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Gaspard Le Roux (c. 1670 – c. August 1706) was a French harpsichordist active in Paris at the beginning of the 18th century. Little is known of his life, which is exacerbated by the commonality of his name among musicians and dance instructors in Paris. A Le Roux is mentioned as the contributor of an air spirituel in Mercure galant (March 1690), but whether this refers to Gaspard in unclear. The name is also found in Nicolas de Blégny's Le Livre commode contenant les adresses de la ville de Paris … pour l’année 1692, although no address is included; in a tax document, Rolle des sommes qui seront payées par les Organistes et Professeurs de Clavecin de la Ville et fauxbourgs; two records of Gaspard Le Roux receiving annuities through the notaire publique Alexandre Lebèvre are dated 8 May 170

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  • Gaspard le Roux (de)
  • Gaspard Le Roux (en)
  • Gaspard Le Roux (es)
  • Gaspard Le Roux (fr)
  • Gaspard Le Roux (it)
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  • Gaspard le Roux (* um 1660 in Paris; † 1707 ebenda) war ein französischer Cembalist und Komponist des Barocks. (de)
  • Gaspard Le Roux est un compositeur, claveciniste et organiste français actif à Paris à la fin du XVIIe siècle au début du XVIIIe siècle; il serait né vers 1660 et mort au plus tard en juin 1707. (fr)
  • Gaspard Le Roux (1660-1701) es un compositor, clavecinista y organista francés activo en París a finales del siglo XVII. Vida Poco o casi nada se sabe de su vida; es mencionado a menudo como formando parte de una extensa lista de profesores reputados en el París de la época. Se debe su relativo anonimato al hecho de no haber formado parte de la corte de Versalles, por lo que su identidad real, en el supuesto de que usara un pseudónimo, ha dado lugar a bien variadas hipótesis. Nace sobre 1660 y muere como muy tarde en 1701 (1) Obra Partituras * Datos: Q320376 (es)
  • Gaspard Le Roux (c. 1670 – c. August 1706) was a French harpsichordist active in Paris at the beginning of the 18th century. Little is known of his life, which is exacerbated by the commonality of his name among musicians and dance instructors in Paris. A Le Roux is mentioned as the contributor of an air spirituel in Mercure galant (March 1690), but whether this refers to Gaspard in unclear. The name is also found in Nicolas de Blégny's Le Livre commode contenant les adresses de la ville de Paris … pour l’année 1692, although no address is included; in a tax document, Rolle des sommes qui seront payées par les Organistes et Professeurs de Clavecin de la Ville et fauxbourgs; two records of Gaspard Le Roux receiving annuities through the notaire publique Alexandre Lebèvre are dated 8 May 170 (en)
  • Gaspard Le Roux (Parigi, 1660 circa – Parigi, 1707 circa) è stato un compositore e clavicembalista francese. Il poco che si sa di Le Roux è che viene menzionato in una lista di professori parigini e un'unica raccolta di sue suite per due clavicembali datata "1705". Le sue composizioni, come stile, fanno parte della tradizione clavicembalistica francese, assieme ai lavori di altri compositori più famosi, come Jean-Henri d'Anglebert e François Couperin. (it)
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  • Gaspard Le Roux (en)
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  • Le_Roux%2C_Gaspard (en)
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  • Gaspard le Roux (* um 1660 in Paris; † 1707 ebenda) war ein französischer Cembalist und Komponist des Barocks. (de)
  • Gaspard Le Roux (1660-1701) es un compositor, clavecinista y organista francés activo en París a finales del siglo XVII. Vida Poco o casi nada se sabe de su vida; es mencionado a menudo como formando parte de una extensa lista de profesores reputados en el París de la época. Se debe su relativo anonimato al hecho de no haber formado parte de la corte de Versalles, por lo que su identidad real, en el supuesto de que usara un pseudónimo, ha dado lugar a bien variadas hipótesis. Nace sobre 1660 y muere como muy tarde en 1701 (1) Obra Se conservan 6 suites para uno o dos clavecines, aparecidas en 1705. Gaspard Le Roux precisa en el preámbulo que estas obras pueden ser tocadas sobre otros instrumentos con bajo continuo; ofrece incluso una contraparte para la ejecución a dos claves o incluso en trio. Estas obras se inscriben en la tradición francesa que va de a Couperin, pero aún en su escaso número, poseen una gran originalidad.Suele