• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Bird on 52nd St.     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatDebutRecordsLiveAlbums, within Data Space : dbpedia.org associated with source document(s)

Type: Thingschema:CreativeWorkschema:MusicAlbumworkMusical workwikidata:Q386724Albumyago:WikicatCharlieParkerAlbumsyago:WikicatLiveAlbumsmusical workyago:Album106591815yago:Artifact100021939yago:Instrumentality103575240yago:Medium106254669yago:Object100002684yago:PhysicalEntity100001930yago:WikicatJazzAlbumsalbumyago:Whole100003553yago:Wikicat1948Albumsyago:Wikicat1948LiveAlbumsyago:Wikicat1957Albumsyago:WikicatDebutRecordsAlbumsyago:WikicatDebutRecordsLiveAlbums New Facet based on Instances of this Class

Bird on 52nd St. is a live album by the saxophonist Charlie Parker. It was recorded in July 1948 at the Onyx Club on a non-professional tape recorder and first released in 1957 on the Jazz Workshop label as JWS 501. Several tracks are incomplete. AllMusic reviewer Scott Yanow wrote that Parker "plays quite brilliantly on this live set", but because of seriously deficient sound quality which "sometimes borders on the unlistenable" the album can be considered as being "for true Charlie Parker completists only."