In music, especially Schenkerian analysis, a voice exchange (German: Stimmtausch; also called voice interchange) is the repetition of a contrapuntal passage with the voices' parts exchanged; for instance, the melody of one part appears in a second part and vice versa. It differs from invertible counterpoint in that there is no octave displacement; therefore it always involves some voice crossing. If scored for equal instruments or voices, it may be indistinguishable from a repeat, although because a repeat does not appear in any of the parts, it may make the music more interesting for the musicians. It is a characteristic feature of rounds, although not usually called such.
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| - Stimmtausch (de)
- Voice exchange (en)
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| - Stimmtausch ist ein Begriff aus der Musik, der vor allem in der Kontrapunktlehre eine Rolle spielt. Er bezeichnet den Wechsel eines Themas in eine andere Stimme, beispielsweise von der Oberstimme in die Unterstimme. Der Stimmentausch tritt besonders in den für den Barock typischen Gattungen wie Invention, Kanon und Fuge auf. Allerdings ist er auch in der Klassik oder Romantik ein beliebtes Verarbeitungsmittel gewesen. Eine weitere Bezeichnung, die unmittelbar damit zusammenhängt, ist die Imitation. (de)
- In music, especially Schenkerian analysis, a voice exchange (German: Stimmtausch; also called voice interchange) is the repetition of a contrapuntal passage with the voices' parts exchanged; for instance, the melody of one part appears in a second part and vice versa. It differs from invertible counterpoint in that there is no octave displacement; therefore it always involves some voice crossing. If scored for equal instruments or voices, it may be indistinguishable from a repeat, although because a repeat does not appear in any of the parts, it may make the music more interesting for the musicians. It is a characteristic feature of rounds, although not usually called such. (en)
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| - Stimmtausch ist ein Begriff aus der Musik, der vor allem in der Kontrapunktlehre eine Rolle spielt. Er bezeichnet den Wechsel eines Themas in eine andere Stimme, beispielsweise von der Oberstimme in die Unterstimme. Der Stimmentausch tritt besonders in den für den Barock typischen Gattungen wie Invention, Kanon und Fuge auf. Allerdings ist er auch in der Klassik oder Romantik ein beliebtes Verarbeitungsmittel gewesen. Eine weitere Bezeichnung, die unmittelbar damit zusammenhängt, ist die Imitation. (de)
- In music, especially Schenkerian analysis, a voice exchange (German: Stimmtausch; also called voice interchange) is the repetition of a contrapuntal passage with the voices' parts exchanged; for instance, the melody of one part appears in a second part and vice versa. It differs from invertible counterpoint in that there is no octave displacement; therefore it always involves some voice crossing. If scored for equal instruments or voices, it may be indistinguishable from a repeat, although because a repeat does not appear in any of the parts, it may make the music more interesting for the musicians. It is a characteristic feature of rounds, although not usually called such. Patterns of voice exchange are sometimes schematized using letters for melodic patterns. A double voice exchange has the pattern: Voice 1: a bVoice 2: b a A triple exchange would thus be written: Voice 1: a b cVoice 2: c a bVoice 3: b c a The first use of the term "Stimmtausch" was in 1903-4 in an article by Friedrich Ludwig, while its English calque was first used in 1949 by . The term is also used, with a related but distinct meaning, in Schenkerian theory. "When a piece is entirely conceived according to the system of Stimmtausch, it belongs to the rondellus type." (en)
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