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Perspectives of New Music (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). When Fromm discontinued his support, Perspectives of New Music formed an independent corporation, which has continued its publication.

Attributes	Values
rdf:type	Thing schema:CreativeWork periodical literature work wikidata:Q1092563 Text (literary theory) wikidata:Q386724 yago:WikicatBiannualJournals yago:WikicatContemporaryClassicalMusicJournals yago:WikicatMusicTheoryJournals yago:Artifact100021939 yago:Creation103129123 yago:Object100002684 yago:Periodical106593296 yago:PhysicalEntity100001930 yago:Product104007894 yago:Publication106589574 yago:Work104599396 academic journal written work yago:Whole100003553 yago:WikicatEnglish-languageJournals yago:WikicatPublicationsEstablishedIn1962
rdfs:label	Perspectives of New Music (en)
rdfs:comment	Perspectives of New Music (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). When Fromm discontinued his support, Perspectives of New Music formed an independent corporation, which has continued its publication. (en)
foaf:name	Perspectives of New Music (en)
foaf:homepage	http://www.perspectivesofnewmusic.org/
dcterms:subject	Organizations based in Seattle Music theory journals Contemporary classical music journals English-language journals Publications established in 1962 Biannual journals Academic journals published in the United States
Wikipage page ID	1080841 (xsd:integer)
Wikipage revision ID	1098462620 (xsd:integer)
Link from a Wikipage to another Wikipage	Benjamin Boretz Princeton University Press Elaine Barkin Organizations based in Seattle Journal of Music Theory Music theory journals Music theory Musical analysis Arthur Victor Berger Peer review Contemporary classical music journals John Rahn Joseph Kerman English-language journals Publications established in 1962 Academic journal Biannual journals Jerome Kohl Edward T. Cone Arthur Berger (composer) Academic journals published in the United States Editors-in-chief Robert Morris (composer) Neue Zeitschrift für Musik
Link from a Wikipage to an external page	https://web.archive.org/web/20041013125134/http:/www.otherminds.org/shtml/Perspectives.shtml http://www.perspectivesofnewmusic.org/ http://www.otherminds.org/shtml/Perspectives.shtml
sameAs	Perspectives of New Music Perspectives of New Music Perspectives of New Music Perspectives of New Music
dbp:wikiPageUsesTemplate	dbt:ISBN dbt:Ill dbt:Infobox_journal dbt:Reflist dbt:Webarchive
LCCN	66089176 (xsd:integer)
abbreviation	Perspect. New Music (en)
country	US (en)
date	2004-10-13 (xsd:date)
discipline	Music theory and musical analysis (en)
editor	Benjamin Boretz John Rahn Robert Morris (composer)
frequency	Biannual (en)
history	1962 (xsd:integer)
ISSN	31 (xsd:integer)
oclc	805415023 (xsd:integer)
publisher	Perspectives of New Music, Seattle (en)
title	Perspectives of New Music (en)
url	https://web.archive.org/web/20041013125134/http:/www.otherminds.org/shtml/Perspectives.shtml
website	http://www.perspectivesofnewmusic.org/
has abstract	Perspectives of New Music (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). Perspectives was first published by the Princeton University Press, initially supported by the Fromm Music Foundation. The first issue was favorably reviewed in the Journal of Music Theory, which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint [that] came to dominate" it. "However intrinsically valuable the kinds of analytic approaches that came to typify it may [have been], Perspectives [became] in essence a highly specialized theory journal for contemporary music. For a decade, Fromm and certain members of the advisory board attempted to broaden the journal's scope, and when the editorial board ... refused to return to the original conception, Fromm withdrew his funding in 1972. When Fromm discontinued his support, Perspectives of New Music formed an independent corporation, which has continued its publication. Boretz edited the journal from 1962 through 1983, with co-editors Berger (1962–1964), Edward T. Cone (1968–1972), and Elaine Barkin (1972–1983). John Rahn was editor from 1983 until 1993, and Boretz again in 1994/95. From 1995 until 2000, there was a group of five editors: Joseph Dubiel, Marion Guck, Marianne Kielian-Gilbert, Andrew Mead, and Stephen Peles. Musicologist Jerome Kohl was the journal's managing editor from 1985 to 1999. The current editors are Boretz, Robert Morris, and Rahn. (en)
JSTOR	316016 (xsd:integer)
gold:hypernym	Journal
JSTOR	00316016
LCCN	66089176
prov:wasDerivedFrom	wikipedia-en:Perspectives_of_New_Music?oldid=1098462620&ns=0
page length (characters) of wiki page	5449 (xsd:nonNegativeInteger)
abbreviation	Perspect. New Music
first publication year	1962-01-01 (xsd:gYear)
frequency of publication	Biannual
issn	0031-6016
OCLC	805415023

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