dansa cl\u00E0ssica de l'\u00CDndia, origin\u00E0ria de Tamil Nadu, un estat del sud d'\u00CDndia. \u00C9s una de les vuit o nou , aix\u00ED com el , mohiniyattam, , , kathak i manipuri. Es creu que \u00E9s una forma de dansa reconstru\u00EFda a partir del , que al seu torn \u00E9s una reconstrucci\u00F3 de danses m\u00E9s antigues, provinents dels temples de l'antiga \u00CDndia, del I mil\u00B7lenni ae. Usualment el bharatanatyam s'acompanya amb m\u00FAsica carn\u00E0tica."@ca . "\u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD"@en . . . "Bharatanatyam"@es . . . . "2304"^^ . "\u30D0\u30E9\u30BF\u30CA\u30C6\u30A3\u30E4\u30E0\uFF08\u82F1:Bharatanatyam\uFF09\u306F\u3001\u30A4\u30F3\u30C9\u306E\u30BF\u30DF\u30EB\u30FB\u30CA\u30FC\u30C9\u30A5\u5DDE\u3092\u767A\u7965\u3068\u3059\u308B\u3002\u30A4\u30F3\u30C9\u56DB\u5927\u53E4\u5178\u821E\u8E0A\u306E\u306A\u304B\u3067\u6700\u3082\u53E4\u3044\u4F1D\u7D71\u3092\u6301\u3061\u3001\u7D00\u5143\u524D1000\u5E74\u9803\u304B\u3089\u30D2\u30F3\u30C9\u30A5\u30FC\u6559\u5BFA\u9662\u306E\u5100\u5F0F\u3067\u884C\u308F\u308C\u3066\u3044\u305F\u30C7\u30FC\u30F4\u30A1\u30C0\u30FC\u30B7\u30FC\uFF08\u5DEB\u5973\uFF09\u306B\u3088\u308B\u5949\u7D0D\u821E\u8E0A\u3060\u3063\u305F\u3002\u30D0\u30FC\u30E9\u30BF\u30FB\u30CA\u30FC\u30C6\u30A3\u30E4\u30E0\u3068\u3082\u8868\u8A18\u3055\u308C\u308B\u3002"@ja . . "Portmanteau of the Tamil words bhavam , ragam , thalam , and natyam"@en . . . . . . "A 7th century Shiva in Karnataka"@en . "Bharatanatyam (Tamil: \u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD) is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism."@en . . . . "Con il neologismo Bharatanatyam si intende un'arte neo-classica composita avente come elementi che la costituiscono la danza, l'arte drammatica, la musica, la rima e il ritmo costruiti su dei principi formulati nel Natya Sastra di Bharata Muni (santo venerato nel sistema di pensiero indiano). Per secoli le Devadasi, sacerdotesse-danzatrici dedicate sin dall'infanzia ad una divinit\u00E0, hanno contribuito al culto quotidiano con la danza Dasi-Attam o Sadir, poich\u00E9, secondo i testi sacri, nessun offerta, nessuna preghiera \u00E8 pi\u00F9 gradita agli D\u00E8i. Il \"Bharata Natyam\", neologismo creato nel secolo scorso, indica la ricodificazione di quella danza liturgica risalente alla fine del XIX secolo, nell'ambito di un pi\u00F9 vasto revival delle arti e tradizioni considerate rilevanti per l'identit\u00E0 culturale indiana. Lungi dall'essere una \"danza millenaria\" \u00E8 di contro il frutto di uno specifico processo storico di riformulazione stilistica - ed epurazione - che ha condotto all'attuale forma definita dagli stessi critici indiani \"neo-classica\". In tale processo, conosciuto come \"Revival\", sono intervenuti elementi politici, culturali, sociologici e storici che hanno mutato profondamente la precedente danza Dasi Attam: la cosiddetta \"yogizzazione\", l'utilizzo del teatro, dei costumi e