About: Georgije Mitrofanović

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Georgije Mitrofanović (Serbian Cyrillic: Георгије Митрофановић; c. 1550–c. 1630) was a Serbian Orthodox monk and painter, remembered best for his work on the Morača monastery church and the frescoes (wall paintings) inside the Krupa monastery church. Mitrofanović, a monk, had trained at the Hilandar monastery workshop, situated on Mount Athos, before coming to Montenegro where he worked on frescoes in the Morača monastery. He had many pupils and associates, but his most famous follower was Zograf Jovan. His contemporary was Zograf Longin.

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rdf:type	Thing person yago:WikicatSerbianMonks yago:WikicatSerbianOrthodoxClerics yago:WikicatSerbianPainters yago:Artist109812338 yago:CausalAgent100007347 yago:Clergyman109927451 yago:Cleric109928136 yago:Creator109614315 yago:Leader109623038 yago:LivingThing100004258 yago:Monk110112129 yago:Object100002684 yago:Organism100004475 yago:Painter110391653 yago:Person100007846 yago:PhysicalEntity100001930 yago:Religious110518602 yago:ReligiousPerson109628382 yago:YagoLegalActor yago:YagoLegalActorGeo yago:SpiritualLeader109505153 yago:Whole100003553 yago:Wikicat16th-centurySerbianPeople yago:Wikicat17th-centuryPainters yago:Wikicat17th-centurySerbianPeople
rdfs:label	Georgije Mitrofanović (en)
rdfs:comment	Georgije Mitrofanović (Serbian Cyrillic: Георгије Митрофановић; c. 1550–c. 1630) was a Serbian Orthodox monk and painter, remembered best for his work on the Morača monastery church and the frescoes (wall paintings) inside the Krupa monastery church. Mitrofanović, a monk, had trained at the Hilandar monastery workshop, situated on Mount Athos, before coming to Montenegro where he worked on frescoes in the Morača monastery. He had many pupils and associates, but his most famous follower was Zograf Jovan. His contemporary was Zograf Longin. (en)
dcterms:subject	People associated with Hilandar Monastery 16th-century Serbian people 17th-century Serbian people 1550s births Place of birth unknown Serbian monks 17th-century painters Serbian Orthodox clergy History of the Serbian Orthodox Church 17th-century people from the Ottoman Empire 1630s deaths Members of the Serbian Orthodox Church Serbian painters 17th-century artists from the Ottoman Empire
Wikipage page ID	3487099 (xsd:integer)
Wikipage revision ID	1114896981 (xsd:integer)
Link from a Wikipage to another Wikipage	Prikaz People associated with Hilandar Monastery 16th-century Serbian people 17th-century Serbian people Renaissance Zograf Longin 1550s births Place of birth unknown Serbian monks Frescoes Greece Mount Athos 17th-century painters Painting Serbian Patriarchate of Peć Altar Cupola Jovan Kantul Hilandar Serbian Orthodox clergy Patriarchal Monastery of Peć History of the Serbian Orthodox Church 17th-century people from the Ottoman Empire 1630s deaths Members of the Serbian Orthodox Church Serbian painters Morača monastery Dome 17th-century artists from the Ottoman Empire Krupa monastery Pajsije of Janjevo Serbian Orthodox
Link from a Wikipage to an external page	http://www.varvar.ru/en/serbian-art/mitrofanovic/index.html
sameAs	Georgije Mitrofanović Georgije Mitrofanović Georgije Mitrofanović Georgije Mitrofanović Georgije Mitrofanović
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has abstract	Georgije Mitrofanović (Serbian Cyrillic: Георгије Митрофановић; c. 1550–c. 1630) was a Serbian Orthodox monk and painter, remembered best for his work on the Morača monastery church and the frescoes (wall paintings) inside the Krupa monastery church. Mitrofanović, a monk, had trained at the Hilandar monastery workshop, situated on Mount Athos, before coming to Montenegro where he worked on frescoes in the Morača monastery. He had many pupils and associates, but his most famous follower was Zograf Jovan. His contemporary was Zograf Longin. Serbian Patriarch Pajsije initiated the restoration of the old 13th- and 14th-century churches of the Patriarchal Monastery of Peć in 1620. Its restoration marked the symbolic beginning of the renaissance of true artistic activity in the territories subordinate to prikazes of the Serbian Patriarchate of Peć. All the domes of the churches were covered with lead, the Church of St. Demetrius was practically rebuilt, and almost half of the frescoes were restored by Mitrofanović, giving them a new layer. The major part of the early 17th-century frescoes in the church is found in the altar and in the space between the cupola. Retaining the old subjects and respecting the preceding compositional solutions, Mitrofanović tended to approach the artistic attitude of master painter John's from the 14th century retaining at the same time his own warmer coloring. (en)
gold:hypernym	Monk
prov:wasDerivedFrom	wikipedia-en:Georgije_Mitrofanović?oldid=1114896981&ns=0
page length (characters) of wiki page	2857 (xsd:nonNegativeInteger)
foaf:isPrimaryTopicOf	wikipedia-en:Georgije_Mitrofanović
is Link from a Wikipage to another Wikipage of	List of Serbs

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