About: Women in classical music

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Women are active in all aspects of classical music, such as instrumental performance, vocal performance, orchestral conducting, choral conducting, scholarly research, and contemporary composition. However, proportionately to men, their representation and recognition -especially at higher levels- falls a long way below their numbers.

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rdfs:label	Women in classical music (en) Donne nella musica classica (it)
rdfs:comment	Women are active in all aspects of classical music, such as instrumental performance, vocal performance, orchestral conducting, choral conducting, scholarly research, and contemporary composition. However, proportionately to men, their representation and recognition -especially at higher levels- falls a long way below their numbers. (en) Le donne sono attive in quasi tutti gli aspetti della musica classica, come le esibizioni strumentali, vocali, la direzione orchestrale, la direzione di cori, la ricerca accademica e la composizione contemporanea. Tuttavia, proporzionalmente agli uomini, la loro rappresentanza e il loro riconoscimento, specialmente a livelli più alti, sono di gran lunga inferiori al loro numero. (it)
foaf:depiction
dcterms:subject	Women in classical music
Wikipage page ID	52201111 (xsd:integer)
Wikipage revision ID	1100268251 (xsd:integer)
Link from a Wikipage to another Wikipage	Royal Albert Hall Berlin Philharmonic Boston Symphony Orchestra Detroit Symphony Orchestra University of Cincinnati – College-Conservatory of Music International Alliance for Women in Music International Society for Contemporary Music Patricia Adkins Chiti Pulitzer Prize for Music Mary Wurm Medieval music Opera Clara Baur Clara Schumann Classical music Eleanor Parke Custis Lewis George Washington Nadia Boulanger Thomas Jefferson Symphony orchestra Antonio Vivaldi Louis XIV Lydia Sigourney Élisabeth Jacquet de La Guerre Harp Ida Divinoff Kristin Kuster Sara Mohr-Pietsch Madeleine Carruzzo Music Vale Seminary BBC Symphony Orchestra Barbara Hannigan UNESCO Vítězslava Kaprálová Lean In List of African-American women in classical music Mirga Gražinytė-Tyla Czech Philharmonic Céphale et Procris (Jacquet de la Guerre) Fondazione Adkins Chiti: Donne in Musica Kapralova Society Journal Violin Queen's Hall Guitar Harpist Hildegard of Bingen International Music Council Jenny Lind The Guardian Jennifer Higdon Women in classical music Susanna Mälkki Henry Wood Marin Alsop Martha Jefferson Philadelphia Orchestra Piano Pope Leo IV Pope Pius X Tenured New York Philharmonic Sheryl Sandberg Women in music World War II The Women's Philharmonic European Music Council Lists of women in music Odaline de la Martinez Society of Women Musicians Évrard Titon du Tillet Violinist Vienna Philharmonic BBC Promenade Concerts Boston Symphony London Philharmonic
sameAs	Women in classical music Women in classical music Women in classical music Women in classical music Women in classical music Women in classical music Women in classical music
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thumbnail	wiki-commons:Special:FilePath/Martha_Argerich_concierto.jpg?width=300
has abstract	Le donne sono attive in quasi tutti gli aspetti della musica classica, come le esibizioni strumentali, vocali, la direzione orchestrale, la direzione di cori, la ricerca accademica e la composizione contemporanea. Tuttavia, proporzionalmente agli uomini, la loro rappresentanza e il loro riconoscimento, specialmente a livelli più alti, sono di gran lunga inferiori al loro numero. Sebbene le donne non abbiano avuto ruoli nelle orchestre sinfoniche fino a poco tempo fa, era molto più comune per le donne studiare gli strumenti musicali. Nell'Ottocento spesso le donne della classe superiore dovevano imparare uno strumento, spesso l'arpa, il pianoforte, la chitarra o il violino oppure imparare a cantare. Le donne si sono esibite anche come soliste più frequentemente negli ultimi anni. La pianista (e compositrice) Clara Schumann e la cantante Jenny Lind erano due esempi rari di spicco nel diciannovesimo secolo. (it) Women are active in all aspects of classical music, such as instrumental performance, vocal performance, orchestral conducting, choral conducting, scholarly research, and contemporary composition. However, proportionately to men, their representation and recognition -especially at higher levels- falls a long way below their numbers. Although women have not had roles in symphony orchestras until recently, it has been much more common for women to study musical instruments. In the 1800s, upper-class women often were expected to learn an instrument, often the harp, piano, guitar, or violin, or to learn to sing. It is only in recent years that women have performed in the soloist setting more frequently. Pianist (and composer) Clara Schumann and vocalist Jenny Lind were two rarer examples prominent in the nineteenth-century. (en)
prov:wasDerivedFrom	wikipedia-en:Women_in_classical_music?oldid=1100268251&ns=0
page length (characters) of wiki page	20986 (xsd:nonNegativeInteger)

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