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About: Marie-Anne-Catherine Quinault     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFrenchOperaSingers, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonschema:MusicGroupEukaryoteHomo sapiensArtistHumanAnimalyago:WikicatBaroqueComposersanimaleukaryotespeciesschema:Personyago:WikicatWomenClassicalComposersyago:Artist109812338yago:CausalAgent100007347yago:Composer109947232yago:Creator109614315yago:Entertainer109616922yago:LivingThing100004258yago:Musician110339966yago:Musician110340312yago:Object100002684yago:Organism100004475yago:Performer110415638yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoartistmusical artistyago:Singer110599806yago:Whole100003553yago:WikicatFrenchComposersyago:WikicatFrenchOperaSingers New Facet based on Instances of this Class

Marie-Anne-Catherine Quinault (26 August 1695 – 1793) (known as Mademoiselle Quinault l'aînée, the elder) was a French singer and composer. Quinault was born in Strasbourg. Her father was the actor (1656–1728), and one of her brothers was Jean-Baptiste-Maurice Quinault, a singer, composer, and actor. She made her debut at the Académie Royale de Musique in 1709 in Jean-Baptiste Lully's Bellérophon. She remained at the opera until 1713. In 1714 she began singing at the Comédie-Française, where she remained until 1722 Quinault composed motets for the Royal Chapel at the Palace of Versailles. For one of these motets, thanks to the benevolence of the Duke of Orléans, she was awarded the first and last grand cordon of the Order of Saint Michael ever given to a woman