l'epurazione dei testi e dei temi esecutivi considerati politicamente e storicamente \"scomodi\". \u00C8 rilevante considerare sempre che l'attuale format di presentazione del \"Bharatanatyam\" (inesistente fino ai primi anni '30) \u00E8 stato concepito nell'ambito della Societ\u00E0 Teosofica ad opera di Rukmini Devi, oggi considerata una dei caposcuola del Revival. Questa connessione con la Societ\u00E0 Teosofica \u00E8 dunque rilevante per la comprensione del processo di riformulazione teorica di questa danza, cos\u00EC come importante fu il contatto di Rukmini Devi con la tecnica del balletto occidentale, a cui si ispir\u00F2 per alcuni aspetti della ricodificazione. Ad oggi il Bharatanatyam \u00E8 una riformulazione stilistica che convive in India accanto ad altre ipotesi di ricodifica dell'antica danza templare (come ad esempio il Bharata Nrittyam) ed \u00E8 solo uno degli otto e pi\u00F9 (a seconda delle catalogazioni) stili di danza neo-classica dell'India riemersi nel secolo scorso. La patria del Bharatanatyam \u00E8 il sud dell'India, esattamente lo stato di Tamil Nadu, dove fior\u00EC particolarmente nel distretto di Tanjore e fu abbastanza fortunata da guadagnarsi il mecenatismo della corte reale nel XVII secolo. Oggi il Bharatanatyam \u00E8 forse, tra le danze classiche indiane, la pi\u00F9 conosciuta in Occidente. Bharatnatyam \u00E8 tra le prime otto danze popolari dell'India. Bharata natyam"@it . . "\u0411\u0445\u0430\u0440\u0430\u0442\u0430\u043D\u0430\u0442\u044C\u044F\u043C"@uk . . . . "Temple troglodytique d\u00E9di\u00E9 \u00E0 Shiva .jpg"@en . . . . . . . . . . . . . . "\u0411\u0433\u0430\u0440\u0430\u0442\u0430\u043D\u0430\u0301\u0442\u044C\u044F\u043C (\u0431\u0433\u0430 \u2014 \u00AB\u0431\u0433\u0430\u0432\u0430\u00BB, \u043F\u043E\u0447\u0443\u0442\u0442\u044F, \u0435\u043C\u043E\u0446\u0456\u0457; \u0440\u0430 \u2014 \u00AB\u0440\u0430\u0433\u0430\u00BB \u2014 \u043C\u0435\u043B\u043E\u0434\u0456\u044F, \u0442\u0430 \u2014 \u00AB\u0442\u0430\u043B\u0430\u043C\u00BB \u2014 \u043C\u0438\u0441\u0442\u0435\u0446\u0442\u0432\u043E \u0440\u0438\u0442\u043C\u0443, \u043D\u0430\u0442\u044C\u044F\u043C \u2014 \u0442\u0430\u043D\u0435\u0446\u044C) \u2014 \u0432\u0438\u0434 \u0442\u0435\u0430\u0442\u0440\u0430\u043B\u044C\u043D\u043E\u0433\u043E \u0442\u0430\u043D\u0446\u044E, \u0449\u043E \u0437\u0430\u0440\u043E\u0434\u0438\u0432\u0441\u044F \u0432 \u041F\u0456\u0432\u0434\u0435\u043D\u043D\u0456\u0439 \u0406\u043D\u0434\u0456\u0457, \u0443 \u0448\u0442\u0430\u0442\u0456 \u0422\u0430\u043C\u0456\u043B\u043D\u0430\u0434. \u0404 \u043E\u0434\u043D\u0438\u043C \u0437 \u043A\u043B\u0430\u0441\u0438\u0447\u043D\u0438\u0445 \u0441\u0442\u0438\u043B\u0456\u0432 \u0456\u043D\u0434\u0456\u0439\u0441\u044C\u043A\u043E\u0433\u043E \u0442\u0430\u043D\u0446\u044E. \u0421\u043F\u043E\u0447\u0430\u0442\u043A\u0443 \u043C\u0430\u0432 \u0441\u0430\u043A\u0440\u0430\u043B\u044C\u043D\u0435 \u0437\u043D\u0430\u0447\u0435\u043D\u043D\u044F, \u0449\u043E \u043F\u0456\u0434\u0442\u0432\u0435\u0440\u0434\u0436\u0443\u044E\u0442\u044C \u0440\u0456\u0437\u043D\u0456 \u043F\u043E\u0437\u0438 \u0431\u0433\u0430\u0440\u0430\u0442\u0430\u043D\u0430\u0442\u044C\u044F\u043C, \u0432\u0438\u0441\u0456\u0447\u0435\u043D\u0456 \u043D\u0430 \u0441\u0442\u0456\u043D\u0430\u0445 \u0445\u0440\u0430\u043C\u0456\u0432 \u041F\u0456\u0432\u0434\u0435\u043D\u043D\u043E\u0457 \u0406\u043D\u0434\u0456\u0457. \u0412\u0438\u043A\u043E\u043D\u0443\u0432\u0430\u0432\u0441\u044F \u0445\u0440\u0430\u043C\u043E\u0432\u0438\u043C\u0438 \u0442\u0430\u043D\u0446\u0456\u0432\u043D\u0438\u0446\u044F\u043C\u0438 \u2014 \u0434\u0435\u0432\u0430\u0434\u0430\u0441\u0456, \u044F\u043A\u0456 \u0433\u0440\u0430\u043B\u0438 \u043D\u0435 \u043C\u0435\u043D\u0448 \u0432\u0430\u0436\u043B\u0438\u0432\u0443 \u0440\u043E\u043B\u044C, \u043D\u0456\u0436 \u0436\u0435\u0440\u0446\u0456. \u0421\u044E\u0436\u0435\u0442\u0438 \u0442\u0430\u043D\u0446\u044E\u0432\u0430\u043B\u044C\u043D\u0438\u0445 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0446\u0456\u0439 \u0441\u043A\u043B\u0430\u0434\u0430\u043B\u0438 \u043B\u0435\u0433\u0435\u043D\u0434\u0438 \u043F\u0440\u043E \u0431\u043E\u0436\u0435\u0441\u0442\u0432\u043E, \u0432 \u0447\u0435\u0441\u0442\u044C \u044F\u043A\u043E\u0433\u043E \u043F\u043E\u0431\u0443\u0434\u043E\u0432\u0430\u043D\u0438\u0439 \u0445\u0440\u0430\u043C, \u0449\u043E \u043E\u043F\u0438\u0441\u0443\u044E\u0442\u044C \u0439\u043E\u0433\u043E \u043F\u043E\u0434\u0432\u0438\u0433\u0438 \u0432 \u0431\u043E\u0440\u043E\u0442\u044C\u0431\u0456 \u0437 \u0434\u0435\u043C\u043E\u043D\u0430\u043C\u0438. \u0412\u0432\u0430\u0436\u0430\u043B\u043E\u0441\u044F, \u0449\u043E \u0432\u0441\u0456 \u043F\u043E\u0434\u0456\u0457 \u0432 \u0442\u0430\u043D\u0446\u0456 \u043F\u0435\u0440\u0435\u0436\u0438\u0432\u0430\u044E\u0442\u044C\u0441\u044F \u0437\u043D\u043E\u0432\u0443 \u043D\u0430\u044F\u0432\u0443, \u0442\u043E\u043C\u0443 \u0440\u0435\u0437\u0443\u043B\u044C\u0442\u0430\u0442 \u0431\u0438\u0442\u0432\u0438 \u0437\u0430\u043B\u0435\u0436\u0430\u0432 \u0432\u0456\u0434 \u043C\u0430\u0439\u0441\u0442\u0435\u0440\u043D\u043E\u0441\u0442\u0456 \u0442\u0430\u043D\u0446\u0456\u0432\u043D\u0438\u0446\u0456: \u0434\u043B\u044F \u043F\u0435\u0440\u0435\u043C\u043E\u0433\u0438 \u0431\u043E\u0436\u0435\u0441\u0442\u0432\u0430 \u0432\u043E\u043D\u0430 \u043F\u043E\u0432\u0438\u043D\u043D\u0430 \u0431\u0443\u043B\u0430 \u0432\u0438\u043A\u043E\u043D\u0430\u0442\u0438 \u0441\u0432\u0456\u0439 \u0442\u0430\u043D\u0435\u0446\u044C \u0431\u0435\u0437\u0434\u043E\u0433\u0430\u043D\u043D\u043E."@uk . "Hasthamudra17.JPG"@en . "Bharata natyam"@fr . . . 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"Bharatanatyam"@eu . . . "Manjula 2.jpg"@en . . . . . "Bharatanatyam"@ca . . . . . . . . "El bharatanatyam \u2015\u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD: paratan\u0101\u1E6D\u1E6Diyam, en tamil\u2015 es una danza cl\u00E1sica de la India, originaria de Tamil Nadu, un estado del sur de India.