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Subject Item
dbr:Garage_rock
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Гаражний рок Garage Rock 개러지 록 Garage rock Garage rock 車庫搖滾 ガレージロック Garage rock Garage rock Garage rock Garagerock Garage rock Rock de garagem Гаражный рок Garage rock Garage rock Garagerock Garage rock Rock de garatge
rdfs:comment
ガレージロック（Garage rock）は、1960年代半ば以降に台頭したロックの1ジャンルである。1970年代前半に一時忘れられたが、パンク・ニューウェイブ隆盛の1970年代後半以降に再評価された。 El garage rock és una forma senzilla i crua de rock and roll creada per diverses bandes dels Estats Units d'Amèrica a mitjans dels anys seixanta. Inspirats per bandes de la com The Kinks o The Who, aquests grups tocaven una variació d'aquests estils de música. Rock de garagem (do inglês: garage rock), às vezes chamado de punk dos anos 60 ou punk de garagem, é um estilo de rock and roll bruto e energético que floresceu em meados da década de 1960, notadamente nos Estados Unidos e no Canadá. O estilo é caracterizado por acordes básicos executados em guitarras elétricas - às vezes distorcidas através de pedal denominado fuzz -, baixo e bateria. Também era comum o uso de órgãos eletrônicos. As letras não eram sofisticadas e ocasionalmente agressivas. O termo rock de garagem deriva da percepção de que as bandas eram, muitas vezes, constituídas por jovens amadores que ensaiavam na garagem da família; trata-se de uma percepção parcialmente correta, uma vez que há registros de bandas ou de membros destas que fossem músicos semi ou completamente profissi Garage rock (sometimes called garage punk or '60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. Garage rock, rock garażowy, '60s punk – prosta, surowa forma muzyki gitarowej, wywodząca się z rock and rolla, popularna w latach sześćdziesiątych w Stanach Zjednoczonych, Kanadzie i Europie. Muzyka zespołów „garage rockowych” była z początku fenomenem lokalnych, amatorskich grup, które przyswoiły sobie wcześniej utwory surf rockowe, rhythm’n’bluesowe lub rock’n’rollowe kompozycje wokalne i instrumentalne. Pierwszym wielkim hitem garażowym był utwór Louie, Louie, wydany w 1961 na singlu 7" przez zespół The Wailers. Garage-Rock bezeichnet eine Stilrichtung der Rockmusik. Weitere Bezeichnungen für diese Stilrichtung sind Garage, Garagenrock sowie Garage-Punk oder Sixties-Punk. Mit den letzteren wird ein nachträglicher Bezug zum Punkrock der 1970er Jahre hergestellt. Weitere alternative Bezeichnungen sind Freakbeat für fast ausschließlich britische Bands sowie die Bezeichnung Acid Rock für die psychedelische Phase. 개러지 록(영어: garage rock)은 '개러지(차고)'같이 음악을 할 만한 좋은 환경과 능력을 갖추지 않아도 충분히 멋진 음악을 할 수 있다는 DIY 정신을 담은 록 장르이다. 개러지 록'이라는 용어는 1970년대에 영국에서 펑크와 구별을 주기 위해 사용되기 시작했으며,「 대표적인 밴드: MC5 」 차고를 가진 사람들이 하는 음악이니 주류에 대항하는 노동자 계급을 뜻하는 펑크와는 늬앙스가 다른 음악이라 할 수 있겠다. 개러지 록의 음악적 특징은 '독특함'과 '아마추어'로 요약될 수 있으며, '개러지 록(Garage Rock)'이란 단어가 익숙해진 것은 스트록스(The Strokes), 화이트 스트라입스(The White Stripes) 등의 21세기 '개러지 록 리바이벌' 영향이 컸다. 车库摇滚（Garage rock）是早期摇滚乐的一种风格。指一种创作未经太多的加工或是修饰、充满激情和活力的摇滚乐，简单粗糙却更显纯粹。1963年至1967年间车库摇滚开始风靡美国和加拿大。在20世纪60年代，车库摇滚还没有被定义为一种单独的音乐风格，因此没有具体名称。在1970年代早期，一些摇滚评论家追溯称它为早期的龐克摇滚。然而，这种音乐风格后来被称为车库摇滚或60年代朋克，以免与20世纪70年代晚期的朋克摇滚乐队，如性手枪（the Sex Pistols）和冲撞乐队（The Clash）等相混淆。 Гаражний рок (Garage rock) чи як його ще іноді називають 60's punk (панк шістдесятих) — це форма рок-н-ролу, котра з'явилась, набула розвитку і популярності в Америці та Канаді на початку 60-х років минулого сторіччя. Головним фактором, який вплинув на розвиток гаражного року стало Британське вторгнення (англ. British Invasion) — період повальної моди в США на англійську музику, що асоціювався з такими колективами як The Kinks, The Animals, The Yardbirds, , The Who, The Rolling Stones і, звісно, The Beatles. Garage rock je syrový rock and roll, který byl populární zhruba mezi lety 1963 až 1967 hlavně v USA a Kanadě. Během 60. let nebyl považován za samostatný hudební žánr a neměl žádný specifický název. Koncem 50. let se v USA prosadila skupina s chytlavou písní "". Ta získala mnoho ocenění a též se umístila v první stovce rockových skladeb prestižního časopisu Rolling Stone. Později se ji snažilo napodobit mnoho ostatních garage-rockových kapel, píseň si upravil též i samotný Frank Zappa (jedna z verzí Plastic People). Další továrnou na hity byli – Have Love Will Travel, Santa Claus nebo Strychnine. El garage rock (en español, rock de garaje) es un subgénero del rock que combina aspectos sonoros del doo-wop, el R&B y el soul con los ritmos característicos del blues y del surf rock. Este subgénero musical es una forma de rock and roll y rockabilly. Suele utilizar estructuras de acordes muy básicas y sencillas, interpretadas con guitarras eléctricas distorsionadas (principalmente por pedales como el ); aunque también es habitual el uso de teclados. En general las letras son poco sofisticadas y, a veces, muestran una actitud airada y agresiva. Garagerock of garage is een ongepolijste vorm van rockmuziek, soms neigend naar protopunk, punk of indierock, maar oorspronkelijk naar surfrock en rockabilly. De huidige garagerockscene is over de hele wereld verspreid. Garage is de zogenaamde tegenhanger van de housemuziek; waar house elektronisch (dat wil zeggen met synthesizers en computers) gemaakt is, wordt garage met "klassieke" (lees: gitaar, drum en bas) instrumenten ten gehore gebracht. Voorbeelden van garagerockbands zijn Mando Diao, The Hives, The Strokes, The Libertines, The Datsuns, The White Stripes en Yeah Yeah Yeahs. Гаражный рок или гараж-рок (англ. garage rock) — музыкальный жанр, сырой и энергичный вид рок-н-ролла, процветавший в середине 1960-х годов, особенно в США и Канаде. В то время гаражный рок так не называли и не признавали в качестве отдельного жанра, но критическое признание в начале 1970-х и, в частности, издание сборника Nuggets в 1972 году, внесли большой вклад в определение границ нового жанра. Гаражный рок считается основной предтечей панк-рока. Гаражный рок характеризуется бесхитростной лирикой, порой агрессивным вокалом, а также частым применением гитарного эффекта фузз. Garagerock är en musikgenre som växte sig stor i början på 1960-talet, främst i USA, men även i andra länder. Ynglingar som lyssnade på brittiska band som The Kinks, The Rolling Stones och The Beatles blev själva inspirerade att börja spela. Termen garagerock användes dock inte på 1960-talet utan tillkom senare. En viktig faktor i populariseringen av garagerock var samlingsalbumet Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 som gavs ut av Elektra Records 1972. Garagerocken har inspirerat till bland annat punkrock, grunge och collegerock. Il garage rock, anche chiamato 60's punk o garage punk, è un genere musicale nato verso la metà degli anni sessanta negli Stati Uniti ed in Canada a seguito della British invasion quando, su ispirazione di gruppi beat o rock come Beatles e Rolling Stones, nacquero numerose formazioni amatoriali che generalmente suonavano nei garage della casa di uno dei membri. Numerose band produssero quindi nuovi brani musicali che in alcuni casi raggiunsero anche notorietà nazionale e che di solito venivano trasmesse su stazioni radio AM locali o nazionali. Con l'avvento della psichedelia, un certo numero di questi gruppi ne assorbirono elementi tipici fino a quando, dal 1968, quando presero piede forme più sofisticate di musica rock, il garage rock scomparve dalle classifiche e il movimento entrò in un Το Garage rock (ελληνική απόδοση: Γκαράζ ροκ) είναι προοιωνός της ροκ μουσικής. Εναλακτικά ονομάστηκε επίσης γκαράζ πανκ και πανκ του '60. Garage rock delakoa, rock musika modu arrunt eta gordinagoan jotzeko estilo mota bat da. 1950eko hamarkadaren amaieran AEBetan eta Kanadan sortu zen, 1960ko hamarkadan Britainiar Inbasioaren The Kinks edo The Who taldeak bezalakoen eragin handia izan zuen. Le garage rock est un genre de rock ayant émergé aux États-Unis et au Canada au milieu des années 1960. À cette période, le style n'est pas encore identifié et n'a pas encore reçu de nom. Mais la compilation Nuggets, publiée en 1972, parvient à normaliser et décrire le style. Garage rock adalah gaya musik rock and roll mentah dan energik yang berkembang di pertengahan 1960-an, terutama di Amerika Serikat dan Kanada, dan telah mengalami beberapa penghidupan kembali dalam sejarahnya. Gaya musik garage rock ditandai dengan permainan akord-akord dasar melalui gitar elektrik dan instrumen lain, penggunaan distorsi gitar melalui fuzzbox, serta lirik dan pembawaan yang simpel dan kadang-kadang agresif. Istilah dalam genre ini berasal dari persepsi dari kelompok-kelompok pemuda amatir yang berlatih di garasi keluarga, meskipun banyak juga musisi garage rock yang profesional.
