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In jazz, the altered scale, altered dominant scale, Palamidian Scale, or Super Locrian scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. These are: * the fifth is altered to a ♭5 and a ♯5 * the ninth is altered to a ♭9 and a ♯9 * the eleventh is altered to a ♯11 (equivalent to a ♭5) * the thirteenth is altered to a ♭13 (equivalent to a ♯5)

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  • Altered scale (en)
  • Alterierte Skala (de)
  • Gamme altérée (fr)
  • Scala superlocria (it)
  • オルタード・スケール (ja)
  • Escala alterada (pt)
rdfs:comment
  • Die alterierte Skala oder alterierte Tonleiter ist eine diatonische Tonleiter, die vor allem im Jazz verwendet wird. Sie ist eine Improvisationsskala, die gegenüber den üblichen Dur- und Moll-Tonleitern und den Modi sehr viele alterierte Töne enthält. (de)
  • オルタード・スケール(英:altered scale)とは、西洋音楽における音階のひとつである。オルタードテンションを含むメロディをドミナント和音に乗せる場合の理論的根拠となる音階のひとつであり、そのことからオルタード・ドミナント・スケールとも呼ばれる。 (ja)
  • La scala superlocria o modo superlocrio è una scala costruita sul settimo grado di una scala minore melodica bachiana. È una scala usata soprattutto in ambito jazzistico ed è utilizzata solitamente su un accordo di settima dominante con la quinta alterata (esempio: Do7alt). Per esempio: su una scala minore melodica di DO (Do Re Mib Fa Sol La Si) ricaveremo la superlocria partendo dalla settima nota: Si Do Re Mib Fa Sol La (it)
  • A escala alterada ou escala ravel ou super locrian ou Pomeroy ou diminished whole tone é uma variação da escala menor melódica. (pt)
  • In jazz, the altered scale, altered dominant scale, Palamidian Scale, or Super Locrian scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. These are: * the fifth is altered to a ♭5 and a ♯5 * the ninth is altered to a ♭9 and a ♯9 * the eleventh is altered to a ♯11 (equivalent to a ♭5) * the thirteenth is altered to a ♭13 (equivalent to a ♯5) (en)
  • La gamme altérée (parfois appelée "gamme de jazz") est une échelle musicale de sept sons (heptatonique). La gamme altérée est construite sur le septième mode de la gamme mélodique mineure ascendante. Dans une acception plus générale, une gamme est dite altérée lorsqu'elle comporte des degrés altérés. Dans l'improvisation mélodique, la gamme altérée est utilisée pour exprimer une "tension", notamment sur les accords ayant une fonction de "dominante". >" />La lecture audio n'est pas prise en charge dans votre navigateur. Vous pouvez . * Portail de la musique * Portail du jazz (fr)
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  • Altered scale (en)
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reference
  • Miller, Ron. 1996. Modal Jazz Composition & Harmony, volume 1. Rottenburg: Advance Music. (en)
  • Bahha, Nor Eddine, and Robert Rawlins. 2005. Jazzology: The Encyclopedia of Jazz Theory for All Musicians, edited by Barrett Tagliarino. Milwaukee: Hal Leonard. . (en)
  • Service, Saxophone. 1993. "The Altered Scale In Jazz Improvisation". Saxophone Journal 18, no. 4 : (en)
  • Haerle, Dan. 1975. Scales for Jazz Improvisation: A Practice Method for All Instruments. Lebanon, Indiana: Studio P/R; Miami: Warner Bros.; Hialeah : Columbia Pictures Publications. . (en)
sameAs
seventh pitch
sixth pitch
third pitch
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