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Daughter of Darkness is a 1948 British film, with macabre overtones, directed by Lance Comfort and starring Anne Crawford, Maxwell Reed and – in the central role – Siobhán McKenna. Released in January 1948, it was based on a then ten-year-old play by Max Catto called They Walk Alone. An expensive film for its day, it was shot at Riverside Studios, Hammersmith, London, (known at that time as Alliance Studios) and on location. McKenna was offered a Hollywood contract following her memorable performance, but heeded the counsel of Laurence Olivier to remain in theatre work.

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  • Tochter der Finsternis (de)
  • Daughter of Darkness (1948 film) (en)
  • Daughter of Darkness (it)
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  • Tochter der Finsternis (Originaltitel: Daughter of Darkness) ist ein britischer mit Elementen des Horrors ausgestatteter Kriminalfilm von Regisseur Lance Comfort aus dem Jahr 1948 mit Anne Crawford, Maxwell Reed, und Barry Morse in den Hauptrollen. Der Film wurde von Victor Hanbury Productions in Zusammenarbeit mit Alliance Productions Ltd. für die Paramount nach dem Stück They Walk Alone von Max Catto produziert, der für den Film auch das Drehbuch schrieb. (de)
  • Daughter of Darkness is a 1948 British film, with macabre overtones, directed by Lance Comfort and starring Anne Crawford, Maxwell Reed and – in the central role – Siobhán McKenna. Released in January 1948, it was based on a then ten-year-old play by Max Catto called They Walk Alone. An expensive film for its day, it was shot at Riverside Studios, Hammersmith, London, (known at that time as Alliance Studios) and on location. McKenna was offered a Hollywood contract following her memorable performance, but heeded the counsel of Laurence Olivier to remain in theatre work. (en)
  • Daughter of Darkness è un film britannico del 1948, diretto da Lance Comfort, basato sull’opera teatrale di Max Catto . (it)
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  • Daughter of Darkness (en)
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  • Daughter of Darkness (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/%22Daughter_of_Darkness%22_(1948).jpg
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  • play "They Walk Alone" by Max Catto (en)
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