rdfs:seeAlso
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Garage rock
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n57:Rockfeedback.com
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Garage rock
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1960.0 The 1962 hit "Let's Dance" by Chris Montez, with its use of "cheesy"-sounding Farfisa organ riffs and banging drums, featured stylistic elements that anticipate the garage sound. "Louie, Louie" was written by Richard Berry and provided a major hit for the Kingsmen. "Psychotic Reaction" by the Count Five contains characteristics that came to typify much psychedelic and acid rock, such as the use of fuzz and feedback, as opposed to the clean guitar sounds prevalent in early rock.
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Count Five – "Psychotic Reaction" The Kingsmen – "Louie, Louie" Question Mark and the Mysterians – "96 Tears" Chris Montez — "Let's Dance"
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dbo:abstract
개러지 록(영어: garage rock)은 '개러지(차고)'같이 음악을 할 만한 좋은 환경과 능력을 갖추지 않아도 충분히 멋진 음악을 할 수 있다는 DIY 정신을 담은 록 장르이다. 개러지 록'이라는 용어는 1970년대에 영국에서 펑크와 구별을 주기 위해 사용되기 시작했으며,「 대표적인 밴드: MC5 」 차고를 가진 사람들이 하는 음악이니 주류에 대항하는 노동자 계급을 뜻하는 펑크와는 늬앙스가 다른 음악이라 할 수 있겠다. 개러지 록의 음악적 특징은 '독특함'과 '아마추어'로 요약될 수 있으며, '개러지 록(Garage Rock)'이란 단어가 익숙해진 것은 스트록스(The Strokes), 화이트 스트라입스(The White Stripes) 등의 21세기 '개러지 록 리바이벌' 영향이 컸다. Rock de garagem (do inglês: garage rock), às vezes chamado de punk dos anos 60 ou punk de garagem, é um estilo de rock and roll bruto e energético que floresceu em meados da década de 1960, notadamente nos Estados Unidos e no Canadá. O estilo é caracterizado por acordes básicos executados em guitarras elétricas - às vezes distorcidas através de pedal denominado fuzz -, baixo e bateria. Também era comum o uso de órgãos eletrônicos. As letras não eram sofisticadas e ocasionalmente agressivas. O termo rock de garagem deriva da percepção de que as bandas eram, muitas vezes, constituídas por jovens amadores que ensaiavam na garagem da família; trata-se de uma percepção parcialmente correta, uma vez que há registros de bandas ou de membros destas que fossem músicos semi ou completamente profissionais. Nos Estados Unidos e no Canadá, a surf music e, depois, os Beatles e outros grupos da denominada Invasão Britânica (British Invasion) motivaram milhares de jovens a formar bandas entre 1963 e 1968. Centenas produziram sucessos regionais e algumas tiveram hits nacionais. Embora, em grande parte, associadas como um fenômeno da América do Norte, houve diversas bandas em outras partes do mundo. Com o advento da psicodelia (rock psicodélico), uma série de bandas de garagem incorporou elementos exóticos no quadro estilístico primitivo do gênero. Depois de 1968, as formas mais elaboradas de rock dominaram o mercado, e os registros das bandas, em grande parte, desapareceram das paradas nacionais e regionais e praticamente desapareceu. Durante a década de 1960, o estilo não era reconhecida como um gênero distinto e não tinha um nome específico; mas uma crítica no início da década de 1970 - e, em particular, o lançamento da compilação Nuggets de 1972 - definiu o estilo. Certos críticos de rock de 1971 a 1973 começaram a identificar retroativamente o "som de garagem" como um gênero. Lenny Kaye, que viria a ser membro do Patti Smith Group e o responsável pela compilação, viria a utilizar o termo "punk rock" para o rock de garagem. Desde então, o gênero às vezes foi referido como "punk de garagem", bem como rótulos posteriores de "punk dos anos 60" e "protopunk", distinguindo-se do punk rock tal como foi conhecido de meados da década de 1970. O rock de garagem experimentou vários ressurgimentos. Entre o início e meados da década de 1980, várias cenas surgiram e que, conscientemente, tentaram repetir ou imitar o aspecto e o som da década de 1960. Mais tarde, um subgênero de rock de garagem desenvolveu uma combinação com punk rock e outras influências, dando uma definição atualizada ao termo "punk de garagem". Na década de 2000, emergiram bandas influenciadas pela garagem associados ao ressurgimento pós-punk e algumas alcançaram sucesso comercial. Assim, o gênero continua a atrair músicos e audiências que preferem uma abordagem musical "de volta ao básico" ou "faça você mesmo". 