Anne Chabanceau de La Barre (1628–1688) was a French soprano of the baroque era. She was the daughter of (1592-1656), organist of the chapelle royale at Notre-Dame, sieur of La Barre, and sister of Joseph Chabanceau de La Barre (1633-1678), composers of airs. Back in France, she sang in several "comédie-ballets" by Jean-Baptiste Lully such as Galanterie du Temps, Alcidiane, La Raillerie, and Princesse d'Élide. She took part in the creation of Ercole amante by Francesco Cavalli in 1662, during the composer's stay in France.
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| - Anne Chabanceau de La Barre (en)
- Anne Chabanceau de La Barre (fr)
- Anne Chabanceau de La Barre (sv)
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| - Anne Chabanceau de La Barre (baptisée le 3 septembre 1628, Paris - morte avant le 7 mars 1688, Paris) est une chanteuse, luthiste, claveciniste et danseuse française. Elle considérée comme la plus importante chanteuse française avant l'époque des tragédies lyriques, ayant joui d'une réputation internationale. (fr)
- Anne Chabanceau de La Barre (1628–1688) was a French soprano of the baroque era. She was the daughter of (1592-1656), organist of the chapelle royale at Notre-Dame, sieur of La Barre, and sister of Joseph Chabanceau de La Barre (1633-1678), composers of airs. Back in France, she sang in several "comédie-ballets" by Jean-Baptiste Lully such as Galanterie du Temps, Alcidiane, La Raillerie, and Princesse d'Élide. She took part in the creation of Ercole amante by Francesco Cavalli in 1662, during the composer's stay in France. (en)
- Anne Chabanceau de La Barre, född 1628 i Paris, död 1688, var en fransk sångare. En tid var hon hovsångerska vid svenska hovet och den första i denna position. Dotter till organisten Pierre de la Barre, debuterade hon i operan Orfeo av år 1647. Mellan 1652–54 turnerade hon i norra Europa. Under åren 1653–54 var hon "Kammarsångerska", alltså hovsångerska vid drottning Kristinas hov i Stockholm, där även hennes bror Joseph var hovsångare åren 1650–54, och hon blev därmed den första hovsångerskan i Sverige. Troligen var hon även den första kvinnliga musikern anställd vid det svenska hovet. (sv)
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| - Anne Chabanceau de La Barre (en)
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| - Anne Chabanceau de La Barre (en)
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| - Pierre Chabanceau de La Barre, Joseph Chabanceau de La Barre (en)
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| - Anne Chabanceau de La Barre (1628–1688) was a French soprano of the baroque era. She was the daughter of (1592-1656), organist of the chapelle royale at Notre-Dame, sieur of La Barre, and sister of Joseph Chabanceau de La Barre (1633-1678), composers of airs. Anne made her debut in opera in 1647 in Orfeo by Luigi Rossi. Between 1652 and 1654, she travelled widely in Northern Europe, and sang at the court of Queen Christina of Sweden in Stockholm for some time. She was made kammarsångerska, singer of the royal court in 1653-1654, alongside her brother Joseph (1633–78) who was court singer in 1650-1654. She later appeared at the court of Denmark. Back in France, she sang in several "comédie-ballets" by Jean-Baptiste Lully such as Galanterie du Temps, Alcidiane, La Raillerie, and Princesse d'Élide. She took part in the creation of Ercole amante by Francesco Cavalli in 1662, during the composer's stay in France. In 1661, she was named "fille ordinaire de la musique de la Chambre du Roi", meaning roughly a member of the king's private music ensemble (or court soprano), a very prestigious post that she kept until her death. In 1667, she married Antoine Coquerel, and ended her stage career. (en)
- Anne Chabanceau de La Barre (baptisée le 3 septembre 1628, Paris - morte avant le 7 mars 1688, Paris) est une chanteuse, luthiste, claveciniste et danseuse française. Elle considérée comme la plus importante chanteuse française avant l'époque des tragédies lyriques, ayant joui d'une réputation internationale. (fr)
- Anne Chabanceau de La Barre, född 1628 i Paris, död 1688, var en fransk sångare. En tid var hon hovsångerska vid svenska hovet och den första i denna position. Dotter till organisten Pierre de la Barre, debuterade hon i operan Orfeo av år 1647. Mellan 1652–54 turnerade hon i norra Europa. Under åren 1653–54 var hon "Kammarsångerska", alltså hovsångerska vid drottning Kristinas hov i Stockholm, där även hennes bror Joseph var hovsångare åren 1650–54, och hon blev därmed den första hovsångerskan i Sverige. Troligen var hon även den första kvinnliga musikern anställd vid det svenska hovet. Vid återkomsten till Frankrike medverkade hon i flera baletter av Jean-Baptiste Lully, som Galanterie du Temps, Alcidiane, La Raillerie och Princesse d'Élide. 1661 utnämndes hon till hovsopran vid franska hovet, en post hon behöll till sin död. Hon slutade dock uppträda offentligt efter sitt giftermål med Antoine Coquerel 1667. (sv)
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