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Melvyn Tan Ban Eng (Chinese: 陈万荣; born 13 October 1956) is a Singapore-born British classical pianist, noted for his study of historical performance practice. From a young age, he went to England to study, first at the Yehudi Menuhin School when he was twelve years old, later enrolling at the Royal College of Music where he studied with Angus Morrison. At the Royal College, he was told by the then director Sir David Willcocks that he would have to study a second instrument; so he chose the harpsichord, which began his interest in early keyboards.

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  • ميلفين تان (ar)
  • Melvyn Tan (es)
  • Melvyn Tan (fr)
  • Melvyn Tan (it)
  • Melvyn Tan (en)
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  • ميلفين تان (بالإنجليزية: Melvyn Tan)‏ هو عازف بيانو بريطاني، ولد في 13 أكتوبر 1956 في سنغافورة. (ar)
  • Melvyn Tan (en chinois : 陈万荣 ; Singapour, 13 octobre 1956) est un pianiste classique britannique originaire de Singapour, connu pour ses études sur l'interprétation historiquement informée. (fr)
  • Tan Melvyn, 陈万荣S (Singapore, 13 ottobre 1956), è un pianista singaporiano con cittadinanza britannica, noto per il suo studio della pratica della esecuzione storicamente informata. (it)
  • Melvyn Tan (陈万荣, Singapur, 13 de octubre de 1956) es un pianista clásico, uno de los pocos que han logrado ser igualmente exitosos en piano moderno y en fortepiano del siglo XVIII. Fue becado a la escuela del gran violinista Yehudi Menuhin en Surrey, Inglaterra donde estudió con Nadia Boulanger​ y posteriormente en el Royal College of Music de Londres. En 1996 regresó al piano moderno de la era Romántica para desempeñarse con igual suceso en Mozart y Handel como Debussy o Schumann. Ha acompañado en grabaciones y recital a cantantes como Anne Sofie von Otter y Angelika Kirchschlager. (es)
  • Melvyn Tan Ban Eng (Chinese: 陈万荣; born 13 October 1956) is a Singapore-born British classical pianist, noted for his study of historical performance practice. From a young age, he went to England to study, first at the Yehudi Menuhin School when he was twelve years old, later enrolling at the Royal College of Music where he studied with Angus Morrison. At the Royal College, he was told by the then director Sir David Willcocks that he would have to study a second instrument; so he chose the harpsichord, which began his interest in early keyboards. (en)
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