车库摇滚（Garage rock）是早期摇滚乐的一种风格。指一种创作未经太多的加工或是修饰、充满激情和活力的摇滚乐，简单粗糙却更显纯粹。1963年至1967年间车库摇滚开始风靡美国和加拿大。在20世纪60年代，车库摇滚还没有被定义为一种单独的音乐风格，因此没有具体名称。在1970年代早期，一些摇滚评论家追溯称它为早期的龐克摇滚。然而，这种音乐风格后来被称为车库摇滚或60年代朋克，以免与20世纪70年代晚期的朋克摇滚乐队，如性手枪（the Sex Pistols）和冲撞乐队（The Clash）等相混淆。 Το Garage rock (ελληνική απόδοση: Γκαράζ ροκ) είναι προοιωνός της ροκ μουσικής. Εναλακτικά ονομάστηκε επίσης γκαράζ πανκ και πανκ του '60. Гаражний рок (Garage rock) чи як його ще іноді називають 60's punk (панк шістдесятих) — це форма рок-н-ролу, котра з'явилась, набула розвитку і популярності в Америці та Канаді на початку 60-х років минулого сторіччя. Головним фактором, який вплинув на розвиток гаражного року стало Британське вторгнення (англ. British Invasion) — період повальної моди в США на англійську музику, що асоціювався з такими колективами як The Kinks, The Animals, The Yardbirds, , The Who, The Rolling Stones і, звісно, The Beatles. Незабаром почали з'являтися молоді місцеві гурти, які брали за основу британське звучання і перегравали його на свій лад, а репетиції свої проводили в гаражах на старому, іноді саморобному, обладнанні, звідки й пішла назва цього музичного напрямку — гаражний рок, а притаманні дефекти та шуми у записах, експерименти зі звуком та музичною формою, доволі жорсткий вокал та нарочито непрофесійна гра на музичних інструментах і стали головними ознаками цього стилю. Сама назва «Гаражний рок» з'явилася пізніше, а сам підхід до творчості назвуть DIY(«do it yourself», тобто «саморобки»).Щоб усвідомити масштаб впливу цього стилю 60-х на подальший розвиток рок-музики, достатньо просто знати, що з гаражного року беруть своє коріння такі музичні напрямки, як панк (punk), альтернативний рок (alternative rock), психоделічний рок (psychedellic rock). До найпопулярніших гуртів гаражного року відносять: , , The Kingsmen, , , , The Troggs, The Music Machine Garage rock (sometimes called garage punk or '60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psychedelia, numerous garage bands incorporated exotic elements into the genre's primitive stylistic framework. After 1968, as more sophisticated forms of rock music came to dominate the marketplace, garage rock records largely disappeared from national and regional charts, and the movement faded. Other countries in the 1960s experienced similar grass-roots rock movements that have sometimes been characterized as variants of garage rock. During the 1960s, garage rock was not recognized as a distinct genre and had no specific name, but critical hindsight in the early 1970s—and especially the 1972 compilation album Nuggets—did much to define and memorialize the style. Between 1971 and 1973, certain American rock critics began to retroactively identify the music as a genre and for several years used the term "punk rock" to describe it, making it the first form of music to bear the description, predating the more familiar use of the term appropriated by the later punk rock movement that it influenced. The term "garage rock" gained favor amongst commentators and devotees during the 1980s. The style has also been referred to as "proto-punk" or in certain instances "frat rock". In the early to mid-1980s, several revival scenes emerged featuring acts that consciously attempted to replicate the look and sound of 1960s garage bands. Later in the decade, a louder, more contemporary garage subgenre developed that combined garage rock with modern punk rock and other influences, sometimes using the garage punk label originally and otherwise associated with 1960s garage bands. In the 2000s, a wave of garage-influenced acts associated with the post-punk revival emerged, and some achieved commercial success. Garage rock continues to appeal to musicians and audiences who prefer a "back to basics" or "do-it-yourself" musical approach. El garage rock és una forma senzilla i