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Catherine Turocy co-founded The New York Baroque Dance Company in 1976, with Ann Jacoby. The NYBDC is dedicated to reconstructing Baroque dances. Catherine Turocy studied historical dance under Ohio State teacher, Shirley Wynne. She has reconstructed and choreographed “over 300 dances and 60 opera-ballets” including numerous Rameau operas, including Les Boréades. She has worked ten years at the Handel Festival in Goettingen, Germany. She has toured the world and made numerous dance videos. As director of the New York Baroque Dance Company, she presents reconstructions of 17th- and 18th-century dances, often in collaboration with Concert Royal, a musical group directed by James Richman that uses period instruments."

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  • Catherine Turocy (en)
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  • Catherine Turocy co-founded The New York Baroque Dance Company in 1976, with Ann Jacoby. The NYBDC is dedicated to reconstructing Baroque dances. Catherine Turocy studied historical dance under Ohio State teacher, Shirley Wynne. She has reconstructed and choreographed “over 300 dances and 60 opera-ballets” including numerous Rameau operas, including Les Boréades. She has worked ten years at the Handel Festival in Goettingen, Germany. She has toured the world and made numerous dance videos. As director of the New York Baroque Dance Company, she presents reconstructions of 17th- and 18th-century dances, often in collaboration with Concert Royal, a musical group directed by James Richman that uses period instruments." (en)
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  • Catherine Turocy co-founded The New York Baroque Dance Company in 1976, with Ann Jacoby. The NYBDC is dedicated to reconstructing Baroque dances. Catherine Turocy studied historical dance under Ohio State teacher, Shirley Wynne. She has reconstructed and choreographed “over 300 dances and 60 opera-ballets” including numerous Rameau operas, including Les Boréades. She has worked ten years at the Handel Festival in Goettingen, Germany. She has toured the world and made numerous dance videos. As director of the New York Baroque Dance Company, she presents reconstructions of 17th- and 18th-century dances, often in collaboration with Concert Royal, a musical group directed by James Richman that uses period instruments." HONORS, GRANTS, AWARDS: 2018-2019 Center for Ballet and the Arts Residency Fellowship in NYC (affiliated with NYU)Isadora Duncan Dance Award for Best Re-staging and Reconstruction 2018 (Le Temple de la Gloire, Rameau)Best of the Bay, top prize for Choreography 2017 (Le Temple de la Gloire, Rameau)Best of the Bay, top prize for Opera 2017 (Le Temple de la Gloire, Rameau)Bachtrack (International) Award for Best Opera photo (stage director) 2017 (Le Temple de la Gloire, Rameau)Artist/Lecturer in residence at Dance New Amsterdam 2013CMRS Visiting Distinguished Scholar (UCLA) 2013Natalie Skelton Award for Sustained Artistic Excellence, 2008BESSIE Award for Sustained Achievement in Choreography, 2001Getty Scholar, 1997Chevalier in the Order of Arts and Letters, decorated by the French government, 1995 Prix Claude Rostand (French prize given by the critics for the best lyric opera of the year, 1986 Scylla et Glaucus)Chosen as one of the top choreographers in New York City to be documented as part of theNational Dance Heritage Project at the Library of the Performing Arts at Lincoln Center since 1980National Endowment for the Arts Choreography Fellowships: 1980, 1983, 1984,1986-88, 1990, 1994-6, 1996-97, when this category disappeared from the NEA.NEA Heritage and Preservation Grants 1997-2016New York Foundation for the Arts Fellowship, 1990US-France Exchange Fellowship, National Endowment for the Arts, 1987Jerome Foundation Award for Choreographic Creation, 1985USA-UK Exchange Fellowship, National Endowment for the Arts, 1980-81Dance Film Award, for the creation of the video, The Art of Dancing: AnIntroduction to Baroque Dance, 1979Ohio State University Scholarship, 1970-74; Women’s Club of Orange Village, 1970-72Member of Alpha Lambda Delta (Academic Honor Society, 1970-74) (en)
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