\u200B\u200B\u200B\u200B\u200B Es una de las ocho o nueve danzas cl\u00E1sicas de la India, como el kathakali, mohiniyattam, odissi, kuchipudi, kathak y manipuri. Se cree que es una forma de danza reconstruida a partir del , que a su vez es una reconstrucci\u00F3n de danzas m\u00E1s antiguas, provenientes de los templos de la antigua India, del I milenio a. C. Las asociaciones, sin embargo, deben ser sometidas a un examen exhaustivo. No hay una l\u00EDnea clara que vincule al Bharatanatyam con formas de danza milenarias. No existe una manera certera de saber c\u00F3mo eran las danzas hace 2000 a\u00F1os, y es necesario reconocer que la est\u00E9tica y las formas de Bharatanatyam contempor\u00E1neo son parte de una visi\u00F3n nacionalista, la cual sobrepon\u00EDa una est\u00E9tica brahm\u00E1nica de clase alta sobre las tradiciones existentes en el sur de la India. La invenci\u00F3n del Bharatanatyam es el resultado de un proyecto que buscaba mezclar una pasado milenario con la necesidad de crear una nueva identidad para India como pa\u00EDs independiente. Usualmente el bharatanatyam est\u00E1 acompa\u00F1ado de m\u00FAsica carn\u00E1tica."@es . "the dancer, who dissolves her identity in rhythm and music, makes her body an instrument, at least for the duration of the dance, for the experience and expression of the spirit."@en . . "Bharatanatyam"@en . "Bharatanatjam"@pl . . . . . . "A Bharatanatyam (em t\u00E2mil: \u092D\u0930\u0924\u0928\u093E\u091F\u094D\u092F\u092E) \u00E9 uma dan\u00E7a cl\u00E1ssica indiana originada num estado do sul chamado Tamil Nadu. A Bharatanatyam \u00E9 caracterizado por linhas geometricamente perfeitas, por voltas e saltos e batidas dos p\u00E9s que marcam ritmos complexos. \u00C0 t\u00E9cnica pura e esot\u00E9rica, acrescenta-se o abhinaya: express\u00F5es do rosto e dos olhos, acompanhadas por mudr\u00E1s (gestos das m\u00E3os) e yantras (posturas do corpo), cujo significado \u00E9 t\u00E3o recuado que j\u00E1 s\u00F3 podemos fantasiar sobre ele, contudo, e embora n\u00E3o tenha nada que ver com y\u00F4ga, n\u00E3o estar\u00E1 longe do que seriam algumas artes marciais da \u00C1sia. Trata-se de uma reconstru\u00E7\u00E3o do s\u00E9culo XX do Cathir, a arte dos dan\u00E7arinos dos templos, cuja antiguidade permanece um mist\u00E9rio."@pt . . . . "The purpose"@en . . "Bharatanatjam (dewanagari \u092D\u0930\u0924\u0928\u093E\u091F\u094D\u092F\u092E\u094D trl. bharatn\u0101tyam, tamil \u0BAA\u0BB0\u0BA4\u0BA8\u0BBE\u0B9F\u0BCD\u0B9F\u0BBF\u0BAF\u0BAE\u0BCD, ang. Bharatanatyam) \u2013 antyczny styl klasycznego ta\u0144ca hinduskiego, istniej\u0105cy od oko\u0142o 3000 lat, pocz\u0105tkowo ta\u0144czony przez kap\u0142anki-tancerki dewadasi w \u015Bwi\u0105tyni w Tanjavur i Malabar i zwany \"sadir\" lub \"dasi attam\" (trl. d\u0101s\u012B \u0101\u0163\u0163am) charakterystyczny element