Jacques de Cambrai (fl. c. 1260–80), sometimes Jaque or Jaikes, was a trouvère from Cambrai. He composed four chansons courtoises, one pastourelle, six devotional chansons, and one Marian rotrouenge. The preserves all his works, nine of them uniquely. In addition, a chanson and the pastourelle are preserved in the manuscript Oxford Douce 308 and one of the devotional songs is also copied in two other sources. The Berne manuscript notes that his Haute dame, com rose et lis was modelled on (i.e. a contrafactum of) Ausi com l'unicorne sui by Theobald I of Navarre and Mere, douce creature on Quant voi la glaie meure by Raoul de Soissons. Otherwise none of his music survives, though staves for its transcription were prepared. Of all Jacques's works, only his rotrouenge, the Retrowange novelle,
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| - Jacques de Cambrai (de)
- Jacques de Cambrai (fr)
- Jacques de Cambrai (it)
- Jacques de Cambrai (en)
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| - Jacques de Cambrai (c. fl. 1260–1280) est un trouvère de Cambrai. (fr)
- Jacques de Cambrai (* um 1220 in Cambrai, jetziges Frankreich) war ein mittelalterlicher Komponist und Trouvère (Troubadour). Über sein Leben ist außer seinem Geburtsort Cambrai, den er wohl schon früh verließ, nahezu nichts überliefert. Als seine Hauptschaffensperiode gilt das dritte Viertel des 13. Jahrhunderts. Seine Musik gilt nicht unbedingt als innovativ, sondern repräsentativ für die Zeit des Hochmittelalters und der Region Flandern/Artois/Picardie, in der der Komponist lebte. Von ihm erhalten blieben nur vier Liebeslieder, sieben geistliche Lieder (siehe Beispiel unten) und eine Pastourelle in einer Handschrift in der Berner Stadtbibliothek. (de)
- Jacques de Cambrai (fl. c. 1260–80), sometimes Jaque or Jaikes, was a trouvère from Cambrai. He composed four chansons courtoises, one pastourelle, six devotional chansons, and one Marian rotrouenge. The preserves all his works, nine of them uniquely. In addition, a chanson and the pastourelle are preserved in the manuscript Oxford Douce 308 and one of the devotional songs is also copied in two other sources. The Berne manuscript notes that his Haute dame, com rose et lis was modelled on (i.e. a contrafactum of) Ausi com l'unicorne sui by Theobald I of Navarre and Mere, douce creature on Quant voi la glaie meure by Raoul de Soissons. Otherwise none of his music survives, though staves for its transcription were prepared. Of all Jacques's works, only his rotrouenge, the Retrowange novelle, (en)
- Jaque de Cambrai o Jacques de Cabrai (... – ...; fl. 1260 ca.-1280) è stato un troviero originario di Cambrai.Ha composto quattro chansons courtoises, una pastourelle, sei chansons devozionali e una rotrouenge mariana. Il , in cui sono unicamente conservati la maggior parte dei suoi lavori, annota che la sua Haute dame, com rose et lis fosse stata modellata su (vale a dire un contrafactum di) Ausi com l'unicorne sui di Teobaldo I di Navarra e Mere, douce creature su Quant voi la glaie meure di Raoul de Soissons. Purtroppo, nessuna di queste musiche sopravvive, sebbene si fossero preparati "tetragrammi" per la sua trascrizione. Di tutti i lavori di Jaque, solo la sua rotrouenge, la Retrowange novelle, non ha nessun modello menzionato nei manoscritti; nella sua rubrica si legge solo "Jaikes (it)