crua de rock and roll creada per diverses bandes dels Estats Units d'Amèrica a mitjans dels anys seixanta. Inspirats per bandes de la com The Kinks o The Who, aquests grups tocaven una variació d'aquests estils de música. El terme "rock de garatge" ve de la percepció que molts dels seus intèrprets eren joves i inexperts, tenien una preparació escassa com a músics i sovint assajaven en un garatge. La música d'aquestes bandes era en general molt menys elaborada que la música que les inspirava, però estava repleta de passió i energia. La major part de les bandes utilitzaven senzilles seqüències d'intervals de quinta i octava atès que els amplificadors de l'època tenien molta distorsió a un volum alt, se sobresaturaven i amb l'ús d'aquestes notes, juntament amb una bateria agressiva i unes lletres empegaloses s'evitava aquest problema. Centenars de bandes de garatge aparegueren als EUA, però tan sols una minoria —, , , — van tenir èxit, i la majoria van quedar relegats a l'oblit. De fet, gairebé totes les bandes estaven oblidades a principis dels anys setanta. Encara que el centre dels EUA va produir molts dels exemples més coneguts del rock de garatge, hi havia moltes bandes originàries de la costa oest dels EUA i d'Austràlia, com per exemple . Garagerock of garage is een ongepolijste vorm van rockmuziek, soms neigend naar protopunk, punk of indierock, maar oorspronkelijk naar surfrock en rockabilly. De huidige garagerockscene is over de hele wereld verspreid. Garage is de zogenaamde tegenhanger van de housemuziek; waar house elektronisch (dat wil zeggen met synthesizers en computers) gemaakt is, wordt garage met "klassieke" (lees: gitaar, drum en bas) instrumenten ten gehore gebracht. Voorbeelden van garagerockbands zijn Mando Diao, The Hives, The Strokes, The Libertines, The Datsuns, The White Stripes en Yeah Yeah Yeahs. Garage rock, rock garażowy, '60s punk – prosta, surowa forma muzyki gitarowej, wywodząca się z rock and rolla, popularna w latach sześćdziesiątych w Stanach Zjednoczonych, Kanadzie i Europie. Muzyka zespołów „garage rockowych” była z początku fenomenem lokalnych, amatorskich grup, które przyswoiły sobie wcześniej utwory surf rockowe, rhythm’n’bluesowe lub rock’n’rollowe kompozycje wokalne i instrumentalne. Pierwszym wielkim hitem garażowym był utwór Louie, Louie, wydany w 1961 na singlu 7" przez zespół The Wailers. W późniejszym okresie duża część twórczości amerykańskich grup garażowych została zdominowana przez brzmienie brytyjskiej inwazji, ale już wkrótce zdołały one wykształcić swój własny styl. Do najpopularniejszych zespołów rocka garażowego zalicza się: The Sonics, , The Kingsmen, , , , The Troggs. Termin punk rock został stworzony w 1971 przez dziennikarza magazynu Creem i odnosił się do muzyki grupy . Garagerock är en musikgenre som växte sig stor i början på 1960-talet, främst i USA, men även i andra länder. Ynglingar som lyssnade på brittiska band som The Kinks, The Rolling Stones och The Beatles blev själva inspirerade att börja spela. Termen garagerock användes dock inte på 1960-talet utan tillkom senare. En viktig faktor i populariseringen av garagerock var samlingsalbumet Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 som gavs ut av Elektra Records 1972. Då de var amatörer blev ljudbilden ofta rå, slarvig och ostädad, men det var just det som var det speciella. Många av dessa grupper höll också till i garage då de övade, därav namnet på genren. Låtarna var ofta enkelt uppbyggda kring tre ackord, och texterna var enkla och handlade ofta om någon flicka eller hur kul det var med partyn. De flesta garagerockband var stora på lokal nivå, och de som mot förmodan lyckades ta sig upp på nationell nivå fick ofta bara en stor hit. En låt som ofta är omnämnd som den första i genren är The Kingsmens inspelning av "Louie Louie" från 1963. Garagerocken har inspirerat till bland annat punkrock, grunge och collegerock. Garage rock adalah gaya musik rock and roll mentah dan energik yang berkembang di pertengahan 1960-an, terutama di Amerika Serikat dan Kanada, dan telah mengalami beberapa