bhakti. Pochodzi z Indii po\u0142udniowych i uto\u017Csamiany jest z kultur\u0105 Tamil\u00F3w. Dewadasi bra\u0142y udzia\u0142 w codziennych rytua\u0142ach \u015Bwi\u0105tynnych i w \u015Bwi\u0119tach hinduistycznych, w czasie kt\u00F3rych ich taniec by\u0142 postrzegany jako forma daru sk\u0142adanego b\u00F3stwu. Z czasami zacz\u0119\u0142y tak\u017Ce ta\u0144czy\u0107 na kr\u00F3lewskich dworach. Mi\u0119dzy XVIII i XIX w. styl ten przyj\u0105\u0142 formy podobne do tych, w jakich jest wykonywany do dzi\u015B. Po okresie kryzysu, kt\u00F3ry nast\u0105pi\u0142 w latach 20. i 30. XX w., zosta\u0142 zreformowany i przyj\u0105\u0142 w 1930 nazw\u0119 \"Bharatanatjam\", opieraj\u0105c\u0105 si\u0119 na trzech sylabach w s\u0142owie \"Bharata\" \u2013 bhawa (uczucie), raga (melodia) i tala (muzyka) (rytm). Taniec ten obecnie jest wykonywany przez jednego tancerza, najcz\u0119\u015Bciej przez kobiet\u0119, lub przez ca\u0142\u0105 grup\u0119. Towarzyszy mu muzyka i \u015Bpiew komentuj\u0105cy taniec. Charakteryzuje si\u0119 dynamik\u0105 wykonania, statycznymi pozami i emocjonalnym zaanga\u017Cowaniem wykonawcy: nritta (rytmiczne ruchy) i nritya (ruchy ekspresyjne)."@pl . "Bharatanatyam, atau dikenal juga dengan nama Bharathanatiyam atau Sadir, merupakan salah satu gaya tarian klasik India yang berasal dari wilayah Tamil Nadu di India Selatan. Menurut tradisi awal Bharatanatyam hanya ditarikan wanita secara solo. Bharatanatyam sarat akan unsur-unsur religius, seperti pemujaan terhadap Siwa, Wisnu, dan juga terhadap dewi-dewi Hindu (Sakta). Sejarah Bharatanatyam pertama kali dapat ditelusuri dari teks Sanskerta kuno berjudul karya . Menurut epos Silappatikaram, keberadaan Bharatanatyam sudah ada sebelum abad kedua masehi. Bharatanatyam diduga sebagai tarian klasik tertua yang ada di India. Terdapat dua versi tentang asal muasal nama Bharatanatyam. Pertama, Bharata merupakan nama seorang Resi agung yang pertama kali menulis kitab tentang seni teater, musik dan tari. Kitab karya ini dikenal dengan nama Natya Shastra. Sedangkan versi kedua mengatakan bahwa kata Bharata gabungan dari tiga kata lainnya, yaitu Bha dari kata Bhava (emosi), Ra dari kata Raga (musik), dan Ta dari kata Tala (irama). Istilah Natyam sendiri memiliki makna tarian. Namun, dalam perkembanganya istilah Bharatanatyam sekarang ini banyak dipahami sebagai sebuah tarian klasik yang berasal dari selatan India, yakni Tamil Nadu dan Karnataka. Selama abad ke-19 Bharatanatyam hanya boleh dimainkan di lingkungan kuil saja. Sejak tahun 1910 Tarian Bharatanatyam dilarang oleh pemerintah kolonial Inggris di depan umum. Larangan ini diproptes oleh banyak pihak terutama dari kalangan umat Hindu."