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Cai Han (Chinese: 蔡含; 1647–1686), was a Chinese landscape painter. She was the concubine of the painter and, with his other concubine , she was commissioned by him with the task of producing paintings as gifts to his guests; they became known as "The Two Painters of the Mao Family".

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  • Cai Han (en)
  • 채함 (ko)
  • Cai Han (sv)
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  • Cai Han (Chinese: 蔡含; 1647–1686), was a Chinese landscape painter. She was the concubine of the painter and, with his other concubine , she was commissioned by him with the task of producing paintings as gifts to his guests; they became known as "The Two Painters of the Mao Family". (en)
  • 채함(蔡含, 1647년 ~ 1686년)은 중국 청나라 강희제 시대의 여성 동양풍경화가이다. 자(字)는 여라(女蘿)이며 호(號)는 원옥(園玉)이다. (ko)
  • Cai Han, född 1647, död 1686, var en kinesisk konstnär. Hon var från 1665 konkubin till konstnären . Tillsammans med sin medkonkubin blev hon känd som "Familjen Maos två målare": Mao Xiang gav dem i uppgift att framställa tavlor som han gav i gåva till sina gäster. Cai Han blv särskilt känd för sina landskapsmålningar, och fick av samtiden omdömet att hon frigjort sig från det sätt de flesta kvinnor målade. (sv)
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  • Cai Han (en)
  • 蔡含 (en)
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  • Cai Han (en)
  • 蔡含 (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Autumn_flowers_and_white_pheasants_秋花白鷴图.jpg
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  • Auspicious noon (en)
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  • Mao Bijiang (en)
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  • Cai Han (Chinese: 蔡含; 1647–1686), was a Chinese landscape painter. She was the concubine of the painter and, with his other concubine , she was commissioned by him with the task of producing paintings as gifts to his guests; they became known as "The Two Painters of the Mao Family". (en)
  • 채함(蔡含, 1647년 ~ 1686년)은 중국 청나라 강희제 시대의 여성 동양풍경화가이다. 자(字)는 여라(女蘿)이며 호(號)는 원옥(園玉)이다. (ko)
  • Cai Han, född 1647, död 1686, var en kinesisk konstnär. Hon var från 1665 konkubin till konstnären . Tillsammans med sin medkonkubin blev hon känd som "Familjen Maos två målare": Mao Xiang gav dem i uppgift att framställa tavlor som han gav i gåva till sina gäster. Cai Han blv särskilt känd för sina landskapsmålningar, och fick av samtiden omdömet att hon frigjort sig från det sätt de flesta kvinnor målade. (sv)
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