penghidupan kembali dalam sejarahnya. Gaya musik garage rock ditandai dengan permainan akord-akord dasar melalui gitar elektrik dan instrumen lain, penggunaan distorsi gitar melalui fuzzbox, serta lirik dan pembawaan yang simpel dan kadang-kadang agresif. Istilah dalam genre ini berasal dari persepsi dari kelompok-kelompok pemuda amatir yang berlatih di garasi keluarga, meskipun banyak juga musisi garage rock yang profesional. Di AS dan Kanada, surf rock, dan kemudian The Beatles, serta grup musik Merseybeat dari Invasi Britania memotivasi ribuan remaja untuk membentuk band dari tahun 1963 sampai awal tahun 1968. Hingga ratusan telah memproduksi hits regional, beberapa mencapai popularitas nasional. Kemudian, dengan kedatangan musik psychedelia, beberapa band menggabungkan unsur-unsur eksotis ke dalam kerangka genre garage yang masih primitif. Setelah 1968, bentuk yang lebih canggih dari musik rock muncul dan mendominasi pasar musik, sementara garage rock menghilang dari tangga lagu nasional dan regional, mengakhiri gerakan musik ini. Beberapa negara lainnya pada 1960-an juga telah mengalami gerakan akar rumput dalam musik rock yang terkadang masuk dalam ciri-ciri jenis musik garage rock. Sepanjang 1960-an, garage rock tidak memiliki nama spesifik dan tidak diakui sebagai genre nyata, tetapi dengan pengakuan kritis pada garage rock di awal tahun 1970, dan rilisnya album kompilasi, Nuggets, pada tahun 1972, berpengaruh banyak untuk mendefinisikan dan mengenang gaya musik tersebut. Pada awal 1970-an, beberapa kritikus mulai mendefinisikan gaya musik ini sebagai genre dan menggunakan istilah "punk rock", bentuk musik pertama yang menanggung deskripsi ini. Istilah "garage rock" kemudian disukai di antara para pengulas dan penggemar sepanjang 1980-an. Sebutan lainnya untuk genre musik ini yaitu; "garage punk", "60s punk", "", dan "frat rock" dalam beberapa contoh. Pada awal dan pertengahan 1980-an, musik ini mengalami beberapa kebangkitan dengan musisi-musisi yang meniru rupa dan suara dari band-band garage tahun 1960-an. Kemudian, subgenre garage yang lebih keras, dan kontemporer berkembang melalui penggabungan musik garage rock dengan musik punk rock modern serta gaya musik lainnya, terkadang dengan label orisinil , atau sebaliknya lebih berasosiasi dengan band-band garage 1960-an. Pada tahun 2000-an, sebuah gelombang dari musisi terinspirasi-garage yang diasosiasikan dengan post-punk revival muncul, dan beberapa mendapat kesuksesan komersial. Garage rock kemudian terus menarik musisi dan penggemar yang lebih memilih rute musik "back to basics" atau "do-it-yourself". ガレージロック（Garage rock）は、1960年代半ば以降に台頭したロックの1ジャンルである。1970年代前半に一時忘れられたが、パンク・ニューウェイブ隆盛の1970年代後半以降に再評価された。 Il garage rock, anche chiamato 60's punk o garage punk, è un genere musicale nato verso la metà degli anni sessanta negli Stati Uniti ed in Canada a seguito della British invasion quando, su ispirazione di gruppi beat o rock come Beatles e Rolling Stones, nacquero numerose formazioni amatoriali che generalmente suonavano nei garage della casa di uno dei membri. Numerose band produssero quindi nuovi brani musicali che in alcuni casi raggiunsero anche notorietà nazionale e che di solito venivano trasmesse su stazioni radio AM locali o nazionali. Con l'avvento della psichedelia, un certo numero di questi gruppi ne assorbirono elementi tipici fino a quando, dal 1968, quando presero piede forme più sofisticate di musica rock, il garage rock scomparve dalle classifiche e il movimento entrò in una fase di declino. Sebbene generalmente associato all'America del Nord, altri paesi negli anni '60 svilupparono movimenti rock simili. Lo stile è caratterizzato da strutture di accordi basici suonati su chitarre elettriche e altri strumenti, a volte distorti attraverso una fuzz box, nonché composti di testi e modo di cantare spesso poco sofisticati e occasionalmente aggressivi. Durante gli anni '60, il garage rock non era riconosciuto come genere distinto e non aveva un nome specifico. Fu solo successivamente, dai primi anni '70, grazie anche alla raccolta Nuggets