• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: One More Last Chance (album)     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatRayStevensAlbums, within Data Space : dbpedia.org associated with source document(s)

Type: Thingschema:CreativeWorkschema:MusicAlbumworkMusical workwikidata:Q386724Albummusical workyago:Album106591815yago:Artifact100021939yago:Instrumentality103575240yago:Medium106254669yago:Object100002684yago:PhysicalEntity100001930albumyago:Whole100003553yago:Wikicat1981Albumsyago:WikicatRCARecordsAlbumsyago:WikicatRayStevensAlbums New Facet based on Instances of this Class

One More Last Chance was Ray Stevens' eighteenth studio album as well and his second for RCA Records, released in 1981. The front of the album cover shows Stevens dressed in cowboy attire and at a bar with a pretty, flirtatious woman standing at his side. The singles "Night Games" and "One More Last Chance" (unrelated to the later Charley Pride hit and Vince Gill hit songs of the same names) were lifted from this album. The album was a pivot back toward more serious material for Stevens, as he felt that the novelty music he had been recording in the late 1970s was falling out of fashion; he eventually returned to novelty music in 1984.