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| - Jacques de Cambrai (* um 1220 in Cambrai, jetziges Frankreich) war ein mittelalterlicher Komponist und Trouvère (Troubadour). Über sein Leben ist außer seinem Geburtsort Cambrai, den er wohl schon früh verließ, nahezu nichts überliefert. Als seine Hauptschaffensperiode gilt das dritte Viertel des 13. Jahrhunderts. Seine Musik gilt nicht unbedingt als innovativ, sondern repräsentativ für die Zeit des Hochmittelalters und der Region Flandern/Artois/Picardie, in der der Komponist lebte. Von ihm erhalten blieben nur vier Liebeslieder, sieben geistliche Lieder (siehe Beispiel unten) und eine Pastourelle in einer Handschrift in der Berner Stadtbibliothek. Chanson pieuseRetrowange novelleDirai et bone et belleDe la virge pucelle,Ke maire est et ancelleCelui ki de sa chair belleNos ait racheteitEt ki trestous nos apelleA sa grant clairteir.Ce nos dist IsaïeEn une profesie:D'une verge delgie,De Jessé espanie,Istroit flors per signorieDe tres grant biaulteit.Or est bien la profesieTorneie a verteit.Celle verge delgieEst la virge MarieLa flors nos senefieDe ceu ne douteis mie,Jhesu Crist, ki la haichieEn la croix sousfri;Fut por rendre ceays en vieKi lerent peri. (de)
- Jacques de Cambrai (fl. c. 1260–80), sometimes Jaque or Jaikes, was a trouvère from Cambrai. He composed four chansons courtoises, one pastourelle, six devotional chansons, and one Marian rotrouenge. The preserves all his works, nine of them uniquely. In addition, a chanson and the pastourelle are preserved in the manuscript Oxford Douce 308 and one of the devotional songs is also copied in two other sources. The Berne manuscript notes that his Haute dame, com rose et lis was modelled on (i.e. a contrafactum of) Ausi com l'unicorne sui by Theobald I of Navarre and Mere, douce creature on Quant voi la glaie meure by Raoul de Soissons. Otherwise none of his music survives, though staves for its transcription were prepared. Of all Jacques's works, only his rotrouenge, the Retrowange novelle, has no model mentioned in the manuscripts; its rubric reads only "Jaikes de Cambrai—De Notre Dame" (Jaque of Cambrai—On Our Lady). Jacques's devotional songs emphasise Jesus' humanity and his Passion. These may be directed at the Cathars, who denied Christ's humanity. Jacques was one of the last medieval French poets to express his devotion to Mary primarily through chansons, that is, modelled on the chansons courtoises or love songs. After him the tendency was to use the and even later the chant royal. (en)
- Jacques de Cambrai (c. fl. 1260–1280) est un trouvère de Cambrai. (fr)
- Jaque de Cambrai o Jacques de Cabrai (... – ...; fl. 1260 ca.-1280) è stato un troviero originario di Cambrai.Ha composto quattro chansons courtoises, una pastourelle, sei chansons devozionali e una rotrouenge mariana. Il , in cui sono unicamente conservati la maggior parte dei suoi lavori, annota che la sua Haute dame, com rose et lis fosse stata modellata su (vale a dire un contrafactum di) Ausi com l'unicorne sui di Teobaldo I di Navarra e Mere, douce creature su Quant voi la glaie meure di Raoul de Soissons. Purtroppo, nessuna di queste musiche sopravvive, sebbene si fossero preparati "tetragrammi" per la sua trascrizione. Di tutti i lavori di Jaque, solo la sua rotrouenge, la Retrowange novelle, non ha nessun modello menzionato nei manoscritti; nella sua rubrica si legge solo "Jaikes de Cambrai—De Notre Dame" (Jaque di Cambrai—Di Nostra Signora). Le canzoni devozionali di Jaque enfatizzano l'umanità di Gesù e la sua Passione. Queste potrebbero essere dirette ai catari, i quali negano l'umanità di Cristo. Jaque era uno degli ultimi poeti francesi medievali a esprimere la sua devozione per Maria principalmente attraverso chansons, vale a dire, modellate su chansons courtoises o canzoni d'amore. Dopo di lui la tendenza era quella di usare i serventois e più tardi anche il chant royal. (it)
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