• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Crooklyn Dodgers     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : umbel-rc:MusicalComposition, within Data Space : dbpedia.org associated with source document(s)

Type: Thingschema:MusicGroupschema:Organizationdul:Agentdul:SocialPersonagentgroupMusical ensemblewikidata:Q24229398Organizationyago:WikicatMusicalGroupsEstablishedIn1994yago:Abstraction100002137yago:Collective108056601yago:Enterprise108056231yago:Group100031264yago:MusicalOrganization108246613yago:Organization108008335yago:WikicatHipHopCollectivesyago:YagoLegalActoryago:YagoLegalActorGeoyago:YagoPermanentlyLocatedEntityBandorganisationsingleyago:SocialGroup107950920umbel-rc:MusicSingleumbel-rc:MusicalComposition New Facet based on Instances of this Class

The Crooklyn Dodgers were a hip-hop supergroup based in Brooklyn, New York City, consisting of rotating members. They appeared in three separate incarnations in 1994, 1995, and 2007. The first two incarnations recorded for the soundtracks for Spike Lee films, Crooklyn and Clockers, respectively. The theme connecting The Crooklyn Dodgers songs, aside from the Spike Lee films for which they were made, is their topical concerns, which comment on the state of affairs in and around urban New York City, as well as other issues affecting everyday life.