del 1972, che si incominciò a delineare come stile musicale. Tra il 1971 e il 1973 alcuni critici musicali iniziarono a identificare retroattivamente questa musica come un genere a se stante e per diversi anni lo definirono con il termine "punk rock", anticipandone l'uso che poi diverrà invece caratteristico del successivo movimento punk rock della seconda metà degli anni '70, che da quello fu fortemente influenzato. Il termine "garage rock" è entrato in uso all'inizio degli anni '80 divenendo infine quello definitivo per questo genere musicale. È stato anche definito "sixties punk", "punk anni '60", "garage punk" o "proto-punk". Nella prima metà degli anni ottanta, il genere ispirò una seconda ondata di nuovi gruppi che riscoprirono la musica garage riproponendone nuove versioni di classici degli anni sessanta replicandone oltre che il sound anche il look. Più tardi nel decennio, si sviluppò un sottogenere di garage più duro e più contemporaneo, che combinava al garage rock delle origini il punk rock moderno, unitamente ad altre influenze, a volte usando l'etichetta garage punk originariamente e in altro modo associata con le band del garage degli anni '60. Negli anni 2000, emerse poi un'ondata di band influenzate da garage ed associate al post-punk revival, che raggiunsero anche il successo commerciale. Nonostante questo il garage rock continua ad attrarre musicisti e pubblico che preferisce un approccio musicale "back to basics" o legato all'etica DIY. Garage rock delakoa, rock musika modu arrunt eta gordinagoan jotzeko estilo mota bat da. 1950eko hamarkadaren amaieran AEBetan eta Kanadan sortu zen, 1960ko hamarkadan Britainiar Inbasioaren The Kinks edo The Who taldeak bezalakoen eragin handia izan zuen. El garage rock (en español, rock de garaje) es un subgénero del rock que combina aspectos sonoros del doo-wop, el R&B y el soul con los ritmos característicos del blues y del surf rock. Este subgénero musical es una forma de rock and roll y rockabilly. Suele utilizar estructuras de acordes muy básicas y sencillas, interpretadas con guitarras eléctricas distorsionadas (principalmente por pedales como el ); aunque también es habitual el uso de teclados. En general las letras son poco sofisticadas y, a veces, muestran una actitud airada y agresiva. El término de rock de garaje viene del hecho de que sus intérpretes eran grupos compuestos por adolescentes y jóvenes aficionados, con una escasísima preparación musical, que solían reunirse «para tocar y ensayar en el garaje de sus casas». La música de estas bandas era, por lo general, mucho menos elaborada que los originales en los que se inspiraban (dado que sus intérpretes poseían escasa pericia instrumental. Chicos de entre quince y veinte años, apenas sabían tocar unos pocos acordes); pero, a cambio, estaba repleta de pasión y energía juvenil, lo que algunos consideran el verdadero espíritu del Rock'n'Roll. La mayor parte de las bandas utilizaban sencillas secuencias de notas octavas y quintas debido, además de a lo anteriormente explicado, a que los amplificadores de la época poseían mucha distorsión a un volumen alto y se sobre-saturaban. Con el uso de esas notas (a lo que se añadía una batería agresiva y unas letras pegadizas) se disimulaba este problema y se conseguían sorprendentes resultados. A principios de los años 1970, cuando el movimiento ya había desaparecido como tal pero (paradójicamente) fue redescubierto por la crítica musical, llegó a usarse la palabra "Punk" para definir tanto este tipo de música como a los grupos que la tocaban. De ahí que garage rock y garage punk sean términos prácticamente intercambiables. O que, a veces, se emplee también el término Sixties Punk (o "60's Punk") como otra denominación para el Rock de Garaje original. Y de ahí también que, cuando en 1976-77 surgió el movimiento Punk propiamente dicho, muchos de sus miembros se autorreivindicasen ideológica, musical y estéticamente, declarándose herederos directos de las bandas de garaje de mediados de los años sesenta.