The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. The instrument was first used in Alcidiane by Jean-Baptiste Lully in 1658 and in French ensembles known as the bandes de hautbois, in which it played the inner lines of polyphonic compositions. J.S. Bach employed it when a low-pitched oboe was needed to double the viola parts in several of his cantatas, but almost exclusively in movements of a jubilant or otherwise loud nature due to its having had a more piercing sound than that of the cor anglais.
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| - El taille o taille de hautbois fue un oboe tenor barroco afinado en fa. Tenía un cuerpo recto, dos llaves y una campana abierta. (es)
- The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. The instrument was first used in Alcidiane by Jean-Baptiste Lully in 1658 and in French ensembles known as the bandes de hautbois, in which it played the inner lines of polyphonic compositions. J.S. Bach employed it when a low-pitched oboe was needed to double the viola parts in several of his cantatas, but almost exclusively in movements of a jubilant or otherwise loud nature due to its having had a more piercing sound than that of the cor anglais. (en)
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| - El taille o taille de hautbois fue un oboe tenor barroco afinado en fa. Tenía un cuerpo recto, dos llaves y una campana abierta. (es)
- The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. The instrument was first used in Alcidiane by Jean-Baptiste Lully in 1658 and in French ensembles known as the bandes de hautbois, in which it played the inner lines of polyphonic compositions. J.S. Bach employed it when a low-pitched oboe was needed to double the viola parts in several of his cantatas, but almost exclusively in movements of a jubilant or otherwise loud nature due to its having had a more piercing sound than that of the cor anglais. Today, the instrument is rare outside period ensembles, and a cor anglais is commonly substituted. However, the period-instrument movement has seen a revival of the taille, with a number of makers now producing reproductions of classic examples. The term was also later applied to any instrument that played the tenor part in an orchestra, e.g. the tenor viol or viola. (en)
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of | - Der Geist hilft unser Schwachheit auf, BWV 226
- Der Himmel lacht! Die Erde jubilieret, BWV 31
- Vereinigte Zwietracht der wechselnden Saiten, BWV 207
- List of period instruments
- Cor anglais
- Ein feste Burg ist unser Gott, BWV 80
- Geist und Seele wird verwirret, BWV 35
- Gott soll allein mein Herze haben, BWV 169
- Gottlob! nun geht das Jahr zu Ende, BWV 28
- Liebster Gott, wenn werd ich sterben, BWV 8
- List of Bach cantatas
- Siehe, ich will viel Fischer aussenden, BWV 88
- Ärgre dich, o Seele, nicht, BWV 186
- Harpsichord Concerto in E major, BWV 1053
- Keyboard concertos by Johann Sebastian Bach
- Taille (disambiguation)
- Das neugeborne Kindelein, BWV 122
- Wachet auf, ruft uns die Stimme, BWV 140
- Was Gott tut, das ist wohlgetan, BWV 98
- Was mir behagt, ist nur die muntre Jagd, BWV 208
- Wir müssen durch viel Trübsal, BWV 146
- Juraj Filas
- Ach Gott, wie manches Herzeleid, BWV 58
- Also hat Gott die Welt geliebt, BWV 68
- Du Hirte Israel, höre, BWV 104
- Nimm von uns, Herr, du treuer Gott, BWV 101
- Discography of motets by Johann Sebastian Bach
- St John Passion structure
- Tenor oboe
- Ich habe meine Zuversicht, BWV 188
- Ich liebe den Höchsten von ganzem Gemüte, BWV 174
- Ich will den Kreuzstab gerne tragen, BWV 56
- Kyrie–Gloria Mass for double choir, BWV Anh. 167
- Oboe da caccia
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