About: Bontoc Eulogy

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Bontoc Eulogy is a 1995 docudrama directed by Marlon Fuentes and distributed by the Corporation for Public Broadcasting. It was produced, written, directed, edited by, and stars Marlon Fuentes in the main role of a screen narrator going through an excruciating internal conflict regarding his heritage and following his thoughts as he recounts his grandfather's journey to the St. Louis World's Fair. It is the fifth film produced by Marlon Fuentes, following Arm in 1994.

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rdf:type	Thing schema:CreativeWork schema:Movie work Film wikidata:Q386724 yago:Abstraction100002137 yago:Artifact100021939 yago:Creation103129123 yago:Event100029378 yago:Movie106613686 yago:Object100002684 yago:PhysicalEntity100001930 yago:Product104007894 yago:PsychologicalFeature100023100 yago:YagoPermanentlyLocatedEntity movie yago:Show106619065 yago:SocialEvent107288639 yago:Whole100003553
rdfs:label	Bontoc Eulogy (en)
rdfs:comment	Bontoc Eulogy is a 1995 docudrama directed by Marlon Fuentes and distributed by the Corporation for Public Broadcasting. It was produced, written, directed, edited by, and stars Marlon Fuentes in the main role of a screen narrator going through an excruciating internal conflict regarding his heritage and following his thoughts as he recounts his grandfather's journey to the St. Louis World's Fair. It is the fifth film produced by Marlon Fuentes, following Arm in 1994. (en)
foaf:name	Bontoc Eulogy (en)
name	Bontoc Eulogy (en)
Wikipage page ID	30920372 (xsd:integer)
Wikipage revision ID	1116636187 (xsd:integer)
Link from a Wikipage to another Wikipage	San Francisco Santa Barbara Museum of Art Metanarrative Brechtian Bricolage United States Corporation for Public Broadcasting Unreliable narrator Mockumentary Christian Allah Museo de Arte Moderno Antioch College Library of Congress Philippine Science High School Washington D.C. Documentary Membranophone Ethnography Filipino people Filipinos Film director Western world Audience San Andres, Manila Philippines Philippine–American War Phonograph Piano Solomon R. Guggenheim Foundation Spain Southampton, St. Louis Behavioral science Narrator National Museum of American History New York City New York University Simple Nonfiction Manifest Destiny Manila, Philippines World's Fair Autoethnographic Traditional Filipino music Houston Museum of Fine Arts Smithsonian Museum Filipino-American Rhetor St. Louis World's Fair St. Louis Worlds Fair Narrative device Netherlands Filmmuseum
sameAs	Bontoc Eulogy Bontoc Eulogy Bontoc Eulogy
dbp:wikiPageUsesTemplate	dbt:IMDb_title dbt:Infobox_film dbt:Multiple_issues dbt:Orphan dbt:Primary_sources dbt:Reflist dbt:Self-published dbt:Ubl dbt:Film_date
caption	Poster in simple style (en)
director	Marlon Fuentes (en)
distributor	Corporation for Public Broadcasting
italic title	force (en)
runtime	3360.0 (second)
writer	Marlon Fuentes (en)
has abstract	Bontoc Eulogy is a 1995 docudrama directed by Marlon Fuentes and distributed by the Corporation for Public Broadcasting. It was produced, written, directed, edited by, and stars Marlon Fuentes in the main role of a screen narrator going through an excruciating internal conflict regarding his heritage and following his thoughts as he recounts his grandfather's journey to the St. Louis World's Fair. It is the fifth film produced by Marlon Fuentes, following Arm in 1994. Despite a limited audience view worldwide, this experimental documentary offered a deep and critical insight into Filipino history, and is considered a pioneering work in autoethnography. As a photographer, filmmaker, and conceptual artist, Marlon Fuentes' work has been shown in over 60 separate exhibitions in the past 20+ years alone and has been represented in collections such as Smithsonian Institution’s National Museum of American Art, the National Museum of American History, the Houston Museum of Fine Arts, the Library of Congress, the Corcoran Gallery of Art, and the Santa Barbara Museum of Art. Furthermore, his work has been nominated for the International Documentary Association’s Distinguished Achievement Award and has received many awards from the international community. Controversy surrounds the film even decades after its release. Some questioned the film for making audiences believe that this seemingly personal account was "real," because the piece combined fictional and factual content as a seamless historically based personal narrative. However, it can be soundly argued that the film's meaning would have been altered had this cinematic device been revealed in the beginning. Some critics have argued that the declaration of its fictional conceit via the film credits is actually the meta-denouement of the film, part of the multiple layers of interrogation conducted by the filmmaker/narrator in trying to ascertain the relationship between form and narrative. The location of the filmmaker (as "narrator") within the commingled streams of fiction and historical facts raises critical questions about the porosity of diegetic, extra-diegetic, and non-diegetic space in cinematic representations of culture and identity formation/s. The film balances its multi-layered critical objectives and formal devices without sacrificing accessibility to an audience. As an experimental, post-ethnographic film that uses/extends (albeit in stealth) the devices of structuralist/materialist cinematic conventions, the film still passes the test of "eminent watchability" despite its rigorous art-historical/theoretical agendas and lineage. (en)
prov:wasDerivedFrom	wikipedia-en:Bontoc_Eulogy?oldid=1116636187&ns=0
runtime (m)	56.0 (minute)
page length (characters) of wiki page	20360 (xsd:nonNegativeInteger)

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