​ Гаражный рок или гараж-рок (англ. garage rock) — музыкальный жанр, сырой и энергичный вид рок-н-ролла, процветавший в середине 1960-х годов, особенно в США и Канаде. В то время гаражный рок так не называли и не признавали в качестве отдельного жанра, но критическое признание в начале 1970-х и, в частности, издание сборника Nuggets в 1972 году, внесли большой вклад в определение границ нового жанра. Гаражный рок считается основной предтечей панк-рока. Рок-н-ролл, ритм-н-блюз, сёрф-рок, а впоследствии Beatles и бит-группы британского вторжения мотивировали тысячи поклонников к формированию гаражных групп в США и в других странах с 1963 по 1968 годы. Появились сотни региональных хитов, некоторые из которых попали в национальные хит-парады. После 1968 года появились более сложные формы рок-музыки, а подобные записи в основном исчезли из национальных чартов. Гаражный рок характеризуется бесхитростной лирикой, порой агрессивным вокалом, а также частым применением гитарного эффекта фузз. Garage-Rock bezeichnet eine Stilrichtung der Rockmusik. Weitere Bezeichnungen für diese Stilrichtung sind Garage, Garagenrock sowie Garage-Punk oder Sixties-Punk. Mit den letzteren wird ein nachträglicher Bezug zum Punkrock der 1970er Jahre hergestellt. Weitere alternative Bezeichnungen sind Freakbeat für fast ausschließlich britische Bands sowie die Bezeichnung Acid Rock für die psychedelische Phase. Le garage rock est un genre de rock ayant émergé aux États-Unis et au Canada au milieu des années 1960. À cette période, le style n'est pas encore identifié et n'a pas encore reçu de nom. Mais la compilation Nuggets, publiée en 1972, parvient à normaliser et décrire le style. Le style, bien qu'associé au rock psychédélique contemporain, se caractérise par des propos vifs accompagnés de guitares dont la sonorité distordue est produite par la pédale fuzz. Au début des années 1970, certains critiques musicaux définissent le style sous les termes de « punk rock », la première forme musicale à adopter cette description ; et parfois « garage punk », « protopunk » ou « punk des années '60 » afin de le différencier du punk rock du milieu et de la fin des années 1970. Garage rock je syrový rock and roll, který byl populární zhruba mezi lety 1963 až 1967 hlavně v USA a Kanadě. Během 60. let nebyl považován za samostatný hudební žánr a neměl žádný specifický název. Koncem 50. let se v USA prosadila skupina s chytlavou písní "". Ta získala mnoho ocenění a též se umístila v první stovce rockových skladeb prestižního časopisu Rolling Stone. Později se ji snažilo napodobit mnoho ostatních garage-rockových kapel, píseň si upravil též i samotný Frank Zappa (jedna z verzí Plastic People). Další továrnou na hity byli – Have Love Will Travel, Santa Claus nebo Strychnine. Pod původním názvem The Wailers však stihli nahrát třeba "You Weren´t Using Your Head" či "Out Of Our Free". Významnými představiteli garage rocku se stali i (Psychotic Reaction, Pretty Big Mouth), The Seeds (Can´t Seem to Make You Mine, Pushin´Too Hard, Wind Blows Your Hair), The Music Machine (Talk Talk, Double Yellow Mine, Trouble), The Standells (Dirty Water, Medication), Question Mark&the Mysterians (96 Tears, Can´t Get Enough You Baby) a Paul Revere&the Raiders (Just Like Me). Hraní garage rocku se věnovalo skutečně obrovské množství kapel. Ne všechny se samozřejmě dokázaly naplno prosadit, přesto existuje spousta skupin, které se proslavily jen díky jednomu hitu a stojí za zmínku také. Jedná se o The Keggs (To Find Out), Last Knight (Shadows of Fear), Primates (Knock On My Door), Rocky & the Riddlers (Flash and Crash), The Angry (Walk in the Sun), The Grasshoppers (The Very Last Day), The Creation (Cool Jerk, Painter Man) a mnoho dalších. Na začátku 70. let garage rock někteří kritici zpětně označovali jako punk rock. Nicméně později začal být nazýván garage rock či '60s Punk, aby se nedocházelo k záměně s punkovými skupinami z druhé poloviny 70. let jako Ramones, Sex Pistols a The Clash. Později se mezi garage rockové skupiny zařadili např. i The Stooges s Iggy Popem a MC5.
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