hablarse de la similitud entre el tema de su giga en la mayor y el del preludio de la suite inglesa en la misma tonalidad de J.S. Bach. Este pudo haberlo tomado prestado (las suites inglesas son de composición posterior), a no ser que ambos lo hubieran adaptado de Charles Dieupart, músico francés emigrado a Francia, quien lo había publicado en 1701. Partituras IMSLP Fac-similé de l'édition originale et gravures modernes des pièces de clavecin.ENLACESYouTube Suite I en ré mineur à 2 clavecins par Les Clavecins-Réunis : Jan Devlieger et Guy Penson.YouTube Pièces en ré majeur : Allemande grave, La Lorenzani - Courante - Sarabande gaie - Gavotte, par Les Cyclopes : Bibiane Lapointe et Thierry Maeder, clavecins.YouTube Gigue en sol majeur pour 2 clavecins par Paul Cienniwa et Michael Sponseller, en récital à la First Church de Boston.Ver también: Escuela francesa de clavecín * Datos: Q320376 (es)
  • Gaspard Le Roux (c. 1670 – c. August 1706) was a French harpsichordist active in Paris at the beginning of the 18th century. Little is known of his life, which is exacerbated by the commonality of his name among musicians and dance instructors in Paris. A Le Roux is mentioned as the contributor of an air spirituel in Mercure galant (March 1690), but whether this refers to Gaspard in unclear. The name is also found in Nicolas de Blégny's Le Livre commode contenant les adresses de la ville de Paris … pour l’année 1692, although no address is included; in a tax document, Rolle des sommes qui seront payées par les Organistes et Professeurs de Clavecin de la Ville et fauxbourgs; two records of Gaspard Le Roux receiving annuities through the notaire publique Alexandre Lebèvre are dated 8 May 1702 and 5 August 1706 [this is the last known reference to Le Roux]; and the record of his being granted a Privilège du Roy [sic] dated 9 April 1705. [A previously discovered reference by French musicologist that claimed the receipt of an inventory of Le Roux's chattels on 7 June 1707 has been proved incorrect. Hardouin mistook the name Gaspard Roux as Gaspard Leroux: Roux has been traced as far back as 1 February 1694; subsequent entries describe him as le sr Roux (14 June 1696) and bourgeois de Paris (7 September 1696), suggesting the subject Hardouin mistook as Gaspard Le Roux was someone other, possibly a rentier who lived off annuities from the town of Paris.] Le Roux is known only for his 1705 publication, Pieces de Clavessin, that are arranged into seven 'suites' (the term was not used by Le Roux). These were engraved by and sold chez auteur, meaning Le Roux was responsible for not only the costs of engraving and printing, but also in securing the correct accreditation from the state. It was sold from the shop of Henry Foucault – "a L'entrée de la rüe Saint honnoré A la Regle D'Or" and cost ten livres 'en blanc' and eleven livres, ten sous in bound format. With the exception of the preludes and three dances, there are also found arrangements and five examples of realised contreparties, which arrange the second and bass lines of the trios as their starting points. The book suggests that Le Roux was a natural teacher, giving practical advice such as to sing the melodies and accompany them using the trios' thoroughbasses before playing them; it is also demonstrational, providing differing examples of dances and styles. If one imagines a spectrum, with Charles Dieupart (1701) at the French end, Elizabeth Jacquet de la Guerre's second book (1707) in the middle, and François Couperin in his most Italianate moments at the Italian end, Le Roux's style falls slightly to the French side of Jacquet. (en)
  • Gaspard Le Roux est un compositeur, claveciniste et organiste français actif à Paris à la fin du XVIIe siècle au début du XVIIIe siècle; il serait né vers 1660 et mort au plus tard en juin 1707. (fr)
  • Gaspard Le Roux (Parigi, 1660 circa – Parigi, 1707 circa) è stato un compositore e clavicembalista francese. Il poco che si sa di Le Roux è che viene menzionato in una lista di professori parigini e un'unica raccolta di sue suite per due clavicembali datata "1705". Le sue composizioni, come stile, fanno parte della tradizione clavicembalistica francese, assieme ai lavori di altri compositori più famosi, come Jean-Henri d'Anglebert e François Couperin. Le Roux fu il primo compositore a scrivere pezzi per due clavicembali. Infatti all'epoca la maggior parte dei compositori scriveva per una tastiera soltanto. (it)
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