@in . . . "Con il neologismo Bharatanatyam si intende un'arte neo-classica composita avente come elementi che la costituiscono la danza, l'arte drammatica, la musica, la rima e il ritmo costruiti su dei principi formulati nel Natya Sastra di Bharata Muni (santo venerato nel sistema di pensiero indiano). Per secoli le Devadasi, sacerdotesse-danzatrici dedicate sin dall'infanzia ad una divinit\u00E0, hanno contribuito al culto quotidiano con la danza Dasi-Attam o Sadir, poich\u00E9, secondo i testi sacri, nessun offerta, nessuna preghiera \u00E8 pi\u00F9 gradita agli D\u00E8i. Il \"Bharata Natyam\", neologismo creato nel secolo scorso, indica la ricodificazione di quella danza liturgica risalente alla fine del XIX secolo, nell'ambito di un pi\u00F9 vasto revival delle arti e tradizioni considerate rilevanti per l'identit\u00E0 culturale i"@it . . . . . . . . . . . . "56500"^^ . . "Bharatanatyam"@de . . . "Bharatanatyam"@in . . "36.0"^^ . "Bharata natyam"@sv . "1123214082"^^ . . . . "A Bharatanatyam (em t\u00E2mil: \u092D\u0930\u0924\u0928\u093E\u091F\u094D\u092F\u092E) \u00E9 uma dan\u00E7a cl\u00E1ssica indiana originada num estado do sul chamado Tamil Nadu. A Bharatanatyam \u00E9 caracterizado por linhas geometricamente perfeitas, por voltas e saltos e batidas dos p\u00E9s que marcam ritmos complexos. \u00C0 t\u00E9cnica pura e esot\u00E9rica, acrescenta-se o abhinaya: express\u00F5es do rosto e dos olhos, acompanhadas por mudr\u00E1s (gestos das m\u00E3os) e yantras (posturas do corpo), cujo significado \u00E9 t\u00E3o recuado que j\u00E1 s\u00F3 podemos fantasiar sobre ele, contudo, e embora n\u00E3o tenha nada que ver com y\u00F4ga, n\u00E3o estar\u00E1 longe do que seriam algumas artes marciais da \u00C1sia."@pt . "\u30D0\u30E9\u30BF\u30CA\u30C6\u30A3\u30E4\u30E0\uFF08\u82F1:Bharatanatyam\uFF09\u306F\u3001\u30A4\u30F3\u30C9\u306E\u30BF\u30DF\u30EB\u30FB\u30CA\u30FC\u30C9\u30A5\u5DDE\u3092\u767A\u7965\u3068\u3059\u308B\u3002\u30A4\u30F3\u30C9\u56DB\u5927\u53E4\u5178\u821E\u8E0A\u306E\u306A\u304B\u3067\u6700\u3082\u53E4\u3044\u4F1D\u7D71\u3092\u6301\u3061\u3001\u7D00\u5143\u524D1000\u5E74\u9803\u304B\u3089\u30D2\u30F3\u30C9\u30A5\u30FC\u6559\u5BFA\u9662\u306E\u5100\u5F0F\u3067\u884C\u308F\u308C\u3066\u3044\u305F\u30C7\u30FC\u30F4\u30A1\u30C0\u30FC\u30B7\u30FC\uFF08\u5DEB\u5973\uFF09\u306B\u3088\u308B\u5949\u7D0D\u821E\u8E0A\u3060\u3063\u305F\u3002\u30D0\u30FC\u30E9\u30BF\u30FB\u30CA\u30FC\u30C6\u30A3\u30E4\u30E0\u3068\u3082\u8868\u8A18\u3055\u308C\u308B\u3002"@ja . . . . . . . . "De bharata natyam is een vorm van Indiase klassieke dans die van oorsprong uit het zuiden van India komt. De naam Bharata Natyam is afkomstig van BHAva (uitdrukking) + RAga (muziek) + TAla (ritme) + Natyam wat dans betekent in het Tamil.Bharata Natyam is meer dan 2000 jaar geleden ontstaan binnen de tempelmuren van Zuid-India. Beoefenaars en uitvoerders van deze danskunst waren de Devadasi's: dienaressen en toegewijden van god. Door de jaren heen heeft deze dansuiting zich ontwikkeld en is uitgegroeid tot een danskunst die nu vele podia siert. Kenmerkend zijn hoofd-, oog-, en nekbewegingen, ritmisch voetenwerk, handgebaren en verhalende expressie.De drie essenti\u00EBle onderdelen binnen de Bharata Natyam:"@nl . . . . . . .